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Paris during the Bourbon Restoration

From Wikipedia, the free encyclopedia

Place Louis XVI (1829), now Place de la Concorde

During the Restoration of the Bourbon monarchy (1815–1830) that followed the downfall of Napoleon, Paris was ruled by a royal government which tried to reverse many of the changes made to the city during the French Revolution. The city grew in population from 713,966 in 1817 to 785,866 in 1831.[1] During the period Parisians saw the first public transport system, the first gas street lights, and the first uniformed Paris policemen. In July 1830, a popular uprising in the streets of Paris brought down the Bourbon monarchy and began reign of a constitutional monarch, Louis-Philippe.

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Transcription

Professor John Merriman: Okay, today I want to do two things. I'm going to talk about the centralization of the French State and the question of why Paris--and that's kind of fun to talk about--and the role of Paris in centralization, and the particular role of Paris in French economic, political, social and cultural life. And, then, in the last twenty minutes I'll talk about why this sort of strange man, the former "miracle baby," as he was called after his birth, the Comte de Chambord, did not become King of France, Henri V, and why France ended up a republic, and how; and, that has something to do with the centralization of the French State. Now, anyone who's ever spent any time in France at all, who's ever waited in line in a prefecture in Privas, or Agens, or Paris, God forbid, we wait for hours, will realize that the role of Paris and the role of the centralization of the French state is unique in--at least in Western European history, over the long run, and it still is. Despite all of the--Mitterrand's plans for decentralization, and the creation of regional councils, basically France remains the most centralized state in Western Europe, and the role of Paris in French life does not have an equivalent in other European countries. Now, let me think about that; let's think out loud about that other statement. Think of other countries. In Spain, obviously Madrid, Madrid is the capital but Barcelona is terribly, terribly important, and was always a much more economically important city than the kind of command economy that was Madrid. Or, if you think of Berlin, you think of Germany, a unified Germany or in the Federal Republic before German unification, Berlin was terribly important. It is now again the capital but Berlin is balanced off by Munich and by Frankfurt in some important ways. So, if you take a little country like Scotland, Edinburgh and Glasgow are two major cities. Or, if you take England, for example, people came to care in very major ways what people in Manchester thought because Manchester becomes the capital essentially of the north and the economic center of production. Or, if you take Russia, Moscow was always the religious core. Nicholas II just hated Moscow, it represented all those values that he thought were Russian, but St. Petersburg, Petrograd--Leningrad became a major, major city and because of the residence of the czar that's where it was. Or, if you take almost anywhere else--the Austro-Hungarian Empire, before it broke up, Vienna was now this over-sized capital that--in a very, very small country, but it was balanced off by Budapest. In Italy, obviously, Milan and Turin were terribly important cities, and Rome, which is just sort of a sleepy, ecclesiastical capital full of tourists and clergy. But France is unique. The role of Paris in French life is unique and that has been accentuated over the centuries, particularly the last century and a half, by some of the things that I want to talk about. In 1947, about, there was a book called Paris and the French Desert that looked at this sort of unusual thing, that where else but in France would, then, ninety-seven percent of the population be considered provincials in a very derogatory, a very pejorative sense, and Paris would be the place that all of the Rastignacs of France would try to go, because of the economic, political, social and cultural domination of the capital. A Rastignac was--it was before this course, but was the central figure, or one of them, in Balzac's novel Old Goriot, Père Goriot, and he's a sort of a somewhat poor noble from the Charente in the west of France who's going to hit the big time, and wants to sleep with all the right ladies and become wealthy without doing any work, and he became sort of a symbol for this aggressive, provincial, in this case a sort of poor noble who has to get to Paris to make the big time, because the big time could only be there. Now, I mean in almost any domain you can think of--one exception, this is not the time for me to talk about it, though I would love to do that, is gastronomy, because although Lyon is considered--Lyon is not the capital of any region, it was the second most important city in France, and still is, even though it's slightly smaller now than Marseille, if you just count the city. Lyon became the capital of French gastronomy and not Paris; but, that's almost the exception. And, one of the reasons why the role of the dominance of Paris is so great is precisely because of the centralization of the French state. In my memory, as a young guy hanging out and drinking a cheap wine in Paris when I was doing my thesis, you could only hear on the news people with Parisian accents, giving the news--only. And then, before the news they had this little thing they called Actualité Régionale, where if you lived in Auvergne there would be--you would have a fifteen minute program talking about local events and you might have somebody who had an Auvergnat accent; or, if you lived in Marseille or in Nice you might have somebody with a southern accent giving the news about local schools, and having pictures of young women presenting flowers to some corrupt politician, and it would be like that. But, basically, the news was always given by people with a northern accent, either a Loire Valley accent, and they're very proud, they think they speak the best French, but a Parisian accent. But, that's all changed, but the reality of the situation, that Paris is overly dominant, has not changed at all. And Balzac, to go back to Balzac, he put it the way Parisians view the provinces, and this is still the case. He described provincials as being dominated by routine and monotony in their small towns, that they're all the same, he wrote, which is obviously not the case. He says, "provincials are like mold, burrowing in their little plots, or frogs at the bottom of their puddles, engaged in sordid, trivial rivalries, moved by petty jealousies, avarice and material interests. Since they do not think about the things that are serious, they get excited by tiny things." Now, you used to have--there was a very famous cover of The New Yorker in which you had a map of the United States as seen from New York, and where you had New York, and then you had this sort of large ditch that finally--then, Los Angeles was half a football throw away, and everything in the middle was just sort of desert, basically. And, certainly, the way that provincial people--including myself, and we're legally residents of France, and we live in Ardeche and I'm proud of it--view Parisians is often with that same kind of contempt that the Parisians look at us. And, I mean, for example in France--and if this ever disappears I'm going to be one unhappy guy--the license plates, the last numbers of the license plate tells you where people are from. So, if you have a sixty-one you're from the Ain, and if you have a sixty-two you're from the Pas-de-Calais, or if you have a sixty-three you're from the Puy-de-Dôme. And you can amuse yourself as you're driving along, saying, "well, that guy from Châteauroux is off to visit his cousin in Besançon." That's the way I get by driving long rides; but, during the vacation seasons in July and August, when all of us down here are inundated with tourists, when people see those seventy-fives, which is the license plate for Paris or--and this is not on the test--or, if they see seventy-seven, seventy-eights, ninety-one, ninety-two, ninety-three, ninety-four, ninety-five, they know it's Paris, in the Paris region, and they know that there'll be certain expectations, often condescending expectations, that will be in the way that Parisians and people from the la region parisienne present themselves vis-à-vis we poor struggling frogs in our little ponds. Now, that has changed, for sure; but, the centralization of the French government and the domination of Paris over the life of the nation is very difficult to change, over a long period of time. Now, and I guess one of the key kind of indicators of what's going on in terms of economics, the dominance of the Paris region in terms of the economy, is that Lyon, which was always France's second city, first in gastronomy, as I said earlier, that the Bank of Lyon, the Crédit Lyonnais, that is, the Lyon Bank, in the 1860s moves its headquarters to Paris and not in Lyon, as if it's sort of given up. And, people, for example, who follow the Lyon opera always say, "well, our opera is fine but it's nothing, of course, like Paris, where all the resources are poured into Paris." How did it get this way? Just thinking over the long run, how did France end up so centralized? All states centralized, became larger and centralized their ability to extract resources from their population. If you take Europe in 1500, the year 1500, there were about 1500 territorial states and they ranged from big, consolidated monarchies like Spain and England and France to bishoprics such as Trier, in Germany, that were hardly bigger than the gardens of the archbishops who ran them. But, over a long period of time, state-making is one of the essential processes in European history, the creational of more powerful monarchical states and eventually of national states with a variety of political outcomes--the unification of Italy, to the extent Italy's ever been unified, the unification of Germany in 1871, and Italy in the 1850s and '60s. But, in the case of France, if you go to the sixteenth century, if you go to these chateaux around the Loire, and you see all of the beautiful furniture that's been made by skilled artisans, one you always see is you see this big case with handles on it, and they were--that's where the king's documents and the Minister--well, le Garde des Sceaux, the Chief Financial Officer and Justice Officer, where all their papers were, because the monarchy really didn't have a capital. The monarchy was wherever the king was. And it's in the sixteenth century that Paris becomes the capital. Paris is not in the middle of France, as you can clearly see, but you're not going to have a capital in Montluçon or something like that. And, so, you have the kings there; and the whole process of absolutism, which you don't have to know about. But, it's in the seventeenth century that European rulers expand their power vis-à-vis their enemies, land-grabbing-- that's how France ends up with Alsace--and, as I said before, increasing their ability to extract resources, that is to take money from very ordinary people. And, so, Louis XIV, who liked to call himself the Sun God, a modest megalomaniac, he sends out officials into the provinces to enforce his will, and these dudes are called intendents--but that doesn't matter, you don't have to remember that. But, they are out there and they go through a process of negotiation with local elites, with nobles and with law courts; but, in the end, the only thing that matters is that this increases the power of the state, that it's during the period of absolute monarchy that armies become enormous. And, if you travel around France, you'll see all the fortifications of Vauban, who was a military genius, Vauban, and fortresses, Papillion, and along the Pyrénées there and up in Lille; and up along here you'll see these fabulous fortresses, and these fortresses had to be maintained by people who were going to test the guns, the canons, to make sure they worked, and to be there all the time; and, thus you have this enormous increase in standing armies. Now, and then here comes the French Revolution, and what does the French Revolution want to do? Well, it wants to rationalize the administration of France--it wants to do other things, too, but that's not this course. And, so, instead of having where before you had something like one-hundred tolls you had to pay on the Loire River, if you're transporting some goods, they eliminate all those tolls, they try to create uniformed weights and measures, and that'll take one-hundred years before that really works. But, what they do is they increase the power of the center, of the government. And, in order--because their arch-enemies are the nobles, who are high-tailing it toward Germany, and toward England and everywhere else, and trying to launch wars against the revolution--what they say is, "we will undercut the authority of the church and the nobles in the provinces by creating what they call departments, départements." And, so, they create the departments that become part of this administrative system, so that every department--and this sounds boring but it's actually interesting--every département in France, most of them are named after rivers, and some after mountains or proximity to the sea, will have the same officials, and that these strings that reach out into now ninety-five departments in France, including Corsica, all lead to Paris. And, that where someone once said that Gaul was divided into three parts, now what happens is people living in any region in France, the three parts that they see are the Ministry of Justice, the Ministry of War, and the Ministry of the Interior. So, you have these départements, and these are created in 1790, and they still exist. The only big change came in 1960 when they consolidated the ones around Paris, because of the growth of the Paris region, as you can see there. So, if you take number one--but we don't have to go through them all and I assure you we won't--if you take number one, the Ain, a-i-n, it's named after a river; or if you take number two, the Aisne, a-i-s-n-e, it's named after a river; and how many hundreds of thousands of people died along there in World War One; or, you take number three, the same thing, Allier. They're named after rivers and they don't all--they're not all the same size. The biggest physically is Dordogne, which has probably grown because so many British live there, something like 8,000 full-time residents. I'm pointing toward the Charonne, that doesn't do any good, but anyway--because, when I get close sometimes I can't see. And, then, the smallest is the Pyrén&eac ute;es-Orientales; Roussillon, which is French Catalonia. That doesn't matter. The point is that the revolution, in order to defeat its enemies, further centralizes the state, and then along comes the little corporal, the little general, the little megalomaniac, Napoleon, N One. And, he of course pushes centralization even further, where he liked to brag--it's one of these famous lines you find in textbooks, but--that he could look at his watch and see what all the kids in the lycées that he'd created, the high schools, were studying at any one time. And he makes state centralization even more important. And, then, in the Second Empire, 1852/1870, his nephew, who some wag once called the hat without the head, Napoleon III, what he does is he uses centralization as a tool of the state to consolidate his own power and that of the Empire, and that is to undercut the residual influence of the nobility. If you wanted something, and this is still true in France today, it doesn't do any good to go to the local notable, like you did in the eighteenth century and say, "hey, monsieur, the little guy, it would be great if we had a school." It doesn't do any good at all, and he realizes that. And, so, the patronage of the Empire is that he can provide railroads, he can provide money for things, and that further centralizes the state. And, so, you've got these processes in the nineteenth century, economic processes that you find all over Europe that consolidate the power of the French State, centralized in Paris. Railroads is a good example--and sometimes I'll throw out examples, you're not responsible for them, it's just kind of hopefully interesting for you to think about. If you think of two towns down here, Brive, b-r-i-v-e, famous for its rugby, and Tulle, t-u-l-l-e, which is a capital. I mentioned it the first day because that's where lots of people were hung. They were the same size in the 1850s, but Brive gets the railroad and not Tulle, the railroad from Paris. And, so, that centralization is--also there are mountains there, it's easier to build in Brive. But, the state can make or break regions with their economic patronage. And one of the reasons why France ends up with a republic, and not a monarchy, is because these prefects who represent the Republic can go into conservative regions and say, "hey, we didn't really like the way the elections came out last time; your municipal council, uh-uh-uh, a lot of monarchists there. You would like a bridge across your river, wouldn't you?" And that was the case in our village because there wasn't a bridge across the river, and there was a little boat would take people across this awesome, swirling, dangerous river. And, you want your bridge, well, let's see how the elections go next time. The State can provide these services. And the evolution of banking in the nineteenth century further consolidates power. There was sort of an economic takeoff in the 1850s and '60s in Paris because the State banks are in Paris, the State financial institutions are in Paris, and they can make or break investment in all these places. Now, the railroad, even in our day, maybe not in your day but in--well, yes, still in your day. I was on the TGV the third day it opened which was--it opened on September twenty-eighth, 1981, and I was there on September^( )thirtieth, taking a trip to Lyon, though it only went fast when it really got to a certain point here. Now, but the railroads, if you look at the map of the railroads in France, at any time you want including now, all roads lead--all tracks lead to Paris. So, for example, now if you want to go from--say you're in Lyon and you want to go to Bordeaux, you're going to be broke. The reason--unless you can take about eight hours to do it--because, the way you're going to do it is you're going to take a train that goes one hour and fifty-eight minutes to Paris, and then you're going to take another train that zips down here in about four hours to Bordeaux, but you're paying by kilometer. So, it's going to be terribly expensive. When I was commuting between Limoges and Paris, that was still a long trip then, there was no TGV; it was about four hours. And, when I once took the train over to Poitiers, it took three hours, because if you go across the lines it's not good. Now, how do trains--? An obvious reason how trains reinforce the predominance of Paris. Take my business, the teaching profession, is that the domination of Paris is such that you have this phenomenon in France, which they still call it that--they call it turbo-prof; and a turbo train was a fast train before the TGV, the first ones went to Normandy to carry the wealthy Parisians to Dorvillier [ph?]. And a turbo-prof is somebody who lives in Paris, and whose dream is to teach at Paris, particularly at Paris I. French universities are named very poetically, Paris I, II, III, IV, V, VI, all the way through XIV, which is a real hole, or XIII is probably the worst. But, the turbo-prof will be somebody who is assigned to Reims, and who takes the train there every day, or to Tours; but to Lyon also since this is only two hours, this is four-hundred kilometers. Two hours, you can be on a damn train to New York City and you'll be lucky if you get eighty miles in two hours, or an hour and fifty minutes. So, you've got people who live in Lyon who teach in Paris; or, friends of mine that teach in Lille and live in Paris--or, I teach in Rouen frequently--who live in Paris in teach in Rouen. Now, this is bad because what it does is sort of sucks local university life out, and it means that this phenomenon of the turbo-prof has been accentuated by the fast train--the fast train, by the way I keep referring to it, is called the TGV, the Train à Grand Vitesse, because ça roule, it goes fast. So, the nineteenth century accentuates all of this, and the result is that still by 1947 when Gravier wrote this book called Paris and the French Desert--if you look at an encyclopedia, the definition of provincial, somebody who's provincial, was still provincial, someone who is gauche, and that's not politics, who's kind of a bumpkin, kind of a pluke, kind of a day late and a dollar short, who lacks the distinction--I'm reading this right out of the Larousse dictionary. For example, to have--to give the impression of being provincial with--like you just arrived at the train from Brittany in Gare Montparnasse, and you're just so totally out of it you can hardly find a place to buy crêpes, and then that's all you want to do, and you're sort of clueless. And, so, the departments, along with the railroads and along with better roads also, and the banking network, increases the centralization of the French State. And, I can remember, this is about twenty years ago, but there was big demonstrations from people in Brittany because of--there's always these boats crashing ashore, and oil slicks all over the Breton coast; or, people that produce artichokes, the price of artichokes, because of the méventes, the prices are so low there that they're always rushing down to the prefecture and dumping artichokes in the prefecture and protesting. And, I remember there's one amazing photo from the Place de la Concord, which is a big place in Paris, a big square, where you've got these Breton mayors who are wearing their sashes, their tricolor sashes, red, white and blue, and the police are using--the CRS, which are the military police; they're a little less vicious than they used to be, but I was in a demonstration against Sarkozy in mid-May, and the police were, the CRS, which is sort of carte blanche now, were fairly aggressive. But, anyway, these police were wrestling to the ground these mayors who were protesting, using their tri-color sashes, threatening to strangle them with their own sashes of their authority. Only in France would this be possible. And, so, every government that comes to power, they say, well we're going to do something about this. De Gaulle said let--no he didn't really say that, it was Mao--but, "let the hundreds of thousands of flowers bloom." But De Gaulle, who we'll talk about later, De Gaulle said, how in the hell can you run a state in which there are four-hundred and forty different kinds of cheese? There are a lot more than that. And he believed that it was insidious, in order to have these sort of regional cultures. I'll give you an example. It was illegal--it's still illegal in France to name a baby a name that is not officially approved, absolutely--or even to adopt one. There was a famous case in the 1970s or '80s, there was a family called Trognon, and a trognon is a cigarette butt, and when they tried to adopt a baby, it would be called, let's say Jean-Philippe Trognon, they said, "oh, no, that baby would be damaged by having such a last name; you don't have the right to adopt this baby." And there were cases where Bretons tried to name their children Breton names and the French State said, uh-uh, pas possible, because it wasn't officially French. Well, De Gaulle has been dead for a very long time, and there has been progress, but what has not changed is still the power in Paris, in these ministries, to dictate the life of schools, of almost everything else. And a lot of the strikes that you see in high schools and in--I better get to my lecture, but--you see in high schools and even in middle schools, have to do with the State, somebody saying, well we're going to take away two-hundred teachers in your department, or we're going to maintain a curriculum that doesn't seem to make any sense. My son, when he was in Seconde, which is the first year of French high school, they were out blocking traffic until some angry driver rolled over the foot of a protestor and then everybody kind of went off and ate pizza. But, these were reactions against what the State was trying to do. Or, in the 1980s, when there were huge demonstrations by people favoring the Catholic Church as an institution vis-à-vis education, it was the same thing, with reacting against the kind of dictates or dictates coming down from Paris. And when Gambetta, whom you can read about, whom I mentioned the other day, when he said, "clericalism, there's the enemy"; and, then you had this sort of campaign against the church, particularly the teaching aspect of the church that's fascinating, which I'll talk about later. So, France ends up like that. Many people saw themselves as administrés, that is, people who were administered, who are governed, but in the sense of having people passing papers back and forth, and having to sign every damn thing you could ever imagine--it's just unbelievable--before they ever thought of themselves as being citizens. And, certainly there is no other country in the post-communist world in which so many people work for the state. Now, having said that, let me just say as an addendum--and this is my opinion, you could ignore it--that things work in France. And, it used to be that twenty or thirty years ago you'd say nothing in France works, and everything works in the U.S, and now it's just the opposite, totally the opposite. And, if you're going to be sick, and unless you're wealthy, you're better off being sick in France than you are here, because the system really works and there are abuses, but the Social Security System which encompasses more than just what we mean by Social Security, the secu, which involves healthcare, is one of those things that really works, as annoying as the whole structure, and the taxes and all of that. And, of course, the challenge--so this is the latter part of the course--is what do you do with this and Europe? Europe, which is going to erase these license plates and are going to take away part of what it means to live in France. And that's why I would've voted against the Constitution, I encouraged people to vote against the Constitution, and I know almost nobody, except professors in Paris and Lyon, who are for that Constitution that was defeated a year ago May^( )twenty-ninth--so, there. Anyway, now, how did this all happen that given the fact in February of 1870 you had a Monarchist dominated Assembly elected in which rural regions, particularly, but not necessarily just Brittany and Normandy and Auvergne--these are big, still Catholic regions, as we'll see later, that they wanted the restoration of a monarchy. Why does that not happen? How does this country end up being a Republic, the Third Republic, which has been castigated or been denounced because it seemed to fumble along? But, it was the longest republic and it lasts from, depending on when you start it--and you can read about that--whether you start it in 1875 or 1877, or when there really was a Republic, the early '80s--it lasts until May, June 1940. So, how did all that happen? Now, here we move into a history that is the kind of old style history. It's the story of decisions taken by individual people. There was a pretender to the throne, and this man was--his life got off to an interesting start. He was dubbed the "miracle baby," for reasons that I will explain. The Comte de Chambord was a Bourbon, he was part of the Royal Family of--that was Louis XIV, and Louis XVI, and in 1820 his father was assassinated by a Liberal, a man called Louvel, and he's at the opera, he gets kind of bored and he walks out, they leave the opera, and this guy Louvel comes up and he stabs, puts a knife right through him. And, it was not just a random act, he wanted to extinguish this royal line. And the Bourbons had been restored in 1815 to 1830. Again, this your old style history. So, France goes into great mourning. The church bells ring very, very slowly, all over the place, because there is--the heir to the French throne is dead. And there's a huge campaign against the Liberals, because of that. And then, lo and behold it turns out that his widow, to whom he confessed various infidelities before expiring, was pregnant; indeed, he was the father. They didn't run DNA tests or anything, but he was the father. And as France held its breath, because they wanted a boy, this miracle baby was born, l'enfant du miracle. And the unfortunate thing is that he was sort of a sad sack, un pauvre type. It's tough being the pretender to the throne, the would-be Henri V, and your name recognition is such that in Royalist towns in the West of France, like Nantes, that somebody in the middle of the night would scribble graffiti, Long Live Henri V, and that people would get together in church on January^( )twenty-first, the date that Louis XVI was executed, and they would pray for the restoration of the Bourbon throne. But, there's also another family of pretenders, and that is the Orleanists, the Orléanists, but Orleanists--I just wrote it there in English. And these people--this is kind of boring-- but these people were in government between 1830 and 1848, and King Louis-Philippe, who was chased from the throne in February of 1848, was seen as progressive, he was seen as the bourgeois monarch but he was perfectly noble. He'd gone to Kentucky and drunk lots of Bourbon once, he carried an umbrella, that sort of middle class symbol of protection, and he is chased from the throne in 1848. But, he'd helped modernize the economy, and he did not restore the church to its old power. And the Orleanists were extremely clever, where Chambord was thick as a brick, and spent most of his time telling anti-Semitic jokes and playing cards with his cronies in the Austrian capital, or mountains near Vienna--or maybe it was near Salzburg, I guess it was near Salzburg, the Orleanists had a bunch of sons of Louis-Philippe who were pretty clever. One of them, by the way, just about ten years ago, the Orleanist family suffered kind of an embarrassing reversal when one of the Orleanists, sort of the third in line if there was ever an Orleanist restoration of the throne, was arrested for burglary, as being an accessory for burglary in the Pyrén&eac ute;es-Orientales. But, anyway, so when France collapsed after the war, and when the Commune comes along, it seems to Royalists, that is, the people who wanted a restoration of the monarchy, that their ship had come in. So what's going to happen? Now, it's easy to make fun of Chambord, who was a pauvre type, a sad sack, in many ways. But, the history of Royalism is not--it goes beyond that, and there was a strong Royalist movement, as I've already suggested, and it wasn't just people looking backwards. Indeed, he said in his various pronouncements written for him by someone else that he didn't want to be a king of the old regime, he did not want to turn the clock back to 1788, and that you could combine a modernity with monarchy. But, there was never any doubt that if he was restored to the throne that he would rule. And you have to imagine him after the commune, after the slaughter and the buildings are still burning, or at least smoldering, that he comes to Paris. And he'd never, rather like Louis-Napoleon, had hardly ever been in Paris before; he really hadn't, I don't think, ever. So, he gets a carriage, he rents a carriage, and he goes around as a tourist, and he goes to Notre Dame, and he goes to Sainte-Chapelle, and he goes to pay homage at what they thought were the remains of his departed ancestors. And he had bone fragments of what they thought--or, at least, ashes of Marie Antoinette that he had with him in his room all the time. And, so, but it's not--he has his entourage, he has his posse, he has his entourage. But, there also are these strong traditions of popular Royalism, of ordinary people and peasants who believe fervently in the monarchy. You found them in very odd places. There's a strong tradition in Nîme, one of my favorite places, of popular Royalism, and also of course in Brittany--I keep giving Breton examples, I'll pick other ones. So, and also because of the close association of the monarchy, and particularly the Legitimists, they're called Legitimists, the Bourbons with the church--you've got fertile ground in areas that were still practicing religion, and we'll talk more about that another time. He makes clear that he is going to restore the church to its, what he considered rightful place of privilege in France; and, possibly, he could benefit from the wave of religious revival that occurs in France in the 1870s. Now, every time there's a big time political disaster, from the point of view of the Catholic Church in France, it's followed by a period of religious revival. After the French Revolution and Napoleon, and Napoleon makes peace with the church, there is, all of a sudden, a revival with people forming religious confraternities, of people paying to rebuild churches that have been vandalized during the Revolution, where they're melting down church bells to use as cannon and things like that. The famous beautiful, fabulous, fabulous Monastery Church of Cluny is up near Mâcon, right here, had been destroyed and they tried to--they restored a couple of the remaining towers. And, as Chateaubriand said, the writer, "I don't know what we must believe but we must believe in something," and he gets down on his knees and prays. The same thing happens in the 1870s, there's a revival of that old time religion, and it's helped by various miracles and that kind of thing, but which I'll talk about in the lecture on religion, which is kind of fun--it's fun to do. And, for example, when you go to any town or any village in France you will see what they call Mission Crosses. You'll see these crosses that are stone crosses. The first ones were put up during the counter-reformation, or the Catholic reformation, in the^( )seventeenth century, to try to win back areas that had become Protestant, that is, around Lyon. You find some that are put up, not surprisingly, after 1815, and the others are in the 1860s or the 1870s, and then never again. And these are big crosses that are put out, usually outside the villages. And, sometimes the crosses were destroyed during the revolutions--there was a huge one in Reims destroyed in the Revolution of 1830; but, most of these crosses, you can read them. This is an iconography of belief, and you can see the dates because they'll put the date, like 1868. There's about ten of them in our village. Some of them there are just little stumps left, but it's kind of fun to walk around and look at them; but, here these proliferate wildly, and so there'll be missions. And, I remember when I went to Jesuit high school in Portland, Oregon we had to have these retreats or revivals, and the priest would--these missionaries would come in, and for three days thunder at you and then people would go off and go to Confession; and I didn't have much to confess, I often wish I had had. But, in those days in high school-- but anyway, there we go--you'd go and do these things, and it would be a big sort of public spectacle, a spectacle. And, so, Henri V could capitalize on that because there were lots of people that would be very happy to see him come back because of their belief. But, it's hard, if you're fourty-seven years, your job is a pretender to the throne, it's difficult. He had a hard time getting around. He'd had a very royal accident, he'd broken his leg falling off a horse, and he had a terrible limp. And, also, because he just sat around and played cards all the time and ate and drank, he became quite a large man, and occasionally he would get up and go and look at the relics of Marie Antoinette, and then he'd go back and play cards for big stakes; he was a big-time gambler. Because he wasn't a very good card player his posse took him for fairly sizable amounts of money. But, he viewed "hereditary monarchy" as the unique port of salvation--that's a very religious image--that could save France. And he talked about strong authority underplaying judicious liberty, for example. And the key to his strength, besides the church, are the nobles. Now, having a noble title didn't do a hell of a lot of good after the French Revolution, and it's easy to give this sort of stereotype of nobles as being just letting their nails grow very long and drinking nice wines and chasing each other's mistresses and wives around the gardens, in Versailles or anywhere else. In fact, many nobles became chairmen of the boards of various companies, and they still had these atavisms, these throwbacks to the old regime where it was said near Toulouse that if the noble announced after mass that it'd be good to have a little firewood, that he could look out from the ponderosa and see peasants, obedient peasants carrying large stacks of wood up to the big house; and, maybe they'd get a little something on Easter from the big guy. But, basically the State was winning the battle against the nobles, and you could still be the Count of anywhere, or the Duke of anywhere, and you can't mobilize goodies to give to local people except on a very local scale. And the state is winning out. Now, Gambetta, who was a smart guy who dies very young, he said that France became a republic because most of the people wanted a republic and they didn't want a monarchy, and that's all there was to it. And the elections in the early 1880s would certainly make this clear. Now, there was even a group of nobles who believed that they could be elected, that if you had an election people would actually vote to restore the monarchy. These were kind of the popular royalists of places like Nîmes. By the way, I should write these things down, Nîme. See, in the old regime there would've been an "s" there, and that's why you've got this little chapeau up there. Anyway, but that wasn't going to happen because most people in France ultimately did not want a monarchy. But, what about old Chambord? When disaster came he was not ready. He issued poorly constructed manifestos in order to espouse, quote, "the freedom of the church as the prime condition of the peace of spirit and order in the world, and to protect the Pope with the honor of our country in the most incontestable cause of its glory among nations," et cetera, et cetera. But, there was a big problem, that for all of his failings, human failings, and there were indeed many, and his intellectual limitations which were daunting, he was a man of faith and loyalty to his principles, for better or for worse, in this context. And, in 1789 when the Revolution came and then executed old Louis XVI, the white flag of the Bourbons, plain white flag of the Bourbons, sometimes with a fleur-de-lys on it, and all that, was replaced by the red, white and blue flag, the three colored flag, the tricolore, which was a combination of adding the color white for the Bourbons in 1789, to the red and blue that were the colors of Paris, of the city of Paris. And, in the end he refused to compromise when his advisors say, look, we can pull this off if you agree to accept the three colored flag of revolution, of the French Revolution, which had killed his family members; and, he refused to do that. And they tried to make a deal with the Orleanists, and the Orleanists produced children, one after another. But Chambord had no children. And, so, upon his death who is going to follow him, if he's going to be king? And, so, they proposed a deal, why don't you be king until you croak-- they didn't put it quite like that--and then the Orleanists will take over with the red, white and blue flag? And he said, to his credit, "no, without my principles I am just"--as he put it rather indelicately and cruelly about himself--"a fat man with a big limp." And he went back to his castle, anti-Semitic jokes and card-playing buddies. And, so, France lurched into a period called The Moral Order, the Republic of the Moral Order. You can read the details of this, which are not fascinating, but we'll get through this and move onto more interesting things. In 1875 there's an amendment to the Constitution that essentially--voted by one vote, or approved by one vote, by the Assembly--that essentially transforms France into a Republic. In 1877 a general called Mac-Mahon, who had fought in the 1870/71 war--you may think that that's not a very French name; there's a strong Irish influence around Bordeaux. In fact, one of the great Bordeaux wines is called Lynge Barge, lynge as in lynch, which is an Irish name. But, Mac-Mahon was French, and that he is a general and becomes president of the State, and he tries in 1877, on the sixteenth of^( )May, to overthrow the government, and basically a question of responsibility to whom--it's not interesting--he fails to do that, and France in the early 1880s, you have this sort of rooting of the Republic, and a rooting of the Republic because most people in France wanted one. It seemed to be the regime that divided France least, what Gambetta called the nouvelles couches, or the new social strata, the new social strata, the middle classes, the petty bourgeois. Workers obviously didn't want a monarchy; but, in many areas of France, particularly in the south, lots of peasants did want a republic, and France becomes a republic. And, this republic is strongly identified with Paris, and if, because of the fear of Caesarism, the fear of another Napoleon, or another Robespierre before that, or another Napoleon III, they create executive authority that's extremely weak. Power is in the Chamber of Deputies, in the Assembly, and the President is a convener; he tries to get people to do the right things, and it's a political club. They all tutoyer each other, even if they hate each other's politics, and they call each other by the informal name. And, even though it's decentralized, it does not mean that the State is not strong, and that the State will not be making decisions that will affect the lives of ordinary people. And the most controversial of those decisions will ultimately be in 1905--if you exclude going to war and getting all these millions of people killed--was the separation of church and state. And, that is the work of a strongly centralized government, centered in Paris, as I've said over and over again, but imposing its will, for better or for worse, on the provinces; and, in doing so, following train tracks, following the roads, following these centralized sort of vines, going out from Paris into the provinces, as a way of exerting its will, its influence, and its patronage. And, in conclusion, the state becomes the new ways that patronage, economic, financial, cultural, political, is dispensed. It replaces the nobility, the local nobles, it replaces the church, and it replaces the monarchy that most people in France did not want. Next time let's talk about identity, and let's talk about one of my favorite topics, the role of the schools in towns and in villages. See ya.

Occupation, purges and unrest

King Louis XVIII returns to Paris (3 May 1814)

Following the final defeat of Napoleon at the Battle of Waterloo in June 1815, an army of 300,000 soldiers from England, Austria, Russia and Germany occupied Paris, and remained until December 1815. They camped wherever there was open space; the Prussians settled on the Champs-de-Mars, around the Invalides, the Luxembourg Garden, and around the Carrousel of the Tuileries Palace. The British troops camped along the Champs-Elysées, while the Dutch troops and soldiers from Hannover settled in the Bois de Boulogne. The Russians moved into the barracks of the French Army around the city. The City of Paris was required to pay for the food and lodging of the occupiers; the bill was 42 million francs.[2]

Louis XVIII returned to the city on 8 July 1815, and moved into the old rooms of Napoleon at the Tuileries Palace.[3] He was greeted with songs and dances by the royalists of the city, but indifference or hostility by the rest of the Parisians. The pre-revolutionary names and institutions were quickly restored; The Pont de la Concorde became the Pont Louis XVI, a new statue of Henry IV was put back on the empty pedestal next to the Pont Neuf, and the white flag of the Bourbons flew from the top of the column in Place Vendôme.[4]

In August 1815 a new legislative assembly was elected by a very strictly limited number of voters (only 952 in the arrondissement of the Seine), and was dominated by ultra-royalists. Under the new regime, citizens could be arrested and jailed by the government without trial. The government immediately began purging those associated with Napoleon's Empire. General Charles de la Bédoyère and Marshal Ney, who had fought for Napoleon, were executed by firing squad. The archbishop and bishops who had run the church in Paris under Napoleon were replaced by more conservative and royalist clerics. Those members of the Revolutionary convention who had voted for the execution of Louis XVI were exiled from France. Members of the Academies and Institute who had supported Napoleon were expelled, including the painter Jacques-Louis David, the mathematicians Lazare Carnot, Gaspard Monge, and the educator Joseph Lakanal. David went into exile in Belgium, and Lakanal went to the United States, where he was welcomed by President James Madison and became president of the University of Louisiana, now Tulane University. [5]

Opposition to the royal regime was harshly repressed; in June and July 1816, members of a failed anti-regime conspiracy, called "the Patriots" were arrested and tried. The three leaders each had one hand cut off, the medieval punishment for those who killed their fathers, before being executed by the guillotine. The other seven members were put on public display attached to the pillory in front of the Palace of Justice. [5]

During the Restoration, Paris did not have an elected government; it was ruled directly by the national government. New national elections for the legislature were held in 1816 and 1817, under strict rules; only men at least years old who paid direct taxes of at least 300 francs a year could vote. 9,677 Parisians were eligible to vote, and they voted largely for liberal candidates in opposition to the government, which was dominated by royalist and ultra-royalists. Three of the eight Paris deputies were prominent bankers: Jacques Laffitte, Benjamin Delessert and Casimir Perier. [5]

The assassination of the Duc de Berry outside the Opera (13 February 1820)

Parisians found many occasions to express their displeasure with the new government. In March 1817 theatre audiences cheered the actor Talma when he appeared on stage as a character resembling Napoleon; the play was banned. In July 1818, the students of the Ecole polytechnique were confined to the school to prevent them from attending the funeral of the mathematician Monge. In July 1819, students in the Latin quarter rioted against the dismissal of a liberal professor from the law school of the University of Paris. A more serious incident took place on 13 February 1820; the assassination of the Duke de Berry, the nephew of the King, and the only hope of the dynasty for providing a male heir to the throne. His murder led to even more serious repressive measures by the government. But on 18 November 1822, students protested again against the very conservative rector of Academy of Paris, the Abbé Nicolle, who had no scientific or medical background.

The government had a brief period of popularity in 1823 when a French military expedition to Spain succeeded in restoring another deposed monarch, Ferdinand VII, to the Spanish throne in Madrid. The French army defeated the Spanish revolutionaries at the battle of Trocadero, which gave its name to a new Paris square. King Louis XVIII died on 16 September 1824, and was replaced by his brother, Charles X. The king's Coronation in Reims in May 1825 was celebrated with major festivities in Paris. The new King surrounded himself with ultra-conservative ministers, and opposition continued to grow, particularly in Paris, until the French Revolution of 1830. [6]

The aristocrats who had emigrated returned to their town houses in the Faubourg Saint-Germain, and the cultural life of the city quickly resumed, though on a less extravagant scale. A new opera house was constructed on rue le Peletier. The Louvre was expanded in 1827 with nine new galleries, putting on display the antiquities collected during Napoleon's conquest of Egypt.

The Parisians

Market of the Saint-Innocents (1822)

According to the official census, the population of Paris grew from 713,966 in 1817, shortly after the Restoration of the monarchy, to 785,866 in 1831, shortly after its end. Most of the new Parisians were immigrants from the nearby French regions, seeking work as the city's economy recovered from the long years of war under Napoleon.[1] At the top of the social structure of Paris was the nobility, led by the King and his court. Both Louis XVIII and Charles X lived in the Tuileries Palace, and used the Chateau of Saint-Cloud as their main secondary residence. The ancient and decayed Tuileries was not a comfortable residence; it had no basement or sewers, and the lack of modern plumbing made it foul-smelling; one noblewoman, the Countess of Boigne, reported that "one is almost suffocated climbing the staircases of the Pavillon de Flore and crossing the corridors of the second floor." The Kings did not carry on the elaborate social protocols and festivities of their predecessors; both had lived many years in exile, and they were used to a simpler life. The formal and grand ceremony of the King's waking up and going to bed was replaced by a simple ceremony each evening at nine clock, when the King gave the order of the day to the commander and captains of the King's guards. The King had to live within a household budget, fixed at the beginning of each year; twenty five million livres for Louis XVIII and twenty million for Charles X.[7]

High society, composed of two to three hundred families of the old aristocracy, government officials, army officers and high clergy, was also much less glittering than it had been at Versailles under the old regime; it was led by the Duchess of Angoulême, the daughter of Louis XVI, who always dressed in black and detested anything modern. Society met in weekly "cercles" on the first floor of the Tuileries, or in the salons of the magnificent townhouses in the Faubourg Saint-Germain and Faubourg Saint Honoré. Their income came mostly from their estates or from the State Treasury, from the various official positions they held, but their salaries were less generous than under the Old Regime.

Just below high society, and growing in status and influence, were the bankers, including Casimir Perier, the Rothschilds, Benjamin Delessert and Hippolyte Ganneron, and new industrialists, including François Cavé, Charles-Victor Beslay, Jean-Pierre Darcey, and Jean-Antoine Chaptal. Unable to become part of the aristocracy, many were elected to the Chamber of Deputies and advocated liberal economic policies and democratic principles, which eventually brought them into growing conflict with the royal government. While the aristocrats lived on the left bank in the Faubourg Saint-Germain, most of the newly wealthy chose to live on the right bank, often in new neighborhoods that were constructed during the Restoration; the Chaussée-d'Antin was the home of the bankers Rothschilds, Laffitte; Casimir Perier's hôtel was on the rue Neuvre du Luxembourg (now the rue Cambon); Delessert lived on rue Montmartre, Ganneron on rue Bleu in the faubourg Montmartre; Beslay and Cavé on rue Faubourg Saint-Denis and rue Neuve-Popincourt. [8]

Below them was a growing middle class of merchants, lawyers, accountants, government clerks, teachers, doctors, shopkeepers, and skilled artisans.

The largest number of Parisians were working class, either artisans in small enterprises, domestic servants, or workers in the new factories. They also included a large number of women, many of them working at home in the clothing industry, sewing and embroidering or other manual labor.

The Administration of the city and the police

While the King quickly replaced the symbols of Napoleon's reign, he kept most of Napoleon's city administration; he kept Napoleon's efficient chief of the city government, the prefect of the Seine, Chabrol de Volvic, and also kept Napoleon's president of the General Council of the Seine, Bellart. As under Napoleon, there were no municipal elections and no elected city government; all were chosen by the national government.

On March 29, 1829, near the end of the Restoration, the government created the corps of Sergeants de Ville, the first uniformed police force of the city. They wore long blue coats with buttons decorated with the coat of arms of the city. During the day, they were armed only with a cane with a white handle. At night, they carried a saber. Most were former sergeants of the army; when the corps was created, it numbered just one hundred men. [9]

One of the weaknesses of the city administration, which in the Revolution of 1830 proved fatal to the royal government, was the small number of police to maintain order. Aside from those in administrative jobs, the police on the streets numbered only two to three hundred men. In 1818, of the three hundred police posts around the city, fifty-seven were manned by the national guard, sixteen by gendarmes, and seven by firemen, a total of one thousand nine hundred men. The national guard of thirty-two thousand men was composed of the middle class; most were not wealthy enough to vote and were hostile to the government. Within the city, the King depended upon the fifteen hundred gendarmes and the army garrison of fifteen thousand men, most of whom deserted his cause in July 1830. [10]

Monuments and architecture

The church of La Madeleine (1763-1842)

The royal government restored the symbols of the old regime, but continued the construction of most of the monuments and urban projects begun by Napoleon. All of the public buildings and churches of the Restoration were built in a relentlessly neoclassical style. The Canal Saint-Martin was finished in 1822, and the building of the Bourse de Paris, or stock market, designed and begun by Alexandre-Théodore Brongniart from 1808 to 1813, was modified and completed by Éloi Labarre in 1826. New storehouses for grain near the Arsenal, new slaughterhouses, and new markets were finished. Three new suspension bridges were built over the Seine; the Pont d'Archeveché, the Pont des Invalides and footbridge of the Grève. All three were rebuilt later in the century. The damage caused by the occupation armies in the Bois de Boulogne, on the Champ-de-Mars was repaired; the trees and gardens were replanted.

The Temple of Glory (1807), first designed as a church and then transformed by Napoleon into a temple to celebrate military heroes, was turned back into a church, the Royal church of La Madeleine. King Louis XVIII also built the Chapelle expiatoire or expiatory chapel (1826) devoted to Louis XVI and Marie-Antoinette, on the site of the small cemetery of the Madeleine, where their remains (now in the Basilica of Saint-Denis) were buried following their execution. New churches in the neoclassical style were begun to replace those destroyed during the Revolution; Saint-Pierre-du-Gros-Caillou (1822–1830); Notre-Dame-de-Lorette (1823–1836); Notre-Dame de Bonne-Nouvelle (1828–1830); Church of Saint-Vincent-de-Paul (1824–1844) and Saint-Denis-du-Saint-Sacrement (1826–1835). [11]

Work also resumed, slowly, on the unfinished Arc de Triomphe, begun by Napoleon. At the end of the reign of Louis XVIII, the government decided to transform it from a monument to the victories of Napoleon into a monument celebrating the victory of the Duke of Angôuleme over the Spanish revolutionaries who had overthrown their Bourbon king. A new inscription was planned: "To the Army of the Pyrenees" but the inscription had not been carved and the work was still not finished when the regime was toppled in 1830. [12]

The City grows

Boulevard Montmartre, by Guisepe Canella (1830)

The city expanded, especially to the north and west, funded by the city's energetic new bankers. Beginning in 1822, the bank of Laffitte funded a new neighborhood, the quarter Poissonniere, including a new street, called rue Charles-X until 1830, now rue La Fayette. Another real estate developer named Dosne created the rue Notre-Dame-de-Lorette and the Saint-Georges quarter. In 1827, the city spread toward the northwest; the Enclos Saint-Lazare was divided into lots, and thirteen new streets laid out. In 1829, the rue Vivienne was extended. Beginning in 1826, a large new neighborhood, the Quartier de l'Europe, was developed between the old wall of the Farmer's General, the rue Saint-Lazare, parc Monceau and rue de Clichy. The new streets in the neighborhood were named after the capitals of Europe of the time, including Naples, Turin and Parma.[13] A new boulevard, Malesherbes, was begun and surrounded with side streets and building sites. Beginning in 1823, another entrepreneur laid out fashionable new residential neighborhood to the west, between the allee des Veuves, the Champs-Élysées and the Cours-la-Reine. It was called the quartier Francois-Premier. [12]

The city soon had to enlarge its borders, In 1817, the village of Austerlitz, on the site of the modern train station of that name, was annexed to Paris, bringing with it the hospital of La Saltpétriére. In 1823, a consortium of investors started a new community on the plain of Grenelle, around a brand-new village called Beaugrenelle. Within five years the new neighborhood had a main street, rue Saint-Charles, a church and a population.[12] Another new town was launched outside the city at les Batignolles, an area of scattered farms and gardens. By 1829 it had a church and a population of five thousand persons, and was joined the villages of Monceau and Montmartre. [14]

Industry and Commerce

During the Restoration, Paris became the cradle of the industrial revolution in France. The textile industry had already been installed in the faubourg Saint-Antoine by the firm of Richard and Lenoir, and by Albert in the Faubourg Saint-Denis. In 1812, Benjamin Delessert had built the first refinery of sugar beets at Passy, which became one of the largest industrial enterprises in the Paris region. In 1818, he joined forces with Baron Jean-Conrad Hottinguer to create the Caisse d'Epargne et de Prévoyance de Paris, France's first savings bank. French scientists made important advances in new technologies, including the manufacture of rubber, aluminum, and gilded products, which were turned into industries. Even before the Revolution, in 1779 the Count of Artois, the brother of the King, had built the first chemical plant on the plain of Javel, next to the Seine, making sulfuric acid, potash, and chlorine, called "Eau de Javel." The plant also made hydrogen gas, used in the first manned balloon flights, and varnish, used to seal the fabric of balloons. During the Restoration, inspired by the work of the chemist Jean-Antoine Chaptal and other scientists, new factories were built along the left bank of the Seine, making a wide variety of new chemical products, but also heavily polluting the river. [15]

The model Paris industrialist during the Restoration was William-Louis Ternaux, who dominated the French woolen industry. He owned four woolen mils in France and Belgium, had workshops on Rue Mouffetard in Paris designing and making new textile machines, and owned ten retail stores in Paris selling his products. He had his own ship and his own bank, on Place des Victoires, and in all employed a total of twenty thousand workers. He was an innovator; he helped introduce the merino sheep into France, and in 1818-1819 brought the first cashmere goats from Tibet to France, and made the first French luxury cashmere wool shawls. He promoted annual expositions of the products of Paris industry, and was elected three times to the National Assembly. In the late 1820s, however, his business began to decline, faced with competition from less expensive English wool and cotton clothing.

Luxury goods and the ancestor of the department store

The commerce in luxury goods had suffered greatly during the Revolution, as the chief buyers, the aristocracy, had been driven into exile. Their return during the Restoration and especially the rapid growth of the number of wealthy Parisians revived the business in jewelry, furniture, fine clothing, watches and other luxury products. The finest shops of Paris were lined up along the Rue Saint-Honoré. The most prominent fashion designer was LeRoy, whose clients included the Duchess of Angloulème and other aristocrats. At the beginning of the Restoration he removed the stone carving of the bees, the emblem of Napoleon, from the facade of his shop, and replaced them with the fleur-des-lys, the emblem of the Bourbons.[12]

in October 1824 a merchant named Pierre Parissot opened a store called La Belle Jardiniére, which offered a variety of women's clothing already made in different sizes, at a time when women traditionally had each dress made to their measurements, as well as jewelry, lingerie, and fabrics. The new kind of retail store was made possible by another innovation, the omnibus, which allowed customers to come to the store distant neighborhoods, instead of shopping only in their own neighborhood. It was soon followed by two similar stores, Aux Trois Quartiers (1829) and Le Petit Saint Thomas (1830). These are considered by historians the ancestor of the modern department stores, which appeared in Paris the 1840s and 1850s. Another retail innovation took place in December 1824, when the store la Fille d'honneur at 26 rue de la Monnaie became to first store in France to put price tags on items.[16]

The Passage des Panoramas

The Théâtre des Variétés and the Panoramas (1829)

The Passage des Panoramas, opened at the very end of the 18th century, was a model for the new Parisian covered shopping street, where shoppers did not have to contend with the rain, lack of sidewalks, or traffic on the narrow streets. At the entrance of the Passage on boulevard Montmartre was a café called Véron, next to a candy shop called A la duchesse de Courtlande which sold not only bonbons but also fresh peaches, cherries and grapes, even in winter. Next door was a paper shop, Susse, with business cards and fine writing paper; then the shop of a famous modiste, Mademoiselle Lapostolle, whose speciality was straw hats. There were pastry shops, chocolate shops, shops selling coffee and tea, music, counters for changing foreign currency, and many other speciality shops, and the panoramas themselves, large-scale realistic paintings of Paris, Toulon, Amsterdam, Naples, and other cities, to be viewed for a small price. Unlike the dark streets outside, the Passage was brightly lit by gas lights, one of the first places in Paris so equipped. [12]

Daily life

The streets and neighborhoods

Rue Neuve-Notre-Dame in 1828
Paying to cross a muddy Paris street (1817)

While Paris during the Restoration had many beautiful monuments and majestic squares, the neighborhoods of the city between the monuments were dark, crowded and crumbling. An English traveller who visited Paris in 1814, at the very beginning of the Restoration, wrote: "The ordinary buildings of Paris, as every traveller has observed and as all the world knows, are in general mean and uncomfortable. The height and gloomy aspect of the houses; the narrowness of the streets, and the want of pavement for foot passengers, convey an idea of antiquity, which ill accords with what the imagination had anticipated of the modern capital of the French Empire."[17] Upper class Parisians began moving to new residential neighborhoods that were created in the north and west; the Quartier Francois I near the Champs-Élysées in 1823, and the quartier Saint-Vincent-de-Paul and quarter de la Europe built in the north in 1824. They had wider streets, sidewalks, and houses modeled after the squares and town houses of London. They also moved to some of the villages outside the edge of the city, particularly Passy, and Beaugrenelle. By 1830, the village of Passy had become part of the city, a main street, rue de Passy, lined with three and four story buildings. At the same time, the older neighborhoods of the city, in the center the east. and grew more crowded every year. The neighborhoods of Arcis and Saint-Avoye, in the modern third arrondissement, had a population density of eight hundred persons per hectare in 1817, eight hundred fifty and 1831, and nine-hundred sixty in 1851, which amounted to nearly one hundred thousand persons per square kilometer.[18]

During the Restoration, the center of economic and social activity in Paris also moved gradually north, away from Les Halles and the Palais-Royal. The commercial and financial activity of the city took place on the right bank between the Madeleine and the Temple, where the stock market and banks were located, while the Grand Boulevards, built on the old ramparts of the city, became the home of the city's new theatres and restaurants, and the place to promenade.[19]

Bread, meat and wine

The Halle du Blé, the central grain market of Paris (now the Chamber of Commerce)

According to the 19th century French historian and academician Maxime du Camp, the "primordial elements" of the Paris diet were bread, meat, and wine. [20] Maintaining a steady bread supply for the Parisians was a major preoccupation of the French government during the Restoration; no one had forgotten the consequences of a bread shortage during the Revolution. Bakers were the most strictly regulated of all Paris businessmen; they had to show the police that they had lived a correct and moral life, and to pass a long apprenticeship. They were required to always have bread available, with a three-month reserve of flour; to give notice if they were going to be on vacation, or six months in advance if they intended to close. They were also forbidden to sell bread outside their shop. The price of bread was strictly regulated by the Prefect of Police; as of 1823, a special commission met every fifteen days to set the price. Because the price was fixed artificially low, bakers could not make a living selling bread alone; the designed a wide variety of "fantasy breads" and pastries, from which they earned most of their income.

The wheat for Paris bread was usually grown in the regions of Beauce, Brie and Picardy. They had slightly different tastes and characteristics, and were usually blended by the bakers. The grain was milled outside of Paris and brought to the Halle au Blé, or Wheat Hall, built by Napoleon in December 1811 (The building is now the Paris Chamber of Commerce). The bakers came to the Hall to buy it, then worked, often all night long, to bake it. The baguette had not yet been invented; the standard loaf was crusty outside and white inside: Parisians, even in times of bread shortages, refused to eat dark bread.

The Halle aux Vins (left), arrival point of all the wine brought in bulk to Paris

Meat was the second base of the diet Parisians consumed an average of sixty kilos of meat a year. The wealthy and middle-class Parisians consumed the better cuts of beef, lamb and veal; poorer Parisians ate mutton, pork and the less-expensive cuts of beef, brains, and tripe, either in soups like bouillon or in sausages and other charcuterie. Until the Restoration the animals were usually brought to the butcher shops and slaughtered in the courtyard; the sound was terrible and the streets outside ran with blood. Napoleon ordered the construction of five slaughterhouses, or abbatoires, three on the right bank and two on the left, around the edges of the city. They were constructed between 1810 and 1818 at Montmartre, Menilmontant, Roule, Grenelle, and Villejuif.[21]

Wine was the third essential part of the Parisian diet. The daily alcohol consumption of the Paris working class was high; in times of economic difficulty, the consumption of other food products decreased, but the consumption of wine increased; it was consumed to relieve stress and to forget difficulties. Low-quality and inexpensive wines were made a vineyards just outside the city. The best quality wines were brought by wine merchants from the chateaux of Burgundy and Bordeaux. By far the largest quantity of wine arrived by boat at the Halle aux Vins, which was located on the quai des Bernardins between rue Cuvier and Place Maubert, next to the Jardin des Plantes. The Halle aux Vins had been started in 1808 and finished in 1818; it occupied fourteen hectares, and had 159 wine cellars at street level and another forty-nine caves. All bulk wine, spirits, oils and vinegars were required to pass through the Halle, where the alcohol level was measured and taxes were collected; wine and spirits with more than eighteen percent alcohol paid a higher tax.

The wine was delivered in large barrels from vineyards in Beaujolais, Cahors, Burgundy, and the Touraine; they could be told apart because each region had a different size and shape of barrel. The wines were frequently mixed to make an ordinary table wine. These were the wines commonly served in homes, the taverns and less-expensive eating places of Paris. In 1818 the Halle took in and taxed 752,795 hectoliters of wine, or about one hundred liters per year for every resident of Paris.[22]

Street lights

The street lighting in Paris between 1814 and 1830 was provided by 4,645 oil lamps, called reverbères. They were spaced far apart and provided only a dim illumination. The gas lamp had been patented in 1799 and first installed in a Paris residence on rue Saint-Dominique in 1800, and the first gas lamps were installed in the Passage des Panoramas in January 1817 by a German businessman named Winsor. He received a commission to install gas lights in one of the legislative chambers of the Luxembourg Palace, but opponents of gas lamps warned of a risk of explosions, and blocked the project. Only two establishments took the risk of lighting with gas; a bathhouse on rue de Chartres and a café near the Hôtel de Ville, which boldly took the name Café du gas hydrogène. The first four municipal gas lamps were illuminated on the place du Carrousel on 1 January 1829, along with twelve more on the rue de Rivoli. The experiment was judged a success, a design for a lamppost was selected and gas lamps appeared the same year on rue de la Paix, place Vendôme, rue de l'Odeon and rue de Castiglione. [23]

The Seine - the floating baths and the bateau-lavoir

A floating bath at Place du Châtelet (1830)

Before the arrival of the railroad, the Seine was still the main artery for the delivery of goods to Paris; huge rafts of firewood arrived daily for heating and cooking; barges of wine, grain, stone and other products were unloaded at the ports along the river. It also was a place where Parisians bathed. Only the wealthiest Parisians had bathtubs at home. There were numerous public baths, but they had a generally scandalous reputation. With the arrival of fresh water from the Ourq canal, steam baths became popular; there were sixty-seven in Paris in 1832. But for ordinary Parisians in the 19th century, the most popular bathing places were the floating baths anchored along the Seine between the Pont d'Austerlitz and the Pont d'Iéna. They were composed of a large barge with a basin in the center surrounded by wooden galleries with dressing rooms. There were separate baths for men and women. The price was four sous, or twenty centimes, and bathing costumes could be rented for an additional charge. They were extremely popular in summer, and remained until the end of the 19th century. [24]

A bateau-lavoir, or laundry boat, near the Hôtel-de-Ville during the July 1830 Revolution

Another Seine institution was the bateau-lavoir, or floating laundry, where lavandrieres, or laundry women, came to wash clothing and bed linen. They were mostly located on the right bank, where they profited from the sunshine for drying the laundry. By the Restoration, they were very large, and generally had two levels the lower deck had benches or tables close to the water, where the washing was done, and then clothes were taken to the upper deck to dry in the sun. The lavandrieres paid a charge to the owner of the barge for each visit. The last bateau-lavoir closed in 1937. [25]

The sewers and the public toilets

Napoleon had begun the construction of a new sewer system for Paris in 1805, under the direction of Emmanuel Bruneseau, named Inspector of Sewers. He built a network of 26 kilometers of tunnels, with eighty-six separate lines under the streets. By 1824 the sewers had been expanded to 25 kilometers of covered sewers on the right bank, 9.5 kilometers on the left bank, and 387 meters of sewers on the islands. There were an additional two kilometers of open sewers, not counting the Rivier Bièvre, where much sewage and industrial waste was dumped. These were the sewers that became famous in Victor Hugo's Les Miserables, The sewers were primarily for carrying away rain water and mud; very few homes in Paris had toilets or indoor plumbing or were connected to a sewer. The human waste of the Parisians went into outdoor latrines, usually on the courtyards of the buildings, or cesspools and was carried away at night by laborers called vidangeurs to large dumps created for this purpose at the Buttes des Chaumont and other sites around the edge of the city.

Until late during the Restoration, Paris had no public toilets; people simply relieved themselves wherever they could; the hedges of the Tuileries Gardens were popular for this purpose. The Duke of Orleans was the first to install a dozen public toilets, called cabinets d'aisances, at the Palais-Royal, with a charge of two sous for each seat, and toilet paper free. By 1816, public toilets for a fee could also be found on Rue Vivienne, across from the public treasury, and in the Luxembourg and Tuileries gardens. An 1819 guidebook praised the toilets at the Palais-Royal; "Cabinets of an extreme cleanliness, an attractive woman at the counter, doorkeepers full of enthusiasm; everything enchants the senses and the client gives ten or twenty times the amount asked." .[26]

In the spring of 1830 the city government decided to install the first public urinals, called Vespasiennes, on the major boulevards. These structures served both as urinals and supports for posters and advertising. They were put in place by the summer, but in July they were put to a completely different purpose; providing materials for street barricades during the 1830 Revolution.[26]

Transportation

The fiacres and the omnibus

A Dame Blanche omnibus (1828)

At the beginning of the Restoration, Paris had no public transport system. Wealthy Parisians had their own carriages, kept within the courtyards of the town houses. Wealthy visitors could hire a carriage by the hour or by the day. For those with a more modest income, taxi service was provided by fiacres, small boxlike four-wheeled coaches which could carry up to four passengers, hired at designated stations around the city, where passengers paid by the time of the journey. In 1818, there were 900 registered fiacres in Paris. There were 161 fiacre companies in Paris in 1820, most with one or two coaches each. Those without the means to hire a fiacre or carriage travelled by foot. [27]

On 28 April 1828, a major improvement in public transportation arrived; the first omnibus began service, running every fifteen minutes between La Madeleine and la Bastille. Before long, there were one hundred omnibuses in service, with eighteen different itineraries. A journey cost twenty-five centimes. The omnibuses circulated between seven in the morning and seven in the evening; each omnibus could carry between twelve and eighteen passengers. The busiest line was that along the Grand Boulevards; it ran from eight in the morning until midnight.

The Paris omnibus was created by a businessman named Stanislas Baudry, who had started the first omnibus company in Nantes in 1823. The name was said to come from the station of the first line in Nantes, in front of the store of a hat-maker named Omnes, who had a large sign on his building with a pun on his name, "Omnes Omnibus" ("All for everyone" in Latin). Following his success in Nantes, Baudry moved to Paris and founded the Enterprise des Omnibus, with headquarters on rue de Lancre, and with workshops on the quai de Jemmapes. The omnibus service was an immediate popular success, with more than two and a half million passengers in the first six months. However, there was no reliable way to collect money from the passengers, or the fare collectors kept much of the money for themselves; In its first years the company was continually on the verge of bankruptcy, and in despair, Baudry committed suicide in February 1830 [28] Baudry's partners reorganised the company and managed to keep it in business.

In September 1828, a competing company, les Dames-Blanches, had started running its own vehicles. In 1829 and the following years, more companies with poetic names entered the business; les Citadines, les Tricycles, les Orléanises, les Diligentes, les Écossaises, les Béarnaises, les Carolines, les Batignollaises, les Parisiennes, les Hirondelles, les Joséphines, les Excellentes, les Sylphides, les Constantines, les Dames-Françaises, les Algériennes, les Dames-Réunies, and les Gazelles. The omnibus had a profound effect on Parisian life, making it possible for Parisians to work and have a social life outside their own neighborhoods.[29]

For those travelling greater distances, to other cities or the Paris suburbs, several companies ran diligences, large enclosed coaches which could carry six or more passengers. Smaller coaches, called Coucous, departed from the Place Louis XVI and from place d'Enfer to Sceaux, Saint-Cloud, Versailles and other destinations. [30]

Steamboats and canals

The American inventor Robert Fulton had tried without success to interest Napoleon in his invention, the steamboat, but the innovation finally arrived in Paris in 1826, with the opening of the first regular steamboat service on the Seine between Paris and Saint-Cloud.[31]

The early 19th century was the great age of the canal, both as a source of drinking water and as a means of transportation, and the government of the Restoration actively promoted their construction. The canal de l'Ourcq, decreed by Napoleon in May 1801, was completed in 1822. It was 108 kilometers long, and became a major source of the drinking water for the Parisians. It was also useful for navigation. In 1821 it was connected by the canal Saint-Denis, 6.5 kilometers long, to the basin at la Villette, which became a major commercial port for barges and boats bringing goods to the city. The Canal Saint-Martin, finished in 1825 and 4.5 kilometers long, completed the city's canal network; it joined the basin of the Arsenal and the Seine with the basin of La Villette. The canals allowed large boats and barges to bypass the center of Paris and avoid having to navigate under the bridges. [32]

Religion

With the return of Louis XVIII and his court, the Catholic Church again took a prominent role in the government and city. Government support for the church increased from 12 million livres under Napoleon to 33 million during the Restoration. The government and church together built new churches to replace those demolished during the Revolution and the Directory, and refilled the ranks of the clergy, greatly reduced during the Revolution. Seven hundred new priests were ordained in all of France in 1814; 1,400 in 1821 and 2,350 in 1829. Bishops and archbishops were chosen, as they had been under the Old Regime, based on their family connections with the Regime. Many rules, dropped during the Empire, were brought back into force; all businesses were required to close on Sunday, including the guingettes, or taverns on the outskirts of the city, where working Parisians were accustomed to spend their Sunday afternoons. Parisians were instructed to come out of their homes and show reverence when religious processions passed. The church denied religious burials to former revolutionaries and to actors, sometimes leading to riots outside the churches. [33] An English visitor in 1814 was told that forty thousand of the 600,000 Parisians attended church regularly, but wrote: "to judge from the very small numbers we have seen attending the regular service in any of the churches, we should this proportion greatly overrated. Of those whom we have seen there, at least two-thirds have been women above fifty, or girls under fifteen years of age." [34]

The number of Protestants in Paris grew during the Restoration, but remained very small, less than two percent, mostly Lutherans and Calvinists. Two new organizations appeared in the Paris during the Restoration, the Biblical Society of Paris (1818) and the Society of Evangelican Missions of Paris (1822). The Jews of France had been granted French citizenship after the Revolution by a government decree on 27, 1790, and the system of synagogues had been organised by a decree of Napoleon on 11 December 1808. The Jewish community grew during the Restoration, largely by an immigration of Ashkenazi Jews from Lorraine and Alsace. A new synagogue was dedicated in Paris on 5 March 1822. [35]

The University and Grandes Ecoles

The University of Paris had been closed during the Revolution, and did not re-open until 1806 under Napoleon as the Université Imperial. By 1808 it had faculties of theology, law, medicine, mathematics and physical sciences, and letters. It was closely supervised by the royalist government; faculty members were named by the government, not by the faculties, and tended to be chosen more for their political connections than academic accomplishments. The University students, largely the children of the growing Parisian middle class, were much more politically active than previous generations; many vocally advocated a return to a Republic and the abolition of the monarchy. There were violent demonstrations in 1819 against the dismissal of a liberal professor, in 1820 against the government, in which a student was killed at the Place du Carrousel. The student's funeral was the scene of larger demonstrations; they were ended by a cavalry charge which killed several persons. There were more public demonstrations demanding a more liberal government in 1825 1826 and 1827, and students played an important part in the demonstrations that finally brought down the Bourbon monarchy in July 1830.

While the University produced doctors, lawyers and teachers. the Grandes Ecoles produced the engineers and most of the economic and scientific specialists who led the industrial revolution and rapid economic growth of the mid-19th century. The first business school in Paris, the École Speciale de Commerce (later renamed the École Supérieure de Commerce) was founded in 1819.[36]

Amusement

The Draisienne, ancestor of the bicycle, is introduced in the Luxembourg Gardens (1818).

The Parisians of the Restoration were in a constant search for new ways to amuse themselves, from restaurants to promenades to sports. The first roller coaster, called the Promenades Aériennes, opened in the Jardin Baujon in July 1817. The Draisienne, an ancestor of the bicycle without pedals invented by a German nobleman, was introduced in the Luxembourg Gardens in 1818. The first giraffe to be seen in Paris, a gift from the Pasha of Egypt to Charles X, was put on display in the Jardin des Plantes on 30 June 1827. [37]

The Palais-Royal

The Palais-Royal, with its arcades and gardens, shops, cafes and restaurants, remained the most famous destination for amusement in Paris. Originally constructed as the residence of Cardinal Richelieu, It became the property of the Orleans family, close relatives of the King. In the 1780s, Louis Philippe II, Duke of Orléans, badly in need of funds, Created arcades and galleries around the garden, rented them out to small shops and the first luxury restaurants in Paris, and opened the Palais-Royal it to the public. In 1789 he actively supported the French Revolution, renamed himself Louis-Egalité, renamed the Palais-Royal the Palais-Egalité, and voted for the death of his cousin Louis XVI, but nonetheless he was guillotined during the Reign of Terror. His heir was Louis-Philippe I, who lived in exile during the Revolution and the Empire. He returned to Paris with the Restoration, and took up residence in one wing of what was again called the Palais-Royal.

The Café des Aveugles in the basement of the Palais-Royal

During the Restoration, the Palais-Royal had, in and around its former gardens, three large arcades, one of stone (still existing), one of glass and one of wood (popularly known as the Campe des Tatares. In 1807, shortly before the Restoration, they contained 180 shops, including twenty-four jewelers, twenty shops of luxury furniture, fifteen restaurants, twenty-nine cafes and seventeen billiards parlors. Shops in the galleries sold, among other things, perfume, musical instruments, toys, eyeglasses, candy, gloves, and dozens of other goods. Artists painted portraits, and small stands offered waffles. The Palais-Royal attracted all different classes of Parisians, from the wealthy to the working class. [38]

In the evenings, the shops closed and a different life began at the Palais-Royal. The basements had cafes which served drinks and inexpensive food, and had entertainment, ranging from music to ventriloquists and costumed "savages" dancing. The best-known was the Café des Aveugles, famous for its orchestra of blind musicians. The more elegant restaurants on the arcade level had extensive menus and wine lists, and served a wealthier clientele. Upstairs, above the shops, were card rooms, where Parisians went to gamble.

Besides shopping and restaurants, the Palais-Royal was also famous as the place to meet prostitutes; as the evening advanced, they filled the galleries. Between 1816 and 1825, the merchants of the Palais-Royal complained about the number of prostitutes, and asked that they not be allowed to do business between December 15 and January 15, when Parisians did their holiday shopping. In 1829, the Prefect of Police finally closed the Palais to prostitutes.[39]

The first roller-coaster at Parc Beaujon (1817).

Amusement Parks

The Amusement park, or Parc d'Attractions, had appeared in Paris in the 1860s and continued to be popular through the Restoration. They were gardens which, in summer, had cafes, orchestras, dancing, fireworks and other entertainments. The most famous was the Tivoli, which remained in business on 27 rue de Clichy from 1777 until 1825. A similar park, Idalie, on rue Quentin-Bauchart, was in business until 1817. The Parc Beaujon, at 114-152 Champs-Élysées, opened in 1817, offered the most spectacular attraction; the first Montagnes Russes, or roller coaster.[40]

Restaurants, cafés, the bistrot and the guinguette

The Belle Limonadière in a café (1827)

The first luxury restaurants in Paris had opened in the Palais-Royal in the 1780s. By the time of the Restoration, new restaurants had appeared close to the theatres, along the Grand Boulevards and on the Champs Èlysées. The best-known luxury restaurant of the Restoration was the Rocher de Cancale, at the corner of rue Mandar. The elaborate dinners there were described in detail in the novels of Honoré de Balzac. The restaurant Le Veau on the Place de Chatelet was famous for its pieds de mouton. Other famous gastronomic restaurants of the time were Le Grand Véfour in the Palais-Royal and Ledoyen the Champs-Élysées (both still in business), La Galiote and le Cadran bleu on the Boulevard du Temple. [41]

The café was an important social institution of the period, not as a place to eat but as an establishment to meet friends, drink coffee, read the newspapers, play checkers and discuss politics. In the early 19th century, cafés diversified; some, called cafés- chantant, had singing; others offered concerts and dancing. During the Restoration, many of the cafés began serving ice cream.[42]

The bistrot was another kind of eating place that appeared during the Restoration. It was said to take its name from the Russian word for "quickly", because during the occupation of the city Russian soldiers had to hurry back to their barracks. They offered simple and inexpensive meals, usually in a congenial atmosphere. The guinguette was a type of rural tavern, usually located just outside the city limits, particularly in Montmartre, Belleville, and other nearby villages. Since they were outside the city limits, the taxes were lower and the drinks were less expensive. They usually had musicians, and were very popular places for dancing on the weekends. They suffered from the stricter rules of the Restoration, which banned amusement during the day on Sundays. In 1830 there were 138 within the city, and 229 just outside the city limits. [43]

Fashion

Culture

Literature

François-René de Chateaubriand
Victor Hugo in 1829

The dominant literary movement in Paris was romanticism, and the most prominent romantic was François-René de Chateaubriand, an essayist and diplomat. He began the Restoration as a committed defender of the Catholic faith and royalist, but gradually moved into the liberal opposition and became a fervent supporter of freedom of speech. The prominent romantics of the time included the poet and politician Alphonse de Lamartine, Gérard de Nerval, Alfred de Musset, Théophile Gautier, and Prosper Mérimée.

Despite limitations on press freedom, the Restoration was an extraordinary rich period for French literature. Paris editors published the first works of some of France's most famous writers. Honoré de Balzac moved to Paris in 1814, studied at the University of Paris, wrote his first play in 1820, and published his first novel, Les Chouans, in 1829. Alexandre Dumas moved to Paris in 1822, and found a position working for the future King, Louis-Philippe, at the Palais-Royal. In 1829, at the age of 27, he published his first play, Henri III and his Courts. Stendhal, a pioneer of literary realism, published his first novel, The Red and the Black, in 1830.

The young Victor Hugo declared that he wanted to be "Chateaubriand or nothing". His first book of poems, published in 1822 when he was twenty years old, earned him a royal prize from Louis XVIII. His second book of poems in 1826 established him as one of France's leading poets. He wrote his first plays, Cromwell and Hernani in 1827 and 1830, and his first short novel, The Last Days of a Condemned Man, in 1829. The premiere of the ultra-romantic Hernani (see theatre section below) caused a riot in the audience.

The theatres

François-Joseph Talma, the most famous Parisian dramatic actor, between 1821 ad 1823
Mademoiselle Mars of the Comédie-Française on stage

Napoleon distrusted the theatres of Paris, fearing that they might ridicule his regime, and had the number reduced to eight. Under the Restoration, the number gradually grew; besides the Opera and the Théâtre Française at the Palais-Royal, the home of the Comédie-Française, there was the Odéon, inaugurated by Marie Antoinette, and famous during the Restoration as a musical theatre, with an orchestra of Italian musicians. It burned in 1818 and was replaced by the present structure, designed by the architect of the Arc de Triomphe, in 1819. Other theatres remaining from the Empire included the Vaudeville, the Variétés, the Ambigu, the Gaieté, and the Opera Buffa. To these were added the Théâtre les Italiens, Théâtre de la Porte-Saint-Martin (1814), and the Gymnase (1820). Most theatres were on the right bank, near the grand boulevards, and this neighborhood became the entertainment district of the city.[44]

The most famous dramatic actor of the period was François-Joseph Talma of the Comédie-Française, who had been a favorite of Napoleon. His version of MacBeth, according to an English visitor who saw it in 1814, his performance had some notable differences from the usual English version. The witches and ghosts in the play never appeared on the stage, since, in Talma's view, they existed only in his imagination; he simply described them to the audience. Mademoiselle George was the most famous female dramatic actress, Abraham-Joseph Bénard, known as Fleury, was the most famous comic actor, and Mademoiselle Mars was the leading comic actress on the Paris stage. The English visitor commented that, while British audiences went to the theatre primarily for relaxation, Paris audiences were much more serious, seeing plays as "matters of serious interest and national concern." .[45]

The most famous theatre premiere of the Restoration was the opening on 25 February 1830 of the play Hernani by the young and little-known author Victor Hugo. The highly-romantic play was considered to have a political message, and the premiere was continually interrupted by shouting, jeering and even fights in the audience. It catapulted Hugo to immediate fame.

The Opera and the Conservatory

One of the most important musical events of the Restoration was the opening of The Barber of Seville, by Gioachino Rossini, at the Théâtre-Italien in 1818, two years after its premiere in Rome. Rossini made modifications for the French audience, changing it from two to four acts and changing Rosina's part from a contralto to a soprano. This new version premiered at the Odeon Theatre on 6 May 1824, with Rossini present, and remains today the version most used in opera houses around the world.

At the beginning of the Restoration, the Paris Opera was located in the Salle Montansier on rue Richelieu, where the square Louvois is today. On 13 February 1820, the Duke of Berry was assassinated at the door of the opera, and King Louis XVIII, in his grief, had the old theatre demolished. In 1820-21 the opera performed in the Salle Favert of Théâtre des Italiens, then in the sale Louvois on rue Louvois, then, beginning on 16 August 1821, in the new opera house on rue Le Peletier, which was built out of the material of the old opera house. It remained the opera house of Paris until the opening of the Opéra Garnier.

In February 1828, François Habeneck founded the Société des concerts du Conservatoire, with the first concert taking place on 9 March 1828. It became one of the most important concert venues of the city.

The Louvre and the Salon

The Venus de Milo entered the Louvre in 1821
King Charles X presents the prizes to artists at the Paris Salon of 1824

Napoleon had filled the Louvre with works of art gathered on his campaigns in Italy and other parts of Europe. After his abdication in 1814, the Allies allowed the works to remain in the Louvre, but after his return and final defeat at Waterloo in June 1815, the allies demanded that the works be returned. More than five thousand works of art, among them two thousand paintings, were sent back; the famous bronze horses that had been atop the Arc de Triomphe of the Carrousel went back to their home at Saint Mark's in Venice.[46] The Venus de' Medici, the most famous work of classical sculpture in the museum, was sent back to Florence, but it was soon replaced by a sensational new discovery, the Venus de Milo, acquired from a Greek farmer by a French naval officer, Olivier Voutier, in 1820. It was purchased by the Marquis de Riviére who gave it to Louis XVIII, who promptly gave it to the Louvre. The Louvre also created a department of Egyptian antiquities, curated by Champollion, with more than seven thousand works.

The Musée du Luxembourg had been the first public art gallery in Paris, displaying works from the royal collection, and then a showcase of art by Jacques-Louis David and other painters of the Empire. It re-opened 24 April 1818 as a museum for the work of living artists. Another new gallery, the Musée Dauphin, opened within the Louvre on 27 November 1827.

The dominant style of art gradually changed from neoclassicism to romanticism. Jacques-Louis David was in exile in Brussels, but Antoine Gros, who had painted portraits of Napoleon's court, made a new career painting the portraits of the restored aristocracy. Dominique Ingres also began his career with a portrait of Napoleon, but achieved great success during the Restoration with his precise and realistic classical style. The other major Parisian painters of the period included Anne-Louis Girodet de Roussy-Trioson, Pierre-Paul Prud'hon, and François Gérard. The new generation of painters made their appearance; Théodore Géricault painted one of the most famous works of the romantic period, The Raft of the Medusa, in 1819. In 1822 the young Camille Corot came to Paris and established his studio, and struggled to get his paintings into the Paris Salon. In 1830, Eugène Delacroix, the leader of the romantic painters, made his most famous painting, Liberty leading the People, an allegory of the 1830 Revolution, with Notre Dame and Paris buildings in the background. The new French government purchased the painting, but decided it was too inflammatory and never displayed it; it did not go onto public view until after the next Revolution, in 1848.

The Press

In 1788, Parisians could read thirty newspapers, of which thirteen were printed outside France. In 1790, in the midst of the Revolution, the number had increased to three hundred and fifty. Napoleon detested the press; newspapers were severely taxed and a controlled, and the number fell thirteen in 1800, and by 1815 to only four. During the Restoration, the number increased dramatically again to one hundred and fifty, of which eight were devoted to politics. By 1827 there were sixteen newspapers devoted to politics, and one hundred sixteen literary publications.[47] The journal Le Figaro first appeared on 16 July 1827; it is the oldest continually published newspaper in the city. Le Temps, another popular paper, began publishing on 15 October 1829.

As readership increased, criticism of the government in the press became louder; the government responded with stricter controls on the press. A law restricting the press was passed on 12 March 1827. In June 1829 the author of an article critical of Charles X was condemned to a five years in prison and a fine of ten thousand francs. On August 10, the director of the newspaper Journal des débats was sentenced to six months in prison and a fine of five hundred francs. On 25 July 1830, the Chamber of Deputies voted a new law suspending freedom of the press. The public outcry against this law was a major cause the evolution of 1830, which began on 27 July.

The Revolution of 1830

The discontent of the Parisians with Charles X and his government grew steadily. On October 26, 1826, the funeral of the actor François-Joseph Talma turned into a massive demonstration against the government. On 29 April 1827, when the King reviewed the soldiers of the national guard on the Champs Elysées, he was greeted with anti-government slogans shouted by some of the soldiers. He immediately disbanded the national guard. When he named a royalist professor to the College de France against the advice of the Academy of Sciences, student riots broke out in the Latin quarter. In the elections for the Chamber of Deputies in November 1827, the anti-government liberal candidates received 84 percent of the votes of the Parisians. In November 1828, the first barricades went up in the streets of the faubourg Saint-Martin and faubourg Saint-Denis. The army arrived and opened fire; seven persons were killed and twenty wounded.[48]

The King calmed the revolt for a time by naming a more moderate prime minister, Martignac, but in August 1829 he dismissed Martignac and named as the new head of government Jules de Polignac, the son of one of the favorites of Marie-Antoinette and an ultra-royalist. The royalist ministers of the new government further infuriated the Chamber of Deputies; on 2 March 1830, the Chamber voted to refuse any cooperation with the government. The King dissolved the Chamber and ordered new elections. The opposition liberals won an even larger majority against the government; liberal candidates in Paris won four-fifths of the vote. On 26 July 1830 the King and his government responded by suspending the freedom of the press, dissolving the new parliament before it had even met, and raising the changing the election laws so only the richest citizens were allowed to vote.[49]

On 27 July the prefect of police gave the order to seize the printing presses of the opposition newspapers. The first conflicts between the opponents of the government and soldiers, led by Maréchal Marmont, took place around the Palais-Royal. The next day, the 28th, the insurgents surrounded the Hôtel de Ville and erected barricades in the center. Marmont marched his soldiers from the Palais-Royal to the Bastille to clear the barricades there, then back toward the Louvre and the Tuileries. The soldiers were fired upon from the rooftops by the insurgents, and many soldiers abandoned the army and joined the opposition. [49]

Louis-Philippe going from the Palais-Royal to the Hotel de Ville (July 31, 1830)

The next day the insurgent forces grew in number, joined by several former officers of Napoleon and students of the Ecole Polytechnique. Hundreds of new barricades went up around the city. The insurgents successfully assaulted the Palais Bourbon and the barracks of the Swiss guards on rue de Babylone. Two army regiments on the Place Vendôme defected to the insurgents; To replace them, Marmont pulled his troops out of the Louvre. The insurgents quickly seized the Louvre and drove out the Swiss guards at the Tuileries Palace. Marmont and the regular army soldiers were forced to retreat and regroup on the Champs Elysees. [49]

During the battle within the city, the King was at the chateau of Saint-Cloud, not knowing what to do. In the absence of royal leadership, and eager to avoid another republic and reign of terror, liberal members of the parliament created a provisional government and made their headquarters at the Hotel de Ville. Lafayette was named the commander of the national guard. The deputies invited Louis-Philippe, the Duke of Orleans, to become the leader of a constitutional monarchy. On the 30th the Duke agreed and returned from his chateau at Raincy to the Palais-Royal. He was escorted by Lafayette and the members of the government to the Hotel de Ville, where the crowd received him with little enthusiasm, but the new regime was officially launched. Charles X departed Saint-Cloud for Normandy, and on 16 August sailed for England, where he went into exile. [49]

Chronology

The allied armies parade on the Place de la Concorde (1814)
  • 1814 – Allied armies occupy Paris on March 31, followed by the entry of Louis XVIII on 3 May.
  • 1815
    • 19 March – At midnight, Louis XVIII flees the Tuileries Palace. At midnight March 20, Napoleon occupies the Palace.
    • 22 June – The second abdication of Napoleon, after the Battle of Waterloo.
    • 6 July – Allied troops again occupy Paris, followed by Louis XVIII on July 8.
  • 1816
    • 21 March – Reopening of the French academies, purged of twenty-two members named by Napoleon.
    • December – first illumination by gaslight of a café in the Passage des Panoramas.[50]
  • 1817 – Population: 714,000 [51]
    • 1 June – Opening of the Marché Saint-Germain.
    • 8 July – Opening of the first promenades aériennes, or roller coaster, in the jardin Beaujon.
  • 1818 – New statue of Henry IV placed on the Pont Neuf, to replace the original statue destroyed during the Revolution.[52]
    • The Draisienne, ancestor of the bicycle, is introduced in the Luxembourg Gardens. (1818)
  • 1820
  • 1821
    • 14 May 1821 – Opening of the canal of Saint-Denis.
    • 23 July – Founding of the Geographic Society of Paris.
    • 26 December – Decree to return the Pantheon to a church, under its previous name of Sainte-Geneviève.
      Boulevard Montmartre in 1822
  • 1822
    • 7–8 March – Demonstrations at the law school, two hundred students arrested.
    • 15 July – the Café de Paris opens at corner of the boulevard des Italiens and rue Taitbout.
  • 1823
  • 1824
    • 25 August – First stone laid for the church of Saint-Vincent-de-Paul.
    • October – Opening of À la Belle Jardinière clothing store, ancestor of the modern department store.[50]
    • 13 December – La Fille d'honneur on rue de la Monnaie is the first store to put price tags on merchandise.[54]
  • 1826
  • 1827
    • 12 March – New law passed restricting freedom of the press.
    • 30 March – Students demonstrate during funeral of François Alexandre Frédéric, duc de la Rochefoucauld-Liancourt. His coffin is smashed during the struggle.
    • 29 April – During review of the Paris National Guard by King Charles X, the soldiers greet him with anti-government slogans. The King dissolves the National Guard.[54]
    • 30 June – A giraffe, a gift of the Pasha of Egypt to Charles X, and the first ever seen in Paris, is put on display in the Jardin des Plantes.
    • 19–20 November – political demonstrations around the legislative elections; street barricades go up in the Saint-Denis and Saint-Martin neighborhoods.
  • 1828
    • February – Concert Society of the Paris Conservatory founded. The first concert took place on 9 March.
    • 11 April – Introduction of service by the omnibus, carrying 18 to 25 passengers. Fare was 25 centimes.[55]
  • 1829
    • 1 January – The rue de la Paix becomes the first street in Paris lit by gaslight.
    • 12 March – Creation of the sergents de ville, the first uniformed Paris police force. Originally one hundred in number, they were mostly former army sergeants. They carried a cane during the day, and a sword at night.[56]

See also

References

Notes and citations

  1. ^ a b Fierro 1996, p. 279.
  2. ^ Fierro 1996, p. 154.
  3. ^ Sarmant, Thierry, Histoire de Paris, p. 156
  4. ^ Combeau, Yvan, Histoire de Paris, p. 56
  5. ^ a b c Fierro 1996, pp. 154–155.
  6. ^ Fierro 1996, pp. 157–160.
  7. ^ Sarmant 2012, p. 156.
  8. ^ Fierro 1996, p. 434.
  9. ^ Fierro 1996, p. 1153.
  10. ^ Fierro 1996, pp. 323–324.
  11. ^ Sarmant 2012, p. 163.
  12. ^ a b c d e Héron de Villefosse 1959, p. 313.
  13. ^ Héron de Villefosse 1959, pp. 315–316.
  14. ^ Héron de Villefosse 1959, pp. 314–316.
  15. ^ Le Roux 2013, pp. 18–19.
  16. ^ Fierro 1996, p. 911.
  17. ^ Travels in France during the years 1814-15, p. 56.
  18. ^ Fierro 1996, p. 526.
  19. ^ Fierro 1996, p. 524.
  20. ^ Du Camp 1870, p. 139.
  21. ^ Fierro 1996, p. 661.
  22. ^ Du Camp 1870, p. 149.
  23. ^ Fierro 1996, p. 538.
  24. ^ Fierro 1996, pp. 698–697.
  25. ^ Fierro 1996, p. 708.
  26. ^ a b Fierro 1996, p. 1177.
  27. ^ Fierro 1996, p. 874.
  28. ^ Fierro 1996, pp. 1031–1032.
  29. ^ Héron de Villefosse 1959, p. 317.
  30. ^ Héron de Villefosse 1959, p. 316.
  31. ^ Fierro 1996, p. 615.
  32. ^ Fierro 1996, p. 748.
  33. ^ Fierro 1996, pp. 362–363.
  34. ^ Travels in France during the years 1814-15, p. 148.
  35. ^ Fierro 1996, pp. 380–381.
  36. ^ Fierro 1996, p. 404.
  37. ^ Fierro 1996, pp. 612–616.
  38. ^ Trouilleux 2010, pp. 218–220.
  39. ^ Trouilleux 2010, pp. 206.
  40. ^ Fierro 1996, pp. 1049–50.
  41. ^ Fierro 1996, pp. 1037–38.
  42. ^ Fierro 1996, pp. 742=743.
  43. ^ Fierro 1996, pp. 918–919.
  44. ^ Fierro 1996, p. 1173.
  45. ^ Travels in France during the years 1814-1815 1816, pp. 249–261.
  46. ^ Fierro 1996, p. 1004.
  47. ^ Du Camp 1869, p. 689.
  48. ^ Fierro 1996, p. 158.
  49. ^ a b c d Fierro 1996, pp. 160–162.
  50. ^ a b Fierro, Alfred, Histoire et dictionnaire de Paris, p. 613.
  51. ^ Combeau 1986, p. 61.
  52. ^ Sarmant, Thierry, Histoire de Paris, p. 247
  53. ^ Galignani's New Paris Guide, Paris: A. and W. Galignani, 1841
  54. ^ a b Fierro, Alfred, Histoire et dictionnaire de Paris, p. 615.
  55. ^ Fierro, Alfred, Histoire et dictionnaire de Paris, p. 616.
  56. ^ Fierro, Alfred, Histoire et dictionnaire de Paris, p. 1153.

Bibliography

In French

  • Combeau, Yvan (2013). Histoire de Paris. Paris: Presses Universitaires de France. ISBN 978-2-13-060852-3.
  • Fierro, Alfred (1996). Histoire et dictionnaire de Paris. Robert Laffont. ISBN 2-221-07862-4.
  • Héron de Villefosse, René (1959). Histoire de Paris. Bernard Grasset.
  • Jarrassé, Dominique (2007). Grammaire des Jardins Parisiens. Paris: Parigramme. ISBN 978-2-84096-476-6.
  • Le Roux, Thomas (2013). Les Paris de l'industrie 1750–1920. CREASPHIS Editions. ISBN 978-2-35428-079-6.
  • Sarmant, Thierry (2012). Histoire de Paris: Politique, urbanisme, civilisation. Editions Jean-Paul Gisserot. ISBN 978-2-755-803303.
  • Trouilleux, Rodolphe (2010). Le Palais-Royal- Un demi-siècle de folies 1780–1830. Bernard Giovanangeli.
  • Du Camp, Maxime (1870). Paris: ses organes, ses fonctions, et sa vie jusqu'en 1870. Monaco: Rondeau. ISBN 2-910305-02-3.
  • Dictionnaire Historique de Paris. Le Livre de Poche. 2013. ISBN 978-2-253-13140-3.
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