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Padmasambhāva

From Wikipedia, the free encyclopedia

Padmasambhava
Guru - Boudha.jpg
Padmasambhava statue at Ghyoilisang peace park, Boudhanath
Born
Died
OccupationVajra master
Known forCredited with founding the Nyingma school of Tibetan Buddhism
Thangka of Padmasambhava, 19th century, Lhasa, Central Tibet.
Thangka of Padmasambhava, 19th century, Lhasa, Central Tibet.
Colossus of Padmasambhava, 123 ft. (37.5 m) high in mist overlooking Rewalsar Lake, Himachal Pradesh, India.
Colossus of Padmasambhava, 123 ft. (37.5 m) high in mist overlooking Rewalsar Lake, Himachal Pradesh, India.

Padmasambhava ("Born from a Lotus"),[note 1] also known as Guru Rinpoche (Precious Guru) and the Lotus from Oḍḍiyāna, was an tantric Buddhist Vajra master from India who may have taught Vajrayana in Tibet (circa 8th - 9th centuries).[1][2][3][4] According to some early Tibetan sources like the Testament of Ba, he came to Tibet in the 8th century and helped construct Samye Monastery, the first Buddhist monastery in Tibet.[3] However, little is known about the actual historical figure other than his ties to Vajrayana.[5][6]

Padmasambhava later came to be viewed as a central figure in the transmission of Buddhism to Tibet.[7][5] Starting from around the 12th century, hagiographies concerning Padmasambhava were written. These works expanded the profile and activities of Padmasambhava, now seen as taming all the Tibetan spirits and gods, and concealing various secret texts (terma) for future Tertons.[8] Nyangral Nyima Özer (1124–1192) was the author of the Zangling-ma (Jeweled Rosary), the earliest biography of Padmasambhava.[9][10] He has been called "one of the main architects of the Padmasambhava mythos – who first linked Padmasambhava to the Great Perfection in a high-profile manner."[11][12]

In modern Tibetan Buddhism, Padmasambhava is considered to be a Buddha that was foretold by Buddha Shakyamuni.[2] According to traditional hagiographies, his students include the great female masters Yeshe Tsogyal and Mandarava.[5] The contemporary Nyingma school considers Padmasambhava to be a founding figure.[13][4] The Nyingma school also traditionally holds that its Dzogchen lineage has its origins in Garab Dorje through a direct transmission to Padmasambhava.[14]

In Tibetan Buddhism, the teachings of Padmasambhava are said to include an oral lineage (kama), and a lineage of the hidden treasure texts (termas).[15] Tibetan Buddhism holds that Padmasambhava's termas are discovered by fortunate beings and tertöns (treasure finders) when conditions are ripe for their reception.[16] Padmasambhava is said to appears to tertöns in visionary encounters, and his form is visualized during guru yoga practice, particularly in the Nyingma school. Padmasambhava is widely venerated by Buddhists in Tibet, Nepal, Bhutan, the Himalayan states of India, and in countries around the world.[17][18]

History

Samye Monastery, as viewed from the top of Samye Hepo-ri, a local holy mountain
Samye Monastery, as viewed from the top of Samye Hepo-ri, a local holy mountain
Fragment of the Testament of Ba at the British Library, with six incomplete lines of Tibetan writing (Or.8210/S.9498A).
Fragment of the Testament of Ba at the British Library, with six incomplete lines of Tibetan writing (Or.8210/S.9498A).

According to Lewis Doney, while his historicity was questioned by earlier Tibetologists, it is now "cautiously accepted".[4]

Early Sources

One of the earliest chronicle sources for Padmasambhava as a historical figure is the Testament of Ba (Dba’ bzhed, c. 9th–12th centuries), which records the founding of Samye Monastery under the reign of king Trisong Detsen (r. 755–797/804).[19][4] Other early manuscripts from Dunhuang also mention a tantric master associated with kilaya rituals named Padmasambhava who tames demons, though they do not associate this figure with Trisong Detsen.[20][4]

According to the Testament of Ba, Trisong Detsen had invited the Buddhist abbot and philosopher Śāntarakṣita (725–788) to Tibet to propagate Buddhism and help found the first Buddhist monastery at Samye (‘The Inconceivable’). However, certain events like the flooding of a Buddhist temple and lighting striking the royal palace had caused some at the Tibetan court to believe that the local gods were angry.[3]

Śāntarakṣita was sent back to Nepal, but was then asked to return after the anti-Buddhist sentiments had subsided. On his return, Śāntarakṣita brought Padmasambhava who was an Indian tantric adept (possibly from the Swat Valley, Pakistan or Odisha).[21] Padmasambhava's job was to tame the local spirits and impress the Tibetans with his magical and ritual powers. The Tibetan sources then explain how Padmasambhava identified the local gods and spirits, called them out and threatened them with his powers. After they had been tamed, the construction of Samye went ahead.[3] Padmasambhava was also said to have taught various forms of tantric Buddhist yoga.[22]

When the royal court began to suspect that Padmasambhava wanted to seize power, he was asked to leave by the king.[22] The Testament of Ba also mentions other miracles by Padmasambhava, mostly associated with the taming of demons and spirits as well as longevity rituals and water magic.[4]

Evidence that Padmasambhava's tantric teachings were being taught in Tibet during the 10th century. New evidence suggests that Padmasambhava already figured in spiritual hagiography and ritual, and was already seen as the enlightened source of tantric scriptures, as many as two hundred years before Nyangrel Nyima Özer (1136-1204)[23] the primary source of the traditional hagiography of Padmasambhava.

Lewis Doney notes that while numerous texts are associated with Padmasambhava, the most likely of these attributions are the Mn ngag lta ba'i phreng ba (The Garland of Views), a commentary on the 13th chapter of the Guhyagarbha tantra and the Thabs zhags padma 'phreng (A Noble Noose of Methods, The Lotus Garland), an exposition of Mahayoga. The former work is mentioned in the work of Nubchen Sangye Yeshe (c. 9-10th centuries) and attributed to Padmasambhava.[4]

Development of the mythos

While in the eleventh and twelfth centuries there were several parallel narratives of important founding figures like Padmasambhava, Vimalamitra, Songtsän Gampo, and Vairotsana, by the end of the 12th century, the Padmasambhava narrative grew to dominate the others, becoming the most influential legend of the introduction of Buddhism to Tibet.[24][25][26]

Nyangrel Nyima Özer, one of "The Five Tertön Kings".
Nyangrel Nyima Özer, one of "The Five Tertön Kings".

The first full biography of Padmasambhava is a terma (treasure text) said to have been revealed by Nyangrel Nyima Özer (1124-1192 or 1136 - 1204), abbot of Mawochok Monastery. This biography, "The Copper Palace" (bka' thang zangs gling ma), was very influential on the Padmasambhava hagiographical tradition. The narrative was also incorporated into Nyima Özer's history of Buddhism, the "Flower Nectar: The Essence of Honey" (chos 'byung me tog snying po sbrang rtsi'i bcud).[27][4][12][11]

The terton Guru Chöwang (1212–1270) was the next major contributor to the Padmasambhava tradition, and may have been the first full lifestory biographer of Yeshe Tsogyal.[12]

The basic narrative of The Copper Palace continued to be expanded and edited by Tibetans. In the 14th century, the Padmasambhava hagiography was further expanded and re-envisioned through the efforts of the terton Orgyen Lingpa (1323 – c. 1360). It is in the works of Orgyen Lingpa, particularly his Padma bka' thang (Lotus Testament, 1352), that the "11 deeds" of Padmasambhava first appear in full.[4] The Lotus Testament is a very extensive biography of Padmasambhava, which begins with his ordination under Ananda and contains numerous references to Padmasambhava as a "second Buddha."[4]

Hagiography

Thangka of Padmasambhava
Thangka of Padmasambhava
Statue of Guru Rinpoche, Central Tibet, Tsang Valley, 15th-16th century.
Statue of Guru Rinpoche, Central Tibet, Tsang Valley, 15th-16th century.

According to Khenchen Palden Sherab, there are traditionally said to be nine thousand nine hundred and ninety-nine biographies of Padmasambhava.[2] They are categorized in three ways: Those relating to Padmasambhava's Dharmakaya buddhahood, those accounts of his Sambhogakaya nature, and those chronicles of his Nirmanakaya activities.[2]

Birth and early life

Hagiographies of Padmasambhava such as The Copper Palace, depict Padmasambhava being born as an eight-year-old child appearing in a lotus blossom floating in Lake Dhanakosha surrounded by a host of dakinis, in the kingdom of Oddiyana.[4][28]

However there are other birth stories as well, another common one states that he was born from the womb of Queen Jalendra, the wife of king Sakra of Oddiyana and received the name Dorje Duddul (Vajra Demon Subjugator) because of the auspicious marks on his body were identified as those of a demon tamer.[4]

As Nyingma scholar Khenchen Palden Sherab Rinpoche explains:

There are many stories explaining how Guru Padmasambhava was born. Some say that he instantly appeared on the peak of Meteorite Mountain, in Sri Lanka. Others teach that he came through his mother's womb, but most accounts refer to a miraculous birth, explaining that he spontaneously appeared in the center of a lotus. These stories are not contradictory because highly realized beings abide in the expanse of great equanimity with perfect understanding and can do anything. Everything is flexible, anything is possible. Enlightened beings can appear in any way they want or need to.[2]

In The Copper Palace, King Indrabhuti of Oddiyana is searching for a wish fulfilling jewel and finds Padmasambhava, who is said to be an incarnation of Buddha Amitabha. The king adopts him as his own son and Padmasambhava is enthroned as the Lotus King (Pema Gyalpo).[4][28] However, Padmasambhava kills one of his ministers with his khaṭvāṅga staff and is exiled from the kingdom, which allows him to live as a mahasiddha and practice tantra in charnel grounds throughout India.[4][28][29][30]

Statue of Princess Mandarava at Rewalsar Lake.
Statue of Princess Mandarava at Rewalsar Lake.

In Himachal Pradesh, India at Rewalsar Lake, known as Tso Pema in Tibetan, Padmasambhava secretly gave tantric teachings to princess Mandarava, the local king's daughter. The king found out and tried to burn both him and his daughter, but it is said that when the smoke cleared they were still alive and in meditation, centered in a lotus arising from a lake. Greatly astonished by this miracle, the king offered Padmasambhava both his kingdom and Mandarava.[31]

Padmasambhava is then said to have returned home with Mandarava and together they converted the kingdom to Vajrayana Buddhism.[4]

They are also said to have travelled together to the Maratika Cave in Nepal to practice long life rituals of Amitāyus.[32]

Activities in Tibet

The famous "looks like me" statue of Padmasambhava at Samye which is traditionally said to have been blessed by him personally.
The famous "looks like me" statue of Padmasambhava at Samye which is traditionally said to have been blessed by him personally.
Yeshe Tsogyal
Yeshe Tsogyal

Padmasambhava hagiographies also discuss the activities of Padmasambhava in Tibet, beginning with the invitation by King Trisong Detsen to help in the founding of Samye. Padmasambhava is depicted as a great tantric adept who tames the spirits and demons and Tibet and turns them into guardians for the Buddha's Dharma (specifically, the deity Pe har is made the protector of Samye). He is also said to have spread Vajrayana Buddhism to the people of Tibet, and specifically introduced its practice of Tantra.[33][34][4]

The subjection of subduing deities and demons is a recurrent theme in Buddhist literature, as noted also in Vajrapani and Mahesvara and Steven Heine's "Opening a Mountain".[35]

Because of his role in the founding of Samye monastery, the first monastery in Tibet, Padmasambhava is regarded as the founder of the Nyingma school ("Ancients") of Tibetan Buddhism.[36][37][38] Padmasambhava's activities in the Tibet include the practice of tantric rituals to increase the life of the king as well as initiating king Trisong Detsen into tantric rites.[4]

The various biographies also discuss stories of Padmasambhava's main Tibetan consort, princess Yeshe Tsogyal ("Knowledge Lake Empress"), who became his student while living in the court of Trisong Deutsen.[39] She was among Padmasambhava's three special students (along with the King, and Namkhai Nyingpo) and is widely revered in Tibet as the "Mother of Buddhism".[12] Yeshe Tsogyal became a great master with many disciples and is widely considered to be a female Buddha.[40]

Padmasambhava hid numerous termas in Tibet for later discovery with her aid, while she compiled and elicited Padmasambhava's teachings through the posing of questions, and then reached Buddhahood in her lifetime. Many thangkas and paintings depict Padmasambhava with consorts at each side, Mandarava on his right and Yeshe Tsogyal on his left.[41]

Many of the Nyingma school's terma texts are said to have originated from the activities of Padmasambhava and his students. These hidden treasure texts are believed to be discovered and disseminated when conditions are ripe for their reception.[14] The Nyingma school traces its lineage of Dzogchen teachings to Garab Dorje through Padmasambhava's termas.[15]

In The Copper Palace, after the death of Trisong Detsen, Padmasambhava is said to have treveled to Lanka in order to convert its blood thirsty raksasa demons to the Dharma. His parting words of advice advocates for the worship of Avalokiteshvara.[4]

Bhutan

Paro Taktsang (also known as The Tiger's Nest)
Paro Taktsang (also known as The Tiger's Nest)

Bhutan has many important pilgrimage places associated with Padmasambhava. The most famous is Paro Taktsang or "Tiger's Nest" monastery which is built on a sheer cliff wall about 900m above the floor of Paro valley. It was built around the Taktsang Senge Samdup (stag tshang seng ge bsam grub) cave where Padmasambhava is said to have meditated.[42]

He is said to have flown there from Tibet on the back of Yeshe Tsogyal, whom he transformed into a flying tigress for the purpose of the trip.[citation needed] Later he travelled to Bumthang district to subdue a powerful deity offended by a local king. According to legend, Padmasambhava's body imprint can be found in the wall of a cave at nearby Kurje Lhakhang temple.[citation needed]

Eight Manifestations

Guru Senge Dradrog, a wrathful manifestation of Padmasambhava. (Painting in Tashichho Dzong)
Guru Senge Dradrog, a wrathful manifestation of Padmasambhava. (Painting in Tashichho Dzong)
Guru Dorje Drolo, Subduer of Demons
Guru Dorje Drolo, Subduer of Demons
Bhutanese painted thanka of Guru Nyima Ozer, late 19th century.
Bhutanese painted thanka of Guru Nyima Ozer, late 19th century.

The Eight Manifestations are also seen as Padmasambhava's biography that spans 1500 years. As Khenchen Palden Sherab Rinpoche states,

When Guru Padmasambhava appeared on earth, he came as a human being. In order to dissolve our attachment to dualistic conceptions and destroy complex neurotic fixations, he also exhibited some extraordinary manifestations.[2]

In accord, Rigpa Shedra also states the eight principal forms were assumed by Guru Rinpoche at different points in his life. Padmasambhava's eight manifestations, or forms (Tib. Guru Tsen Gye), represent different aspects of his being as needed, such as wrathful or peaceful for example.

The Eight Manifestations of Padmasambhava belong to the tradition of Terma, the Revealed Treasures (Tib.: ter ma),[2][43][44] and are described and enumerated as follows:

  1. Guru Pema Gyalpo (Wylie: gu ru pad ma rgyal-po, Skrt: Guru Padmarāja) of Oddiyana, meaning "Lotus King", king of the Tripitaka (the Three Collections of Scripture), manifests as a child four years after the Mahaparinirvana of Buddha Shakyamuni, as predicted by the Buddha. He is shown with a redish pink complexion and semi-wrathful, seated on a lotus and wearing yellow-orange robes, a small damaru in his right hand and a mirror and hook in his left hand, with a top-knot wrapped in white and streaming with red silk.
  2. Guru Nyima Ozer (Wylie: gu ru nyi-ma 'od-zer, Skrt: Guru Suryabhasa or Sūryaraśmi[45]), meaning "Ray of Sun", the Sunray Yogi, semi-wrathful, manifests in India simultaneously with Guru Pema Gyalpo, often portrayed as a crazy wisdom wandering yogi, numerous simultaneous emanations, illuminates the darkness of the mind through the insight of Dzogchen. He is shown seated on a lotus with left leg bent and with a golden-red complexion, semi-wrathful with slightly bulging eyes, long hair with bone ornaments, moustache and beard, bare-chested with a tiger-skin skirt, right hand holds a khatvanga and left hand is in a mudra, interacting with the sun.
  3. Guru Loden Chokse (Wylie: gu ru blo ldan mchog sred; Skrt: Guru Mativat Vararuci,[45]) meaning roughly "Super Knowledge Holder", peaceful, manifests after Guru Pema Gyalpo departs Oddiyana for the great charnel grounds of India and for all knowledge, the Intelligent Youth, the one who gathers the knowledge of all worlds. He is shown seated on a lotus, white complexion, wearing a white scarf with ribbons wrapped around his head, and a blue-green lotus decorating his hair, holding a damaru in the right hand and a lotus bowl in the left hand.
  4. Guru Padmasambhava (Skrt: Guru Padmasambhava), meaning "Lotus Essence", a symbol of spiritual perfection, peaceful, manifests and teaches Mandarava, transforming negative energies into compassionate and peaceful forms. He is shown with a rich white complexion, very peaceful, and wears a red monk's hat, and sits on a lotus with his right hand in a mudra and left hand holding a skull-cup.
  5. Guru Shakya Senge (Wylie: shAkya seng-ge, Skrt: Guru Śākyasimha) of Bodh Gaya, meaning "Undefeatable Lion", peaceful, manifests as Ananda's student and brings King Ashoka to the Dharma, Lion of the Sakyas, embodies patience and detachment, learns all Buddhist canons and Tantric practices of the eight Vidyadharas. He is shown similar to Buddha Shakymuni but with golden skin in red monk's robes, a unishaka, a begging bowl in the left hand and a five-pointed vajra in the right hand.
  6. Guru Senge Dradrog (Wylie: gu ru seng-ge sgra-sgrogs, Skrt: Guru Simhanāda,[45]) meaning "The Lion's Roar", wrathful, subdues and pacifies negative influences, manifests in India and at Nalanda University, the Lion of Debate, promulgator of the Dharma throughout the six realms of sentient beings. He is shown as dark blue and surrounded by flames above a lotus, with fangs and three glaring eyes, crown of skulls and long hair, standing on a demon, holding a flaming vajra in the right hand, left hand in a subjugation mudra.
  7. Guru Pema Jungne (Wylie: pad ma 'byung-gnas, Skrt: Guru Padmakara), meaning "Born from a Lotus", manifests before his arrival in Tibet, the Vajrayana Buddha that teaches the Dharma to the people, embodies all manifestations and actions of pacifying, increasing, magnetizing and subjugating. As the most depicted manifestation, he is shown sitting on a lotus, dressed in three robes, under which he wears a blue shirt, pants and Tibetan shoes. He holds a vajra in his right hand, and a skull-bowl with a small vase in his left hand. A special trident called a khatvanga leans on the left shoulder representing Yeshe Tsogyal, and he wears a Nepalese cloth hat in the shape of a lotus flower. Thus he is represented as he must have appeared in Tibet.
  8. Guru Dorje Drolo (Wylie: gu ru rDo-rje gro-lod, Skrt: Guru Vajra), meaning "Crazy Wisdom", very wrathful, manifests five years before Guru Pema Jungne departs Tibet, 13 emanations for 13 Tiger's Nests caves, the fierce manifestation of Vajrakilaya (wrathful Vajrasattva) known as "Diamond Guts", the comforter of all, imprinting the elements with Wisdom-Treasure, subduer for degenerate times. He is shown dark red, surrounded by flames, wearing robes and Tibetan shoes, conch earrings, a garland of heads, dancing on a tiger, symbolizing Tashi Kyeden, that is also dancing.

Padmasambhava's various Sanskrit names are preserved in mantras such as those found in the Yang gsang rig 'dzin youngs rdzogs kyi blama guru mtshan brgyad bye brag du sgrub pa ye shes bdud rtsi'i sbrang char zhe bya ba.[clarification needed][45][46]

Iconography and attributes

Statue of Guru Rinpoche at Ghyoilisang Peace Park, Boudha.
Statue of Guru Rinpoche at Ghyoilisang Peace Park, Boudha.

Iconography

Wall painting at Paro Bridge, Bhutan, of Padmasambhava.
Wall painting at Paro Bridge, Bhutan, of Padmasambhava.

General

  • He has one face and two hands.[47][48]
  • He is wrathful and smiling.[47]
  • He blazes magnificently with the splendour of the major and minor marks.[47]

Head

  • On his head he wears a five-petalled lotus hat,[47][49] which has
    • Three points symbolizing the three kayas,
    • Five colours symbolizing the five kayas,
    • A sun and moon symbolizing skillful means and wisdom,
    • A vajra top to symbolize unshakable samadhi,
    • A vulture's feather to represent the realization of the highest view.[48]
  • His two eyes are wide open in a piercing gaze.[47]
  • He has the youthful appearance of an eight-year-old child.[48]

Skin

  • His complexion is white with a tinge of red.[48]

Dress

  • On his body he wears a white vajra undergarment. On top of this, in layers, a red robe, a dark blue mantrayana tunic, a red monastic shawl decorated with a golden flower pattern, and a maroon cloak of silk brocade.[47]
  • On his body he wears a silk cloak, Dharma robes and gown.[49]
  • He is wearing the dark blue gown of a mantra practitioner, the red and yellow shawl of a monk, the maroon cloak of a king, and the red robe and secret white garments of a bodhisattva.[48]

Hands

  • In his right hand, he holds a five-pronged vajra at his heart.[47][48][49]
  • His left hand rests in the gesture of equanimity,[47]
  • In his left hand he holds a skull-cup brimming with nectar, containing the vase of longevity that is also filled with the nectar of deathless wisdom[47][48] and ornamented on top by a wish-fulfilling tree.[49]

Khatvanga

The khaṭvāńga is a particular divine attribute of Padmasambhava and intrinsic to his iconographic representation. It is a danda with three severed heads denoting the three kayas (the three bodies of a Buddha, the dharmakaya, sambhogakaya, and nirmanakaya), crowned by a trishula, and dressed with a sash of the Himalayan Rainbow or Five Pure Lights of the Mahabhuta. The iconography is utilized in various Tantric cycles by practitioners as symbols to hidden meanings in transmitted practices.

  • Cradled in his left arm he holds the three-pointed khatvanga (trident) symbolizing the Princess consort Mandarava, one of his two main consorts.[47][49] who arouses the wisdom of bliss and emptiness, concealed as the three-pointed khatvanga trident.[48] Other sources say that the khatvanga represents the Lady Yeshe Tsogyal, his primary consort and main disciple.[50]
  • Its three points represent the essence, nature and compassionate energy (ngowo, rangshyin and tukjé).[48][49]
  • Below these three prongs are three severed heads, dry, fresh and rotten, symbolizing the dharmakaya, sambhogakaya and nirmanakaya.[48][49]
  • Nine iron rings adorning the prongs represent the nine yanas.[48][49]
  • Five-coloured strips of silk symbolize the five wisdoms[48]
  • The khatvanga is also adorned with locks of hair from dead and living mamos and dakinis, as a sign that the Master subjugated them all when he practised austerities in the Eight Great Charnel Grounds.[48][49]

Seat

  • He is seated with his two feet in the royal posture.[47][48][49]

Surrounding

  • All around him, within a lattice of five-coloured light, appear the eight vidyadharas of India, the twenty-five disciples of Tibet, the deities of the three roots, and an ocean of oath-bound protectors[49]

There are further iconographies and meanings in more advanced and secret stages.[citation needed]

Attributes

Pure-land Paradise

His Pureland Paradise is Zangdok Palri (the Copper-Coloured Mountain).[51]

Samantabhadra and Samantabhadri

Padmasambhava said:

My father is the intrinsic awareness, Samantabhadra (Sanskrit; Tib. ཀུན་ཏུ་བཟང་པོ). My mother is the ultimate sphere of reality, Samantabhadri (Sanskrit; Tib. ཀུན་ཏུ་བཟང་མོ). I belong to the caste of non-duality of the sphere of awareness. My name is the Glorious Lotus-Born. I am from the unborn sphere of all phenomena. I consume concepts of duality as my diet. I act in the way of the Buddhas of the three times.

Another translation of Guru Rinpoche's statement is:

My father is wisdom and my mother is voidness.

My country is the country of Dharma.

I am of no caste and no creed.

I am sustained by perplexity; and I am here to destroy lust, anger and sloth.

-Guru Padmasambhava[2]

Practices associated with Padmasambhava

From the earliest sources to today, Padmasambhava has remained closely associated with the Kila (phurba) dagger and also with the deity Vajrakilaya (a meditation deity based on the kila).[4]

The Vajra Guru mantra

The Vajra Guru Mantra inscribed on a rock
The Vajra Guru Mantra inscribed on a rock
The Vajra Guru Mantra in Lanydza and Tibetan script.
The Vajra Guru Mantra in Lanydza and Tibetan script.

The Vajra Guru mantra is:

oṃ āḥ hūṃ vajra guru padma siddhi hūṃ

Like most Sanskrit mantras in Tibet, the Tibetan pronunciation demonstrates dialectic variation and is generally Om Ah Hung Benza Guru Pema Siddhi Hung.

In the Tibetan Buddhist traditions, particularly in Nyingma, the Vajra Guru mantra is held to be a powerful mantra engendering communion with the Three Vajras of Padmasambhava's mindstream and by his grace, all enlightened beings.[52] The 14th century tertön Karma Lingpa wrote a famous commentary on the mantra.[53]

According to the great tertön Jamyang Khyentse Wangpo, the basic meaning of the mantra is:

It begins with OṂ ĀḤ HŪṂ, which are the seed syllables of the three vajras (of body, speech and mind). VAJRA signifies the dharmakāya since [like the adamantine vajra] it cannot be ‘cut’ or destroyed by the elaborations of conceptual thought. GURU signifies the sambhogakāya, which is ‘heavily’ laden with the qualities of the seven aspects of union. PADMA signifies the nirmāṇakāya, the radiant awareness of the wisdom of discernment arising as the lotus family of enlightened speech. Remembering the qualities of the great Guru of Oḍḍiyāna, who is inseparable from these three kāyas, pray with the continuous devotion that is the intrinsic display of the nature of mind, free from the elaboration of conceptual thought. All the supreme and ordinary accomplishments—SIDDHI—are obtained through the power of this prayer, and by thinking, “HŪṂ! May they be bestowed upon my mindstream, this very instant!”[54]

The Seven Line Prayer

The Seven Line Prayer to Padmasambhava (Guru Rinpoche) is a famous prayer that is recited by many Tibetans daily and is said to contain the most sacred and important teachings of Dzogchen. It is as follows:[55]

Hūṃ! In the north-west of the land of Oḍḍiyāna (hung orgyen yul gyi nubjang tsam)

In the heart of a lotus flower, (pema gesar dongpo la)

Endowed with the most marvellous attainments, (yatsen chok gi ngödrub nyé)

You are renowned as the ‘Lotus-born’, (pema jungné shyé su drak)

Surrounded by many hosts of ḍākinīs (khor du khandro mangpö kor)

Following in your footsteps, (khyé kyi jesu dak drub kyi)

I pray to you: Come, inspire me with your blessing! (jingyi lab chir shek su sol)

guru padma siddhi hūṃ

Jamgon Ju Mipham Gyatso composed a famous commentary to the Seven Line Prayer called White Lotus. It explains the meaning of the prayer in five levels of meaning intended to catalyze a process of realization. These hidden teachings are described as ripening and deepening, in time, with study and with contemplation.[56] There is also a shorter commentary by Tulku Thondup.[57]

Cham Dances

Jakar tshechu, Guru Tshengye, Guru Rinpoche with two helpers and six manifestations
Jakar tshechu, Guru Tshengye, Guru Rinpoche with two helpers and six manifestations

The life of Padmasambhava is widely depicted in the Cham dances which are masked and costumed dances associated with religious festivals in the Tibetan Buddhist world.[58] In Bhutan, the dances are performed during the annual religious festivals or tshechu.

Terma cycles

There are numerous Terma cycles which are believed to contain teachings of Padmasambhava.[59] According to Tibetan tradition, the Bardo Thodol (commonly referred to as the Tibetan Book of the Dead) was among these hidden treasures, subsequently discovered by a Tibetan terton, Karma Lingpa (1326–1386).

Tantric cycles related to Padmasambhava are not just practiced by the Nyingma, they even gave rise to a new offshoot of Bön which emerged in the 14th century called the New Bön. Prominent figures of the Sarma (new translation) schools such as the Karmapas and Sakya lineage heads have practiced these cycles and taught them. Some of the greatest tertons who revealed teachings related to Padmasambhava have been from the Kagyu or Sakya lineages. The hidden lake temple of the Dalai Lamas behind the Potala Palace, called Lukhang, is dedicated to Dzogchen teachings and has murals depicting the eight manifestations of Padmasambhava.[60]

Consorts

Many of the students gathered around Padmasambhava became advanced Vajrayana tantric practitioners, and became enlightened. They also founded and propagated the Nyingma school. The most prominent of these include Padmasambhava's five main female consorts, often referred to as wisdom dakinis, and his twenty five main students along with king Trisong Detsen.

The five main consorts or five wisdom dakinis

Padmasambhava in yab-yum form with a spiritual consort
Padmasambhava in yab-yum form with a spiritual consort

Padmasambhava had five main female tantric consorts, beginning in India before his time in Tibet and then in Tibet as well. When seen from an outer, or perhaps even historical or mythological perspective, these five women from across South Asia were known as the Five Consorts. That the women come from very different geographic regions is understood as a mandala, a support for Padmasambhava in spreading the dharma throughout the region.

Yet, when understood from a more inner tantric perspective, these same women are understood not as ordinary women but as wisdom dakinis. From this point of view, they are known as the "Five Wisdom Dakinis" (Wylie: Ye-shes mKha-'gro lnga). Each of these consorts is believed to be an emanation of the tantric yidam, Vajravārāhī.[61] As one author writes of these relationships:

Yet in reality, he [Padmasambhava] was never separate from the five emanations of Vajravarahi: the Body-emanation, Mandarava; the Speech-emanation, Yeshe Tsogyal; the Mind-emanation, Shakyadema; the Qualities-emanation, Kalasiddhi; and the Activity-emanation, Trashi [sic] Chidren.[62]

In summary, the five consorts/wisdom dakinis were:

While there are very few sources on the lives of Kalasiddhi, Sakya Devi, and Tashi Kyedren, there are extant biographies of both Yeshe Tsogyal and Mandarava that have been translated into English and other western languages.

Twenty-five King and Subjects

Padmasambhava has twenty five main students (Tibetan: རྗེ་འབངས་ཉེར་ལྔ, Wylie: rje 'bangs nyer lnga) in Tibet during the Nyingma's school's Early Translation period. These students are also called the "Twenty-five King and subjects" and "The King and 25" of Chimphu.[64] [65] In Dudjom Rinpoche's list,[66] and in other sources, these include:

Denma Tsemang
Denma Tsemang
  • Denma Tsémang (Tibetan: ལྡན་མ་རྩེ་མང, Wylie: ldan ma rtse mang) [67]
  • Nanam Dorje Dudjom, Dorje Dudjom of Nanam (Tibetan: རྡོ་རྗེ་བདུད་འཇོམ, Wylie: rdo rje bdud 'joms) [68] (image on Wikimedia commons)
  • Drokben Khyechung Lotsawa (Tibetan: ཁྱེའུ་ཆུང་ལོ་ཙཱ་བ, Wylie: khye'u chung lo tsā ba)
  • Lasum Gyelwa Changchup, Gyalwa Changchub of Lasum (Tibetan: ལ་སུམ་རྒྱལ་བ་བྱང་ཆུབ, Wylie: la sum rgyal ba byang chub) [69] (image on Wikimedia commons)
  • Gyalwa Choyang (Tibetan: རྒྱལ་བ་མཆོག་དབྱངས, Wylie: rgyal ba mchog dbyangs) [70]
  • Dre Gyelwei Lodro, Gyalwe Lodro of Dré (Tibetan: རྒྱལ་བའི་བློ་གྲོས, Wylie: rgyal ba'i blo gros) [71]
  • Nyak Jnanakumara, Jnanakumara of Nyak (Tibetan: གཉགས་ཛཉའ་ན་ཀུ་མ་ར, Wylie: gnyags dzny' na ku ma ra) [72]
  • Kawa Paltsek (Tibetan: སྐ་བ་དཔལ་བརྩེགས, Wylie: ska ba dpal brtsegs) [73]
  • Karchen Za, Khandro Yeshe Tsogyal the princess of Karchen (Tibetan: མཁར་ཆེན་བཟའ་མཚོ་རྒྱལ, Wylie: mkhar chen bza' mtsho rgyal)
  • Langdro Konchok Jungue, Konchog Jungné of Langdro (Tibetan: ལང་གྲོ་དཀོན་མཆོག་འབྱུང་གནས, Wylie: lang gro dkon mchog 'byung gnas) [74]
  • Sogdian Lhapel, Lhapal the Sokpo (Tibetan: སོག་པོ་ལྷ་དཔལ, Wylie: sog po lha dpal) [75]
  • Namkhai Nyingpo (Tibetan: ནམ་མཁའི་སྙིང་པོ, Wylie: nam mkha'i snying po)
  • Nanam Zhang Yeshe De (Tibetan: ཞང་ཡེ་ཤེས་སྡེ, Wylie: zhang ye shes sde)
  • Lhalung Pelgi Dorje, Lhalung Pelgyi Dorje (Tibetan: ལྷ་ལུང་དཔལ་གྱི་རྡོ་རྗེ, Wylie: lha lung dpal gyi rdo rje) [76]
Palgyi Sengge
Palgyi Sengge
  • Shuphu Pelgi Senge, Palgyi Senge (Tibetan: དཔལ་གྱི་སེང་གེ, Wylie: dpal gyi seng ge) [77]
  • Karchen Palgyi Wangchuk (Tibetan: དཔལ་གྱི་དབང་ཕྱུག, Wylie: dpal gyi dbang phyug) [78]
  • Odren Pelgi Wangchuk, Palgyi Wangchuk of Odren (Tibetan: འོ་དྲན་དཔལ་གྱི་དབང་ཕྱུག, Wylie: 'o dran dpal gyi dbang phyug) [79]
  • Palgyi Yeshe (Tibetan: དཔལ་གྱི་ཡེ་ཤེས, Wylie: dpal gyi ye shes)
  • Ma Rinchen-chok, Rinchen Chok of Ma (Tibetan: རྨ་རིན་ཆེན་མཆོག, Wylie: rma rin chen mchog) [80]
  • Nubchen Sangye Yeshe (Tibetan: སངས་རྒྱས་ཡེ་ཤེས, Wylie: sangs rgyas ye shes), reincarnated as Terton Tsasum Lingpa[81]
  • Shubu Palgyi Senge (Tibetan: ཤུད་བུ་དཔལ་གྱི་སེང་གེ, Wylie: shud bu dpal gyi seng ge)
  • Vairocana, Vairotsana, the great translator (Tibetan: བཻ་རོ་ཙ་ན, Wylie: bai ro tsa na)
  • Yeshe Yang (Tibetan: ཡེ་ཤེས་དབྱངས, Wylie: ye shes dbyangs) [82]
  • Gyelmo Yudra Nyingpo, Yudra Nyingpo of Gyalmo (Tibetan: ག་ཡུ་སྒྲ་སྙིང་པོ, Wylie: g.yu sgra snying po)

Also, but not listed in the 25:

In addition to Yeshe Tsogyal, 15 other women practitioners became accomplished Nyingma masters during this Early Translation period of the Nyingma school:[66][14]

  • Tsenamza Sangyetso
  • Shekar Dorjetso
  • Tsombuza Pematso
  • Melongza Rinchensho
  • Ruza Tondrupma
  • Shubuza Sherampa
  • Yamdrokza Choki Dronma
  • Oceza Kargyelma
  • Dzemza Lhamo
  • Barza Lhayang
  • Chokroza Changchupman
  • Dronma Pamti Chenmo
  • Rongmenza Tsultrim-dron
  • Khuza Peltsunma
  • Trumza Shelmen

Gallery

Biographies in English

See also

Notes

  1. ^ Sanskrit Padmasambhāva; Tibetan: པདྨ་འབྱུང་གནས།, Wylie: pad+ma 'byung gnas (EWTS)); Mongolian ловон Бадмажунай, lovon Badmajunai, Chinese: 莲花生大士 (pinyin: Liánhuāshēng)

References

Citations

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External links

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