Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profileSamuel Langhorne Clemens (November 30, 1835 – April 21, 1910), known by the pen name Mark Twain, was an American writer, humorist and essayist. He was praised as the "greatest humorist the United States has produced," with William Faulkner calling him "the father of American literature." His novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884), with the latter often called the "Great American Novel." Twain also wrote A Connecticut Yankee in King Arthur's Court (1889) and Pudd'nhead Wilson (1894), and co-wrote The Gilded Age: A Tale of Today (1873) with Charles Dudley Warner. Twain was raised in Hannibal, Missouri, which later provided the setting for both Tom Sawyer and Huckleberry Finn. He served an apprenticeship with a printer early in his career, and then worked as a typesetter, contributing articles to his older brother Orion Clemens' newspaper. Twain then became a riverboat pilot on the Mississippi River, which provided him the material for Life on the Mississippi (1883). Soon after, Twain headed west to join Orion in Nevada. He referred humorously to his lack of success at mining, turning to journalism for the Virginia City Territorial Enterprise. (Full article...)Selected workStar Trek V: The Final Frontier is a 1989 American science fiction film directed by William Shatner and based on the television series Star Trek created by Gene Roddenberry. It is the fifth installment in the Star Trek film series, and takes place shortly after the events of Star Trek IV: The Voyage Home (1986). Its plot follows the crew of the USS Enterprise-A as they confront renegade Vulcan Sybok, who is searching for God at the center of the galaxy.
The film was directed by cast member William Shatner, following two films directed by his co-star Leonard Nimoy. Shatner developed the initial storyline, in which Sybok searches for God but instead finds a devil; his primary inspiration was the phenomenon of televangelism and the high potential for fraud among its practitioners. Series creator Gene Roddenberry disliked the original script, while Nimoy and DeForest Kelley objected to the premise that their characters, Spock and Leonard McCoy, would betray Shatner's James T. Kirk. The script went through multiple revisions to please the cast and Paramount Pictures, including cuts in the effects-laden climax of the film. Despite a Writers Guild strike cutting into the film's pre-production, Paramount commenced filming in October 1988. Many Star Trek veterans assisted in the film's production; art director Nilo Rodis developed the designs for many of the film's locales, shots, and characters, while Herman Zimmerman served as its production designer. Production problems plagued the film on set and during location shooting in Yosemite National Park and the Mojave Desert. Because effects house Industrial Light & Magic's best crews were busy and would be too expensive, the production used Bran Ferren's company for the film's effects, which had to be revised several times to lower production costs. The film's ending was reworked because of poor test-audience reaction and the failure of some planned special effects. Jerry Goldsmith, composer for Star Trek: The Motion Picture, returned to score The Final Frontier. (Full article...) Selected quote
—Harold C. Deutsch (1904-1995), Introduction, What If? Strategic Alternatives of WWII (December 1997). Selected picture Don Quixote and his fanciful reality, a "world of disorderly notions, picked out of his books, crowded into his imagination". (POTD) Did you know...
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Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected articleThe Nebula Award for Best Novelette is given each year by the Science Fiction and Fantasy Writers Association (SFWA) to a science fiction or fantasy novelette. A work of fiction is defined by the organization as a novelette if it is between 7,500 and 17,500 words; awards are also given out for pieces of longer lengths in the Novel and Novella categories, and for shorter lengths in the Short Story category. To be eligible for Nebula Award consideration a novelette must be published in English in the United States. Works published in English elsewhere in the world are also eligible provided they are released on either a website or in an electronic edition. The Nebula Award for Best Novelette has been awarded annually since 1966. The Nebula Awards have been described as one of "the most important of the American science fiction awards" and "the science-fiction and fantasy equivalent" of the Emmy Awards.
Nebula Award nominees and winners are chosen by members of SFWA, though the authors of the nominees do not need to be members. Works are nominated each year by members in a period around December 15 through January 31, and the six works that receive the most nominations then form the final ballot, with additional nominees possible in the case of ties. Soon after, members are given a month to vote on the ballot, and the final results are presented at the Nebula Awards ceremony in May. Authors are not permitted to nominate their own works, and ties in the final vote are broken, if possible, by the number of nominations the works received. The rules were changed to their current format in 2009. Previously, the eligibility period for nominations was defined as one year after the publication date of the work, which allowed the possibility for works to be nominated in the calendar year after their publication and then be awarded in the calendar year after that. Works were added to a preliminary list for the year if they had ten or more nominations, which were then voted on to create a final ballot, to which the SFWA organizing panel was also allowed to add an additional work. (Full article...)
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