To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.

From Wikipedia, the free encyclopedia

Otto Brahm
Brahm in 1905
Otto Abrahamson

(1856-02-05)5 February 1856
Died28 November 1912(1912-11-28) (aged 56)
Occupation(s)Critic, theatre manager, director

Otto Brahm (born Otto Abrahamsohn on 5 February 1856 in Hamburg; died 28 November 1912 in Berlin) was a German drama and literary critic, theatre manager and director. His productions were noted for being accurate and realistic. He was involved in the foundation of the progressive Die Freie Bühne (English: Free Stage) company, of which he became president and producer. He also edited the company's weekly magazine of the same name, but later changed its name to Die neue Rundschau.

Brahm also managed the Deutsches Theater in Berlin, and was responsible for modernising its output.

From Heinz Herald's memoir of Max Reinhardt entitled Bildnis eines Theater-Mannes, regarding the birth of modern theatre:

In Germany, the explosion came in 1889, embodied by Otto Brahm. Her place was the newly grounded vacant stage, her occasion is the premiere of a young unknown poet. His name was Gerhart Hauptmann, his play Before Sunrise. Opinions collapsed, as the representatives of a tradition-bound art calcified with the glowing, indomitable, new style. A well-known Berlin doctor swung a symbolic and a little rude noose after the curtain had fallen. A battle raged, but soon it became clear as day that naturalism had triumphed here on the whole line.[citation needed]

The confirmation of this victory occurred when Brahm shortly afterwards took over the direction of the Deutsches Theater, which at that time was still considered to be the leader in Berlin and the Reich. But even Otto Brahm could not fulfill the theoretical ideal of consistent naturalism because it was and is unfulfillable. . . . Art, even naturalistic art, is a choice, omission. The verdict that was literally painted on Brahm’s stage, "art and nature are one only," could not be realized.

Brahm saw this too soon. His house-poets, led by Ibsen and Hauptmann, supplied him with pieces that one could by no means call naturalistic. They used more naturalistic means, but they also omitted and increased. . . . . [However] there was no longer a stilted language, no idealized decoration, no off-the-ground stage style. The Brahms theater was true, honest, decent, manly. One did not pretend in Brahm’s theatre, one played as lifelike as possible. A great ensemble helped Otto Brahm with this effort. Every time an elementary new stage personality appears, a keen actor seems to form itself around this center. Here were the best Rittner, Sauer, Hermann Muller, Bassermann and Else Lehmann: performers who met exactly the Brahmian style of the naturalness, truthfulness, sober behavior. Through hotly controversial Hauptmann's first performances and many pieces of the naturalistic period, Brahm and his cast rose to what they undoubtedly considered to be the pinnacle of their achievement: the peculiar and pompous cycle of Ibsen.

[However], Brahm was not a director. This position, which is unknown in our current sense, was more the role of a subaltern. Brahm sat in on the rehearsals in the dark auditorium and tried to bring his actors to where he wanted them by talking after rehearsing. He was a brilliant dramaturg. He was in close contact with his authors, selected the pieces for his playing schedule, occupied them, found and hired new ensemble members. A young actor of his theater, who had noticed him on a short visit to Salzburg and stayed with him for almost a decade, was called Max Reinhardt.” 12-14

YouTube Encyclopedic

  • 1/3
    19 135
    5 445
  • Donald Stoker: "Clausewitz: His Life and Work" | Talks at Google
  • Behind Green Lights 1945 film noir murder mystery movie
  • Hangover Square : Laird Cregar, Linda Darnell


See also

External links

This page was last edited on 4 February 2024, at 21:18
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.