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Optical metric

From Wikipedia, the free encyclopedia

The optical metric was defined by German theoretical physicist Walter Gordon in 1923 [1] to study the geometrical optics in curved space-time filled with moving dielectric materials.

Let ua be the normalized (covariant) 4-velocity of the arbitrarily-moving dielectric medium filling the space-time, and assume that the fluid’s electromagnetic properties are linear, isotropic, transparent, nondispersive, and can be summarized by two scalar functions: a dielectric permittivity ε and a magnetic permeability μ.[2]

Then the optical metric tensor is defined as

where is the physical metric tensor. The sign of is determined by the metric signature convention used: is replaced with a plus sign (+) for a metric signature (-,+,+,+), while a minus sign (-) is chosen for (+,-,-,-).

The inverse (contravariant) optical metric tensor is

where ua is the contravariant 4-velocity of the moving fluid. Note that the traditional refractive index is defined as n(x) ≡ εμ .

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Check this out: Here's a grid, nothing special, just a basic grid, very grid-y. But look closer, into this white spot at the center where the two central vertical and horizontal lines intersect. Look very closely. Notice anything funny about this spot? Yeah, nothing. But keep looking. Get weird and stare at it. Now, keeping your gaze fixed on this white spot, check what's happening in your peripheral vision. The other spots, are they still white? Or do they show weird flashes of grey? Now look at this pan for baking muffins. Oh, sorry, one of the cups is inverted. It pops up instead of dipping down. Wait, no spin the pan. The other five are domed now? Whichever it is, this pan's defective. Here's a photo of Abraham Lincoln, and here's one upside down. Nothing weird going on here. Wait, turn that upside down one right side up. What have they done to Abe? Those are just three optical illusions, images that seem to trick us. How do they work? Are magical things happening in the images themselves? While we could certainly be sneaking flashes of grey into the peripheral white spots of our animated grid, first off, we promise we aren't. You'll see the same effect with a grid printed on a plain old piece of paper. In reality, this grid really is just a grid. But not to your brain's visual system. Here's how it interprets the light information you call this grid. The white intersections are surrounded by relatively more white on all four sides than any white point along a line segment. Your retinal ganglion cells notice that there is more white around the intersections because they are organized to increase contrast with lateral inhibition. Better contrast means it's easier to see the edge of something. And things are what your eyes and brain have evolved to see. Your retinal ganglion cells don't respond as much at the crossings because there is more lateral inhibition for more white spots nearby compared to the lines, which are surrounded by black. This isn't just a defect in your eyes; if you can see, then optical illusions can trick you with your glasses on or with this paper or computer screen right up in your face. What optical illusions show us is the way your photo receptors and brain assemble visual information into the three-dimensional world you see around you, where edges should get extra attention because things with edges can help you or kill you. Look at that muffin pan again. You know what causes confusion here? Your brain's visual cortex operates on assumptions about the lighting of this image. It expects light to come from a single source, shining down from above. And so these shading patterns could only have been caused by light shining down on the sloping sides of a dome, or the bottom of a hole. If we carefully recreate these clues by drawing shading patterns, even on a flat piece of paper, our brain reflexively creates the 3D concave or convex shape. Now for that creepy Lincoln upside down face. Faces trigger activity in areas of the brain that have specifically evolved to help us recognize faces. Like the fusiform face area and others in the occipital and temporal lobes. It makes sense, too, we're very social animals with highly complex ways of interacting with each other. When we see faces, we have to recognize they are faces and figure out what they're expressing very quickly. And what we focus on most are the eyes and mouth. That's how we figure out if someone is mad at us or wants to be our friend. In the upside down Lincoln face, the eyes and mouth were actually right side up, so you didn't notice anything was off. But when we flipped the whole image over, the most important parts of the face, the eyes and mouth, were now upside down, and you realized something fishy was up. You realized your brain had taken a short cut and missed something. But your brain wasn't really being lazy, it's just very busy. So it spends cognitive energy as efficiently as possible, using assumptions about visual information to create a tailored, edited vision of the world. Imagine your brain calling out these edits on the fly: "Okay, those squares could be objects. Let's enhance that black-white contrast on the sides with lateral inhibition. Darken those corners! Dark grey fading into light grey? Assume overhead sunlight falling on a sloping curve. Next! Those eyes look like most eyes I've seen before, nothing weird going on here." See? Our visual tricks have revealed your brain's job as a busy director of 3D animation in a studio inside your skull, allocating cognitive energy and constructing a world on the fly with tried and mostly -- but not always -- true tricks of its own.

Properties

An important fact about Gordon's optical metric is that in curved space-time filled with dielectric material, electromagnetic waves (under geometrical optics approximation) follows geodesics of the optical metric instead of the physical metric. Consequently, the study of geometric optics in curved space-time with dielectric material can sometimes be simplified by using optical metric (note that the dynamics of the physical system is still described by the physical metric). For example, optical metric can be used to study the radiative transfer in stellar atmospheres around compact astrophysical objects such as neutron stars and white dwarfs, and in accretion disks around black holes.[3] In cosmology, optical metric can be used to study the distance-redshift relation in cosmological models in which the intergalactic or interstellar medium have a non-vanishing refraction index.

History

After the original introduction of the concept of optical metric by Gordon in 1923, the mathematical formalism of optical metric was further investigated by Jürgen Ehlers in 1967[4] including a detailed discussion of the geometrical optical approximation in curved space-time and the optical scalars transport equation. Gordon's optical metric was extended by Bin Chen and Ronald Kantowski[5] to include light absorption. The original real optical metric was consequently extended into a complex one. The optical metric was further generalized by Robert Thompson [6] from simple isotropic media described only by scalar-valued ε and μ to bianisotropic, magnetoelectrically coupled media residing in curved background space-times.

Applications

The first application of Gordon's optical metric theory to cosmology was also made by Bin Chen and Ronald Kantowski.[7]

The absorption corrected distance-redshift relation in the homogeneous and isotropic Friedman-Lemaitre-Robertson-Walker (FLRW) universe is called Gordon-Chen-Kantowski formalism [8] and can be used to study the absorption of intergalactic medium (or cosmic opacity) in the Universe.

For example, the physical metric for a Robertson-Walker spacetime can be written (using the metric signature (-,+,+,+))

where for a closed, flat, or open universe, and is the scale factor. On the other hand, the optical metric for Robertson-Walker Universe filled with rest homogeneous refraction material is

where the cosmic-time dependent refraction index.

The luminosity distance-redshift relation in a Flat FLRW universe with dark absorption can be written

where z is the cosmological redshift, c is the light speed, H0 the Hubble Constant, τ is the optical depth caused by absorption (or the so-called cosmic opacity), and h(z) is the dimensionless Hubble curve.

A non-zero cosmic opacity will render the standard candles such as Type Ia supernovae appear dimmer than expected from a transparent Universe. This can be used as an alternative explanation of the observed apparent acceleration of the cosmic expansion.

Analogue gravity

In analog models of gravity, the "Gordon form" expresses the metric for a curved spacetime as the sum of a flat (Minkowski) metric and a 4-velocity field u:

where n is the refractive index. This is analogous to Kerr-Schild form, which uses a null vector field in place of timelike. An open question is which spacetimes can be expressed in this way. The challenge is to pick coordinate systems for which the above relationship holds. Schwarzschild spacetime, which describes a non-rotating black hole, can be expressed this way.[9] There has been progress for Kerr spacetime which describes a rotating black hole, but this case remains elusive.[10]

Electrodynamics in media residing in curved space-times

The dielectric permittivity ε and magnetic permeability μ are usually understood within the 3-vector representation of electrodynamics via the relations and where and are, respectively, the electric field, magnetic flux density, electric displacement, and magnetic field intensity, and where ε and μ could be matrices. On the other hand, general relativity is formulated in the language of 4-dimensional tensors. To obtain the tensorial optical metric, medium properties such as permittivity, permeability, and magnetoelectric couplings must first be promoted to 4-dimensional covariant tensors, and the electrodynamics of light propagation through such media residing within a background space-time must also be expressed in a compatible 4-dimensional way. Here, electrodynamic fields will be described in terms of differential forms, exterior algebra, and the exterior derivative. Similar to the way that 3-vectors are denoted with an arrow, as in 4-dimensional tensors will be denoted by bold symbols, for example The musical isomorphisms will be used to indicate raising and lowering of indices with the metric, and a dot notation is used to denote contraction on adjacent indices, e.g. The speed of light is set to and the vacuum permeability and permittivity are likewise set to 1.

The fundamental quantity of electrodynamics is the potential 1-form from which the field strength tensor is the 2-form From the nilpotency of the exterior derivative one immediately has the homogeneous Maxwell equations

while a variation of the Yang-Mills action

with respect to provides the inhomogeneous Maxwell equations

where is the charge-current 3-form.[11] Within dielectric media there exist charges bound up in otherwise neutral atoms. These charges are not free to move around very much, but distortions to the distribution of charge within the atom can allow dipole (or more generally multipole) moments to form, with which is associated a dipole field. Separating bound and free charges in the charge-current three form the bound source is associated with a particular solution called the polarization field satisfying

One may then write

with the constitutive equation

In linear media, the dipole moment is induced by the incident free field in such a way that the polarization field is linearly proportional to the free field, (in indices this is ). Then the constitutive equation can be written

The tensor is antisymmetric in each pair of indices, and the vacuum is seen to be a trivial dielectric such that This means that the distribution of dielectric material within the curved background space-time can be completely described functionally by giving and smooth transitions from vacuum into media can be described. The electric and magnetic fields and as they are commonly understood in the 3-vector representation, have no independent existence. They are merely different parts of the 2-forms and as measured relative to a chosen observer. Let be the contravariant velocity 4-vector of the observer. Then one may define the covariant 1-forms

The corresponding 3-vectors are obtained in Minkowski space-time by taking the purely spatial (relative to the observer) parts of the contravariant versions of these 1-forms. These 1-form field definitions can be used to re-express the 2-form constitutive equation to a set of two 1-form equations[6]

where the tensors and are

Note that each of these tensors is orthogonal, or transverse, to meaning that for each , which can be seen from the antisymmetry of on each pair of indices. Since each of the 1-form fields defined above is also transverse to we may conclude that each is an automorphism of a subspace of the cotangent space defined by orthogonality with respect to the observer. In other words, everything operates in the observer's purely spatial 3-dimensional space. In terms of these parameters, is found to be[6]

Although the set of 1-form constitutive equations shown above are the ones that follow most naturally from the covariant 2-form constitutive equation , they are not the only possibility. Indeed, the traditional 3-vector formulation of the constitutive equations usually relates and by . Therefore, it could be desirable to rearrange the preceding set of relations into

where are related to by

The 4-dimensional inverse of these tensors does not exist, but the bar notation denotes an inverse defined with respect to the subspace orthogonal to which exists and is a valid operation since it was noted above that is an automorphism of this subspace. In Minkowski space-time, the space-space part (relative to observer ) of each of these tensors is equivalent to the traditional constitutive matrices of 3-vector electrodynamics. In terms of this alternative set of constitutive tensors, is found to be [6]

Here,

is a projection operator that annihilates any tensor components parallel to Since then also serves as the Kronecker delta on the subspace orthogonal to In the vacuum,

Geometric optics and the optical metric

For light propagating through linear dielectric media, Maxewell's inhomogeneous equation in the absence of free sources represents a wave equation for in the Lorenz gauge, (here is the codifferential), given by

A JWKB type approximation of plane wave solutions is assumed such that

where the amplitude is assumed to be slowly varying compared to the phase function Plugging this approximate solution into the wave equation, and retaining only the leading order terms in the limit leads to

where The existence of a solution to this equation requires

In fact, this determinant condition is satisfied identically because the antisymmetry in the second pair of indices on shows that is already a trivial solution. Therefore, any non-trivial solutions must reside in the 3-dimensional subspace orthogonal to so the tensor is effectively only 3-dimensional. Thus, the determinant condition is insufficient to provide any information. However, the classical adjugate of a matrix is related to its determinant by . Since in this case but is arbitrary, one obtains the secondary condition

Notice that the adjugate of a matrix is still a matrix, so the scalar determinant condition has now been replaced by a matrix condition. This would appear to add a great deal of complexity to the problem, but it has been shown[6] that this adjugate has the form

where is a fourth order polynomial in The vanishing condition on the adjugate matrix is therefore equivalent to the scalar condition

The goal now is to demonstrate that the polynomial takes the form

Then the condition is satisfied by either of (written with indices, ). What has been shown so far is that wave solutions of Maxwell's equations, in the ray limit, must satisfy one of these two polynomial conditions. The tensors therefore determine the lightcone structures. The fact that there are two of them implies a double light cone structure - one for each of the two polarization states, i.e. birefringence. In vacuum, it is readily found that degenerates to the space-time metric. Since the determine the lightcones in media in the way that does for the vacuum, they are referred to as optical metrics. However, it is perhaps more appropriate to take the point of view that the space-time metric happens to also serve as the optical metric in vacuum,[6] which is not so surprising considering that the space-time metric is the only available structure in vacuum. So far, no assumptions have been imposed on the form of or so there are currently 36 freely specifiable parameters. To determine the optical metrics, Thompson imposes the conditions that and are antisymmetric with respect to (i.e. antisymmetric when the indices on and are either both up or both down). The antisymmetry condition allows them to be written in the forms

With this restriction, it is found that is biquadratic in and can be factored to

where

with

Finally, the optical metrics correspond to

The presence of the square root in and consequently in shows that the birefringent optical metrics are of the pseudo-Finslerian type. A key feature here is that the optical metric is not only a function of position, but also retains a dependency on . These pseudo-Finslerian optical metrics degenerate to a common, non-birefringent, pseudo-Riemannian optical metric for media that obey a curved space-time generalization of the Post conditions.[12][6]

References

  1. ^ W. Gordon, 1923, Annals of Physics (New York), 22, 421
  2. ^ J. D. Jackson, "Classical Electrodynamics", 1998, (John Wiley & Sons Inc, New York)
  3. ^ J. I. Castor, Radiation Hydrodynamics, 2007, (Cambridge University Press, Cambridge)
  4. ^ J. Ehlers, 1968, Z. Naturforsch. 22a, 1328
  5. ^ B. Chen, R. Kantowski, 2009, Physical Review D 79, 104007; B. Chen, R. Kantowski, 2009, Physical Review D, 80, 044019
  6. ^ a b c d e f g Thompson, Robert T. (2018-03-02). "Covariant electrodynamics in linear media: Optical metric". Physical Review D. 97 (6): 065001. arXiv:1712.06872. Bibcode:2018PhRvD..97f5001T. doi:10.1103/PhysRevD.97.065001. S2CID 119396002.
  7. ^ B. Chen, R. Kantowski, 2008, Physical Review D 78, 044040
  8. ^ J. A. S. Lima, J. V. Cunha, V. T. Zanchin, 2012, Astrophysical Journal Letter, 742, 26
  9. ^ K. Rosquist 2004, General Relativity and Gravitation, 2004
  10. ^ S. Liberati, G. Tricella, and M. Visser, 2018, Classical and Quantum Gravity
  11. ^ Misner, Charles W. (24 October 2017). Gravitation. Princeton University Press. ISBN 9780691177793. OCLC 1006427790.
  12. ^ Post, E. J. (1997). Formal structure of electromagnetics : general covariance and electromagnetics. Dover. ISBN 0486654273. OCLC 637016888.
This page was last edited on 3 June 2024, at 05:49
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