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From Wikipedia, the free encyclopedia

Ogden Nicholas Rood
Born(1831-02-03)February 3, 1831
DiedNovember 12, 1902(1902-11-12) (aged 71)
NationalityAmerican
Alma materYale University
Princeton University
Scientific career
FieldsPhysics

Ogden Nicholas Rood (3 February 1831 in Danbury, Connecticut – 12 November 1902 in Manhattan) was an American physicist[1] best known for his work in color theory.

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  • See inside your eye, Part 2: Using a blue light field to see white blood cells moving on your retina
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Transcription

See inside your eye with that same eye. Part 2. Have you ever looked up at a blue sky and seen tiny points of light darting about?, Although some people refer to these spots of light as blue-sky sprites, prana, vitality globules, or etheric globules, what you are really seeing is not something etheric but something entoptic (within the eye) caused by white blood cells moving in the capillaries on the surface of your retina. We call this flying corpuscles or the blue field entoptic phenomenon. We see with the retina which is at the back of the eye, so we can actually see things on the surface of the eye and inside the eye, as demonstrated in part one of this video series. We can even see things on the very surface of the retina such as blood vessels and the blood cells moving within them. I will review the history and science relating to the blue field entoptic phenomenon and then show you a number of ways to get truly extraordinary views of these "flying corpuscles". Although it had been written about previously, the first person who unambiguously described and investigated the blue field entoptic phenomenon was the German doctor Johann Steinbuch in 1813. Steinbuch had seen the blood flow in capillaries in the webbed skin of frogs through a microscope so when he saw specks of light moving about while looking at a sunlit white wall he surmised that it was the blood moving through the capillaries on his own retina. He wrote that he also saw the phenomenon while looking at the blue sky. In 1819, the Czech researcher Johannes Purkinje suggested exerting yourself and then looking at a bright surface such as a snowfield. He drew a simple diagram to show the movement of the blood cells. One century later, a biographer drew another simple figure in which he added the paths the blood cells seemed to follow. The actual network of capillaries on the retina is much more intricate as this anatomical drawing from 1881 shows. This detailed drawing with exaggerated vessels was done by Doctor William Ayres of his very own capillaries. To see the shadows of the capillaries on your own retina just poke a hole in a card, then face a bright surface and rapidly rotate the hole in front of your eye. Chemists have long used blue cobalt glass when doing a flame test, so it isn't surprising that in 1860, chemistry professor Ogden Rood wrote about looking up at the sky through cobalt glass and seeing something "resembling animalcules" which he deduced could be "blood-corpuscles circulating in the retina". In 1896, the physiologist George Burch reported on a potentially better technique, using light with a wavelength between Fraunhofer lines H and G or between about 400 and 430 nanometers. Burch used a prism to get such light, but in 1901, Peter Cooper-Hewitt introduced the first commercial mercury vapor lamp, a much more convenient source. In 1907, the eye surgeon E. P. Fortin wrote about using a Cooper-Hewitt lamp with a cobalt glass filter to obtain dichromatic light with wavelengths of 400 and 430 nanometers. Fortin also built blue field entoptoscopes which used sunlight focused on filters. The German ophthalmologist Richard Scheerer also developed several devices and, in 1924, he published a thorough report about the history and clinical applications of the phenomenon. While Scheerer presented convincing evidence that it was indeed blood flow on the retina that was being seen in blue light, he couldn't explain the phenomenon or even say whether it was caused by red cells (erythrocytes) or white cells (leukocytes). But in 1954, Ursula Schmidt-Gross published a study where people with and without leukemia matched figures on a chart to what they saw when they looked at sunlight through a blue filter glass. She showed a correlation between the figures they selected and their white cell count but no correlation with their red cell count, proving the blue field entoptic phenomenon is related to white blood cells. Schmidt-Gross improved on her experimental technique with a xenon lamp and a movable display. Today, blue field entoptoscopes using bandpass interference filters in place of glass filters can be found in science museums and they have also been combined with computer controlled video displays to allow research subjects and patients to accurately report on such things as the number, general location, and speed of the corpuscles. We now know quite a bit more about the details of what makes the blue field entoptic phenomenon. White blood cells are larger and far less numerous than red cells. They deform to fit in the capillaries and flow more slowly so that red cells pile up behind and a space opens up in front. Red cells contain hemoglobin. This graph shows the relative absorption of light of different wavelengths by hemoglobin saturated with oxygen (oxyhemoglobin) and desaturated hemoglobin (deoxyhemoglobin). Combining these two gives us an idea of the wavelength of light we need to have, somewhere between about 400 and 440 nanometers which would appear violet to blue to our eyes. Red cells absorb this light whereas the plasma and white cells do not so if the retina is illuminated by blue-violet light we see a short streak of light followed by a dark tail as a white cell moves through a capillary. Sunlight has all the wavelengths of light visible to our eyes, which is why Steinbuch could see flying corpuscles while looking at a sunlit white wall. You can simulate this nicely by shining an LED light through several layers of a white disposable plastic grocery bag. Keep in mind that you will not see flying corpuscles in the very center of your vision as there are no capillaries there. You have to look straight ahead while being consciously aware of your peripheral vision. Also, be aware that long-term exposure to high intensity light, especially blue light, can damage your eye. In 1979, the Swiss biophysicist Charles Riva, investigated the level of blue light intensity needed to see the corpuscles fly and determined that it was about 1000 times lower than a harmful level. He advised that the light level be gradually increased, allowing time for the eye to adapt, until the phenomenon could be seen. As Steinbuch noted back in 1813, the blue sky can be better than white sunlight. This is because, although dimmer, this diffuse blue light has a higher percentage of wavelengths in the absorption range of hemoglobin. Looking at the sky through cobalt glass, as Rood described in 1860, results in light which is dimmer still but even more concentrated in suitable wavelengths. You can easily obtain several small pieces of this blue glass from a stained glass studio and try this yourself. However, it is much better to use a couple thickness of cobalt glass with a modern LED light, topped by one or two layers of a plastic bag to limit and diffuse the light. Now you will have a nice, bright blue field and you will see the flying corpuscles much clearer. The ultimate filter is a modern bandpass interference filter where all the light leaving falls within a narrow range that is highly absorbed by hemoglobin. I used a 420 nanometer filter in this entoptoscope I built with an LED AA Maglite and a 3/4-inch copper coupler. With it, I can see a swirling mass of light worms with dark tails following definite paths and moving in time with my pulse, definitely a better view than with cobalt glass. But an LED can do the same for far less money. I used a Roithner Lasertechnik model LED420-01 as a direct replacement for the bulb in an incandescent AA Maglite. Be sure you get the insertion direction right and then add an extension and some plastic to diffuse and limit the light. In general, entoptic phenomena are not much used in clinical medicine because of the need to rely on a patient's subjective reporting, and because other, better methods are usually available for evaluation of the eye. However, use of the blue field entoptic phenomenon has been suggested for self-monitoring of white blood cell levels and assessing the functioning of the retina. Researchers have also used it to study blood flow in the retina. See the following articles, books and websites for more information. Click on like and be sure to subscribe for future videos on seeing inside your eye with that same eye.

Career

At age 18, Rood became a student at Yale University, but after his sophomore year he transferred to Princeton University (then called the College of New Jersey), where he received his baccalaureate degree in 1852.[2] For the next two years he was successively a graduate student at Yale University, an assistant at the University of Virginia, and an assistant to Benjamin Silliman.[3] In 1854–1858, he lived in Germany, dividing his time between oil painting and academic studies in Berlin and Munich, working in the laboratory of Justus von Liebig. In 1858, shortly before returning to the U.S.A., he married Mathilde Prunner of Munich.[4] In 1858 he joined the faculty of the short-lived Troy University. After the closure of Troy University in 1861, and after a one year absence from the academic world, he attained an appointment as Chair of Physics at Columbia University, a position he held from 1863 until his death. In 1865 Rood was elected a member of the National Academy of Sciences. In 1869 he became a vice-president of the American Association for the Advancement of Science.

He was elected as a member to the American Philosophical Society in 1880.[5]

Legacy

In his book on color theory, Modern Chromatics, with Applications to Art and Industry (published in 1879, with German and French translations appearing in 1880 and 1881, respectively) Rood divided color into three constants: purity, luminosity, and hue—equivalent to James Clerk Maxwell's tint, shade, and hue.[6] As an amateur artist, Rood was a member of the American Watercolor Society. In 1874 he gave two lectures to the National Academy of Design in New York on "Modern Optics in Painting". Along with Maxwell and Michel Eugène Chevreul, Rood's work was an influence on the Impressionist artists and their successors. The painter Camille Pissarro defined the aim of the Neo-Impressionists in a letter: "To seek a modern synthesis of methods based on science, that is, based on M. Chevreul's theory of colour and on the experiments of Maxwell and the measurements of N.O. Rood."[7]

Rood's theory of contrasting colors was particularly influential on Georges-Pierre Seurat, the founder of Neo-Impressionism and the foremost Pointillist. Rood suggested that small dots or lines of different colors, when viewed from a distance, would blend into a new color. He believed that the complementary colors of his color wheel, when applied in pairs by the artist, would enhance the presence of a painting: "... paintings, made up almost entirely of tints that by themselves seem modest and far from brilliant, often strike us as being rich and gorgeous in colour, while, on the other hand, the most gaudy colours can easily be arranged so as to produce a depressing effect on the beholder.".[8] William Innes Homer considered Seurat was influenced by passages in Ogden Rood's Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry.[9]

In his 1912 Color Standards and Color Nomenclature, Robert Ridgway named four colors for Rood: Rood’s Blue, Rood’s Brown, Rood’s Lavender, and Rood’s Violet.[10]

Notes

  1. ^ "Rood, Ogden Nicholas". Appletons' Cyclopaedia for 1902. NY: D. Appleton & Company. 1903. pp. 468–469.
  2. ^ "Ogden Rood '52 Obituary". Princeton Alumni Weekly. Vol. 3. 1902. p. 140.
  3. ^ Nichols, Edward L. (1909). Biographical Memoirs, National Academy of Science. Vol. 6. pp. 447–472.
  4. ^ The Roods had five children including Herman b. 1859, Rowland b. 1863, and Edith b. 1865.
  5. ^ "APS Member History".
  6. ^ Harrison, 640
  7. ^ Pool, 243–44
  8. ^ Rood, 252
  9. ^ Russell John, Seurat Thames & Hudson, London 1965 ISBN 978-0-500-20032-2
  10. ^ How Red Is Dragon’s Blood?, by Daniel Lewis, in Smithsonian; published June 24, 2014; retrieved July 16, 2014

References

  • Harrison, Charles, et al. (1998). Art in Theory: An Anthology of Changing Ideas. Blackwell Publishing. ISBN 0-631-20066-5.
  • Pool, Phoebe (1991) [1985]. Impressionism. London: Thames and Hudson. ISBN 0-500-20056-4.
  • Rood, Ogden (1881) [1879]. Students' Text-book of Color; Or, Modern Chromatics, with Applications to Art and Industry. New York: D. Appleton and Company.

External links

This page was last edited on 8 February 2024, at 22:02
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