To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Nyêmo Chekar monastery

From Wikipedia, the free encyclopedia

Nyêmo Chekar
Chökyi Drönma. Mural painting at Neymo Chekar monastery.
Monastery information
OrderBodongpa tradition of Buddhism
Site
LocationNyêmo County, Lhasa, Tibet

Nyêmo Chekar monastery (Standard Tibetan: snye mo bye dkar) ཉེ་མོ་ཆེ་དཀར་དགོན། is a small Buddhist monastery of the Bodongpa tradition in Nyêmo County, Lhasa, Tibet. It is known for its mural paintings of reincarnations of the Samding Dorje Phagmo.

Location

Nyemo Chekar lies near Uyuk in Nyêmo County. It is the birthplace of 8th century "translator" Vairotsana.[1] The name comes from an area of chekar (bye dkar), or white sand, that surrounds the monastery.[2] The monastery was established in the 16th century by Tashi Ombar, protector of the Bodongpa tradition, and Chime Palsang, spiritual master of the tradition.[3] A visitor to the monastery in July 1996 described it as small and somewhat decrepit. It stood on a mound above a grove of willows and a small stream.[2]

Paintings

The old wall paintings in the porch of the temple had been repainted by 1996.[4] In a dark altar room on the ground floor the walls are completely decorated with much older portraits that included Bodong Chogle Namgyal (1376–1451), the deity Dorje Phagmo and Tashi Ombar, the blue horseman who protects the Bodongpa tradition. One of the better-preserved upper rooms also has fully decorated walls, including formal portraits of Bodong Chogle Namgyal, Chökyi Drönma (the first incarnation of Dorje Phagmo) and Chime Palsang. It has various other pictures of women, some remarkably realistic. One depicts the princess Chökyi Drönma in a nun's garb, with a yogini's long hair hanging loose, wearing gold and turquoise earrings. Although unnamed, most of the female portraits appear to represent different reincarnations of the Dorje Phagmo. They probably date from the late 16th or early 17th century.[5]

References

Sources

  • Diemberger, Hildegard (2014-03-04). When a Woman Becomes a Religious Dynasty: The Samding Dorje Phagmo of Tibet. Columbia University Press. ISBN 978-0-231-14321-9. Retrieved 2015-02-21.
  • Yudra Nyingpo (2004). The Great Image: The Life Story of Vairochana, the Translator. Translated by Ani Jinba Palmo. Shambhala Publications. ISBN 978-1-59030-069-5.

This page was last edited on 6 April 2024, at 19:29
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.