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# Nominal level

Nominal level is the operating level at which an electronic signal processing device is designed to operate. The electronic circuits that make up such equipment are limited in the maximum signal they can handle and the low-level internally generated electronic noise they add to the signal. The difference between the internal noise and the maximum level is the device's dynamic range. The nominal level is the level that these devices were designed to operate at, for best dynamic range and adequate headroom. When a signal is chained with improper gain staging through many devices, clipping may occur or the system may operate with reduced dynamic range.

In audio, a related measurement, signal-to-noise ratio, is usually defined as the difference between the nominal level and the noise floor, leaving the headroom as the difference between nominal and maximum output.[1][2] It is important to realize that the measured level is a time average, meaning that the peaks of audio signals regularly exceed the measured average level. The headroom measurement defines how far the peak levels can stray from the nominal measured level before clipping. The difference between the peaks and the average for a given signal is the crest factor.

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• Types of Data: Nominal, Ordinal, Interval/Ratio - Statistics Help
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• Introduction to Levels of Measurement: Nominal, Ordinal, Interval, Ratio

## Standards

VU meters are designed to represent the perceived loudness of a passage of music, or other audio content, measuring in volume units. Devices are designed so that the best signal quality is obtained when the meter rarely goes above nominal. The markings are often in dB instead of "VU", and the reference level should be defined in the device's manual. In most professional recording and sound reinforcement equipment, the nominal level is 0 VU = +4 dBu. In semi-professional and domestic equipment, the nominal level is usually −10 dBV.[3] This difference is due to the cost required to create larger power supplies and output higher levels.[4]

In broadcasting equipment, this is termed the Maximum Permitted Level, which is defined by European Broadcasting Union standards. These devices use peak programme meters instead of VU meters, which gives the reading a different meaning.

"Mic level" is sometimes defined as −60 dBV, though levels from microphones vary widely.[5]

In video systems, nominal levels are 1 VP-P for synched systems, such as baseband composite video, and 0.7 VP-P for systems without sync.[5][6][7] Note that these levels are measured peak-to-peak, while audio levels are time averages.