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Music of Algeria

From Wikipedia, the free encyclopedia

Algerian music is virtually synonymous with Raï among foreigners; the musical genre has achieved great popularity in France, Spain and other parts of Europe. For several centuries, Algerian music was dominated by styles inherited from Al-Andalus, eventually forming a unique North African twist on these poetic forms. Algerian music came to include suites called nuubaat (singular nuuba). Later derivatives include rabaab and hawzii.

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  • Music of Algeria : Traditional Music (Chaabi) [1]
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  • Americans First Reaction to Algerian Music

Transcription

Contents

Genres

Music in Algeria offers a rich diversity of genre: popular music (Chaabi), various genres of Andalusian classical music such as Sana'a, Gharnati music, Ma'luf, as well as classical Arabic, Bedouin, Berber music (Staifi, Raï, Kabyle, Shawi, Tuareg, Gnawa, etc.),

Khaled known as Cheb khaled considered as the King of Rai music that he achieved international fame, rai music is very popular in Algeria Morocco France, Tunisia, turkey Libya Egypt and all Arabian countries

Staifi is the genre of music started and raised in Eu-eulma city staifi is mainly the music of weddings celebrations, clean words for pure love .

Chaabi refers to a style of recent urban popular music, of which the best known performer was El Hajj Muhammad El Anka, considered to be the Grand Master of Andalusian classical music. True styles of folk music include hofii, a form of female vocal music, and zindalii, from Constantine.

Raï is a creative outlet to express love and romance. This music is a mix between Western music and Bedouin music.

Ma'luf is the Andalusian classical music music of Constantine and is also well known in Tunisia and Libya, it is a very large number of diversified musical repertoire of Algeria. Nevertheless, malouf can not compete commercially with popular music, much of it Egyptian, and it has only survived because of the efforts of the Tunisian government and a number of private individuals. Malouf is still performed in public, especially at weddings and circumcision ceremonies, though recordings are relatively rare.

Important musicians

See: List of Algerian musicians

See also

References

Bibliography

  • Morgan, Andy. "Music Under Fire". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 413–424. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
  • Morgan, Andy. "Bards of Immigritude". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 425–427. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
  • La Chanson de l'exil ; les voix natales (1939–1969), Rachid Mokhtari, Alger, Casbah Éditions, 2001
  • Chants kabyles de la guerre d'indépendance, Mehenna Mahfoufi, Éditions Séguier, 2002.
  • Les grands maîtres algériens du cha’bi et du hawzi, diwan arabe-kabyle, textes transcrits, traduits et annotés sous la direction de Rachid Aous, Éditions El Ouns/Unesco, Paris, 1996.
  • Bezza Mazouzi La musique algérienne et la question raï, Richard-Masse, Paris, 1990.

External links

This page was last edited on 18 January 2018, at 01:01.
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