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From Wikipedia, the free encyclopedia

Muse statue, a common scholarly motif in the Hellenistic age.

The Mouseion of Alexandria (Ancient Greek: Μουσεῖον τῆς Ἀλεξανδρείας; Latin: Musaeum Alexandrinum), which arguably included the Library of Alexandria,[1] was an institution said to have been founded by Ptolemy I Soter and his son Ptolemy II Philadelphus.[2] Originally, the word mouseion meant any place that was dedicated to the Muses, often related to the study of music or poetry, but later associated with sites of learning such as Plato's Academy and Aristotle's Lyceum.[3][4]

The Ptolemies reputedly established their Mouseion and Library with the intention of bringing together some of the best scholars of the Hellenistic world and collect all the books known at the time.[5][6] Although it did not imply a collection of works of art, the word mouseion is the root for the modern usage of the word museum.

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Hello, everyone. Let's begin our guided tour. Welcome to the Museum of Museums. Museums have been a part of human history for over 2000 years. But they weren't always like the ones we visit today. The history of museums is far older and much stranger than you might imagine. We'll start over here in the Greek wing. Our word museum comes from the Greek mouseion, temples built for the Muses, the goddesses of the arts and the sciences. Supplicants asked the Muses to keep watch over academics and grant ingenuity to those they deemed worthy. The temples were filled with offerings of sculptures, mosaics, complex scientific apparatuses, poetic and literary inscriptions, and any other tribute that would demonstrate a mortal's worthiness for divine inspiration. We have arrived at the Mesopotamian wing. The first museum was created in 530 B.C. in what is now Iraq. And the first curator was actually a princess. Ennigaldi-Nanna started to collect and house Mesopotamian antiquities in E-Gig-Par, her house. When archeologists excavated the area, they discovered dozens of artifacts neatly arranged in rows, with clay labels written in three languages. She must have had interesting parties. The tradition of collecting and displaying intriguing items began to be mimicked, as you can see here in the Roman Empire wing. Treasure houses of politicians and generals were filled with the spoils of war, and royal menageries displayed exotic animals to the public on special occasions, like gladiator tournaments. As you can see, we have a lion here and a gladiator, and, well, the janitor ought to be in this wing clearly. Moving on, hurry along. The next step in the evolution of museums occurred in the Renaissance, when the study of the natural world was once again encouraged after almost a millennium of Western ignorance. Curiosity cabinets, also referred to as Wunderkammers, were collections of objects that acted as a kind of physical encyclopedia, showcasing artifacts. Just step into the wardrobe here. There you go. Mind the coats. And we'll tour Ole Worm's cabinet, One of the most notable Wunderkammers belonged to a wealthy 17th-century naturalist, antiquarian, and physician Ole Worm. Ole Worm collected natural specimens, human skeletons, ancient runic texts, and artifacts from the New World. In other curiosity cabinets, you could find genetic anomalies, precious stones, works of art, and religious and historic relics. Oh my. You might not want to touch that. These cabinets were private, again, often in residencies, curated by their owners, rulers and aristocrats, as well as merchants and early scientists. Now, who hears a circus organ? In the 1840s, an enterprising young showman named Phineas T. Barnum purchased some of the more famous cabinets of curiosity from Europe and started Barnum's American Museum in New York City. A spectacular hodgepodge of zoo, lecture hall, wax museum, theater, and freak show that was known for its eclectic residents, such as bears, elephants, acrobats, giants, Siamese twins, a Fiji mermaid, and a bearded lady, along with a host of modern machinery and scientific instruments. Museums open to the public are a relatively new phenomenon. Before Barnum, the first public museums were only accessible by the upper and middle classes, and only on certain days. Visitors would have to apply to visit the museum in writing prior to admision, and only small groups could visit the museum each day. The Louvre famously allowed all members of the public into the museum but only three days a week. In the 19th century, the museum as we know it began to take shape. Institutions like the Smithsonian were started so that objects could be seen and studied, not just locked away. American museums, in particular, commissioned experiments and hired explorers to seek out and retrieve natural samples. Museums became centers for scholarship and artistic and scientific discovery. This is often called the Museum Age. Nowadays, museums are open to everybody, are centers of learning and research, and are turning into more hands-on institutions. But the question of who gets to go is still relevant as ticket prices can sometimes bar admission to those future scholars, artists and targets of divine inspiration who can't afford to satisfy their curiosity. Thank you all for coming, and please, feel free to stop by the gift shop of gift shops on your way out.

History

According to Johannes Tzetzes, the Mouseion was an institution founded by Ptolemy I Soter (c. 367 BC – c. 283 BC) at Alexandria, Egypt, though it is more likely that Ptolemy II Philadelphus (309–246 BC) saw to its completion.[7] As a community gathered together under the protection of the Muses, the Mouseion remained supported over the centuries by the patronage of the royal family of the Ptolemies, and later by that of the Roman emperors.[3]

Unlike the modern museum in the sense that has developed since the Renaissance, the Mouseion of Alexandria did not have a collection of sculpture and painting presented as works of art, as was assembled by the Ptolemies' rival Attalus at the Library of Pergamum.[8] Instead, it was an institution of learning that attracted some of the best scholars of the Hellenistic world, as Germain Bazin puts it, "analogous to the modern Institute for Advanced Study in Princeton or to the Collège de France in Paris."[9]

It is uncertain how many scholars lived in the Mouseion at any given time, as surviving reports are few and rather brief.[7][10] Nonetheless, it appears that scholars and staff members were salaried by the State and paid no taxes. According to Strabo, they also received free room and board, and free servants.[2]

Based on extant works of scholars associated with the Mouseion, it seems likely that literary criticism and other similar activities took place there.[2][11] In addition to Greek works, some foreign texts were translated from Egyptian, Assyrian, Persian, Jewish, and other languages.[12][13] Many of the edited versions of the Greek canon that we know today, from Homer and Hesiod forward, exist in editions that were collated and corrected by the scholars assembled in the Mouseion and the Library of Alexandria.[5][11]

Appearance

A map of Alexandria at the time of the Ptolemies.

In the first century AD, the Greek geographer Strabo described the Mouseion as part of a bigger, richly decorated campus of buildings and gardens:[11]

The Mouseion is also part of the Brucheion (palace complex), possessing a peripatos (lobby), an exedra (columned hall), and large oikos (dining hall), in which the common table of the philologoi, men who are members of the Mouseion, is located. This synodos (assembly) has property in common and a priest in charge of the Mouseion, formerly appointed by the kings, but now by Caesar.[14]

According to this description, the Mouseion featured a roofed walkway, an arcade of seats, and a communal dining room where scholars routinely ate and shared ideas.[12] The building may have also hosted private study rooms, residential quarters, and lecture halls, based on similar structures that were built much later in Alexandria.[15][16] However, it is unclear if the premises provided accommodations for anatomical research or astronomical observations.[13][17] In addition to the Library of Alexandria, another smaller library was housed in the nearby Serapeum (Temple of Serapis), which may have been open to people other than Mouseion scholars.[5][10]

Decline

During the reign of Ptolemy VIII Euergetes II, at a time of territorial losses and political turmoil in Egypt, most intellectuals were either killed or expelled from the city, including the last recorded head librarian of the Library of Alexandria, Aristarchus of Samothrace, who supposedly was forced to resign his position in 145 BC and died in exile a few years later.[11][13] Johannes Tzetzes and other Byzantine sources do not mention any further directors after him,[18] albeit four obscure 'caretakers' are mentioned in an Oxyrhynchus fragment,[19] and an inscription from the 80s BC speaks of a certain Onesander of Paphos being appointed to the Library.[20] There are reports that, during the Siege of Alexandria in 47 BC, parts of the library collection caught fire and were destroyed.[21]

Despite the fact that the Mouseion continued as an institution under Roman rule, it never regained its former glory.[10] Membership of the Mouseion was not limited to prominent scholars under the Roman emperors but included politicians, athletes, and other people rewarded for their support to the state.[22] Emperor Claudius added an additional building in the first century AD,[23][24] and much later the emperor Caracalla temporarily suspended Mouseion membership in 216 AD.[25][24]

Destruction

The last known references to the old Mouseion still functioning occur in the 260s AD.[26] The Brucheion, the complex of palaces and gardens that included the Mouseion, was probably destroyed by fire on the orders of Emperor Aurelian in 272 AD, although it is not known with certainty how much of the original buildings existed at the time.[16] Scattered references in later sources suggest that another comparable institution was established in the 4th century at a different location, but little is known about its organisation and it is unlikely to have had the resources of its predecessor.[26] The mathematician Theon of Alexandria (ca. 335 – ca. 405), father of the philosopher Hypatia, is described in the 10th century Suda as "the man from the Mouseion," but it is not clear what connection he actually had with it. Zacharias Rhetor and Aeneas of Gaza both speak of a physical space known as the "Mouseion" in the late 5th century.[26]

Legacy

Ptolemy Philadelphus in the Library of Alexandria by Vincenzo Camuccini (1813).

The Ptolemies founded the original Mouseion at a time of transition in Greek history, during the passage from a predominantly oral to a more literary culture. The scholars gathered there included:[5]

The members of the Mouseion ensured the preservation and production of historical, literary, and scientific works, which would remain part of the Western heritage for centuries, and thanks to their efforts today one can still read Homer and the tragedians.[2][5]

As an institution dedicated to the Muses, the word mouseion became the source for the modern word museum.[3] In early modern France, it denoted as much a community of scholars brought together under one roof as it did the collections themselves. French and English writers often referred to these collections originally as a "cabinet of curiosities." A catalogue of the 17th century collection of John Tradescant the Elder and his son John Tradescant the Younger was the founding core of the Ashmolean Museum in Oxford. It was published as Musaeum Tradescantianum: or, a Collection of Rarities. Preserved at South-Lambeth near London by John Tradescant (1656).

References

  1. ^ The relation of the institutions is still a matter of debate. The Mouseion is discussed by P.M. Fraser, Ptolemaic Alexandria (1972: vol. I: 213–219 etc), and Mostafa el-Addabi, The Life and Fate of the Ancient Library of Alexandria (Paris 1990: 84–90).
  2. ^ a b c d Russo, L. (2004). The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn. Springer. doi:10.1007/978-3-642-18904-3. ISBN 978-3-540-20068-0.
  3. ^ a b c Entry Μουσείον at Liddell & Scott
  4. ^ Natali, C. (2013). Aristotle: His Life and School. Princeton, New Jersey: Princeton University Press. ISBN 978-1-4008-4600-9.
  5. ^ a b c d e Berti, M.; Costa, V. (2009), The Ancient Library of Alexandria. A Model for Classical Scholarship in the Age of Million Book Libraries 1, CiteSeerX 10.1.1.158.2953
  6. ^ Lynch, J. P. (1972). Aristotle's school; a study of a Greek educational institution. Berkeley: University of California Press. ISBN 978-0-520-02194-5. OCLC 548489.
  7. ^ a b There is no ancient source for the founding either of the Library or the Mouseion, Roger S. Bagnall notes, in "Alexandria: Library of Dreams", Proceedings of the American Philosophical Society 146.4 (December 2002:348-362) p. 348. We rely instead on the self-confident but unreliable Byzantine scholar Johannes Tzetzes' remarks in an introduction to Aristotle.
  8. ^ The Ptolemaic dynasty displayed these in their palace nearby.
  9. ^ Bazin, The Museum Age 1967: 16.
  10. ^ a b c Berti, M. (2016). "Greek and Roman Libraries in the Hellenistic Age". The Dead Sea Scrolls at Qumran and the Concept of a Library: 31–54. doi:10.1163/9789004305069_005. ISBN 9789004305069.
  11. ^ a b c d Jochum, U. (1999). "The Alexandrian Library and its Aftermath". Library History. 15 (1): 5–12. doi:10.1179/lib.1999.15.1.5. ISSN 0024-2306.
  12. ^ a b "Mouseion". www.dailywriting.net. Archived from the original on 2011-07-21. Retrieved 2018-03-18.
  13. ^ a b c Chapman, P. H. (2001). "The Alexandrian Library: crucible of a renaissance". Neurosurgery. 49 (1): 1–14. doi:10.1097/00006123-200107000-00001. ISSN 0148-396X. PMID 11440429.
  14. ^ Strabo, Geography 17.1.8, noted by Bagnall 2002: 57 note 39.
  15. ^ Majcherek, G. (2018). 'Crumbs from the table'-archeological remains of Hellenistic Alexandria. In C. S. Zerefos & M. V. Vardinoyannis (Eds.), Hellenistic Alexandria (pp. 71–85). Archaeopress.
  16. ^ a b Bagnall, R. S.; Davoli, P. (2011). "Archaeological Work on Hellenistic and Roman Egypt, 2000–2009". American Journal of Archaeology. 115 (1): 103–157. doi:10.3764/aja.115.1.0103. ISSN 0002-9114. JSTOR 10.3764/aja.115.1.0103. S2CID 194126728.
  17. ^ von Staden, H. (1989). Herophilus: The Art of Medicine in Early Alexandria: Edition, Translation and Essays. Cambridge University Press. ISBN 978-0-521-23646-1.
  18. ^ Daniel Heller-Roazen, "Tradition's Destruction: On the Library of Alexandria" October, 100, Obsolescence (Spring 2002: 133–1530 esp. p. 140.
  19. ^ Fraser, P. M. (1972). Ptolemaic Alexandria (Vol. 1), p. 333. Oxford.
  20. ^ Hatzimichali, M. (2013). König, J.; Oikonomopoulou, A.; Oikonomopoulou, K.; Woolf, G. (eds.). Ancient Libraries. Cambridge University Press. p. 173. ISBN 978-1-107-01256-1.
  21. ^ Nesselrath, H. G. (2012). Did it burn or not? Caesar and the Great Library of Alexandria: a new look at the sources. In I. Volt & J. Päll (Eds.), Quattuor Lustra: Papers celebrating the 20th anniversary of the re-establishment of classical studies at the University of Tartu (pp. 56–74). Tartu.
  22. ^ Edward Jay Watts, (2008), City and School in Late Antique Athens and Alexandria, page 148. University of California Press
  23. ^ Suetonius, Claudius, 42
  24. ^ a b Edward Jay Watts, (2008), City and School in Late Antique Athens and Alexandria, p. 147. University of California Press
  25. ^ Butler, Alfred J. (November 2008). The Arab Conquest of Egypt – And the Last Thirty Years of the Roman Dominion. Read Books. p. 411. ISBN 978-1-4437-2783-9.
  26. ^ a b c Edward Jay Watts, (2008), City and School in Late Antique Athens and Alexandria, p. 150. University of California Press

Further reading

  • MacLeod, Roy M., The Library of Alexandria: Centre of learning in the ancient world, 2000.
  • El-Abbadi, Mostafa, The life and fate of the ancient library of Alexandria, 1990.
  • Canfora, Luciano, The Vanished Library: A Wonder of the Ancient World, 1987.
  • Lee, Paula Young, "The Musaeum of Alexandria and the formation of the 'Museum' in eighteenth-century France," in The Art Bulletin, September 1997.
This page was last edited on 22 February 2024, at 17:15
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