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From Wikipedia, the free encyclopedia

Mick Karn
Karn in November 1982
Karn in November 1982
Background information
Birth nameAndonis Michaelides
Born(1958-07-24)24 July 1958
Nicosia, British Cyprus
Died4 January 2011(2011-01-04) (aged 52)
London, England
Genres
Instrument(s)
Years active1974–2010
Labels
Formerly of
Websitemickkarn.net

Andonis Michaelides (Greek: Αντώνης Μιχαηλίδης; 24 July 1958 – 4 January 2011), better known as Mick Karn, was an English-Cypriot musician and songwriter who rose to fame as the bassist for the art rock/new wave band Japan. His distinctive fretless bass guitar sound and melodic playing style were a trademark of the band's sound.

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Transcription

Early life

Karn was born Andonis Michaelides in Nicosia on 24 July 1958. When he was three, his Greek Cypriot parents moved with him to London, where he was raised. In his youth, he began playing mouth organ at the age of seven and violin at the age of eleven, before he took up playing bassoon for the school orchestra. As a bassoon player he performed with the London Schools Symphony Orchestra in a concert in October 1972 which was broadcast by Radio 4. However, when his bassoon was stolen and his school refused to buy him a new one, he bought a bass guitar for £5 from a school friend. At school he became friends with David Sylvian and his younger brother Steve. As an escape from their south London environment, they began to play music together, and in June 1974 they made their first public performance.[1]

Career

Japan

Japan in Toronto, 24 November 1979

Initially with Karn as lead vocalist, their band christened themselves Japan in 1974. Joined by keyboardist Richard Barbieri and guitarist Rob Dean the following year, they signed a recording contract with German disco label Hansa in 1977, with whom they recorded three studio albums and became an alternative glam rock outfit in the mould of David Bowie, T.Rex, and The New York Dolls.[citation needed] They switched to Virgin Records to record their subsequent albums Gentlemen Take Polaroids and Tin Drum.[2]

As the band started to achieve commercial success with the release of Tin Drum and specifically the single "Ghosts", which reached the top five in 1982, tensions and personality conflicts between band members arose. Tin Drum was to be the band's final studio album. Long-simmering differences among the band members came to a head when Karn's girlfriend, photographer Yuka Fujii, moved in with Sylvian, and the individual members forged ahead with their own projects.[3][4] Karn said in an interview that as tensions with their record company had abated following Japan's commercial success, band members began focusing on personal differences rather than on the common enemy.[5]

Session work and solo projects

Karn played bass guitar and saxophone on Gary Numan's 1981 No.6 hit "She's Got Claws" and other tracks on its parent No.3 hit album, Dance.[6] In November 1982, Karn released his first solo album, Titles, just as Japan had announced their split. In 1982, Karn wrote some material with Michael Finbarr Murphy, guitarist and writer for Heatwave, Alan Murphy of Level 42, and Diana Ross, among others.[citation needed] They did some lowkey gigs around London during the summer of 1982, and then went their separate ways. That same year, he appeared on The Old Grey Whistle Test along with Angie Bowie, former wife of David Bowie.[7] In 1982 he also contributed saxophone playing on three tracks on the Swedish band Lustans Lakejer's album En plats i solen, produced by Richard Barbieri.[8] In 1983, he collaborated with Midge Ure on the UK top 40 single "After a Fashion", and in 1984, he formed Dalis Car with Peter Murphy. The duo released one album, The Waking Hour, in late 1984.[9]

Karn also contributed to recordings by other artists, playing bass guitar on Bill Nelson's Chimera mini-LP as well as "Heads We’re Dancing" off Kate Bush’s The Sensual World and with Joan Armatrading.[10]

In the 1990s, he worked with artist David Torn, Andy Rinehart and a number of Japanese musicians, and formed the multinational new wave band, NiNa. Later, he worked as a solo artist. He played at least one concert with Pete Townshend that featured an all-star line-up that included Phil Collins and Midge Ure.[11]

Also in the 1990s, he started the Medium Productions label along with Steve Jansen and Richard Barbieri, two of his fellow former Japan members,[10] and Debi Zornes (label management and artist co-ordination). In 2006, the MK Music imprint was established by Karn, Zornes and Mike Trenery; and beginning with 2006's Three Part Species, all releases, including an autobiography, have the MK Music logo on them.[citation needed]

In 2001, Karn began to work with Gota Yashiki, Vivian Hsu, Masahide Sakuma, and Masami Tsuchiya in the band The d.e.p., or doggy eels project.[12] That same year he worked with Paul Wong on his Yellow Paul Wong release. Karn left London in 2004 to live in Cyprus with his wife and son, financially enabling himself to keep working as a musician/artist. In 2009, Karn also released his autobiography, titled Japan & Self Existence, available through his website and Lulu, which details his music career, his interests in sculpture and painting, his childhood, relationships, and family.[citation needed]

On 30 August 2010, Peter Murphy disclosed via video message (subsequently removed/hidden) on his personal Facebook profile that he would be reuniting with Karn for a week in London, perhaps in November, to begin writing and recording for a second Dalis Car album. Murphy also added that this would be the first time the two had seen each other since 1984.[13] The project was cut short, however, as Karn had recently been diagnosed with cancer.[14] After his death, five of the tracks they did record were released on 5 April 2012 as an EP entitled InGladAloneness.[15] The tracks were mixed by Steve Jansen, mastered by Pieter Snapper in Istanbul, and the artwork for the EP was created by Thomas Bak with a painting by Jarosław Kukowski.

Musical style

Karn was essentially a self-taught musician, stating, "I rely very much on my ears. If it sounds as if it's the right thing, then I'll keep it—even if it may not be."[16] His first musical instrument was bassoon, with which he attended and passed an LSSO audition. After his bassoon was stolen from him, he purchased a bass guitar for £5. It was then he joined up with David Batt (Sylvian), who played acoustic guitar.[17]

Karn was principally the bassist within Japan, but also played all the wind instruments, including the saxophone; on Tin Drum, he played the Chinese suona (credited as "dida") for the authentic oriental sound. Karn's use of the fretless bass guitar, a relatively unusual instrument in modern popular music, produces a distinctive sound and playing style, which makes his playing immediately recognisable.[10]

Karn played an aluminium-neck Travis Bean bass on all Japan albums up to Gentlemen Take Polaroids. In 1981, he moved on to Wal basses, purchasing two Mark I instruments, one with rare African tulipwood facings, the other a cherry solidbody. Karn recorded Japan's last studio album Tin Drum with the Wal and had continued to use these, along with a headless Klein K Bass.[citation needed]

Sculpture and painting

Karn was a self-taught sculptor working mainly in clay, although he explored other mediums.[citation needed] He held several exhibitions. He also painted in oils and experimented with using ceramic on the canvas to create a 3D effect. He was photographed in the early 1980s by Steve Jansen.[citation needed] Several of his paintings were used as sleeve covers for his music including, "Buoy" and "The Concrete Twin". His sculpture "Mask of Confidence", combining his hands with the arms, upper torso and face of photographer Yuka Fujii, was used as the inner sleeve cover for Kajagoogoo's Islands album. Karn, influenced by Chinese edible folk sculpture dating back thousands of years, also experimented in designing and creating edible life size portraiture, some of which were showcased at his restaurant "The Penguin Cafe". Karn said, "There was a definite change in style when I stopped using self-hardening clay in the mid '80s and began sculpting with more conventional clay. Finding it much more malleable, the pieces could be worked on a larger scale and needn't be focused, as was the case previously, on small detail."[citation needed] He continued to sculpt throughout his life and eventually learned to fire his own pieces.[citation needed]

Personal life

Karn had two diplomas in psychotherapy from a West London college, entitling him to call himself "Member of the Associated Stress Consultants, Psychotherapy, and Regression & Hypno-analysis".[18]

Illness and death

In June 2010, Karn announced on his website that he had been diagnosed with advanced-stage cancer, though the specific type of cancer was not mentioned. Although singer Peter Murphy said during an interview that Karn was suffering terminal brain cancer, this has not been confirmed.[19] According to David Torn, Karn's cancer had already spread, and he was undergoing chemotherapy.[20] The website announcement stated that Karn had been struggling financially for some time and appealed for donations to help pay for his medical care and provide financial assistance for his family. In addition, several people Karn had worked with, in particular Midge Ure,[20] Porcupine Tree,[19] and Masami Tsuchiya,[12] announced concerts in support of the appeal. According to a website update, dated 3 September 2010, the funds raised by the appeal enabled Karn and his family to move back to London, where Karn received treatment.[19] However, the cancer had spread beyond the possibility of treatment, and he died at his home in London on 4 January 2011.[9][21][22]

Discography

Albums

For albums with Japan (and Rain Tree Crow) see Japan discography.

Solo albums

Album Title Release Year Record Label UK
Titles 1982 Virgin No.74[9]
Dreams of Reason Produce Monsters 1987 Virgin No.89[9]
Bestial Cluster 1993 CMP
The Tooth Mother 1995 CMP
Each Eye a Path 2001 Medium
Each Path a Remix 2003 Medium
More Better Different 2004 Invisible Hands
Love's Glove EP 2005 MK
Three Part Species 2006 MK
The Concrete Twin 2009 MK

Collaborative albums

Album Title Artist Release Year Record Label UK
Dance with Gary Numan and others 1981 Beggars Banquet
A Place in the Sun (original title En plats i solen) with Lustans Lakejer, Richard Barbieri on three tracks 1982 Stranded Rekords
Chimera with Bill Nelson 1983 Mercury Records
The Waking Hour as Dalis Car with Peter Murphy 1984 Beggars Banquet No.84[9]
The Sensual World with Kate Bush on "Heads We’re Dancing" 1989 EMI
Lonely Universe with Michael White, Michel Lambert, David Torn, Mick Karn 1990 CMP
Beginning to Melt as Jansen-Barbieri-Karn 1993 Medium UK
Polytown as David Torn, Mick Karn, Terry Bozzio 1994 CMP
Seed EP Jansen-Barbieri-Karn 1994 Medium UK
Truth? with Sugizo 1997 Cross
Liquid Glass with Yoshihiro Hanno 1998 Medium
-ism Jansen-Barbieri-Karn 2000 Medium UK
Timelines by Stefano Panunzi with Gavin Harrison, on five tracks 2005 RES
Endless by Fjieri, with Barbieri-Harrison-Bowness, as guest on two tracks 2009 Forward Music
A Rose by Stefano Panunzi, as guest on two tracks 2009 Emerald
InGladAloneness EP by Dalis Car 2011 MK

Compilation albums

  • The Mick Karn Collector's Edition (CMP, 1996)
  • Selected (MK, 2007)

Singles

  • "Sensitive" (Virgin, 1982) – UK No. 98[23]
  • "After a Fashion" (1983) – with Midge Ure, UK No. 39[9]
  • "Buoy" (Virgin, 1987) featuring David Sylvian, UK No. 63[9]
  • "Of & About" (MK, 2006)

Written works

  • Japan & Self Existence publisher: MK Music. Biography, covering his life from 1958 to 2006.

References

Footnotes

  1. ^ Biography Mick Karn.net
  2. ^ "Japan – Gentlemen Take Polaroids". Discogs. Discogs. n.d. Retrieved 28 June 2023. Japan's fourth album, released in 1980 on Virgin Records.
  3. ^ Jason Cowley (10 April 2005). "Turning Japanese". The Guardian. Retrieved 2 May 2023.
  4. ^ Also in the office that day was David Sylvian's former partner, Yuka Fujii. Once a girlfriend of Mick Karn, who now lives in Cyprus, Fujii had contributed to the unease within the band by leaving Karn for Sylvian. 'Being in the middle of all that was very difficult,' says Jansen. 'The tension back stage on tour was unbelievable. Mick has quite an ego on him. In those days he was very headstrong about what he wanted to do. He started to make plans for a solo album during the recording of Tin Drum, and Dave wasn't happy about that. And the girlfriend problem set it right off between them. Mick never really got over those issues. I don't think you can.'
  5. ^ Anil Prasad interview – 'How did becoming so successful so young affect you?'
  6. ^ Steve Malins: Gary Numan Dance Beggars Banquet BBL 28 CD Booklet liner notes
  7. ^ "Poetry Slam: Angie Bowie and Mick Karn on 'The Old Grey Whistle Test,' 1982". 3 April 2015.
  8. ^ Lustans Lakejer interview Electricity Club
  9. ^ a b c d e f g Strong, Martin C. (2003) The Great Indie Discography, Canongate, ISBN 1-84195-335-0, p. 85–7
  10. ^ a b c Hayes, Kelvin "Mick Karn Biography", Allmusic, retrieved 5 February 2010
  11. ^ Townshend, Pete. "Slit Skirts". Pete Townshend Slit Skirts (Good Sound) live 1982. Retrieved 20 September 2023.
  12. ^ a b Martin, Ian (16 July 2010). "Former band members unite to help cancer-stricken Karn", The Japan Times
  13. ^ "Video message from Pete Murphy on his FB page".
  14. ^ Obituaries in the Performing Arts, 2011. 10 January 2014. ISBN 9780786491346.
  15. ^ "Mickkarn.net / Pages / Biography". Mickkarn.net. Archived from the original on 1 April 2006. Retrieved 15 July 2011.
  16. ^ Anil Prasad interview (1996) – 'You don't read music. How does that affect your ability to communicate with fellow musicians?'
  17. ^ Gray, Louise (April 1994). "Karnal knowledge", The Wire 122,
  18. ^ Japan & Self Existence, Karn, Mick (2009) page 281
  19. ^ a b c MickKarn.net, retrieved 27 September 2010
  20. ^ a b Larkin, Adrian (11 June 2010). Midge Ure's fundraiser BBC6
  21. ^ Meikle, James (5 January 2011). "Former Japan bass player Mick Karn loses battle with cancer". The Guardian.
  22. ^ Karn, Mick (2009). Japan and Self Existence. MK Music. p. 172.
  23. ^ Mick Karn, Official Charts, retrieved 5 February 2010

External links

This page was last edited on 27 March 2024, at 02:02
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