To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

From Wikipedia, the free encyclopedia

Michael Landy
MichaelLandy.jpg
Landy at South London Gallery in 2010
Born1963 (age 55–56)
London[1]
NationalityBritish
EducationGoldsmiths, 1985–88
Known forConceptual Art, Installation Art
Notable work
Break Down, Art Bin
MovementYoung British Artists

Michael Landy RA (born 1963) is one of the Young British Artists (YBAs). He is best known for the performance piece installation Break Down (2001), in which he destroyed all his possessions, and for the Art Bin project (2010) at the South London Gallery. On 29 May 2008, Landy was elected a member of the Royal Academy of Arts in London.

YouTube Encyclopedic

  • 1/3
    Views:
    30 729
    6 086
    969
  • ✪ 1/2 Michael Landy - What Do Artists Do All Day ?
  • ✪ Young British Artist, Michael Landy, on his art and practice
  • ✪ Michael Landy tears it up

Transcription

Contents

Early life and works

Landy was born in London. He first studied art in Loughton and Loughborough, then at Goldsmiths College in London, having been inspired to take up art professionally after having a picture selected for display on the BBC television art program Take Hart.[2]

After graduating from Goldsmiths in 1988, he exhibited in the Freeze exhibition, organised by Damien Hirst—an exhibition which first brought together a group of artists that would later become known as the Young British Artists.

In 1990, Landy exhibited in East Country Yard with several of the artists from Freeze. His first solo exhibition was Market (1990), an installation comprising numerous empty market stalls. Like much of his later work it was intended as a comment on consumerism and society.[citation needed]

In 1992, Landy started an association with Karsten Schubert by making Closing Down Sale for his gallery, an installation made up of a number of objects in shopping trolleys labelled "BARGAIN" and recorded announcements encouraging visitors to buy.[citation needed] The work was intended as a comment on the commodification of art, and might be seen as a precursor of sorts to Break Down, a work which produced no salable objects, except an edition of inventories (books) listing all destroyed items.

Before Break Down, Landy's best-known work was Scrapheap Services (1995–1996), which featured a fictitious cleaning company which sought to change society by way of "a minority of people being discarded". Promotional videos were made for the company and a large number of cut-out men were made from old magazines to be swept up and destroyed. This installation typifies the YBAs' interests in transforming the mundane into art, and recontextualisation. Its visual impact on one level is a typical industrial event, yet the gallery environment and bright red figures, along with the sinister irony of the title, is intended to force the viewer to address issues of humanity and consumerism.

Scrapheap Services, 1995.
Scrapheap Services, 1995.

In 1997, work which Landy had previously sold to Charles Saatchi was included in the Sensation exhibition at the Royal Academy in London. This show later toured Berlin and New York, but Landy's work was somewhat overshadowed by some of the other more outrageous artworks.

Break Down

Break Down, the work which put him in the public eye, was held in February 2001 at an old branch of the clothes store C&A on Oxford Street in London (C&A had recently ceased trading, and the shop had been emptied). Landy gathered together all his possessions, ranging from postage stamps to his car, and including all his clothes and works of art by himself and others, painstakingly catalogued all 7,227 of them in detail, and then destroyed all in public. The process of destruction was done on something resembling an assembly line in a mass production factory, with ten workers reducing each item to its basic materials and then shredding them.

Break Down, which was a joint commission from The Times newspaper and Artangel, attracted around 45,000 visitors. At the end of the process all that was left was bags of rubbish, none of which was sold or exhibited in any form, except for the edition of inventory books, listing all destroyed items, available to buy when exiting through the gift shop. Landy made no money as a direct result of Break Down, and following it had no possessions at all.

Later works

Landy made little art in the year following Break Down before returning with a solo show in late 2002, entitled Nourishment. The exhibition consisted of a series of detailed etchings of weeds, rendered in the traditional style of botanical draughtsmanship. The intricate detailing is reported to have resulted in lasting eye damage for Landy.[citation needed]

In 2003, Landy was selected to chair the judging panel for the Beck's Futures art prize.

In 2008, Ridinghouse published Michael Landy: Everything Must Go!, Landy's first monograph, which brings together over 20 years of the artist's work for the first time.[3] It was in this year that Landy was elected a member of the Royal Academy.

Landy's Art Bin installation for the South London Gallery in February–March 2010 was described by the artist as "a monument to creative failure." A large transparent skip was installed at the gallery, into which he invited the public to throw art work with which they were dissatisfied.[4] Artists and collectors were invited to apply to dispose of works of art via a dedicated website.

Landy's partner is fellow British artist Gillian Wearing.[5]

See also

References

  1. ^ Michael Landy | Thomas Dane Gallery
  2. ^ Landy, Michael (20 January 2009). "Michael Landy: How Tony Hart gave me my big break". The Guardian. London.
  3. ^ "Everything Must Go!". Ridinghouse. Retrieved 7 August 2012.
  4. ^ Hoyle, Ben (11 March 2010). "Michael Landy: make it, break it? Love it". The Times. London: Times Newspapers Ltd. Retrieved 30 March 2010.
  5. ^ Art & Design Zone: Michael Landy – interview from ideasfactory.com

External links

This page was last edited on 23 December 2019, at 03:33
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.