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From Wikipedia, the free encyclopedia

Mary Koga (née Mary Hisako Ishii, August 10, 1920 – June 8, 2001) was a Japanese-American photographer and social worker in Chicago.

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  • Got seeds? Just add bleach, acid and sandpaper - Mary Koga

Transcription

So, the apocalypse has happened. The zombies have come and gone, and all plant life on Earth has died somehow. All you have are some basic supplies and some seeds of a few types of essential plants. So, what should you do to make absolutely sure they grow, seeing how rebuilding human civilization absolutely depends on it? Well, you'd probably think the last thing you should do with these crucially important seeds is something like poking holes in them, or grinding them with sandpaper, or throwing them in acid or hot water. But, in fact, all of these are methods that are commonly used to help seeds start growing. A typical seed consists of a plant embryo encased in a hard seed coat. To start growing, it needs to emerge or sprout from inside this shell. This process is called germination. But just as it would be hard for you to get out of a jail cell with no windows and no doors, the embryo might need a little help escaping from its seed prison, and any process that makes this easier by wearing down the seed coat is called scarification. This lets moisture and nutrients get through the seed coat, making the embryo start growing until it breaks through. Now, you might be wondering why it is that plants would need humans to do all these weird things to their seeds in order to grow, and, in fact, they don't. In natural environments, seed coats are worn down by cold temperatures, bacteria, or even animal digestion. Our scarification methods just mimick and accelerate these natural processes to increase the chances of successful germination. One technique we can use is called nicking. To do this, we make a small cut or scratch into the seed coat. Be careful not to cut too deep! You don't want to damage the plant embryo inside. Another way is to file down the seed coat using sandpaper or a nail file. Once again, you don't want to file too much, just enough to wear down some of the seed coat. After applying either of these methods, you'll want to spray the seeds with bleach to prevent mold. Seeds can also be soaked in water to soften the coat. One way to do this is to place the seeds in a nylon bag, then place the bag into hot water. Turn off the heat immediately and allow the water to cool to room temperature before removing the seeds. It's important not to heat the seed for too long as this will kill the embryo. Again, you'll want to spray them with bleach afterwards. Finally, you can try immersing the seeds in a sulfuric acid solution. Make sure you're wearing protective goggles and gloves any time you work with such a dangerous substance. Place the seeds into a wire mesh pouch and immerse the pouch in the solution for ten minutes. Then take out the pouch and rinse it with clean water. Take out the seeds and, as before, spray them with bleach so they don't get moldy. If you try all of these methods, you will see that some of them are more effective than others, and some work best for different types of plants that have harder or thicker coats. So, knowing what seed scarification techniques work best will be useful if you ever need to survive a cataclysm, start a farm, or just want to plant in your own garden.

Life

Koga was born in Sacramento, California, on August 10, 1920, and had been an avid photographer since she was a child. She concentrated on social work, however, and received a BA in 1942 from the University of California at Berkeley and a Master's degree in 1947 from the University of Chicago School of Social Service Administration. During World War II, following the signing of Executive Order 9066, she was incarcerated in the internment camp at Tule Lake[1] for a year because of her Japanese ethnicity.

From 1947 to 1969, she worked in the field of social work in Chicago, starting out as a case worker and eventually teaching as an Assistant Professor for Field Work at the University of Chicago, School of Social Service Administration, 1960–1969.

Koga then concentrated on photography, studied at the IIT Institute of Design and received a MFA from the School of the Art Institute of Chicago in 1973. She then went on to teach photography at Columbia College Chicago for seven years.

Mary Koga died in Chicago on June 8, 2001.[2]

Photography

Koga's photographic work consists mainly of three distinct series.

The Floral Forms series was begun in 1972 and went on into the 1990s. Done in both color as well as black and white, the images are delicate close-ups of mostly single flower heads, artfully arranged in the studio with tightly controlled lighting. On occasion, she over exposed and used multiple exposure to emphasise the structure and/or color. Comparison has been made with the flower paintings of Georgia O'Keeffe.

In parallel, between 1972 and 1980, Koga went to rural Alberta to work on the series The Hutterites. Her images show the members of the isolated religious community, who in many cases have been photographed for the first time, with great openness, sympathy and a touch of humor. While highly constructed and posed, her portraits capture people who are happy within their surroundings, yet emphasising how different and alien they are within modern society. The chaste lifestyle is not only palpable from the quaint, old fashioned dress the Hutterites wear but also in interiors and still life images of sober displays of kettles or bread.

Koga's third big project is closely linked to both, her ethnicity and her former concern with social work. She concentrated on the elderly first generation of Japanese immigrants, her parents' generation, in black and white as well as color photos. Done over several decades from the 1970s to the 1990s, the Portrait of the Issei in Illinois series is much more relaxed than the Hutterite portraits. Koga was obviously at ease with these people, and documented their twilight years at the day care facility and the Senior Citizens Work Center of the Japanese American Service Committee (JASC) and at Heiwa Terrace, a Japanese American senior residence, both located in Chicago.

References

  1. ^ "Japanese American Internee Data File: Hisako M Ishii". National Archives and Records Administration. Retrieved August 18, 2019.
  2. ^ Abdur-Rahman, Sufiya (June 13, 2001), "Photographer and activist for Japanese-Americans", Chicago Tribune
This page was last edited on 6 March 2023, at 07:49
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