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Man Hunt (1941 film)

From Wikipedia, the free encyclopedia

Man Hunt
Directed byFritz Lang
Written byDudley Nichols
Lamar Trotti
Based onRogue Male
1939 novel
by Geoffrey Household
Produced byKenneth Macgowan
Darryl F. Zanuck
StarringWalter Pidgeon
Joan Bennett
CinematographyArthur C. Miller
Edited byAllen McNeil
Music byAlfred Newman
Distributed byTwentieth Century-Fox Film Corporation
Release date
  • June 13, 1941 (1941-06-13)
Running time
105 minutes
CountryUnited States

Man Hunt is a 1941 American thriller film directed by Fritz Lang and starring Walter Pidgeon and Joan Bennett.[1][2] It is based on the 1939 novel Rogue Male by Geoffrey Household and is set in Europe just prior to the Second World War. Lang had fled Germany into exile in 1933 and this was the first of his four anti-Nazi films, which include Ministry of Fear, Hangmen Also Die!, and Cloak and Dagger. It was Roddy McDowall's first Hollywood film after escaping London following the Blitz.[3] Man Hunt was one of many films released in 1941 that were considered so pro-British that they influenced neutral members of the U.S. public to sympathize with the British side in World War II.[4]

The film portrays Britain's pre-war policy of appeasement with Germany in its willingness to extradite one of its own citizens without any defense, and its depiction of Nazi agents freely walking about London, impersonating police, and terrorizing civilians.

The story was filmed again under its original title, Rogue Male (1976), by the BBC in a version starring Peter O'Toole.

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On July 29, 1939, renowned British big-game hunter Captain Alan Thorndike slips through the forest undetected near the Berghof, Adolf Hitler's residence near Berchtesgaden. With Hitler in his telescopic sight, he pulls the trigger on his unloaded rifle and gives a wave. He ponders a moment, then loads a live round, but is discovered at the last second by a guard, and the rifle goes off in their struggle.

After being beaten, Thorndike is taken to Major Quive-Smith, who is also a devoted hunter and an admirer. Thorndike explains that he was not trying to kill, but did it just as a "sporting stalk", purely for the thrill of going after the biggest game of all. The major is unsure whether to believe him and insists that he sign a confession that he was working as an assassin for the British government. When Thorndike refuses, he is tortured, but remains steadfast and warns of "questions being asked in high places" if he is killed, as his brother Lord Risborough is a very important diplomat. Quive-Smith arranges to have Thorndike pushed off a cliff to make his death look like suicide.

Thorndike survives when his knapsack gets caught in a tree, breaking his fall. He eludes his pursuers and reaches a port. He steals a rowing boat, but is forced to abandon it when a patrol boat comes near. He swims to a nearby ship. British cabin boy Vaner helps Thorndike hide aboard. The Germans find Thorndike's coat and passport aboard the rowboat and search the nearby Danish-registered vessel. Though they find nothing, they place an agent on board the London-bound freighter using Thorndike's passport to impersonate him, who continues searching after the ship departs.

The agent is met by German confederates in London. Thorndike, mistakenly believing he is safe, casually disembarks and is spotted. He manages to hide in the apartment of a young woman named Jerry Stokes who lends him money so that he can reach his brother.

When Lord Risborough tells his brother that the British government, continuing its pre-war policy of appeasement, would have to extradite him if he were found, Thorndike decides to hide in Africa. Jerry tries to refuse a large reward, leading Lady Risborough to assume that it is payment for other services, but Thorndike insists it isn't, and that she take it. He also buys her a new hatpin, as she had lost hers when they first met. She chooses a cheap chromium arrow and insists that Thorndike present it to her. Thorndike likens it to her, saying both are "straight and shiny". By this point, Jerry is in love.

Quive-Smith arrives in London to join the hunt. When Thorndike calls on his solicitor, Farnsworthy, the Nazis are once again on his trail. Chased into a London Underground station, Thorndike struggles with the agent, who is killed when he is thrown onto an electrified rail. The dead man, mutilated beyond recognition by subsequent tube traffic, is identified by his papers as Thorndike; the real Thorndike is then subjected to a manhunt by the British police as his murderer.

Thorndike tells Jerry to have Lord Risborough send him a letter in three weeks to the care of the Lyme Regis post office, then flees London for more secure cover. Thorndike hides in a cave, but alarms the local postmistress when he tries to pick up the letter. He grabs it and retreats to his cave, where he finds it is from Quive-Smith, who has followed him to his lair.

Quive-Smith seals the only entrance and passes Thorndike the confession and a pen through an airhole, threatening to leave him trapped inside. Quive-Smith slides in Jerry's beret, informing Thorndike that she was thrown out a window to her death when she would not betray him. The Germans found him by using the address that Thorndike had written for her. Badgered by Quive-Smith, Thorndike finally admits that he subconsciously intended to assassinate Hitler. He then agrees to sign the confession. Quive-Smith unblocks the entrance, but waits to shoot Thorndike as he crawls out. However, Thorndike uses his belt and a slat from his bed to fabricate a bow, then a stick and the pin from Jerry's hat as a makeshift arrow, and shoots Quive-Smith through the airhole. When Thorndike emerges, Quive-Smith wounds him before dying. By the time Thorndike recovers, the war is well underway.

Thorndike joins the Royal Air Force as a Bomber Command crewman. On a mission over Germany, he parachutes out with his hunting rifle.



Man Hunt became the first war film to attract the attention of the Hays Office in the neutral United States. Joseph Breen was alarmed by the script, calling it a "hate film".[5] Breen felt that in the isolationist atmosphere of the 1941 U.S., the film showed all Germans as evil, unlike other films that depicted both good non-Nazi Germans as well as evil Nazis. Breen insisted that the Germans should not be characterised as being so brutal and that the office would pass the film only if it would "indicate" brutality rather than show it. As a result, Thorndike's torture was not shown, but the idea was made apparent to the audience.[5]

Darryl F. Zanuck was also worried about Lang's anti-Nazi enthusiasm and banned him from the editing room. However, Lang and his associate Gene Fowler, Jr. secretly edited the film without Zanuck's approval.[6]

Isolationists and Nazi sympathizers took issue with the film, along with That Hamilton Woman (1941) and others, describing such films as pro-British propaganda to change American public opinion about going to war.[7]

The film features an instrumental version of "A Nightingale Sang in Berkeley Square" by Eric Maschwitz, Manning Sherwin and Jack Strachey as a recurring romantic theme. The score's recurring theme for the Nazis was composed by the film's musical director Alfred Newman.


Bosley Crowther, writing for The New York Times in June 1941, commented that "Man Hunt rates somewhat above the run of ordinary 'chase' films" projecting "certain subtle psychological overtones", but "it doesn't fulfill its possibilities completely".[8] Dave Kehr reviewing a DVD release in the same publication in 2009, commented "as agitprop the film could not be more effective", but "it also has the timeless quality of a work of pure imagination".[9]


The Academy Film Archive preserved Man Hunt in 2000.[10]

Radio adaptation

Man Hunt was presented on Philip Morris Playhouse July 31, 1942, starring Robert Montgomery.[11]

See also


  1. ^ Variety film review; June 11, 1941, page 14.
  2. ^ Harrison's Reports film review; June 21, 1941, page 98.
  3. ^ The Observer, The New Review section, Philip French's Classic DVD p.26, 6 February 2011
  4. ^ One World, Big Screen: Hollywood, the Allies, and World War II By M. Todd Bennett pg. 81
  5. ^ a b p.58 Glancey, H. Mark When Hollywood Loved Britain 1999 Manchester University Press
  6. ^ p.97 Kalat, David The Strange Case of Dr. Mabuse: A Study of the Twelve Films and Five Novels 2005 McFarland
  7. ^ One World, Big Screen: Hollywood, the Allies, and World War II By M. Todd Bennett
  8. ^ Crowther, Bosley (14 June 1941). "'Man Hunt,' Another Exciting Melodrama About an Englishman Versus Nazi Agents, at the Roxy". The New York Timesdate=June 14, 1941. Retrieved March 26, 2021.
  9. ^ Kehr, Dave (May 15, 2009). "Fritz Lang, Trailing Nazis". The New York Times. Retrieved March 26, 2021.
  10. ^ "Preserved Projects". Academy Film Archive.
  11. ^ "Radio Highlights". Harrisburg Telegraph. Harrisburg Telegraph. July 31, 1942. p. 11. Retrieved August 18, 2015 – via open access

External links

This page was last edited on 4 October 2023, at 18:25
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