| Malinithan | |
|---|---|
 Ruins of Malinithan | |
| Religion | |
| Affiliation | Ethnic religion |
| District | Lower Siang district |
| Deity | Kechai-Khati/Pishasi (tribal goddess)[1] (equivalent to Nang Hoo Toungh)[2] |
| Location | |
| Location | Likabali |
| State | Arunachal Pradesh |
| Country | India |
  Shown within India  Malinithan (Arunachal Pradesh) | |
| Geographic coordinates | 27°39′24″N 94°42′21″E / 27.65667°N 94.70583°E |
| Architecture | |
| Creator | Chutia kings |
| Completed | 13th-14th century |
| Part of a series on the |
| History of Assam |
|---|
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| Categories |
Malinithan is an archaeological site containing the ruins of an early medieval period temple on the northern bank of the Brahmaputra River in the Indian state of Arunachal Pradesh. It is assumed to be built by the Chutia kings in the 13th-14th century.[3][4][5][6] Kechai-Khaiti, a tribal goddess found among the Bodo-kachari groups[7][8][9][10][11][12] or the Buddhist goddess Tara[13] is considered to be the chief deity worshipped in the ruined temple. The worship of the goddess Kechaikheiti even after coming under Hindu influence was performed according to her old tribal customs.[14]
The goddess was taken care of by tribal priest known as the Deoris and was worshipped by the Borgoya khel of the Deoris.[15] There were four different kinds of Deori priest who looked after the deity Kechaikhati. The Bar Bharali and the Saru Bharali collected dues of the temple and provides animals for sacrifice. The Bar Deori (Deori Dema) and the Saru Deori (Deori Surba) performs the sacrifice and sung hymns.[16]
Some scholars identify Kesaikhaiti to the Tai Khamti female deity of Nang Hoo Toungh.[17]
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LIKABALI/MALINITHAN ANCIENT HINDU TEMPLE IN LIKABALI LOWER SIANG DISTRICT ARUNACHAL PRADESH INDIA
Transcription
Location
The Malinithan archaeological site is located at the base of the Siang mountains in the Likabali town and a sub-division of the Lower Siang district of Arunachal Pradesh.[18][19] It is situated on a hill that rises to a height of 21 metres (69 ft), which affords a commanding view of the plains around it and of the Brahmaputra River.[20]
Legend
A legend was implanted around the site in the 16th century, connecting the place to the mythological king of Bhishmaka (Lord of Vidarbha) of the epics.[21] The association of the legend with the place led to a widespread renaming of the region.[22]
As per the mythology constructed, when Krishna wanted to marry Rukmini, the daughter of King Bhishmaka of Vidarbha, he abducted her prior to her wedding with Shishupala. Krishna and Rukmini then travelled from Bhishmakanagar to Dwarka, stopping at Malinithan on the way over, where they were guests of Shiva and Durga, who were doing penance. Parvati, Shiva's consort, warmly welcoming her guests, presented them with garlands made of flowers plucked from her orchard.[23]
History
From all archaeological evidences at the site, archaeologists have opined that the temple belonged to the 13th century. Stonemason marks found in Malinithan[6] were also found in other sites of Sadiya like Tamreswari temple, Bura-buri, Padum pukhuri as well as other places like Nakshaparbat and Buroi.
Features
The archaeological excavations revealed a very well designed and carved plinth of a temple, 8 feet (2.4 m) high, with sculptures of deities and animals, designs of flowers, damaged columns and panels. Four sculptures of lions on two elephants were found at the four corners of the ruins of the temple.
Among the sculptures found at Malinthan, five notable ones carved out of granite stone are of Indra riding his mount Airavata, Kartikeya riding a peacock, Surya (Sun) riding a chariot, and Ganesha mounted over a mouse and a large Nandi bull.[20] On the basis of the erotic Maithuna sculptures found here in different postures, it is believed that tantricism prevailed here as a fertility rite of the primitive tribal people who held the "mother principal as the procreative power of nature".[24]
The temple is carved entirely out of stone, a type of temple known as Asmamayai. Iron dowels discovered in the ruins of the stone temple resembles the ones found in the Tamreswari temple of Sadiya, showing that it was probably built by the same people.[25]
Gallery
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Malinithan Mother goddess sculpture -
Gaja-singha of Malinithan -
Malinithan Buddhist Tara sculpture -
Malinithan Kartika sculpture -
Malinithan Apsara sculpture
References
- ^ (Shin 2023:71)
- ^ (Laine 2019:17–18)
- ^ Sarma, P.C.A study of the temple architecture of Assam from the Gupta period to the end of the Ahom rule: Chutiya architecture, p. 205
- ^ Choudhury, R.D, Heritage of Architecture of Assam, p.5
- ^ Sengupta, Gautam, Archeology in Northeast India, p.359
- ^ a b Thakur, A.K, Pre-historic Archeological Remains of Arunachal Pradesh and People's perception: An Overview, p.6
- ^ Kechai Khati worshipped by Bodo-kacharis
- ^ Rabhas worship Kechai-khati and celebrate the Kechai-khati festival once every year
- ^ Kechai-khati festival of Rabhas
- ^ The Tiwas, as well as the Koch, also worshipped Kechai Kati. The Koch general Gohain Kamal built temples dedicated to Kesai Khati in Khaspur for the Dehans who were Tiwa and Mech soldiers from Gobha, Nellie and Kabi.
- ^ "There is at Sadiya a shrine of Kechai Khaiti the tutelar deity of the Kacharis, which the Dimasa rulers continued to worship even after the establishment of their rule in Cachar." (Bhattacharjee 1992:393)
- ^ "The most famous temple of the Chutiyas was that of Kechaikhati, their primodial female deity.(Dutta 1985:49)
- ^ "In her fearsome self this deity bears so many resemblances to the fierce manifestation of Buddhist Tara that many scholars have suggested a Buddhist origin for her"(Gogoi 2011:236)
- ^ "(S)he [Kesai Khati] was incorporated into the Sanskritized cosmos of goddess tradition and as her tribal attributes were so strong to be denounced as non-Brahminical, her worship continued according to old customs."(Gogoi 2011:236)
- ^ (Shin 2023:70–71)
- ^ (Shin 2023:70)
- ^ "Towards the north of the Lohit River is the Nang Hoo Toungh territory. The third phi muang is, as the prefix "nang" (lady) indicates, a female divinity. The territory it is said to protect is more easily identifiable than that of the two-previous phi muangs. Nang Hoo Toungh is known in Assamese as Kesakhati ("person who eats raw meat")."(Laine 2019:17–18)
- ^ "Malini Than". Government of Arunachal Pradesh. Archived from the original on 12 May 2015. Retrieved 3 May 2015.
- ^ "Likabali". Retrieved 3 May 2016.
- ^ a b Sali 1998, p. 148.
- ^ "Among many works of Śaṅkaradeva, the Rukmiṇiharaṇa, the poem of Rukmimi and Krishna, gained considerable popularity in the Sadiya area and influenced its regional identity construction. Rukmiṇī, in this poem, was a daughter of king Bhīṣmaka"(Shin 2020:55)
- ^ "Considering the wide popularity of the Rukmiṇīharaṇa among the people, especially as the staged performance, it is not surprising that many toponyms of the area were derived from this Vaiṣṇava legend and the legendary places associated with Bhīṣmaka were reproduced in the local landscape. For instance, Vidarbha, the name of the country, once ruled by Bhīṣmaka according to the Epics and Purāṇas and perhaps identical with Behar in Maharashtra, was applied to the area around Sadiya."(Shin 2020:56)
- ^ (Shin 2020:56)
- ^ Religious history of Arunachal Pradesh. Byomakesh Tripathy, Sristidhar Dutta, Rajiv Gandhi University. Department of History, Indian Council of Social Science Research. New Delhi: Gyan Pub. House. 2008. p. 351. ISBN 978-81-212-1002-7. OCLC 263065510.
{{cite book}}: CS1 maint: others (link) - ^ Religious History of Arunachal Pradesh by Byomakesh Tripathy, p.354
Bibliography
- Shin, Jae-Eun (2023), Kecaikhaiti, Eater of Raw Flesh: A Profile of the Multifaceted Goddess in the North-East, Manohar Publishers & Distributors
- Laine, Nicolas (2019), Phi Muangs. Forces of the Place among the Khamti in Arunachal Pradesh
- Sali, M. L. (1 January 1998). India-China Border Dispute: A Case Study of the Eastern Sector. APH Publishing. ISBN 978-81-7024-964-1.
- Bhattacharjee, J. B. (1992), "The Kachari (Dimasa) state formation", in Barpujari, H. K. (ed.), The Comprehensive History of Assam, vol. 2, Guwahati: Assam Publication Board, pp. 391–397
- Dutta, Sristidhar (1985), The Mataks and their Kingdom, Allahabad: Chugh Publications
- Shin, Jae-Eun (2020). "Descending from demons, ascending to kshatriyas: Genealogical claims and political process in pre-modern Northeast India, The Chutiyas and the Dimasas". The Indian Economic and Social History Review. 57 (1): 49–75. doi:10.1177/0019464619894134. S2CID 213213265.
- Gogoi, Kakoli (2011). "Envisioning Goddess Tara: A Study of the Tara Traditions in Assam". Proceedings of the Indian History Congress. 72: 232–239. ISSN 2249-1937. JSTOR 44146715.
This page was last edited on 10 April 2024, at 13:15