List of chords

The following is a list of musical chords and simultaneities:

Code	Chord type
Major	Major chord
Minor	Minor chord
Augmented	Augmented chord
Diminished	Diminished chord
Indeterminate	Indeterminate chord
Predominant	Predominant chord
Suspended	Suspended chord
M3+d5	Major third, flat five
Just	Just intonation
Bitonal	Bitonal chord
Atonal	Atonal chord

List of musical chords
Name	Chord on C	Sound	# of p.c.-Forte #	p.c. #s	Quality
Augmented chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis>1 } }$	Play^ⓘ	3-12	0 4 8	Augmented
Augmented eleventh chord^[1]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d fis>1 } }$	Play^ⓘ	6-34	0 4 7 t 2 6	Major
Augmented major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis b>1 } }$	Play^ⓘ	4-19	0 4 8 e	Augmented
Augmented seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis bes>1 } }$	Play^ⓘ	4-24	0 4 8 t	Augmented
Augmented sixth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ais>1^\markup { "Italian" } } }$ ${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e fis ais>1^\markup { "French" } } }$ ${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g ais>1^\markup { "German" } } }$		3-8 4-25 4-27B	0 4 t 0 4 6 t 0 4 7 t	Predominant
Diminished chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges>1 } }$	Play^ⓘ	3-10	0 3 6	Diminished
Diminished major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges b>1 } }$	Play^ⓘ	4-18	0 3 6 e	Diminished
Diminished seventh chord (leading-tone and secondary chord)	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges beses>1 } }$	Play^ⓘ	4-28	0 3 6 9	Diminished
Dominant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <g' b d> } }$	Play^ⓘ	3-11	0 4 7	Major
Dominant eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d f>1 } }$	Play^ⓘ	6-33	0 4 7 t 2 5	Major
Dominant minor ninth	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes des>1 } }$	Play^ⓘ	5-31	0 4 7 t 1	Major
Dominant ninth	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d>1 } }$	Play^ⓘ	5-34	0 4 7 t 2	Major
Dominant parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 4/4 <g b d>2 <e g b> } }$	Play^ⓘ	3-11	0 3 7	Minor
Dominant seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes>1 } }$	Play^ⓘ	4-27	0 4 7 t	Major
Dominant seventh flat five chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes>1 } }$	Play^ⓘ	4-25	0 4 6 t	Diminished
Dominant seventh sharp nine / Hendrix chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes dis>1 } }$	Play^ⓘ	5-32	0 4 7 t 3	Major
Dominant thirteenth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes d f a>1 } }$	Play^ⓘ	7-35	0 4 7 t 2 5 9	Major
Dream chord	${ \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 4/4 <g c! cis d>1 } }$	Play^ⓘ	4-6	0 5 6 7	Just
Elektra chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <e b' des f aes>1 } }$	Play^ⓘ	5-32	0 7 9 1 4	Bitonal
Farben chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff << \new Staff { \clef treble \time 4/4 <e a>1 } \new Staff { \clef bass \time 4/4 <c, gis' b>1 } >> } }$	Play^ⓘ	5-z17	0 8 e 4 9	Atonal
Half-diminished seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es ges bes>1 } }$	Play^ⓘ	4-27	0 3 6 t	Diminished
Harmonic seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g beseh c>1 } }$	Play^ⓘ	4-27	0 4 7 t	Major
Leading-tone triad	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g c>2 <d f b> } }$	Play^ⓘ	3-10	0 3 6	Diminished
Lydian chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b fis'>1 } }$	Play^ⓘ	5-20	0 4 7 e 6	Major
Magic chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <e f a bes d e g a>1 } }$	Play^ⓘ	8	0 1 5 6 t 0 3 5	Just
Major chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>1 } }$	Play^ⓘ	3-11	0 4 7	Major
Major eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d f>1 } }$	Play^ⓘ	6-z25	0 4 7 e 2 5	Major
Major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b>1 } }$	Play^ⓘ	4-20	0 4 7 e	Major
Major seventh sharp eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis b fis'>1 } }$	Play^ⓘ	5-30	0 4 8 e 6	Augmented
Major sixth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a>1 } }$	Play^ⓘ	4-26	0 4 7 9	Major
Major sixth ninth chord ("6 add 9",^[2] Nine six,^[3] 6/9)	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a d>1 } }$	Play^ⓘ	5-35	0 4 7 9 2	Major
Major ninth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d>1 } }$	Play^ⓘ	5-27	0 4 7 e 2	Major
Major thirteenth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g b d fis a>1 } }$	Play^ⓘ	7-35	0 4 7 e 2 6 9	Major
Mediant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <e g b> } }$	Play^ⓘ	3-11	0 3 7	Minor
Minor chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g>1 } }$	Play^ⓘ	3-11	0 3 7	Minor
Minor eleventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d f>1 } }$	Play^ⓘ	6-32	0 3 7 t 2 5	Minor
Minor major seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g b>1 } }$	Play^ⓘ	4-19	0 3 7 e	Minor
Minor ninth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d>1 } }$	Play^ⓘ	5-27	0 3 7 t 2	Minor
Minor seventh chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes>1 } }$	Play^ⓘ	4-26	0 3 7 t	Minor
Minor sixth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g a>1 } }$	Play^ⓘ	4-27	0 3 7 9	Minor
Minor sixth ninth chord (6/9)	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g a d>1 } }$	Play^ⓘ	5-29	0 3 7 9 2	Minor
Minor thirteenth chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c es g bes d f a>1 } }$	Play^ⓘ	7-35	0 3 7 t 2 5 9	Minor
Mystic chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c fis bes e a d>1 } }$	Play^ⓘ	6-34	0 6 t 4 9 2	Atonal
Neapolitan chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <f aes des>1 } }$	Play^ⓘ	3-11	1 5 8	Major
Ninth augmented fifth chord^[2]^[4]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e gis bes d>1 } }$	Play^ⓘ	5-33	0 4 8 t 2	Augmented
Ninth flat fifth chord^[2]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes d>1 } }$	Play^ⓘ	5-33	0 4 6 t 2	M3+d5
Northern lights chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <cis d! aes' c! es fis g! bes ces f! a!>1 } }$	Play^ⓘ	11-1	1 2 8 0 3 6 7 t e 4 7	Atonal
"Ode-to-Napoleon" hexachord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c des e f gis a>1 } }$	Play^ⓘ	6-20	0 1 4 5 8 9	Atonal
Petrushka chord	$\new PianoStaff << \new Staff = "up" \relative c'' { \time 3/4 s2. } \new Staff = "down" \relative c' { \time 3/4 \voiceOne \repeat tremolo 12 { { \change Staff = "up" \voiceTwo <e g c>32 } { \change Staff = "down" \voiceOne <cis fis ais>32 } } } >>$	Play^ⓘ	6-30	0 1 4 6 7 t	Bitonal
Power chord P5	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c g' c>1 } }$	Play^ⓘ	2-5	0 7	Indeterminate
Psalms chord	${ \override Score.TimeSignature #'stencil = ##f { \new PianoStaff << \new Staff { \clef treble <g' e'' g'' b''>8 } \new Staff { \clef bass <e, g, b, g>8 } >> } }$	Play^ⓘ	3-11	0 3 7	Minor
Secondary dominant	${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 c2 b c1 } \new Voice \relative c' { \stemDown fis2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 g g1 } \new Voice \relative c { \stemDown d2_\markup { \translate #'(-3.5 . 0) { "C: V/V" \hspace #0.6 "V" \hspace #5 "I" } } g c,1 \bar "\|\|" } >> >> }$	Play^ⓘ	3-11	0 4 7	Major
Secondary leading-tone chord	${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 a2 g g1 } \new Voice \relative c' { \stemDown es2 d e1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 c2 b c1 } \new Voice \relative c { \stemDown fis2_\markup { \translate #'(-5 . 0) { \concat { "C: vii" \raise #0.6 \small "o7" "/V" \hspace #1 "V" \hspace #4 "I" } } } g c,1 \bar "\|\|" } >> >> }$	Play^ⓘ	3-10	0 3 6	Diminished
Secondary supertonic chord	${ #(set-global-staff-size 16) \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \new Voice \relative c'' { \stemUp \clef treble \key c \major \time 4/4 g2 fis g1 } \new Voice \relative c' { \stemDown c2 c d1 } >> \new Staff << \new Voice \relative c' { \stemUp \clef bass \key c \major \time 4/4 a2 a b1 } \new Voice \relative c { \stemDown a2_\markup { \translate #'(-4 . 0) { \concat { "C: ii" \raise #0.5 \small "7" "/V" \hspace #1 "V" \raise #1 \small "7" "/V" \hspace #1.5 "V" } } } d g1 \bar "\|\|" } >> >> }$	Play^ⓘ	3-11	0 3 7	Minor
Seven six chord^[5]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g a bes>1 } }$	Play^ⓘ	5-25	0 4 7 9 t	Major
Seventh suspension four chord^[6]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c f g bes>1 } }$	Play^ⓘ	4-23	0 5 7 t	Suspended
So What chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \new PianoStaff << \new Staff { \clef treble \time 4/4 \hide Staff.TimeSignature <d g b>1 } \new Staff { \clef bass \time 4/4 \hide Staff.TimeSignature <e, a>1 } >> } }$	Play^ⓘ	5-35	0 5 t 3 7	Bitonal
Suspended chord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c f g>1 } }$	Play^ⓘ	3-9	0 5 7	Suspended
Subdominant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <f a c> } }$	Play^ⓘ	3-11	0 4 7	Major
Subdominant parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <f a c>2 <d f a> } }$	Play^ⓘ	3-11	0 3 7	Minor
Submediant	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <a c e> } }$	Play^ⓘ	3-11	0 3 7	Minor
Subtonic	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <bes d f> } }$	Play^ⓘ	3-11	0 4 7	Major
Supertonic	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <d f a> } }$	Play^ⓘ	3-11	0 3 7	Minor
Thirteenth flat ninth chord^[2]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g bes des a'>1 } }$	Play^ⓘ	6-27	0 4 7 t 1 x 9^[7]	Major
Thirteenth flat ninth flat fifth chord^[2]	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e ges bes des a'>1 } }$	Play^ⓘ	6-z49	0 4 6 t 1 x 9^[7]	M3+d5
Tonic counter parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <b e g> } }$	Play^ⓘ	3-11	0 3 7	Minor
Tonic	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>1 } }$	Play^ⓘ	3-11	0 4 7	Major
Tonic parallel	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c e g>2 <a c e> } }$	Play^ⓘ	3-11	0 3 7	Minor
Tristan chord	${ \override Score.TimeSignature #'stencil = ##f \new PianoStaff << \new Staff << \relative c' { \clef treble \key c \major \time 4/4 <dis gis>1 } >> \new Staff << \relative c { \clef bass \key c \major \time 4/4 <f b>1 } >> >> }$	Play^ⓘ	4-27	0 3 6 t	Predominant
Viennese trichord	${ \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 <c des ges>2 <c fis g!> } }$	Play^ⓘ	3-5A	0 1 6 or 0 6 7	Atonal

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References

^ Pearse, John (1977). The Guitarist's Picture Chord Encyclopedia, p.31. ISBN 0-8256-2199-2.
^ ^a ^b ^c ^d ^e Bay, William (10 April 1971). Encyclopedia of guitar chords. Mel Bay Publications. p. 2. ISBN 978-0-87166-664-2. Retrieved 27 May 2011.
^ Pearse (1977), p.35.
^ Pearse (1977), p.27.
^ Pearse (1977), p.34.
^ Pearse (1977), p.24
^ ^a ^b x could be either 5, 6, or nothing, depending on the eleventh of the chord.

Chords

By form

Triad	Major Minor Augmented Diminished Suspended
Seventh	Leading-tone Major Minor Dominant Dominant seventh flat five Diminished Half-diminished Diminished major Minor-major Augmented major Augmented minor Altered seventh Nondominant Harmonic seventh
Extended	Ninth Eleventh Thirteenth Upper structure Dominant 7♯9 Polychord Tone cluster
Added / omitted	Sixth Augmented sixth Lydian Seven six
Specific	Alpha Bridge Complexe sonore Dream Elektra Farben Grandmother Magic Mystic Northern lights Petrushka Psalms So What Tristan Viennese trichord
General	Mixed interval Secundal Tertian Quartal Synthetic chord Tetrad

By function

Diatonic	Tonic Supertonic Mediant Subdominant Dominant Submediant Leading-tone / Subtonic
Altered	Approach Borrowed Chromatic mediant Neapolitan Passing
Secondary	Secondary dominant Secondary leading-tone Secondary supertonic
Other	Common Contrast Primary triad Subsidiary Substitute

Techniques

Other

v t e Music theory lists
Chords Progressions Compositions Atonal featuring Andalusian cadences Homotonal Major/minor Just Polytonal Quarter tone Twelve-tone and serial Whole tone scale Genres Intervals 5-limit just Meantone Jazz contrafacts Turkish makams Set classes Scales and modes Teachers Theorists Tone rows and series

This page was last edited on 15 March 2024, at 15:00

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See also

References