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List of Grammy Hall of Fame Award recipients (E–I)

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  • John Lennon and Paul McCartney on the Beatles' Success, Their Influence, Becoming Rich, and Politics
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  • Eric Clapton - reptile [Guitar Backing tracks]
  • Eric Clapton - nobody knows you when youre down and out [Guitar Backing tracks]
  • Eric Clapton - lonely stranger [Guitar Backing tracks]


Q: "John Lennon and Paul McCartney, what do you think is the one single thing that most contributed to your phenomenal, unprecedented success these past eight or nine years? Any single thing?" JOHN: "Umm, God?" PAUL: "I'll go along with that." Q: "So much has been said that you started a trend, and that the trend that exists today - this whole psychedelic mixed-media world..." PAUL & JOHN: (laugh) Q: "...kind of goes back to the early days when you embarked on that, some have said, rock-strewn path." JOHN: "We're just part of it, whatever it is." PAUL: "We didn't set that one. We're just rolling along with it." JOHN: "But we're part of it, you know." Q: "But you were so much ahead, though, as so many have said." JOHN: "To a degree. There's always somebody a bit ahead." Q: "What led you down that road in the first place? What brought you into that medium?" PAUL: "Progress. Just natural progress as things change. You know, they just keep changing. You can't help it. And we just (laughs) kept along with them as they kept changing... And here we are!" Q: "The millions of young people that now are grown up, I suppose, had started out with you a few years ago. They've been affected, it's said, by what you've done, deeply and permanently. Do you think this is true?" JOHN: "Yeah, in some cases that will be true." PAUL: "Yeah, and it goes for us, too. We've been affected by them." JOHN: "I tell you, I'm permanently affected by Elvis Presley... Permanently affected by whoever it is you're affected by." PAUL: (jokingly) "...scars to prove it." Q: "Going back again to the early 1960's when you first achieved your outstanding success. Things were very different in the world then - the world of popular music and the world of youth, weren't they, than they are today." JOHN: "It's going to be... It's just change, you know. Everything changes. EVERYTHING was different then, so there's no sort of specifics about it. The whole thing's continually changing. So we can't really comment on why one particular man had better white trousers on in 1933. There's nothing to say about it, but it happened." PAUL: (jokingly to John) "Wrap up adlib! Close to script!" Q: "Yeah, we should go back to 'copy' now." (laughter) Q: "But changes that did occur in those years... How would you describe the kind of change? Was it the waking of a sleeping giant? We talk about young people, and we talk about the fact that so much has awakened on the scene of life for young people." PAUL: "You know I mean, none of us know what it is. I don't think anyone knows what it is. And it's just... it's life, you know. You appear to grow up, and we started off in leather jackets chinging away on guitars. And it went through a lot of phases until it got here. You know, and that's all we can say about it. I don't know what happened. (laughs) You can't say exactly what went on." JOHN: "How can you say?" Q: "Do you think that seven, eight, nine, ten years ago, that young people were less awake?" JOHN: "I think they're becoming more aware each generation. I don't know whether it'll end at some point and go back to the start. But it seems to be going that way - more aware." Q: "More new experiences all the time?" JOHN: "Well of course." PAUL: "More aware, but no one's quite sure what it is that they're aware of. But they're aware of it (laughing) whatever it is. (pause) You know, it's one of those things you can't talk about because it gets into things you can't put your finger on. (to himself) Wrap up adlib. Close to script." Q: "A lot of older people seem to feel that the young people today, as I suppose older people always felt, are always rebelling against the older generation. But that this rebellion has gone so much further than other rebellions." JOHN: "Yes." PAUL: "Yeah." JOHN: "What will the next one be like, you know." Q: "They'll rebel against you." JOHN: "Depending on what we turn into." Q: "What are you going to turn into?" JOHN: "Well, if we stay like we are now it mightn't be bad. But we should progress and be able to still communicate with kids if this change is as important as it might be. But if it isn't, it's just the same again. (comically, to the announcer) What's yours?" Q: "That's a good question. (pause) But as you leave the 20's... How soon will that be for both of you?" JOHN: "I'm 27." PAUL: "25." Q: "You still have a ways to go, but you talk about yourselves as gray old men in a sense, compared to those years ago." JOHN: (giggles) "It's only the way you're hearing it." (laughter) Q: "You've made so much money and you've achieved so much success so early. Does this worry you?" JOHN: "It's not a worry, it's just... It saved us wasting our lives achieving it." PAUL: "Yeah. Our thing just happens to be very condensed and speeded. It's speeded up..." JOHN: "We chose a modern form of success." PAUL: "...very quick, because one second we were just there doing 'that' with 'that much' money. The next second... people normally take a lifetime to do... it was just all there suddenly, just handed. And we didn't have to do anything for it." JOHN: "Except for work, you know." PAUL: "We had to work and do songs and make records, and that, but it didn't feel like anything to us. And so, that's incredible, that. Because it makes you think. (laughs) It also makes you rich." JOHN: "It's a way of doing it. There's lots of careers to choose. And you choose one... Everybody wants to get something, or make something one way or another. And we chose a modern way making it... because obviously we didn't want to spend out lives to get to nowhere." PAUL: "It's like, if you could take a pill to just get famous and rich, a lot of people would. And ours was a bit like that." Q: "Was this what you really wanted to do it for... you wanted to get rich?" PAUL & JOHN: "Yeah." JOHN: "You just want to 'make it' whatever you do. You all set out leaving school or whatever, and you want to make it. So you choose your field, and you make it or you don't. But MAKE IT, that isn't it because there's nothing to MAKE. So we were in the position to find out it's not worth spending your life looking... trying to get cars and kid gloves." Q: "Has the fun gone out of your musical career now that you've made so much money?" PAUL & JOHN: "No." JOHN: "Nothing like that." PAUL: "You see, you're asking questions which are quite serious... and you're not asking us, uhh you know, where we get our hair cut. You can't expect all these sort of happy answers when you're asking serious questions." JOHN: "You want the answers. Well, we're giving you the answer, you know." PAUL: "As we see it." (pause) PAUL: (jokingly) "It isn't very clearly..." Q: "Now that you have this tremendous influence, which you obviously have all over the world, do you have a particular feeling about what you want to do with this power?" JOHN: "Just, whatever it is, to try and channel it for GOOD... if we can, you know. That's the only point of doing anything. So we've got this machine, and we'll try and make use of it, for good, and not just to have a machine." PAUL: "You know, you've got your life and you're faced with choices in it. And for us being suddenly rich and famous, and in a position to do something, we've got a choice of doing what either most people do, which is just making more and more money, and getting more and more rich and famous... or trying to DO something which will help. And it sounds a bit like charity, but it's obviously the one we've chosen because it's just better. And it just might be in the long run..." JOHN: "Might be good." PAUL: "Might be good." Q: "Let's stick with the young people and the areas that you think are most fruitful to try to help in. I asked before, where you thought young people were going, and you said well maybe there'll be a reaction to what they have now. How does this relate to the real world as you see it... to issues of war and peace, family and country? JOHN: "All issues are relative. So it relates like that. It's all just relative to each other. War (pause) and vegetables. Because there's relativity and absolute. And that's how it relates, you know." PAUL: (chuckles) "Great, Johnny." Q: "It's kind of hard though for some people to interpret you." JOHN: "Well, if they can't interpret it, maybe they will later... or come to their own conclusions. But that's the way I think it is." PAUL: (to John) "But what do you think about the young people?" JOHN: "Well... I think they're young, you know, and trying to find out. That's all." PAUL: "They seem to be trying to stop wars, and that. " JOHN: "...which is beautiful." PAUL: "It just looks as though everyone is trying to stop all that killing, and all that fighting." JOHN: "It's a good idea." PAUL: "It sounds good. It may be just silly to try, but it may be good!" Q: "It may not work." PAUL AND JOHN: (quiet chuckle) Q: "The word 'anarchy' has been used to describe some of the..." JONH: "Well I mean, there always will be that element because, when they see it as how they see it to become an anarchist, it's 'What can we do about all that?' I mean, what can you do really but wear a badge or stand up and shout. So the choice is about shouting or 'let it roll.' But they're a group of people who will go on forever, but they don't actually do anything." PAUL: "Everyone needs someone to say 'This is how you do it. This is what we want you to do,' you know. The thing is, it would be great if we knew how you do it. We make guesses, but they're not always right. They're often wrong, in fact. 'Cuz there's so many phoney institutions saying 'And this is how you do it!' Nobody can believe them anymore. So it would be nice for people, for someone to just come along and say..." JOHN: "Well, it would have to be Jesus, or Buddha or something." PAUL: "Yeah." JOHN: "But they don't seem to be around at the moment." Q: "The whole idea of whether you get involved or whether you stay out of it - Whether you're turned on or turned off. How do you feel about that?" JOHN: "We believe you should turn on and stay in. Change it, you know." PAUL: (jokingly) "Drop in... sometime." Q: "When you get involved, do you mean getting involved in the establishment and institutions?" JOHN: "Well, to change it... because unless you change it, it's going to be there forever. So the only thing to do is to try and change it... but not replace it with another set of Harris Tweed suits. And just change it completely. But how you do that, we don't know." PAUL: "There's a lot of ways, but the one we've decided on at the moment is just to try and get into a business, so that we can go to 'them,' you know, all those big bosses in all those big companies, and talk to them as though we're..." (laughs) PAUL & JOHN: " of them!" JOHN: "Of course we're not, so we'll see what happens." PAUL: "We're not really, but we've got people who are doing it for us. And it's a bit different from the hippie scene because people think "Oh, they haven't washed and they've got long hair. Oh that's naughty,' you know. And people don't communicate with them because they don't like the look of them, or something." JOHN: "We're going to package peace in a new box." PAUL: "We're trying to get to, like, the people who are sort of in control, and say you know, 'Come on. Straighten it out. Don't mess it up.'" Q: "You went to India and spent time with Maharishi who has had great impact, you feel, on your whole outlook. Could you describe how he's changed things for you?" JOHN: "We sort of feel that Maharishi for us was a mistake, really. Meditation we don't think was a mistake. But I think we had a false impression of Maharishi, like people do of us, you know. But what we do happens in public, so it's a different scene slightly." Q: "What was your original impression?" JOHN: "We thought he was something other than he was." PAUL: "We thought he was magic, you know, because he's got that kind of thing. And he sort of, I don’t know, the twinkle in the eye. And you just think he..." JOHN: "We were looking for it, and probably superimposed it on him." PAUL: "Yeah, it was just the right time anyway. There were we, waiting for someone... the great magic man to come." JOHN: "Waiting for a guru. He came." PAUL: "And he came, you know. There he was and he was talking about it all. And he had great answers, because he said 'You can sort yourself out,' that you can calm yourself down just by doing this very simple thing. And it works, that bit of it. It really does do it, you know." JOHN: "But the other bit - He's giving out recipes for something, then he's still creating the same kind of situations which he's giving out recipes to cure." PAUL: "But it seems like the system is more important." Q: "Sort of a touch of establishment in the Maharishi?" JOHN: "Something, you know." PAUL: "He's okay, but the system is more important. If people watch Maharishi, or watch us, they don't think about the system - don't think about what it's about, you know." Q: "He got you to stop taking drugs." JOHN: "No he didn't. We'd stopped taking drugs a couple of months before, when we met him. And that was just sort of... The newspapers said, 'Oh! Put it together, we got a title.' But it's just not true." Q: "You feel that drugs are not necessary anymore for what you do?" JOHN: "Uhh, I don't know. I'm not making any statements about what I'm going to do for the next 60 years or whatever it is, because I've no idea anymore. You can never really know, but just have a vague goal." PAUL: "Not at the moment, anyway." JOHN: "It's no use saying 'I will never take drugs' or 'I WILL take drugs,' because you don't know." Q: "After the experiences that you've had, do you think that young people who are your fans, who idolize you, ought to try the same thing?" JOHN: "No. We don't give instructions on how to live your life. The only thing we can do, because we're in the public eye, is to reflect what we do. And they can judge for themselves what happens to us - with Maharishi, with drugs, with whatever we go on. If they're using us as a guideline. And we can only try and do what's right for us, and therefore, we hope right for them." PAUL: "Some fella said to me, 'Have you had LSD, Paul?' And I said 'Yes.' And it was only because I was going to just be honest with him. There's no other reason. I didn't want to spread it or anything, you know. I'm not trying to do anything except answer his question. But he happened to be a reporter, and I happened to be a Beatle. So it went into that, you know." JOHN: "And it was his responsibility, or his paper's responsibility and his TV station." PAUL: "That's the thing - He immediately said 'Oh, it's this man's responsibility. He's just saying all the kids should take LSD.' And I didn't, you know. I just said, 'Yes I've taken it. Okay I own up,' you know." Q: "Do you think the press distorts a great deal of what you say?" PAUL & JOHN: Yes!" JOHN: "I don't think there's anywhere, any truth coming over about what's happening at all." (laughter) Q: "Generally, all the way across the board?" JOHN: "There is no truth coming out, at all. The only true thing about newspapers is the name of the newspaper. And I'm not saying that they are intentionally evil or anything, it's just they can't control it. And the system won't allow truth to come out." PAUL: "Yeah." JOHN: "So there's something wrong with the system." PAUL: "You know I mean, this - It's a pretty sort of ordinary interview. It's pretty dull, you know. Except for one or two little things, which will have been headlines." Q: "Of course, when someone watches television, they see it." JOHN: "Television is a bit better, but it's still under the influence of the system that doesn't really allow truth to come out." Q: "Well, now you're saying what you think and people are seeing what you say." JOHN: "Just for this moment, maybe. If we are saying the truth as we know it. but in general, I mean... Are you saying that the truth is coming out all the time? I don't know. You think so? You try, yeah, you try but you've still got a system which restricts and inhibits people speaking their mind. I mean, we can speak our mind now about these subjects. But there will be limits imposed. And Rules." PAUL: "Mmmm." JOHN: "...which are to safeguard something or other. But safeguarding it prevents... it has a side effect. And the choice is, where to draw the line." PAUL: "It's like, if you were to ask either of us a question that the answer would be obscene..." JOHN: "There's a censor." PAUL: "There's a limit, you know, to where you could go." JOHN: "We couldn't describe making love to somebody, because the system doesn't allow that. You couldn't just describe it. That's where the system's at." Q: "One of the big controversies in your country had been recently the whole question of racial integration and of cutting off immigration, and of asking some of your non-whites to go back home again. You've been asked about this, undoubtedly." JOHN: "No." Q: 'Do you think this is the kind of government policy that you want in your country?" JOHN: "We sow what we reap, or whatever it is. And Britain is paying for what it did to all those countries. And to say, 'Keep out,' is just barking in the garden, you know. Because whatever is going to happen will happen like that." PAUL: "It was just some fella who said in a speech one day..." JOHN: "He said what a lot of them thought." Q: "And a lot of people in Liverpool, and other places you know well, favor what he said, apparently." JOHN: "Sure." PAUL: "Yeah." JOHN: "Because those people are all over the place. That's why the governments are in power." PAUL: "You know those people, they don't know a thing. They just hate." JOHN: "Because they're not told anything, as well." PAUL: "It's people like this - They say "I'm white and he's black.' Hate, hate, hate. They just hate him." JOHN: "And he's not brought up any other way." PAUL: "You know, they don't know anything else than that, so they've got to agree with this fella who says "We've got a dangerous situation here.'" JOHN: "And they vote him in, and he just makes them feel alright. And he tells them that 'You're right! You know what's happening. You put me in power' But what they don't know is that he knows a bit more what's going on. That's why he's in power. But he's not going to tell them what's happening because he wants to stay in power. Because if they knew, they wouldn't have put him in power, somebody else would be." PAUL: "But it's not as bad in England as it is here." JOHN: "It probably is, but it's just a different..." PAUL: "I don't think it is." Q: "You're talking about racism?" JOHN: "Well, it will be then." PAUL: "I don't think it's as bad, just from what I've seen. It might be. 'Cuz it's hidden more in England." JOHN: "That might be worse." PAUL: "That might be worse, yeah. But there's just not the numbers going on." JOHN: "Well, it's just that. England is THAT big, and America is THAT big." PAUL: (giggles, jokingly) "It's much worse in England, you know!" (laughter) JOHN: (giggling) "Oh no, he was joking then." Q: (laughing) "Really?!" JOHN: "He came 'round the circle." Q: "This business of color, and young people, and people who follow you... This doesn't have any significance in the mind of many of your young people?" PAUL: "No, it's good. Most people don't... It seems to be older people who really have got hang-ups." JOHN: "Yes, and musicians and their vibrations don't usually have this about what street you live on. I mean, they get that scene sorted out as soon as they meet other musicians. Because it's the music that counts. There's no common denominator for society like music or whatever they're going for." PAUL: "If someone can play guitar, it doesn't matter what colored hands he uses." JOHN: "But it also doesn't matter for the carpenter and the bricklayer, and all that." PAUL: "But I mean, everyone knows that anyway. There's only a few... I don't know who these people are who..." JOHN: (giggling) "They're the ones who vote for those people." PAUL: (giggles) "You know, there's just some funny people around who're messing it up." JOHN: "Lots of them." PAUL: "Let's find those people." Q: "Of course, there's people who don't like the long hair..." JOHN: "Well, we know those people are SICK! And we might all be sick. But their manifestations of sickness are pretty horrible, really. Frightening." PAUL: "There was some thing in England where a kid went to the barbers and his Uncle said 'Go and get your hair cut.' And so he went and he just had a little bit off, because he had it quite long and he liked it. And he came back with just a bit off - So his Uncle, his guardian, got annoyed and dragged him back and had it all off. The kid just come with a little crew-cut, and he was really broken up about it. And the next morning they found him on the railway lines. The kid has just sort of laid down with his crew-cut. *chop* You know, there's no need for that." JOHN: "To make haircuts that important is insanity." Q: "Some people probably say to you, 'Why don't you cut your hair short? Are you just wearing it that way to be different?'" PAUL: "No it's just, 'Why don't you wear yours long,' you know." JOHN: "We know what we like in that respect. We please ourselves. And what's it got to do with (pause) some man with one eye." (laughter) JOHN: (giggling) "You know that man with one eye that's always sitting 'round the back!" (laughter) JOHN: "...and asking you why your hair is long!" PAUL: (laughs) "Yeah, but all those things about hair and color... You know, all those things that hang people up. There's no need, 'cuz there's no worry. I mean, those are the least worrying things around." JOHN: "But they're the causes, aren't they!" Q: "What about the Queen and royalty in Britain? Is that a hang up?" JOHN: "It's not a hang up, but I mean - Imagine being brought up like that for two-thousand years. You must be pretty freaky. And they must have a hard time trying to be human beings. I don't know if any of them will ever make it, 'cuz I don't know much about them. But, you feel sorry for people like that. 'Cuz it's like us, only worse! And whether they know what's going on or not is another subject." PAUL: "They've probably got their own thing, you know, inside the castle." JOHN: "That is a very strange life, isn't it. I mean, that's another manifestation of craziness." PAUL: "You don't really TALK to her because she's the Queen. It's like you don't really TALK to President Johnson ever. You just sort of shake hands and APPEAR to talk to him." JOHN: "And if they BELIEVE that they're royal, that's the joke. You know, if they believe it..." PAUL: "It's crazy." JOHN: "...well they can carry on, you know. Because it's just very strange to think that you are royal." PAUL: "They're probably just great and human and have just got their own scene going, you know." JOHN: "One or two of them, maybe... (giggles) over five-million." PAUL: "And it's just a very difficult job." Q: "Do you think it all should end?" JOHN: "Well, I don’t know about that. But it's very costly." PAUL: (laughs) JOHN: "It's priorities really, isn't it." Q: "It's been said that you have such a tremendous amount of influence. You said yourself in that very controversial remark one time that you were more popular than Jesus, and you had to correct the interpretation of that." JOHN: "Yeah." PAUL: "'The Queen is freaky' isn't a bad one." Q: "Yeah, that's not too bad, either." PAUL: (jokingly) "Another headline taken out of context yet again!" Q: "The United States has been plagued by the war in Vietnam, and the world has been concerned about it. What are your views about the war?" JOHN: "It's another piece of insanity. It's all part of the same insane scene that's going on. There's nothing else for it... no reason, just insanity." PAUL: "You know, whoever's right and whoever's wrong, it's still... the thing that's going on there isn't a good thing." Q: "Since you're not diplomats, let me ask you to meddle in American politics as our concluding question. We have a lot of candidates..." PAUL & JOHN: "We don't know much about it." Q: "You know the names..." JOHN: "No." Q: "You've heard the names..." JOHN: "Not really." PAUL: (jokingly) Eisenhower?" Q: (laughs) JOHN: "We hear the sort of Kennedy, and we met a man called Green who sells plastic flowers to try and get people to vote for him, which is a good sign of what he is, anyway. But we don't know much others." PAUL: (peace symbols) "Doves." JOHN: "Doves and olives." (laughter) JOHN: "Anything about that, my choice would be a dove. But I mean, it might be an insane dove. That's the risk you got to take." Q: "You're not ready to make a commitment?" PAUL: "Yeah sure. Go on, ask some." Q: "Would you pick a McCarthy, or a Kennedy?" JOHN: "A dove." Q: "Humphrey, Nixon or Rockefeller?" JOHN: "A dove." PAUL: "Yeah. You know, it's just too hard because we don't know what they are, those people. We see all their pictures in the paper, but we don't know really what they're doing. Do you?" Q: "What about Harold Wilson?" (Merseyside member of Parliament and then-current Prime Minister) JOHN: "Yes! What's HE doing?!" (laughter) JOHN: "I mean, what are they all doing? That's the point." Q: "Let me just ask this one final question. What do you do when you talk about the establishment, and you try to put something in its place... when you're not satisfied with..." JOHN: "We're all part of it as well. I mean, the establishment is abstract and all that bit. We're all part of it. So it's just to change it anyway you can, if you think you can. That's all you can do." Q: "Gentlemen, Thank you very much." JOHN: "Pleasure." PAUL: "Thank you."

Alphabetical listing by title

Title Artist Record Label Year of Release Genre Format Year Inducted
"Early Autumn" Woody Herman & his Orchestra Capitol 1949 Jazz Single 2000
"Earth Angel (Will You Be Mine)" The Penguins Dootone 1954 Doo-Wop Single 1998
"East-West" The Paul Butterfield Blues Band Elektra 1966 Blues Single 1999
"Eight Miles High" The Byrds Columbia Records 1966 Psychedelic Rock Single 1999
"El Día que me Quieras" Carlos Gardel Paramount Records 1935 Tango Single 2013
"El Paso" Marty Robbins Columbia Records 1959 Country Single 1998
"Eleanor Rigby" The Beatles Parlophone 1966 Baroque Pop Single 2002
Electric Ladyland Jimi Hendrix Reprise 1968 Rock Album 1999
Elgar: Violin Concerto Yehudi Menuhin with London Symphony Orchestra conducted by Sir Edward Elgar His Master's Voice 1932 Classical Album 2007
Ella and Basie! Ella Fitzgerald and Count Basie with Count Basie Orchestra Verve 1963 Jazz Album 2010
Ella and Louis Ella Fitzgerald and Louis Armstrong Verve 1956 Vocal Jazz Album 2016
Ella Fitzgerald Sings the Rodgers & Hart Song Book Ella Fitzgerald Verve 1956 Jazz Album 1999
Ella Fitzgerald Sings the Cole Porter Song Book Ella Fitzgerald Verve 1956 Jazz Album 2000
Ella in Berlin: Mack the Knife Ella Fitzgerald Verve 1960 Vocal Jazz Album 1999
Ellington at Newport Duke Ellington & his Orchestra Columbia Records 1956 Jazz Album 2004
Elton John Elton John DJM 1970 Rock Album 2012
"Embraceable You" Billie Holiday Commodore 1944 Jazz Single 2005
"Empty Bed Blues" Bessie Smith Columbia Records 1928 Blues Single 1983
"Everybody Loves Somebody" Dean Martin Reprise 1964 Traditional Pop Single 1999
"Everybody's Talkin'" Harry Nilsson RCA Victor 1968 Pop Single 1999
"Everyday (I Have the Blues)" Count Basie & his Orchestra (featuring vocals sung by Joe Williams) Clef 1955 Jazz Single 1992
"Every Day I Have the Blues" B.B. King RPM 1955 Blues Single 2004
Exile on Main St. The Rolling Stones Rolling Stones 1972 Rock Album 2012
Exodus Bob Marley and the Wailers Island 1977 Reggae Album 2006
The Far East Suite Duke Ellington and His Orchestra RCA 1967 Jazz Album 1999
"Fascinating Rhythm" Fred Astaire & Adele Astaire featuring George Gershwin English Columbia 1926 Pop Single 2006
"The Fat Man" Fats Domino Imperial 1949 Rock & Roll Single 2016
Favorite Gospel Songs and Spirituals The Blackwood Brothers RCA Victor 1952 Gospel Album 1999
"Feliz Navidad" Jose Feliciano RCA 1970 Latin Pop Single 2010
"Fever" Peggy Lee Capitol 1958 Jazz Single 1998
Fiddler on the Roof Original Broadway Cast Album Cast: Zero Mostel, Joanna Merlin, Julia Migenes, Maria Karnilova, Bert Convy, Michael Granger, Tanya Everett, etc. RCA Victor 1964 Musical Show Album 1998
"Fight the Power" Public Enemy Motown 1989 Hip Hop Single 2018
Finian's Rainbow Original Broadway Cast Recording Cast: Ella Logan, Donald Richards, David Wayne, etc. Columbia Records 1947 Musical Show Album 1998
"Fire and Rain" James Taylor Warner Bros. 1970 Folk Rock Single 1998
First Take Roberta Flack Atlantic 1969 Vocal Jazz Album 2016
"Fixin' to Die Blues" Bukka White Okeh 1940 Blues Single 2012
"Flash Light" Parliament Casablanca 1978 Funk Single 2018
Fleetwood Mac Fleetwood Mac Reprise 1975 Soft Rock Album 2016
"Flying Home" Lionel Hampton & his Orchestra Decca 1942 Jazz Single 1996
Focus Stan Getz Verve 1961 Jazz Album 1999
Foggy Mountain Banjo Lester Flatt & Earl Scruggs with Foggy Mountain Boys Columbia Records 1961 Bluegrass Album 2013
"Foggy Mountain Breakdown" Lester Flatt & Earl Scruggs with Foggy Mountain Boys Mercury 1949 Bluegrass Single 2001
Foggy Mountain Jamboree Lester Flatt & Earl Scruggs Columbia Records 1957 Bluegrass Album 2012
"Folsom Prison Blues" Johnny Cash Sun 1955 Rockabilly Single 2001
"For Dancers Only" Jimmie Lunceford & his Orchestra Decca 1937 Jazz Single 1999
"For Me and My Gal" Judy Garland and Gene Kelly Decca 1942 Pop Single 2010
"For Once in My Life" Stevie Wonder Tamla 1968 Soul Single 2009
"For the Love of Money" The O'Jays Philadelphia International 1973 R&B Single 2016
"For What It's Worth" Buffalo Springfield Atco 1967 Rock Single 2000
Forever Changes Love Elektra 1967 Folk Rock Album 2008
"Fortunate Son" Creedence Clearwater Revival Fantasy 1969 Rock Single 2014
"Four Brothers" Woody Herman & his Orchestra Columbia Records 1947 Jazz Single 1984
Frank Sinatra Sings for Only the Lonely Frank Sinatra Capitol 1958 Vocal Jazz Album 1999
"Frankie and Johnny" Mississippi John Hurt Okeh 1928 Folk Single 2011
Freak Out! The Mothers of Invention Verve 1967 Rock Album 1999
"Free Bird" Lynyrd Skynyrd MCA 1973 Rock Single 2008
"Frenesi" Artie Shaw & his Orchestra Victor 1940 Jazz Single 2000
Funny Girl Original Broadway Cast Album Cast: Barbra Streisand, Sydney Chaplin, Kay Medford, Jean Stapleton, Danny Meehan, etc. Capitol 1964 Musical Show Album 2004
Gade: "Jalousie 'Tango Tzigane'" Boston Pops Orchestra conducted by Arthur Fiedler Victor 1935 Classical Single 2008
The Genius of Art Tatum, Vols. 1–13 Art Tatum Clef 19531954 Jazz Album 1978
Genius of Modern Music: Volume 1 Thelonious Monk Blue Note 1951 Jazz Album 2003
Genius of Modern Music: Volume 2 Thelonious Monk Blue Note 1952 Jazz Album 2003
The Genius of Ray Charles Ray Charles Atlantic 1959 R&B Album 1997
Genius + Soul = Jazz Ray Charles Impulse 1961 Jazz Album 2011
"Gentle on My Mind" Glen Campbell Capitol 1967 Country Single 2008
"Georgia on My Mind" Hoagy Carmichael & his Orchestra (featuring Bix Beiderbecke on Cornet) Victor 1930 Jazz Single 2014
"Georgia on My Mind" Ray Charles ABC 1960 Soul Single 1993
"Gershwin: An American in Paris" George Gershwin with Victor Symphony Orchestra conducted by Nathaniel Shilkret RCA Victor 1929 Jazz Single 1997
Gershwin: Porgy and Bess Highlights, Volumes 1 and 2 Original cast And Broadway revival cast (Todd Duncan, Anne Brown) Decca 1940–1942 Opera Album 1990
Gershwin: Porgy and Bess (Complete Opera) Cast: Lawrence Winters, Camilla Williams, Avon Long, Warren Coleman, Inez Matthews, June McMechen, etc. Columbia Records 1951 Opera Album 1976
Gershwin: Rhapsody in Blue George Gershwin with Paul Whiteman & his Orchestra Victor 1924 Jazz Single 1974
Gershwin: Rhapsody in Blue Oscar Levant with Philadelphia Orchestra conducted by Eugene Ormandy Columbia Records 1945 Classical Album 1990
"Get Up (I Feel Like Being a) Sex Machine" James Brown King 1970 Funk Single 2014
"Get Up, Stand Up" Bob Marley and the Wailers Tuff Gong 1973 Reggae Single 1999
"(Get Your Kicks On) Route 66" The King Cole Trio Capitol 1946 R&B Single 2002
Getz/Gilberto Stan Getz and João Gilberto Verve 1964 Jazz Album 1999
Giant Steps John Coltrane Atlantic 1960 Jazz Album 2001
Gigi: Motion Picture Soundtrack Cast: Betty Wand, Leslie Caron, Maurice Chevalier, Louis Jourdan, Hermione Gingold, John Abbott, etc. MGM 1958 Soundtrack Album 1998
"Gimme Some Lovin'" Spencer Davis Group United Artists 1966 Blue-Eyed Soul Single 1999
"The Girl from Ipanema" Stan Getz and Astrud Gilberto Verve 1964 Bossa Nova Single 2000
"Give My Regards to Broadway" Billy Murray Columbia Records 1905 Musical theatre Single 2008
"Gloria" Them Parrot 1964 Garage Rock Single 1999
"God Bless America" Kate Smith Victor 1938 Gospel Single 1982
"God Bless the Child" Billie Holiday Okeh 1941 Jazz Single 1976
"Goldfinger" Shirley Bassey Columbia Records 1964 Soundtrack Single 2008
Gone with the Wind Film Soundtrack Orchestra conducted by Max Steiner MGM 1939 Soundtrack Album 2006
"Good Rocking Tonight" Wynonie Harris King 1948 Jump Blues Single 2009
The Good, the Bad, and the Ugly Ennio Morricone Capitol 1966 Classical Album 2009
"Good Vibrations" The Beach Boys Capitol 1966 Pop Single 1994
Goodbye Yellow Brick Road Elton John DJM 1973 Pop Rock Album 2003
"Goodnight Irene" Huddie "Lead Belly" Ledbetter Library of Congress 1936 Folk Single 2002
"Got My Mojo Workin'" Muddy Waters Chess 1957 Blues Single 1999
Graceland Paul Simon Warner Bros. 1986 Worldbeat Album 2012
"Grazing in the Grass" Hugh Masekela Uni 1968 Jazz Single 2018
"Great Balls of Fire" Jerry Lee Lewis Sun 1957 Rock & Roll Single 1998
"The Great Pretender" The Platters Mercury 1956 R&B Single 2002
"The Great Speckled Bird" Roy Acuff with the Crazy Tennesseans Vocalion 1936 Gospel Single 2009
"Green Onions" Booker T. & the MG's Stax 1962 R&B Single 1999
"Groovin'" The Young Rascals Atlantic 1967 Blue-Eyed Soul Single 1999
"Groovin' High" Dizzy Gillespie & His Sextet Guild 1945 Jazz Single 2000
Guys and Dolls: Original Broadway Cast Album Cast: Robert Alda, Vivian Blaine, Isabel Bigley, Stubby Kaye, Sam Levene, etc. Decca 1950 Musical Show Album 1998
Gypsy: Original Broadway Cast Album Cast: Ethel Merman, Sandra Church, Jack Klugman, Lane Bradbury, etc. Columbia Records 1959 Musical Show Album 1998
Hair Cast: Gerome Ragni, James Rado, Ronnie Dyson, Melba Moore, Lynn Kellogg, etc. RCA Victor 1968 Musical show Album 2006
"Happy Together" The Turtles White Whale 1967 Pop Single 2007
"Happy Trails" Roy Rogers and Dale Evans (with The Whippoorwills) RCA Victor 1951 Country Single 2009
"Happy Days Are Here Again" Ben Selvin & his Orchestra (featuring vocals sung by Annette Hanshaw) Columbia Records 1930 Pop Single 2007
A Hard Day's Night The Beatles Parlophone 1964 Rock Album 2000
The Harder They Come Jimmy Cliff and Various Artists Island 1972 Rocksteady Album 2008
Harvest Neil Young Reprise 1972 Rock Album 2015
"He Stopped Loving Her Today" George Jones Epic 1980 Country Single 2007
Head Hunters Herbie Hancock Columbia Records 1973 Jazz-Funk Album 2009
Heart Like a Wheel Linda Ronstadt Capitol 1974 Country Rock Album 2018
"Heart of Glass" Blondie Chrysalis 1978 Disco Single 2016
"Heartbreak Hotel" Elvis Presley RCA Victor 1956 Rock & Roll Single 1995
Heavy Weather Weather Report Columbia Records 1977 Jazz fusion Album 2011
"Heebie Jeebies" Louis Armstrong and His Hot Five Okeh 1926 Jazz Single 1999
"He'll Have to Go" Jim Reeves RCA 1959 Country Single 1999
"Hello Darlin'" Conway Twitty Decca 1970 Country Single 1999
"Hello, Dolly!" Louis Armstrong Kapp 1964 Pop Single 2001
Hello, Dolly! Original Broadway Cast Recording Cast: Carol Channing, David Burns, Charles Nelson Reilly, Eileen Brennan, Alice Playten, Igors Gavon, Jerry Dodge, Sondra Lee, etc. RCA Victor 1964 Musical Show Album 2002
"Hello Walls" Faron Young Capitol 1961 Country Single 2000
"Help!" The Beatles Parlophone 1965 Folk Rock Single 2008
"Help Me Make It Through the Night" Sammi Smith Mega Records 1970 Country Single 1998
"(Hep-Hep!) The Jumpin' Jive" Cab Calloway and His Orchestra Vocalion 1939 Swing Single 2017
Herb Alpert Presents Sergio Mendes & Brasil '66 Sergio Mendes & Brasil '66 A&M 1966 Bossa Nova Album 2012
Here's Little Richard Little Richard Specialty 1957 Rock & Roll Album 2013
"He's a Rebel" Credited to: The Crystals
Actual Performers: The Blossoms
Philles 1962 Rock & Roll Single 2004
"He's Got the Whole World in His Hands" Marian Anderson His Master's Voice 1958 Negro Spiritual Single 2008
"Hey, Good Lookin'" Hank Williams MGM 1951 Rockabilly Single 2001
"Hey Jude" The Beatles Apple 1968 Rock Single 2001
"Hey There" Rosemary Clooney Columbia Records 1954 Traditional Pop Single 1999
"Hide Away" Freddy King Federal 1961 Blues Single 1999
Highway 61 Revisited Bob Dylan Columbia Records 1965 Rock Album 2002
"His Eye Is on the Sparrow" Mahalia Jackson Columbia Records 1958 Gospel Single 2010
The Hi-Lo's and All That Jazz The Hi-Lo's Columbia Records 1958 Jazz Album 1998
"Hit the Road Jack" Ray Charles with The Raelettes and Margie Hendricks ABC 1961 Jazz Single 2013
"Holiday for Strings" David Rose RCA Victor 1942 Classical Single 2004
"Honeysuckle Rose" Fats Waller Victor 1934 Jazz Single 1999
"Honky Tonk (Parts 1 and 2)" Bill Doggett King 1956 R&B Single 1998
"Honky Tonkin'" Hank Williams MGM 1948 Country Single 2015
Hoodoo Man Blues Junior Wells & his Chicago Blues Band Delmark 1965 Blues Album 2008
Horowitz at Carnegie Hall: An Historic Return Vladimir Horowitz Columbia Records 1965 Classical Album 2002
"Hotel California" Eagles Asylum 1976 Soft Rock Single 2003
Hotel California Eagles Asylum 1976 Rock Album 2008
"Hound Dog" Elvis Presley RCA 1956 Rock & Roll Single 1988
"Hound Dog" Big Mama Thornton Peacock 1953 Blues Single 2013
"The House I Live In" Frank Sinatra Columbia Records 1945 Soundtrack Single 1998
"The House of the Rising Sun" The Animals Columbia Graphophone 1964 Rock Single 1999
"How High the Moon" Ella Fitzgerald Verve 1960 Vocal Jazz Single 2002
"How High the Moon" Les Paul and Mary Ford Capitol 1951 Jazz Single 1979
"How Long, How Long Blues" Leroy Carr Vocalion 1928 Blues Single 2012
"I Apologize" Billy Eckstine MGM 1951 Pop Single 1999
I Can Hear It Now, Vols. 1–3 Edward R. Murrow Columbia Records 1948–1950 Spoken Word Album 1978
"(I Can't Get No) Satisfaction" The Rolling Stones London 1965 Rock Single 1998
"I Can't Get Started" Bunny Berigan Victor 1937 Traditional Pop Single 1975
"I Can't Help Myself" Four Tops Motown 1965 Soul 2018
"I Can't Make You Love Me" Bonnie Raitt Capitol 1991 Pop Single 2017
"I Can't Stop Loving You" Ray Charles ABC-Paramount 1962 R&B Single 2001
"I Fall to Pieces" Patsy Cline Decca 1961 Country Single 2001
"I Feel Like Going Home" Muddy Waters Aristocrat 1947 Blues Single 2010
"I Fought the Law" The Bobby Fuller Four Mustang 1965 Garage Rock Single 2015
"I Get Around" The Beach Boys Capitol 1964 California Sound Single 2017
"I Got You (I Feel Good)" James Brown King 1965 R&B Single 2013
"I Got You Babe" Sonny & Cher Atco 1965 Pop Single 2017
"I Have a Dream" Martin Luther King Jr. 20th Century Fox 1963 Spoken Word Track 2012
"I Heard It Through the Grapevine" Marvin Gaye Tamla 1968 R&B Single 1998
"I Heard It Through the Grapevine" Gladys Knight & the Pips Soul 1967 R&B Single 2018
"I Left My Heart in San Francisco" Tony Bennett Columbia Records 1962 Traditional Pop Single 1994
"I Love Rock 'n' Roll" Joan Jett with the Blackhearts Boardwalk 1981 Hard Rock Single 2016
"(I Love You) For Sentimental Reasons" The King Cole Trio Capitol 1946 Jazz Single 2018
"I Loves You, Porgy" Nina Simone Bethlehem 1958 Jazz Single 2000
"I Miss You So" The Cats and the Fiddle Bluebird 1939 R&B Single 1999
I Never Loved a Man the Way I Love You Aretha Franklin Atlantic 1967 Southern Soul Album 2009
"I Only Have Eyes for You" The Flamingos End 1959 Doo-Wop Single 2003
"I Shot the Sheriff" Eric Clapton RSO 1974 Soft Rock Single 2003
I Started Out as a Child Bill Cosby Warner Bros. 1964 Stand-Up Comedy Album 2012
"I Walk the Line" Johnny Cash Sun 1956 Country Single 1998
"I Wanna Be Loved by You" Helen Kane Victor 1928 Pop Single 2009
"I Want to Be a Cowboy's Sweetheart" Patsy Montana (with the Prairie Ramblers) American Record Corporation 1935 Country Single 2007
"I Want to Hold Your Hand" The Beatles Parlophone 1963 Pop Rock Single 1998
"I Want You Back" The Jackson 5 Motown 1969 Pop Single 1999
"I Will Always Love You" Dolly Parton RCA Records Nashville 1974 Country Single 2007
"I Will Always Love You" Whitney Houston Arista 1992 Pop Single 2018
"I Will Survive" Gloria Gaynor Polydor 1978 Disco Single 2012
"I Wonder Why" Dion & the Belmonts Laurie 1958 Rock & Roll Single 1999
"If I Didn't Care" The Ink Spots Decca 1939 R&B Single 1987
"If You Could See Me Now" Sarah Vaughan Musicraft 1946 Jazz Single 1998
"If You've Got the Money I've Got the Time" Lefty Frizzell Columbia Records 1950 Country Single 1999
"I'll Be There" The Jackson 5 Motown 1970 R&B Single 2011
"I'll Never Smile Again" Tommy Dorsey & his Orchestra (featuring vocals sung by Frank Sinatra and The Pied Pipers) Victor 1940 Traditional Pop Single 1982
"I'll Take You There" The Staple Singers Stax 1972 R&B Single 1999
"I'm a King Bee" Slim Harpo Excello 1957 Blues Single 2008
"I'm Getting Sentimental Over You" Tommy Dorsey and His Orchestra Victor 1936 Traditional Pop Single 1998
"I'm Moving On" Hank Snow RCA Victor 1950 Country Single 2000
"I'm So Lonesome I Could Cry" Hank Williams MGM 1949 Country Single 1999
"I'm Sorry" Brenda Lee Decca 1960 Pop Single 1999
"(I'm Your) Hoochie Coochie Man" Muddy Waters Chess 1954 Chicago Blues Single 1998
"Imagine" John Lennon Apple 1971 Soft Rock Single 1999
"In a Mist" (piano solo) Bix Beiderbecke Okeh 1927 Jazz Single 1980
In a Silent Way Miles Davis Columbia Records 1969 Jazz Album 2001
"The 'In' Crowd" Ramsey Lewis & his Trio Argo 1965 Jazz Single 2009
"In My Room" The Beach Boys Capitol 1963 Pop Single 1999
In San Francisco The Cannonball Adderley Quintet Riverside 1959 Jazz Album 1999
"In the Jailhouse Now" Jimmie Rodgers Victor 1928 Country Single 2007
"In the Midnight Hour" Wilson Pickett Atlantic 1965 R&B Single 1999
"In the Mood" Glenn Miller & his Orchestra Bluebird 1939 Swing Single 1983
"In the Still of the Night" The Five Satins Ember 1956 Rock & Roll Single 1998
In the Wee Small Hours Frank Sinatra Capitol 1955 Vocal Jazz Album 1984
The Incredible Jazz Guitar of Wes Montgomery Wes Montgomery Riverside 1960 Jazz Album 1999
"Indian Love Call" Nelson Eddy and Jeanette MacDonald RCA 1936 Soundtrack Single 2008
Innervisions Stevie Wonder Tamla 1973 Soul Album 1999
"Is That All There Is?" Peggy Lee Capitol 1969 Pop Single 1999
"Israelites" Desmond Dekker (with the Aces) Pyramid Records 1968 Rocksteady Single 2007
"It's Not for Me to Say" Johnny Mathis Columbia Records 1957 Traditional Pop Single 2008
"It Don't Mean a Thing (If It Ain't Got That Swing)" Duke Ellington & his Famous Orchestra (featuring vocals sung by Ivie Anderson) Brunswick 1932 Jazz Single 2008
"It Had to Be You" Isham Jones & his Orchestra Warner Bros. Pictures 1924 Pop Single 2007
"It Wasn't God Who Made Honky Tonk Angels" Kitty Wells Decca 1952 Country Single 1998
"It's a Man's Man's Man's World" James Brown King 1966 R&B Single 2010
"It's Too Late" Carole King Ode 1971 Doo-Wop Single 2003
"I've Been Loving You Too Long" Otis Redding Atco 1965 Soul Single 2011
"I've Got a Tiger By the Tail" Buck Owens Capitol 1964 Country Single 1999
"I Got a Woman" Ray Charles Atlantic 1954 R&B Single 1990
"I've Got the World on a String" Frank Sinatra Capitol 1953 Vocal Jazz Single 2004
"I've Got You Under My Skin" Frank Sinatra Capitol 1956 Traditional Pop Single 1998
Ives: Symphony No. 2 New York Philharmonic conducted by Leonard Bernstein Columbia Records 1958 Classical Album 2008

See also

This page was last edited on 27 February 2018, at 00:28.
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