To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Le Plus doux chemin

From Wikipedia, the free encyclopedia

Elderly man with white hair and large white moustache. He is seated, with a cigarette in his left hand
Fauré by Nadar, 1905.

"Le Plus doux chemin" ("The Sweetest Path"), Op. 87, No. 1, is a song by Gabriel Fauré, composed in 1904. It was originally for voice and piano accompaniment, and was later arranged by the composer for voice and full orchestra.

Composition

In this song Fauré set words by the poet Paul Armand Silvestre.[1] It was composed in 1904 for the amateur singer Emilie Girette after her marriage to the pianist Édouard Risler.[2] Originally for voice and piano, it was later orchestrated by Fauré as part of his incidental music for Masques et bergamasques (1919). Fauré composed the song in the key of F minor, but it was first published (Hamelle, Paris, 1907) in E minor.[3]

When Fauré orchestrated the song for Masques et bergamasques he wrote to his wife that it was not at all well known: "for just as pianists play the same eight or ten of my pieces, so singers all sing the same songs".[4] The pianist Graham Johnson calls it an "enchantingly mournful serenade of a persistent, if unsuccessful lover … Fauré distilled to the essentials".[3] Both Johnson and Vladimir Jankélévitch find an autumnal quality in the song, despite the reference to "la saison nouvelle".[3] The Fauré expert Jean-Michel Nectoux rates it among the composer's most inspired songs, and groups it with "Le Ramier", Op. 87, No. 2 and "Chanson", Op. 94 as "a kind of homogeneous triptych … a cheerful but nostalgic farewell, the last sparks of the galant madrigal which Fauré had practised for so long".[2]

Analysing the song, Johnson describes it as a madrigal with an accompaniment evoking "the gentle plucking of a lute, although the strength of the bass line, almost a counter-melody in itself, depends on the legato tone of a piano to make its effect."[3]

Text

References

  1. ^ Nectoux, p. 551
  2. ^ a b Nectoux, p. 302
  3. ^ a b c d Johnson, p. 28
  4. ^ Jones, p. 179

Sources

  • Johnson, Graham (2005). Notes to Gabriel Fauré: Dans un parfum de roses – Mélodies. London: Hyperion Records. OCLC 690608417.
  • Jones, J. Barrie (1989). Gabriel Fauré – A Life in Letters. London: B T Batsford. ISBN 978-0-7134-5468-0.
  • Nectoux, Jean-Michel (1991). Gabriel Fauré – A Musical Life. Roger Nichols (trans). Cambridge: Cambridge University Press. ISBN 978-0-521-23524-2.
This page was last edited on 3 January 2024, at 09:21
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.