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LGBTQ representations in hip hop music

From Wikipedia, the free encyclopedia

LGBTQ representations in hip hop music have been historically low. Hip hop has long been portrayed as one of the least LGBT-friendly genres of music (along with heavy metal and country music) with a significant body of hip hop music containing homophobic views and anti-gay lyrics.[1] However, since the early 2000s there has been a flourishing community of LGBTQ hip hop artists, activists and performers breaking barriers in the mainstream music industry.[2]

Labels such as homo hop or queer hip hop group all artists identifying as members of the LGBTQ community into a subgenre of hip hop based solely on their sexuality. These subgenre labels are not marked by any specific production style, as artists within it may simultaneously be associated with virtually any other subgenre of hip hop, or may also make music that falls outside the subgenre entirely.[3] Rather, the terms are defined by a direct engagement with LGBT culture in elements such as the lyrical themes or the artist's visual identity and presentation.[4][5]

Artists who have been labelled as part of the genre have, however, varied in their acceptance of the terminology. Some have supported the identification of a distinct phenomenon of "LGBT hip hop" as an important tool for promoting LGBT visibility in popular music, while others have criticized it for essentially ghettoizing their music as a "niche" interest that circumscribed their appeal to mainstream music fans.

Many artists have contributed to the increased visibility and social acceptance of the LGBTQ community's presence in hip hop music, most notably Frank Ocean, who penned an open letter addressing his sexuality in 2012.[2] Artists such as Mykki Blanco, Big Freedia, Charlie Xile, Le1f and cakes da killa are also at the forefront of creating a more inclusive representation of bodies in the hip hop genre. Other queer artists include Syd and Kodie Shane. There has also been an increased presence of LGBTQ allies in the mainstream hip hop community, such as Jay-Z[6], Murs, Macklemore, and Ryan Lewis.[7]

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Transcription

Contents

History

The homo hop movement first emerged in the 1990s as an underground movement, particularly in the American state of California,[8] in part as a reaction to the widespread acceptance of homophobia in the lyrics of mainstream hip hop performers such as Eminem.[9] Lyrics in songs such as "Criminal" on The Marshal Mathers LP demonstrate this homophobia[10][11]. Initially coined by Tim'm T. West of Deep Dickollective,[8] the term "homo hop" was not meant to signify a distinct genre of music, but simply to serve as a community building tool and promotional hook for LGBT artists. According to West:

West's bandmate Juba Kalamka offered a similar assessment:

In a 2001 interview with SFGate.com, West elaborated on the movement's goals:

The genre received a mainstream publicity boost in 2002 and 2003 when Caushun was widely reported as the first openly LGBT rapper to be signed to a major label,[14] although Caushun was later revealed to have been a publicity stunt engineered by heterosexual musician Ivan Matias.[9]

Notable events in the 2000s included the PeaceOUT World Homo Hop Festival, which was founded in 2001[15] and mounted annually until 2008, and the 2006 documentary film Pick Up the Mic.[8] However, some music critics in this era dismissed the genre as too often sacrificing musical quality in favour of a "didactic" political agenda.[9]

The most commercially successful LGBT rapper in the 2000s was Cazwell,[5] who emerged as a popular artist in gay dance clubs, and has to date scored six top 40 hits on Billboard's Hot Dance Club Songs chart, with a hybrid pop-rap style which he has described as "if Biggie Smalls ate Donna Summer for breakfast".[16] Cazwell described his philosophy of music as "create your own space, your own music and have people come to you," and has noted in interviews that he achieved much greater success by "breaking" the rules of the hip hop industry than he ever did in his earlier attempts to pursue mainstream success with the 1990s hip hop duo Morplay.[17]

While women had gained some merit in the Hip-Hop community since the 1980's, LBGTQ artists were almost nonexistent. One of the first male artists to speak out publicly against this discrimination was Kanye West in a 2004 interview with Sway Calloway on MTV News. In the Interview Kanye says, “Hip-hop does discriminate against gay people. I want to just come on TV and tell my rappers, my friends, just stop it, fam. Seriously, that’s really discrimination.” Kanye even goes as far as criticizing the entire hip-hop community by saying, "Hip-hop seemed like it was about fighting for your rights in the beginning, about speaking your mind, and breaking down barriers or whatever, but everybody in hip-hop discriminates against gay people. To me, that’s one of the standards in hip-hop is to be like, ‘You fag, you gay.’"[18][19]

Evolution

It's not a different kind of hip hop, but places identity at the center of production, which is a blessing and curse. I'm a hip hop artist, ultimately, who happens to be queer.

Tim'm T. West[8]

By the early 2010s, a new wave of openly LGBT hip hop musicians began to emerge, spurred in part by the increased visibility and social acceptance of LGBT people,[20] the coming out of mainstream hip hop stars such as Azealia Banks and Frank Ocean,[21] and the release of LGBT-positive songs by heterosexual artists such as Murs, Macklemore, and Ryan Lewis.

Although inspired and empowered by the homo hop movement,[8] this newer generation of artists garnered more mainstream media coverage and were able to make greater use of social media tools to build their audience,[12] and thus did not need to rely on the old homo hop model of community building.[8] Many of these artists were also strongly influenced by the LGBT African American ball culture,[20] an influence not widely seen in the first wave of homo hop, and many began as performance art projects and incorporated the use of drag.[22] Accordingly, many of the newer artists were identified in media coverage with the newer "queer hip hop" label instead of "homo hop".[8]

In 2008, Jipsta released the single "Middle of the Dancefloor" which spent a total of 14 weeks (peaking at #6 for two consecutive weeks) on the Billboard Dance Club Play chart. This achievement was noteworthy for LGBT hip-hop as it is the first time an openly gay white rapper earned a Top 10 single on the Billboard Club Play chart.[23] The following year, Jipsta released a cover of the George Michael song "I Want Your Sex", which rose to the #4 position on the Billboard Dance Club Play chart in only 4 weeks time, resulting in the first Top 5 Billboard charting record by an LGBT hip-hop artist.[23]

In March 2012, Carrie Battan of Pitchfork profiled Mykki Blanco, Le1f, Zebra Katz and House of Ladosha in an article titled "We Invented Swag: NYC Queer Rap" about "a group of NYC artists [who] are breaking down ideas of hip-hop identity".[22]

In October 2012, Details profiled several LGBT hip hop artists "indelibly changing the face—and sound—of rap".[24]

In March 2014 the online magazine Norient.com has published a first overview of queer hip hop videos worldwide. The article talks about topics, aesthetics and challenges of LGBT hip hop in Angola, Argentina, Cuba, Germany, Israel, Serbia, South Africa and USA."[25]

In December 2016, Los Angeles-based rapper Thed Jewel, who raps “My skin is black, sexuality is Fuchsia” said: “There are a lot of rappers that are homosexuals and their day to be open with it will come one way or another.”[26]

Criticism

Some artists, however, have criticized the genre as an arbitrary label which can potentially limit the artist's audience and may not actually correspond to their artistic goals or career aspirations. In 2013, Brooke Candy told The Guardian:

One unspecified artist declined to be interviewed for the Guardian feature at all, stating that he preferred to be known as a rapper rather than as a "gay rapper".[27] Eric Shorey, author of “Queer Rap is Not Queer Rap,” contests “queer rap” labeling, arguing that “comparisons between gay and straight rap (as if they were two distinct genres) simply doesn’t make sense without implied bigotry”.[28] As Shorey writes, this subversive genre is steeped in racism and homophobia in and of itself, and merely serves to further marginalize the identities and narratives it allegedly gives a voice to. Though Western society has a predisposition to impose socially construed labels and binaries, Shorey dismisses the notion of heteronormative categorical identification, insisting that listeners ignore these sexuality-based hip hop classifications and listen more closely to the quality of music being produced. He also suggests that queer artists should be booked alongside straight artists, showing that they are equally talented, and deserve the same amount of recognition.

Despite criticism, others have been more circumspect about the dichotomy. British rapper RoxXxan told the Guardian that "I want to be perceived as 'RoxXxan,' but if people label me as 'gay rapper RoxXxan' I'm not offended."[27] Nicky Da B told Austinist that "Basically, I perform for a LGBT crowd but also for everyone. A lot of the bounce rappers that are rapping and touring at the moment are all gay. The LGBT community just capitalizes on that I guess, from us being gay, and they support us on it, so that's how it goes I guess."[29]

Commercialization

Another criticism arises from the perceived commercialization of LGBTQ representation by hip hop artists. A good example of this is with Nicki Minaj and her approach to presenting sexuality and sexual orientation. She often times presents queerness in her music videos and lyrics. A notable moment was during her Vladtv interview where Nicki was asked how a man should approach her. She deflects and diverts to her love for women, saying “I like girls to approach me”.[30] At the same time Nicki has never explicitly confirmed queerness and has only publicly been associated with male significant others, lending her sexual orientation further ambiguity. This approach has been analyzed by critics of Nicki as strategic queerness[31] and is often times rejected by queer advocates as a performance, and is controversial because it may appear to be appropriative for commercial gain.

Notable artists

See also

References

  1. ^ Garcia, Marcelo (2018-01-28). "From Eminem to Offset, an analysis of hip-hop's history of homophobia". Highlander. Retrieved 2019-05-07.
  2. ^ a b Julious, Britt (2016-06-24). "A gay man is making the most anticipated album of the year". Esquire. Retrieved March 16, 2017.
  3. ^ a b c "Is British Rap Finally Going to Have a Gay Hip Hop Scene?". Noisey, August 7, 2014.
  4. ^ a b c d e "Homo Hop". Studio 360, June 26, 2009.
  5. ^ a b c d "Underground fruit gangstas: uncovering the hidden subculture of homo-hop music". Columbia Chronicle, September 10, 2012.
  6. ^ Life+Times (2012-07-04). "Thank You, Frank Ocean". Life+Times. Retrieved 2019-05-07.
  7. ^ Grow, Kory; Grow, Kory (2013-11-26). "UN Names Macklemore "Equality Champion"". Rolling Stone. Retrieved 2019-02-05.
  8. ^ a b c d e f g h "Homo Hop is dead, Queer hip hop is the real deal". 429 Magazine, March 11, 2013.
  9. ^ a b c d e "Hip-Hop's Great Gay Hope: Rainbow Noise". Spin, April 1, 2011.
  10. ^ Binder, Kevin (2013). "Homophobic Hip-Hop Music and Its Effect on Attitudes Toward Homosexuality" (PDF): 82 – via Google Scholar.
  11. ^ Eminem – Criminal, retrieved 2019-05-07
  12. ^ a b "Homohop's Role Within Hip-Hop: Juba Kalamka Interview". Amoeba Music, July 7, 2009.
  13. ^ Chonin, Neva (2001-12-16). "Hip to homo-hop: Oakland's D/DC fuses gay and black identities with eyebrow-raising rhyme". San Francisco Chronicle. p. PK - 54. Retrieved 2008-11-19.
  14. ^ "Move over, gangstas: Here comes homo-hop". The Globe and Mail, May 31, 2003.
  15. ^ Thomas, Devon (2004-07-12). "'Homo-Hop' Has a Say". Newsweek. p. PK - 54. Retrieved 2008-11-19.
  16. ^ "Makin' Music with Cazwell". Rage Monthly, August 10, 2012.
  17. ^ "Rapper Cazwell Opens Up About Being Gay in Hip Hop". NBC Miami, July 6, 2011.
  18. ^ MTV News (2015-08-20), Kanye West Addresses Hip-Hop’s Homophobia In 2005 Interview | MTV News, retrieved 2019-05-07
  19. ^ "The Acceptance of Women & LGBTQ Artists in Hip-Hop". BallerStatus.com. 2017-12-07. Retrieved 2019-05-07.
  20. ^ a b c d e "Zebra Katz, Mykki Blanco and the rise of queer rap". The Guardian, June 9, 2012.
  21. ^ "Hip-Hop’s Bustin’ out the Closet". David Atlanta, August 1, 2012.
  22. ^ a b c d e "We Invented Swag: NYC's Queer Rap". Pitchfork, March 21, 2012.
  23. ^ a b c "Jipsta - Chart history - Billboard". www.billboard.com. Retrieved 13 September 2018.
  24. ^ "Hip Hop's Queer Pioneers". Details, October 2012.
  25. ^ "Queer Hip Hop Clips From 8 Countries". Norient, March 2014.
  26. ^ "Newcomer: Los Angeles-based rapper Thed Jewel shared debut track "Fuchsia"". HighClouds. 2016-12-21. Retrieved 2016-12-21.
  27. ^ a b c "Gay rap, the unthinkable becomes reality". The Guardian, July 13, 2013.
  28. ^ "Queer Rap is Not Queer Rap - Pitchfork". pitchfork.com. Retrieved 13 September 2018.
  29. ^ "Drop It Hot Potato Style: An Interview with Nicky Da B". Austinist, November 1, 2012.
  30. ^ VladTV. https://www.youtube.com/watch?v=bzdIcpo8XYc
  31. ^ Shange, Savannah (2014). "A king named Nicki: strategic queerness and the black femmecee". Women & Performance: A Journal of Feminist Theory. 24 (1): 29–45. doi:10.1080/0740770X.2014.901602.
  32. ^ "Push and slay: Abdu Ali finds his voice". Baltimore Sun, November 5, 2013.
  33. ^ a b c d e "12 Must-Know LGBTQ Hip Hop Acts". Fuse, May 29, 2014.
  34. ^ "Bear Rapper Big Dipper: I Won’t Sleep With My Fans". Out, March 10, 2014.
  35. ^ "Free Download + Interview: Big Momma Goes Hard on Infectious LP 'The Plague'". AFROPUNK, June 24, 2014.
  36. ^ "Meet Brooke Candy: Rapper, Stripper, Warrior". LA Weekly, August 28, 2012.
  37. ^ Herdandez, Greg (20 January 2017). "Atlanta rapper iLoveMakonnen comes out as gay on Twitter". Gay Star News. Retrieved 23 January 2017.
  38. ^ "The Dark Knight Rises." The Challenge: Rivals II. MTV. 24 July 2013. Television.
  39. ^ "Rapper Jipsta Returns After Surviving Anti-Gay Hate Crime, Talks Support From RuPaul, Willam & Pandora Boxx". Retrieved 13 September 2018.
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  41. ^ "Too Gay for Hip-Hop? Le1f Takes On Traditionally Homophobic Genre". The Daily Beast, August 10, 2012.
  42. ^ "Lil Peep Reveals He's Bisexual - XXL". XXL Mag. Retrieved 2017-08-10.
  43. ^ Tracer, Dan (9 August 2017). "Rapper Lil Peep comes out as bi on Twitter". Retrieved 13 September 2018.
  44. ^ Radner, Ronni (October 2005). "Magic Man". Out Magazine.
  45. ^ Sun, Brandon Weigel, Special To The Baltimore. "Baltimore gay rappers are loud and proud". Retrieved 13 September 2018.
This page was last edited on 10 May 2019, at 01:48
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