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Kiki Smith
Kiki Smith 8229.jpg
Kiki Smith in 2013
Kiki Ri Smith

(1954-01-18) January 18, 1954 (age 65)
NationalityGerman American
Known forPrintmaking, sculpture, drawing
'My Blue Lake', photogravure with lithograph by Kiki Smith, 1995, Wake Forest University Art Collections
'My Blue Lake', photogravure with lithograph by Kiki Smith, 1995, Wake Forest University Art Collections

Kiki Smith (born January 18, 1954) is a West German-born American artist[1] whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side neighborhood of New York City[2] and in the Hudson Valley in New York State.[3]

YouTube Encyclopedic

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  • ✪ Kiki Smith: Printmaking | Art21 "Extended Play"
  • ✪ Kiki Smith: The Fabric Workshop | Art21 "Extended Play"
  • ✪ Kiki Smith (subs esp)
  • ✪ Kiki Smith über die eigene Weiblichkeit und das Altern
  • ✪ Kiki Smith at Crown Point Press, 2006 (3 minutes)


[KIKI SMITH: PRINTMAKING] [SMITH, OFF SCREEN] Hi! [WOMAN] Hi, Kiki. [WOMAN] We're just in the middle of wiping this. [SMITH] Oh, good. How does it look? [WOMAN] It's good! [SMITH] So is that too much? Or maybe no...maybe that's fine. [WOMAN] It might be fine. [SMITH] Is that too much? [WOMAN] That? Yeah, well, it's hard to tell. [SMITH] Don't you think? [WOMAN] I think so. [SMITH] And then, we can still...then you can just ink it. [WOMAN] Yeah, definitely. [SMITH] Because I think this looks good. I think those being heavy is okay, kind of. [WOMAN] Yeah, definitely. [SMITH] It's Dmitry's birthday tomorrow, so it's good if we finish today. [ALL LAUGH] [SMITH] This is a print of a Russian artist named Dmitry Gaev, who I'm friends with, and most of the men I know are bald... [LAUGHS] So he was... We were hanging around, and I thought, "Oh, he has hair!" So, I like drawing hair, but drawing skin is much more problematic. [WOMAN] It looks good! [SMITH] And so this is sort of my first real attempt at trying to make a person-- to try to move my way up to making flesh. This is all pretty good. I think all of that is good. This could get... Maybe I could do a little bit lightening up in the mouth here? Slightly in that one. This mouth is perfect. [WOMAN] Yes. [SMITH] Just like these a little teeny bit, and then we'll be done! [LAUGHS] As I say for the fifteenth time. [WOMAN] With Kiki, we have to do a lot of proofs, partly because, I think, she has to consistently go back into it and see how it comes out, and see the proofs. There's only so much that you can work on before you need to see an image of what you're... On the paper, of what it looks like. This is the cat, Ginzer, and it's sort of the first that began the series that now, I think, Dmitry is coming out of. And it's just interesting, I think, to see the very first state of this. So you can really see the transformation that the plate goes through-- that it's so process oriented. You could see here she's starting to change the direction of the ear, in this first one. This is a little further. Just kind of, you know, it continues. But this was the final print that was editioned. And from the very first state, you know, you can see that there was a huge amount of transformation and work that goes into it. [SMITH] Without my glasses, it looks fine. Yeah, the only thing I don't like are, still, those two lines on the nose. That they're, like... Without glasses, everything looks much better. [WOMAN] Which state is this? [SMITH] This is fourteenth. [WOMAN] Fourteenth? [SMITH] Yeah, we were supposed to finish on the thirteenth. [ALL LAUGH] [WOMAN] Now we'll finish on his birthday, though. [SOUND OF SANDPAPER RUBBING AGAINST PLATE] [SMITH] This is my poor man's aquatint technique. [LAUGHS] Which is just sanding the plate, which is really... Every time you do it, then it kind of erases, So you have to kind of get it and say at one point, "It's done." It's just a way to add texture. I really like that you just work really slowly-- you build things up very slowly. Like, for me, I have to make about a million proofs of everything, and... They know that I like coming here, When I came here, they gave me a cup of coffee. [LAUGHS] I was hooked! [WOMAN] That's what it's all about. [SMITH] That's really true. They made me coffee and I thought, "Oh, this feels really safe here." I just, I really love printmaking. It's like a mystery, you know, and you're trying to figure out how to rein it in or something. I don't know, I find printmaking--and also looking at prints-- just endlessly fascinating.


Early life and education

Smith's father was artist Tony Smith and her mother was actress and opera singer Jane Lawrence.[4] Although Kiki's work takes a very different form than that of her parents, early exposure to her father's process of making geometric sculptures allowed her to experience formal craftsmanship firsthand. Her childhood experience in the Catholic Church, combined with a fascination for the human body, shaped her work conceptually.[5]

Smith moved from Germany to South Orange, New Jersey, as an infant in 1955. She subsequently attended Columbia High School.[1] Later, she was enrolled at Hartford Art School in Connecticut for eighteen months from 1974–75. She then moved to New York City in 1976 and joined Collaborative Projects (Colab), an artist collective. The influence of this radical group's use of unconventional materials can be in seen in her work.[6] For a short time in 1984, she studied to be an emergency medical technician and sculpted body parts, and by 1990, she began to craft human figures.[1]



Prompted by her father's death in 1980 and by the AIDS death of her sister, the underground actress Beatrice “Bebe” Smith, in 1988, Smith began an ambitious investigation of mortality and the physicality of the human body. She has gone on to create works that explore a wide range of human organs; including sculptures of hearts, lungs, stomach, liver and spleen. Related to this was her work exploring bodily fluids, which also had social significance as responses to the AIDS crisis (blood) and women's rights (urine, menstrual blood, feces).[7]


Smith has experimented with a wide range of printmaking processes. Some of her earliest print works were screen-printed dresses, scarves and shirts, often with images of body parts. In association with Colab, Smith printed an array of posters in the early 1980s containing political statements or announcing Colab events. In 1988 she created "All Souls",[8] a fifteen-foot screen-print work featuring repetitive images of a fetus, an image Smith found in a Japanese anatomy book. Smith printed the image in black ink on 36 attached sheets of handmade Thai paper.

MoMA and the Whitney Museum both have extensive collections of Smith's prints. In the "Blue Prints" series, 1999, Kiki Smith experimented with the aquatint process. The "Virgin with Dove"[9] was achieved with an airbrushed aquatint, an acid resist that protects the copper plate. When printed, this technique results in a halo around the Virgin Mary and Holy Spirit.


Mary Magdelene (1994), a sculpture made of silicon bronze and forged steel, is an example of Smith's non-traditional use of the female nude. The figure is without skin everywhere but her face, breasts and the area surrounding her navel. She wears a chain around her ankle; her face is relatively undetailed and is turned upwards. Smith has said that when making Mary Magdalene she was inspired by depictions of Mary Magdalene in Southern German sculpture, where she was depicted as a "wild woman". Smith's sculpture "Standing" (1998), featuring a female figure standing atop the trunk of a Eucalyptus tree, is a part of the Stuart Collection of public art on the campus of the University of California, San Diego. Another sculpture, Lilith, a bronze with glass eyes is on display at the Metropolitan Museum of Art. Lilith is an arresting figure, hanging upside down on a wall of the gallery.[10]

In 2005, Smith's installation, Homespun Tales won acclaim at the 51st Venice Biennale. Lodestar, Smith's 2010 installation at the Pace Gallery, was an exhibition of free-standing stained glass works painted with life-size figures.

Kiki SmithRapture2001Bronze67-1/4 in. x 62 in. x 26-1/4 in.
Kiki SmithRapture2001Bronze67-1/4 in. x 62 in. x 26-1/4 in.


After five years of development, Smith's first permanent outdoor sculpture was installed in 1998 on the campus of the University of California, San Diego.[11]

In 2010, the Museum at Eldridge Street commissioned Smith and architect Deborah Gans to create a new monumental east window for the 1887 Eldridge Street Synagogue, a National Historic Landmark located on New York's Lower East Side.[12] This permanent commission marked the final significant component of the Museum's 20-year restoration [13] and was topped off with an exhibition of site-specific sculptures by Smith in a 2018 show entitled Below the Horizon: Kiki Smith at Eldridge.[14]

For the Claire Tow Theater above the Vivian Beaumont Theater, Smith conceived Overture (2012), a little mobile made of cross-hatched planks and cast-bronze birds.[15]

Artist Books

She has created unique books, including: Fountainhead (1991); The Vitreous Body (2001); and Untitled (Book of Hours) (1986).


Since the early 2010s Smith has created twelve 9 x 6 ft. Jacquard tapestries, published by Magnolia Editions. In 2012, Smith showed a series of three of these woven editions at the Neuberger Museum of Art.[16] In early 2019, all twelve were exhibited together as part of "What I saw on the road" at the Palazzo Pitti in Florence, Italy.[17] Smith notes that the tapestries provide an opportunity to work at a larger scale ("I never thought I could make a picture so big") and to work with color, which she does not frequently do otherwise.[18][19]


Smith collaborated with poet Mei-mei Berssenbrugge to produce Endocrinology (1997), and Concordance (2006), and with author Lynne Tillman to create Madame Realism (1984).[20] She has worked with poet Anne Waldman on If I Could Say This With My Body, Would I. I Would.[21] Smith also collaborated on a performance featuring choreographer Douglas Dunn and Dancers, musicians Ha-Yang Kim, Daniel Carter, Ambrose Bye, and Devin Brahja Waldman, performed by and set to Anne Waldman's poem Jaguar Harmonics.[22]


In 1982, Smith received her first solo exhibition, "Life Wants to Live", at The Kitchen.[23] Since then, her work has been exhibited in nearly 150 solo exhibitions at museums and galleries worldwide and has been featured in hundreds of significant group exhibitions, including the Whitney Biennial, New York (1991, 1993, 2002); La Biennale di Firenze, Florence, Italy (1996-1997; 1998); and the Venice Biennale (1993, 1999, 2005, 2009).[13]

Past solo exhibitions have been held at the Montreal Museum of Fine Arts and the Modern Art Museum, Fort Worth (1996–97); Museum of Contemporary Art, Los Angeles (1996–97); Irish Museum of Modern Art, Dublin (1997–98); Hirshhorn Museum and Sculpture Garden, Washington, DC (1998); Carnegie Museum of Art, Pittsburgh (1998); Center for Curatorial Studies and Art in Contemporary Culture, Bard College, Annandale-on-Hudson (1999); St. Louis Art Museum (1999-2000); and the International Center for Photography (2001).[23]

In 1996, Smith exhibited in a group show at SITE Santa Fe, along with Kara Walker.[24]

In 2005, "the artist's first full-scale American museum survey" titled Kiki Smith: A Gathering, 1980-2005 debuted at the San Francisco Museum of Modern Art.[25] Then an expansion came to the Walker Art Center in Minneapolis where the show originated. At the Walker, Smith coauthored the catalogue raisonné with curator Siri Engberg.[26]

The exhibition traveled to the Contemporary Arts Museum Houston, to the Whitney Museum of American Art in New York,[27] and finally to La Coleccion Jumex in Ecatepec de Morelos outside Mexico City. In 2008, Smith gave Selections from Animal Skulls (1995) to the Walker in honor of Engberg.[28]

Smith participated in the 2017 Venice Biennale, Viva Arte Viva, from May 13 - November 16, 2017.[29]

In 2018, Smith took part in Frieze Sculpture (part of Frieze Art Fair, where her work “Seer (Alice I)”, Timothy Taylor (gallery),[30] was presented in Regent's Park, London, England, from July 4 - October 7, 2018.[31]

Also in London in 2018, an exhibition of Smith's tapestries, sculpture and works on paper was presented at the Timothy Taylor (gallery) from September 13 – October 27.[32] Woodland was produced in collaboration with Magnolia Editions.[33]

In 2019, the DESTE Foundation’s Project Space at the Slaughterhouse on Hydra island featured "Memory", a site specific exhibition. [34]

In 2019 The 11 Conti – Monnaie de Paris presented the first solo show of Smith by a French public institution.[35]

In 2019 the Belvedere Museum in Vienna, Austria, presented a solo show of Smith entitled Processions [36], presenting about sixty works from the last three decades.


Smith's many accolades also include the Nelson A. Rockefeller Award from Purchase College School of the Arts (2010),[37] Women in the Arts Award from the Brooklyn Museum (2009),[38] the 50th Edward MacDowell Medal (2009), the Medal Award from the School of the Museum of Fine Arts, Boston (2006), the Athena Award for Excellence in Printmaking from the Rhode Island School of Design (2006), the Skowhegan Medal for Sculpture from the Skowhegan School of Painting and Sculpture, Maine (2000), and Time Magazine’s “Time 100: The People Who Shape Our World” (2006). Smith was elected a member of the American Academy of Arts and Letters, New York, in 2005.[13]

In 2012, she received the U.S. State Department Medal of Arts from Hillary Clinton. Pieces by Smith adorn consulates in Istanbul and Mumbai.[39] After being chosen speaker for the annual Patsy R. and Raymond D. Nasher Lecture Series in Contemporary Sculpture and Criticism in 2013, Smith became the artist-in-residence for the University of North Texas Institute for the Advancement of the Arts in the 2013-14 academic year.[40]

In 2016, Smith was awarded the International Sculpture Center's Lifetime Achievement in Contemporary Sculpture Award.


  • Adams, Laurie Schneider, Ed. A History of Western Art Third Edition. New York: McGraw-Hill Higher Education, 2001.
  • Berland, Rosa JH. "Kiki Smith: A Gathering, 1980-2005.” C Magazine: International Contemporary Art, 2007.
  • Engberg, Siri, Linda Nochlin, and Marina Warner, Kiki Smith: A Gathering, 1980–2005 (Walker Art Center, Minneapolis, 2005).
  • Posner, Helaine, with an interview by Christopher Lyon, Kiki Smith (Monacelli Press, New York), 2005.
  • Alan W. Moore and Marc Miller, eds., ABC No Rio Dinero: The Story of a Lower East Side Art Gallery (Collaborative Projects (Colab), NY, 1985).


  1. ^ a b c "Kiki Smith | American artist". Encyclopædia Britannica. Retrieved 2016-03-05.
  2. ^ Danielle Stein (October 2007), "The Glass Menagerie", W; accessed April 1, 2015.
  3. ^ Kiki Smith Shares a Glimpse Into Her World, in Photographs [1]
  4. ^ Roberta Smith. "Jane Lawrence Smith, 90, Actress Associated With 1950's Art Scene, Dies",; accessed April 1, 2015.
  5. ^ "Kiki Smith | Art21 | PBS". Retrieved 2016-03-05.
  6. ^ "Kiki Smith Prints at Universal Limited Art Editions (ULAE)". Retrieved 2016-03-05.
  7. ^ "Queen of Arts". The New Yorker. Retrieved 2017-03-31.
  8. ^ Wendy Weitman; Kiki Smith; Museum of Modern Art (New York, N.Y.) (2003). Kiki Smith: Prints, Books & Things. The Museum of Modern Art. pp. 15–. ISBN 978-0-87070-583-0.
  9. ^ Wendy Weitman; Kiki Smith; Museum of Modern Art (New York, N.Y.) (2003). Kiki Smith: Prints, Books & Things. The Museum of Modern Art. pp. 35–. ISBN 978-0-87070-583-0.
  10. ^ Smith, Kiki (1994). "Lilith". Retrieved 2019-03-14.
  11. ^ Leah Ollman (November 1, 1998), She Stands Expectation on Its Head Los Angeles Times; accessed April 1, 2015.
  12. ^ Robin Pogrebin (November 23, 2009), Kiki Smith and Deborah Gans to Design Window for Eldridge Street Synagogue, New York Times; accessed April 1, 2015.
  13. ^ a b c Kiki Smith: Lodestar, April 30–June 19, 2010,; accessed April 1, 2015.
  14. ^ [2] Kiki Smith returns with a site-specific installation of sculptural work by Allison Meier, June 4, 2018, Hyperallergic
  15. ^ Michael Kimmelman (July 15, 2012), "A Glass Box That Nests Snugly on the Roof",; accessed April 1, 2015.
  16. ^ "Visionary Sugar: Works by Kiki Smith at the Neuberger Museum." Retrieved 2013-02-13.
  17. ^ "Kiki Smith: What I saw on the road". Uffizi Galleries.
  18. ^ Dorsa, Daniel. "Inside the Magical and Relentlessly Creative World of Beloved Artist Kiki Smith". Artsy. Retrieved 15 March 2019.
  19. ^ Stone, Nick (2018). Kiki Smith: Tapestries. Magnolia Editions (Oakland, CA).
  20. ^
  21. ^
  22. ^
  23. ^ a b Kiki Smith: Realms, March 14–April 27, 2002,; accessed April 1, 2015.
  24. ^, Anagram, LLC -. "Conceal/Reveal - SITE Santa Fe". SITE Santa Fe. Retrieved 2016-03-05.
  25. ^ "Whitney To Present Kiki Smith Retrospective, Traversing The  Artist's 25-Year Career" (PDF) (Press release). Whitney Museum of American Art. July 2006. Archived from the original (PDF) on February 6, 2013. Retrieved May 5, 2013.
  26. ^ "Siri Engberg". Barnes & Noble. Retrieved May 3, 2013.
  27. ^ Mark Stevens (November 25, 2007), "The Way of All Flesh",; accessed April 1, 2015.
  28. ^ "Annual Report" (PDF). Walker Art Center. 2008. p. 55. Archived from the original (PDF) on May 8, 2012. Retrieved May 4, 2013.
  29. ^ "La Biennale di Venezia - Artists". Archived from the original on 2017-06-29. Retrieved 2017-02-22.
  30. ^ "Seer (Alice I), 2005". Retrieved 2018-10-03.
  31. ^ "Frieze Sculpture 2018". Retrieved 2018-10-03.
  32. ^ Jackie Wullschlager (September 28, 2018), "Frieze London: women at work",; accessed October 3, 2018.
  33. ^ "Kiki Smith: Woodland, 13 September – 27 October 2018, London". Retrieved 2018-10-03.
  34. ^ Kiki Smith Memory [3]
  35. ^ Kiki Smith at Monnaie de Paris [4]
  36. ^
  37. ^ Kiki Smith Pace Gallery, New York.
  38. ^ *"Kiki Smith wins Brooklyn Museum's Women in the Arts Award"; accessed April 1, 2015.
  39. ^ Mike Boehm (November 30, 2012), "Hillary Clinton will give five artists medals for embassy art", Los Angeles Times; accessed April 1, 2015.
  40. ^ Internationally renowned artist Kiki Smith to serve as IAA artist-in-residence at UNT for 2013-14 University of North Texas, September 27, 2013.

External links

This page was last edited on 19 October 2019, at 19:39
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