Key art, also known as key visual, is the artwork which is repeated across media such as posters, print, television and digital advertisements, streaming or download thumbnails, and game or film DVD/Blu-Ray box covers.
Key visuals are defined in the field of media studies as "functional equivalents to keywords" that "emerge, or... are strategically produced and distributed... and considered worth being archived, remembered, called for and used as a major element in (audio-) visual horizons of actions and means of co-ordination or (ex-)communication for some time."[1]
Key art is most commonly understood as advertising for entertainment media such as films, television and video games.[2][3]
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Transcription
Film
The term key art was defined by The Hollywood Reporter (who awarded the annual Key Art Awards, founded in 1972) as “the singular, iconographic image that is the foundation upon which a movie’s marketing campaign is built.”[4] Nicole Purcell, the president of Clio (who incorporated the Key Art Awards into their own awards in 2011), explained that key art was historically understood to be movie posters, but has expanded especially due to the influence of digital media.[5]
In 2005, key art from The Silence of the Lambs and The Shining were voted to be the most iconic key art of the previous 35 years.[6]
Key art is often shaped by contracts with actors, directors and others, and so post-release adjustments to advertising can be limited by these contractual agreements.[7]
Television
Unlike book art and film posters, television key art is horizontal and is most often produced at 16:9 ratio.[8]
Netflix state that their research indicates that people focus on key art for 1.8 seconds, and that such artwork is the biggest influence upon their viewers' decisions to engage with content.[9] Netflix key art is currently thumbnail- rather than design-based, as artwork is shaped by user activities and demographics, and built by algorithms extracting screenshots from video.[8]
Video games
In video games, key art is produced earlier and helps to convey a vision of the game to the team of artists working to develop it, as well as then being used in advertising and on box art.[10]
References
- ^ Ludes, Peter (2011). "Toward Bridging the Semantic Gap Between Key Visual Candidates and Algorithms of Power". Algorithms of Power: Key Invisibles. LIT Verlag Münster. pp. 15–16. ISBN 978-3-643-11163-0.
- ^ Cones, John W. (2013). Dictionary of Film Finance and Distribution: A Guide for Independent Filmmakers. Algora Publishing. ISBN 978-0-87586-995-7.
- ^ Marich, Robert (2013-01-30). Marketing to Moviegoers: A Handbook of Strategies and Tactics, Third Edition. SIU Press. ISBN 978-0-8093-3197-0.
- ^ Rikard (28 July 2015). "Key Art: Creating a Lasting Impression". ZevenDesign. Retrieved 2021-10-25.
- ^ Zeiser, Anne (2015-06-19). Transmedia Marketing: From Film and TV to Games and Digital Media. CRC Press. p. 226. ISBN 978-1-134-74622-4.
- ^ Siegel, Tatiana (9 October 2006). "'Sin City' place to be at Key Art Awards". The Hollywood Reporter. Retrieved 2021-10-25.
- ^ McCullaugh, Jim (12 October 1991). "Home Ad-vantage: '90s Vid Tactics". Billboard. Nielsen Business Media, Inc. pp. 60, 68.
{{cite book}}: CS1 maint: date and year (link) - ^ a b Sorgatz, Rex (19 October 2021). "The Key Art Edition". Why is this interesting?. Retrieved 2021-10-25.
- ^ Nelson, Nick (3 May 2016). "The Power of a Picture". About Netflix. Retrieved 2021-10-25.
- ^ Murrin, Sean. "Amazing Things You Ought To Know About Video Game Key Art". Waypoint. Retrieved 2021-10-25.
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This page was last edited on 5 February 2024, at 15:41