Kei Akagi | |
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Born | Japan | March 16, 1953
Genres | Jazz, jazz fusion |
Instrument(s) | Piano |
Website | www |
Kei Akagi (ケイ 赤城/赤城 恵, Akagi Kei, born March 16, 1953)[1] is a Japanese American jazz pianist. In particular, he is known for his work with the Airto Moreira/Flora Purim group and in Miles Davis's band in the late 1980s and early 1990s.
He was born in Japan, but lived in Cleveland, Ohio, for part of his childhood, until he moved back to Japan at the age of 12. He later returned to the United States at 22. He is associated with the Californian jazz scene at present. He is the Chancellor Professor of Music at the University of California, Irvine.
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Kei Akagi: Master of Improvisation - UC Irvine
Transcription
>> When you are a jazz musician and an improviser, there is no distinction between composition and improvisation. I am spontaneously composing. What are the elements as I am creating music on the spot? What is really in that music that I just played? For example I can just sit down and play .... That's just a melody I came up with. I can choose to interpret it very playfully ... ... like that. Or perhaps I feel that, no, even though the melody sounded like that, maybe it is supposed to be interpreted as ... ... which is a whole different mood. So essentially I am constantly as an improviser providing information to myself, and the trick is to interpret that correctly. It's a really fun process. I was very fortunate to have been Miles Davis' pianist for two years: 1989 to 1991. And I am still trying to assimilate some of the lessons I learned from him. He was scary. I would get calls in my hotel room at 4 o'clock in the morning, and he would proceed to chew me out for something I played, or didn't play, or something like that. Then I would run into him at the airport the next morning. I would go up to him and say "Chief, I am really sorry about last night." And then he would look at me and say "I have already forgotten about it." When I came here 10 years ago, I thought of the various ways this jazz program could be nurtured and what some of its philosophies could be. But I decided probably the most important thing was allowing each student essentially to develop and express their own individuality. Because after all this art form, improvisation and jazz music, is a very personal art form. The whole point is that if you have five musicians, even if they might be playing the same composition, they are supposed to express five different world views. And because that has always been an integral part of jazz, I decided that the program that I would like to put together would really allow students to explore that part of it. Always take chances. Be responsible for what you do. But for everything you learn, there is a completely different way to do it.
Discography
As leader/co-leader
Year recorded | Title | Label | Year released | Notes |
---|---|---|---|---|
1983 | Symphonic Fusion – The Earth | Nippon Columbia | 1983 | Soundtrack |
1991 | Playroom | Moo | 1992 | Some tracks trio, with Bob Harrison and John Patitucci (bass; separately), Tom Brechtlein (drums); most tracks quartet, with Rick Margitza (tenor sax, soprano sax) added |
1991 | Sound Circle | Paddle Wheel | 1992 | As The Asian American Jazz Trio; with Rufus Reid (bass), Akira Tana (drums) |
1994? | Mirror Puzzle | Audioquest | 1994 | Quartet, with Rick Margitza (tenor sax, soprano sax), Charles Fambrough (bass), Willie Jones III (drums)[2] |
1998 | New Smiles and Traveled Miles | Groove Note | 2000 | Trio, with Darek Oleszkiewicz (bass), Joe LaBarbera (drums) |
1999 | Viewpoint | Video Arts | 2000 | Trio |
2001 | Palette | Video Arts | 2001 | Some tracks trio, with Tomokazu Sugimoto (bass), Tamaya Honda (drums); some tracks trio with Nobuyoshi Ino (bass), Hiroshi Murakami (drums); some tracks quartet, with Kousuke Mine (tenor sax, bass clarinet) added[3] |
2002 | Grand New Touch | Video Arts | 2003 | Duo, with Fumio Karashima (piano) |
2003 | A Hint of You | Video Arts | 2003 | Trio, with Tomokazu Sugimoto (bass), Tamaya Honda (drums) |
2003 | Modern Ivory | Video Arts | 2004 | Trio, with Tomokazu Sugimoto (bass), Tamaya Honda (drums) |
2005 | Live – Shapes in Sound | Video Arts | 2006 | Trio, with Tomokazu Sugimoto (bass), Tamaya Honda (drums); in concert |
2007 | Liquid Blue | Time & Style | 2007 | Trio, with Tomokazu Sugimoto (bass), Tamaya Honda (drums) |
2014 | Circlepoint | Time & Style | 2014 | Trio, with Shunya Wakai (bass), Tamaya Honda (drums) |
2016 | Contrast & Form | Time & Style | 2016 | Trio, with Shunya Wakai (bass), Tamaya Honda (drums) |
2017 | Aqua Puzzle | Time & Style | 2018 | Trio, with Shunya Wakai (bass), Tamaya Honda (drums) |
As sideman
With Miles Davis
- Dingo with Michel Legrand (Warner Bros., 1991) – soundtrack
- Miles in Paris (Warner Bros., 1991) – live recorded in 1989
- Live Around the World (Warner Bros., 1996) – live recorded in 1988–91
With Frank Gambale
- Brave New Guitar (Legato, 1985)
- A Present for the Future (Legato, 1987)
- Live! (Legato, 1989) – live recorded in 1988
- Thunder from Down Under (Victor, 1990) – recorded in 1989
- Note Worker (Victor, 1991)
With Allan Holdsworth
- Frankfurt '86 (Live, 2020)[CD & DVD-Video]
With Al di Meola
- Tirami Su (Manhattan, 1987)
- Live at Montreal International Jazz Festival 88 (Vap, 2002)[DVD-Video] – live recorded in 1988 at Montreal International Jazz Festival
With James Newton
- Suite for Frida Kahlo (AudioQuest Music, 1994)
References
- ^ Gilbert, Mark (2002). "Akagi, Kei". In Barry Kernfeld (ed.). The new Grove dictionary of jazz, vol. 1 (2nd ed.). New York: Grove's Dictionaries Inc. p. 21. ISBN 1561592846.
- ^ Valley-Entertainment.com
- ^ Pronko, Michael (18 July 2001). "Kei Akagi". The Japan Times. Retrieved 10 January 2018.
External links
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