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John Eliot Gardiner

From Wikipedia, the free encyclopedia

Sir

John Eliot Gardiner

Grey-haired man holding conductor's baton in both hands
Gardiner in rehearsal, 2007
Born (1943-04-20) 20 April 1943 (age 80)
Fontmell Magna, Dorset, UK
OccupationConductor of classical music
Years active1964–Present
Spouses
Elizabeth Wilcock
(m. 1981⁠–⁠1997)
Isabella de Sabata
(m. 2001⁠–⁠2019)
Children3
Parent
RelativesAlan Gardiner (grandfather)
Margaret Gardiner (aunt)
Martin Bernal (cousin)
Howard Hodgkin (cousin)

Sir John Eliot Gardiner CBE HonFBA (born 20 April 1943)[1] is an English conductor, particularly known for his performances of the works of Johann Sebastian Bach, especially the Bach Cantata Pilgrimage of 2000, performing Bach's church cantatas in liturgical order in churches all over Europe, and New York City, with the Monteverdi Choir, and recording them at the locations.

YouTube Encyclopedic

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  • John Eliot Gardiner: Bach's Habit of Imperfection | Big Think
  • Bach revisited - John Eliot Gardiner in Saxony and Thuringia (Documentary, 2000)
  • Interview of Sir John Eliot Gardiner
  • John Eliot Gardiner: Celebrating the Universal Bach | Big Think
  • Jauchzet, Frohlocket! The Start of John Eliot Gardiner's Bach Cantata Pilgrimage (1999)

Transcription

I think there's been a slightly deplorable tendency amongst Bach's biographers to paint Bach the human being in a very complimentary light. To imply that great music requires a great man and a great human being and a great personality to be behind it. Well, of course great music requires a creator but it doesn't have to be a paragon -- he doesn't have to be a paragon of virtue. And Bach certainly wasn't. The more that one discovers about him, the more one discovers that he was a deeply flawed character. That even though we have very, very few family records and letters to go on there are incidents that keep cropping up in his life at almost a repetitive pattern of antagonistic behavior between him and authority -- the authorities for whom he worked. He was very combative. He really took them on. But I think we can trace it back really to his earliest times. All right he started off in a presumably very happy family situation with both parents living but he didn't go to school very often. We have a lot of records of truancy. Now, why? Why was he not at school? That's one big question. Then comes the double shock of both parents dying before he's ten. And his upheaval rooted as he was in Eisenach. He's now uprooted and he goes to live with his elder brother, Johann Christoph, a few miles away in Ohrdruf. And suddenly his grades shoot up, a reaction to his orphan hood -- who knows. But the more I've been able to delve into the circumstances and the context of his schooling, the worse it becomes. It looks as if the schools -- both the first two schools that he was involved in were prone to very modern sounding difficulties of, you know, overcrowding in classrooms, shortage of textbooks, hooliganism in the classroom, lobbing of bricks through windows, chasing of the girls, coming to school with daggers and spears and a good deal of unpleasant bullying and sadistic behavior. There was one particular schoolmaster of Bach's when he was in Ohrdruf and he was probably then only about 11 or 12 who was known as the bully and the sadist of the school. And eventually he got handed his cards and he left but not before inflicting God knows what damage on his pupils. And this is a theme that goes all the way through Bach's schooling and we can't say with assurance -- well, he was damaged. But it does come out in certain ways. For example, in his very first job that was when he was organist in Arnstadt. He gets into a quarrel with a bassoonist. He writes a piece of music with a rather difficult couple of riffs for the bassoon and the bassoonist obviously makes a complete mess of it, he can't handle it. So Bach swears at him and calls him something pretty rude and the guy reacts by setting upon him in the market square. He comes up to him with a cudgel and Bach draws his sword and defends himself. And there's tremendous fisticuffs which is only broken up by the onlookers. And Bach goes off to his employers and says, "What's all that? You know, you've got to protect me." And they don't. That leads to a feeling of suspicion of authority that runs right away through his life. And it comes up again and again and again. And that comes into the foreground when he's working in Weimar for the two dukes -- the Duke Wilhelm Ernest and his nephew who share the authority. And Bach is unhappy there. He feels he's been passed over for the succession to become Kapellmeister. He feels aggrieved. He looks for another job. He's appointed, and he doesn't get permission from the Dukes to leave. So they throw him into prison and for a month he's disgraced and imprisoned. It doesn't happen again as far as we know but he's picking fights pretty much all the way through his life and unnecessarily. Right towards the end of his life when he's achieved the most extraordinary quality of his output including, you know, the two passions, the Art of Fugue, The Well-Tempered Clavier, all the Brandenburg concertos, this fantastic body of cantatas -- he picks a fight which doesn't -- isn't even on his patch. It's down the road where a headmaster of a school says there shouldn't be too much music in this school of mine anymore. The emphasis should be on the academic curriculum. And Bach calls the headmaster which in German is rector. He calls him dreck ohr -- a very school boyish pun on words. And dreck ohr means dirty ear. Why did he get himself involved unnecessarily in all that. It's as though he couldn't resist it. So I think it would be a great mistake to try to align this concept of divine music and a divine human being behind it. And, in fact, I would say the opposite. The very fact that this music is so profound and so uplifting and the man is clearly not a saint makes it all the more interesting. It makes it much more human and makes it much more approachable.

Life and career

Born in Fontmell Magna, Dorset, son of Rolf Gardiner and Marabel Hodgkin, Gardiner's early musical experience came largely through singing with his family and in a local church choir. As a child he grew up with the celebrated Haussmann portrait of J. S. Bach, which had been lent to his parents for safe keeping during the Second World War.[2] A self-taught musician who also played the violin, he began to study conducting at the age of 15. He was educated at Bryanston School, then studied history at King's College, Cambridge, where his tutor was the social anthropologist Edmund Leach.[3][4]

Elias Gottlob Haussmann's portrait of J. S. Bach, which was in Gardiner's childhood home

While an undergraduate at Cambridge he launched his career as a conductor with a performance of Vespro della Beata Vergine by Monteverdi, in King's College Chapel on 5 March 1964.[5] This either featured or led to the foundation of the Monteverdi Choir, with which he made his London conducting debut at the Wigmore Hall in 1966.[3] Whilst at Cambridge, he conducted the Oxford and Cambridge Singers on a concert tour of the Middle East.[3] After graduating in history, Gardiner continued his musical studies at King's College London under Thurston Dart and in Paris with Nadia Boulanger, whose music had been a very early influence.[6]

Returning to England, Gardiner joined the BBC Northern Orchestra as an apprentice conductor.[6] In 1968 he founded the Monteverdi Orchestra. Upon changing from modern instruments to period instruments in 1977, the orchestra changed its name to the English Baroque Soloists in 1978.[7][8] In 1969 Gardiner made his opera debut with a performance of Mozart's The Magic Flute at the English National Opera. Four years later, in 1973, he made his first appearance at the Covent Garden conducting Gluck's Iphigénie en Tauride. The English Baroque Soloists made their opera debut with him in the 1977 Innsbruck Festival of Early Music, performing Handel's Acis and Galatea on period instruments. His American debut came in 1979 when he conducted the Dallas Symphony Orchestra. He then became the lead conductor of Canada's CBC Vancouver Orchestra from 1980 to 1983.[9]

After his period with the CBC Vancouver Orchestra, Gardiner went to France. From 1983 to 1988 he was Music Director of the Opéra National de Lyon. During his period with the Opéra he founded an entirely new orchestra.[10] During his time with the Opéra National de Lyon Gardiner was also Artistic Director of the Göttingen Handel Festival (1981 until 1990).[11] In 1989 the Monteverdi Choir had its 25th anniversary, touring the world giving performances of Handel's oratorio Israel in Egypt and Bach's Magnificat among other works. In 1990, Gardiner formed a new period-instrument orchestra, the Orchestre Révolutionnaire et Romantique, to perform music of the 19th century. From 1991 until 1995 he was principal conductor of the North German Radio Symphony Orchestra.

He founded the Monteverdi Choir (1964), the English Baroque Soloists (1978) and the Orchestre Révolutionnaire et Romantique (1989). From the 1990s onwards he undertook more world tours with his ensembles, including:

In rehearsal, 2007

Gardiner has recorded over 250 albums, most of which have been published by Deutsche Grammophon and Philips Classics,[14] and by the Soli Deo Gloria label, which specialises in recordings by Gardiner and by his ensembles.

Gardiner is most famous for his interpretations of Baroque music on period instruments with the Monteverdi Choir and the English Baroque Soloists, but his repertoire and discography are not limited to early music. With the Orchestre Révolutionnaire et Romantique Gardiner has performed a wide range of Classical and Romantic music, including many works of Berlioz and all of Beethoven's symphonies. A recording of the third symphony of the latter was used in a dramatisation by the BBC of Beethoven's writing of that symphony.[15] Gardiner has served as chief conductor of the North German Radio Symphony Orchestra and has appeared as guest conductor with such major orchestras as the Berlin Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra, Cleveland Orchestra, London Symphony Orchestra, Philharmonia, Royal Concertgebouw Orchestra and Vienna Philharmonic. Gardiner is also well known for his refusal to perform the music of Richard Wagner; in a 2008 interview for Gramophone Gardiner said, 'I really loathe Wagner – everything he stands for – and I don't even like his music very much.'[16] Gardiner has been the subject of various allegations of rudeness and bullying of performers and colleagues.[17][18][19]

In late 2012, citing health concerns, he cancelled his planned December 2013 tour of Australia with the Monteverdi Choir and the Australian Chamber Orchestra.[20] In 2013, Gardiner published the book Bach: Music in the Castle of Heaven.[21] In 2014 he started a five-year term as President of the Leipzig Bach Archive, being succeeded by Ton Koopman in that position in 2019.[22][23] One of the realizations during Gardiner's presidency was the Archive's collaboration to the Bach 333 box set with the complete recordings of Johann Sebastian Bach's works, released in 2018.[24]

Gardiner conducted his Monteverdi Choir and English Baroque Soloists in a pre-service concert at Westminster Abbey for the Coronation of King Charles III.

In August 2023, Gardiner was reported to have struck the English bass singer William Thomas in front of cast members after Thomas exited the wrong side of the stage during a performance of Les Troyens at the Berlioz Festival in La Côte Saint André, which resulted in a public backlash against the conductor.[25][26] On 24 August 2023, Gardiner withdrew from all further engagements for 2023.[27][28][29][30] The withdrawal was said to be for 'a period of reflection and, in consultation with his medical advisors ... focussing on his mental health while engaging in a course of counselling'.[31]

Honours and awards

Gardiner has received a variety of honours and awards,[32] including:

Personal life

Gardiner is the son of the British rural revivalist Rolf Gardiner (1902–1971), and the grandson of the Egyptologist Alan Gardiner (1879–1963). His mother, Marabel Hodgkin, was a member of the Hodgkin family, a notable Quaker family; the artist Sir Howard Hodgkin (1932–2017) was Gardiner's first cousin.[45]

Gardiner was married to violinist Elizabeth Wilcock from 1981 to 1997; they have three daughters. From 2001 to 2019 he was married to Isabella de Sabata,[46] granddaughter of conductor Victor de Sabata.[47]

In his spare time, Gardiner runs a farm at Springhead near Fontmell Magna[48] in North Dorset, which was established by his great-uncle, composer Henry Balfour Gardiner. His continued involvement in this project has earned him the nickname 'Uphill Gardiner' as a consequence of his unorthodox farming methods.[citation needed]

In August 2014, Gardiner was one of 200 public figures who were signatories to a letter to The Guardian opposing Scottish independence in the run-up to September's referendum on that subject.[49]

Selected publications

  • Music in the Castle of Heaven: A Portrait of Johann Sebastian Bach. Penguin UK. 2013. ISBN 978-1-84614-721-0.

See also

References

  1. ^ "Birthdays today". The Telegraph. 20 April 2012. Archived from the original on 26 April 2012. Retrieved 20 April 2014. Sir John Eliot Gardiner, conductor, 69
  2. ^ Service, Tom; Tilden, Imogen (29 April 2015). "Bach Portrait Returns to Leipzig". The Guardian.
  3. ^ a b c "John Eliot Gardiner", in Contemporary Musicians (1999), Detroit: Gale
  4. ^ Gardiner, John Eliot (2015). Bach : Music in the Castle of Heaven (US ed.). New York: Knopf. p. 4. ISBN 978-0-375-41529-6.
  5. ^ Whenham, John (1997). Monteverdi, Vespers (1610). Cambridge University Press. p. 85. ISBN 0-521-45377-1.
  6. ^ a b Gardiner, John Eliot (2015). Bach : Music in the Castle of Heaven (US ed.). New York: Knopf. pp. 6–8. ISBN 978-0-375-41529-6.
  7. ^ "The Monteverdi Choir at 50". Monteverdi Choir. Archived from the original (Flash) on 26 November 2015. Retrieved 25 November 2015.
  8. ^ "English Baroque Soloists". Sinfini Music. Retrieved 25 November 2015.
  9. ^ CBC Radio Orchestra, archived from the original on 21 August 2007, retrieved 17 May 2007
  10. ^ The Opera House Orchestra, archived from the original on 3 December 2006, retrieved 17 May 2007
  11. ^ Göttingen Händelfestspiele (2007), A Brief History of the Göttingen Händelfestspiele (PDF), archived from the original (PDF) on 15 June 2007, retrieved 17 May 2007
  12. ^ Bach Cantata Pilgrimage, archived from the original on 26 April 2007, retrieved 17 May 2007
  13. ^ Santiago Pilgrimage 2004 Website, archived from the original on 15 May 2007, retrieved 17 May 2007
  14. ^ a b c d e Monteverdi Productions website, archived from the original on 8 June 2007, retrieved 17 May 2007
  15. ^ "Ian Hart is Beethoven in unique drama of the first performance of the Eroica Symphony" (Press release). BBC. 15 May 2003. Retrieved 17 May 2007.
  16. ^ Peter Quantrill (October 2008). "Sir John Eliot Gardiner – Interview". gramophone.co.uk.
  17. ^ "Lunch with the FT: John Eliot Gardiner". Financial Times. Archived from the original on 10 December 2022. Retrieved 15 March 2019.
  18. ^ Thompson, Damian (2 May 2015). "The Heckler: why does John Eliot Gardiner have to be so rude?". The Spectator Australia. Retrieved 16 January 2023.
  19. ^ Phillips, Peter (5 April 2014). "The mean, bullying maestro is extinct – or should be". The Spectator. Retrieved 15 March 2019.[dead link]
  20. ^ "John Eliot Gardiner pulls out of ACO Christmas concerts". Limelightmagazine.com.au. 19 October 2012. Archived from the original on 29 July 2014. Retrieved 23 July 2014.
  21. ^ Gardiner, John Eliot (2013). Bach a Biography Through the Music. London: Penguin Books, Limited. ISBN 978-0-7139-9662-3. Archived from the original on 6 November 2015. Retrieved 6 December 2015. Reprinted 2015 , Vintage, ISBN 978-1-4000-3143-6
  22. ^ Smith, Charlotte (2013). "Sir John Eliot Gardiner named president". Gramophone. Retrieved 26 August 2016.
  23. ^ "A New President for The Leipzig Bach Archive | Bach-Archiv Leipzig". www.bach-leipzig.de. Archived from the original on 14 May 2019. Retrieved 15 May 2019.
  24. ^ Bach 333 website (26 October 2018)
  25. ^ Ledwith, Peter Chappell, Mario (26 August 2023). "Sir John Eliot Gardiner withdraws from show 'after slapping singer'". The Times. ISSN 0140-0460. Retrieved 26 August 2023.{{cite news}}: CS1 maint: multiple names: authors list (link)
  26. ^ "Sir John Eliot Gardiner pulls out of scheduled concerts after punching chorus singer". Independent.co.uk. 31 August 2023.
  27. ^ "Festival Berlioz : Sir John Eliot Gardiner quitte La Côte-Saint-André après une altercation avec un chanteur | Radio Classique". www.radioclassique.fr. 23 August 2023. Retrieved 24 August 2023.
  28. ^ Hernández, Javier C. (23 August 2023). "Famed Conductor Accused of Striking Singer at Performance | Radio Classique". The New York Times. Retrieved 24 August 2023.
  29. ^ "Sir John Eliot Gardiner: Famed conductor pulls out of the Proms after alleged assault". BBC News. 24 August 2023. Retrieved 24 August 2023.
  30. ^ Gecsoyler, Sammy (31 August 2023). "Conductor who allegedly slapped singer pulls out of all 2023 performances". The Guardian.
  31. ^ slippedisc
  32. ^ John Eliot Gardiner (Bio), retrieved 17 May 2007
  33. ^ "No. 51981". The London Gazette (Supplement). 29 December 1989. p. 7.
  34. ^ a b Grammy Award Winners, archived from the original on 30 September 2007, retrieved 17 May 2007
  35. ^ United Kingdom list: "No. 55155". The London Gazette (Supplement). 12 June 1998. p. 1.
  36. ^ "No. 55610". The London Gazette. 14 September 1999. pp. 9843–9844.
  37. ^ "Sir John Eliot Gardiner erhält Leipziger Bach-Medaille". neue musikzeitung (Press release) (in German). Regensburg: ConBrio Verlagsgesellschaft mbH. ddp. 22 April 2005. Retrieved 4 July 2018.
  38. ^ Sir John Eliot Gardiner erhält Bundesverdienstkreuz (in German), archived from the original on 4 March 2016, retrieved 5 December 2005
  39. ^ "2006 – Università degli studi di Pavia". diazilla.com (in Italian). Retrieved 7 August 2021.
  40. ^ "Sir John Eliot Gardiner (conductor)". Gramophone. Retrieved 10 April 2012.
  41. ^ "Laureation address – Sir John Eliot Gardiner". Archived from the original on 8 July 2014. Retrieved 27 June 2014.
  42. ^ "Announcing the National Book Critics Awards Finalists for Publishing Year 2013". National Book Critics Circle. 14 January 2014. Archived from the original on 15 January 2014. Retrieved 14 January 2014.
  43. ^ "British Academy Fellowship reaches 1,000 as 42 new UK Fellows are welcomed". 16 July 2015.
  44. ^ "Sir John Eliot Gardiner Awarded Honorary Doctorate by Liszt Academy". 16 January 2023.
  45. ^ Battle, Laura (30 March 2017). "Conductor John Eliot Gardiner on his love of music and farming". Financial Times. Archived from the original on 10 December 2022.
  46. ^ "A maestro marriage is over". Slipped Disc. 4 August 2019. Retrieved 7 August 2021.
  47. ^ John Eliot Gardiner – gewend zijn eigen beslissingen te nemen (Dutch), archived from the original on 1 October 2006, retrieved 17 May 2007
  48. ^ "a rural centre for creative and sustainable living in Fontmell Magna Dorset". Springhead Trust. Retrieved 23 July 2014.
  49. ^ "Celebrities' open letter to Scotland – full text and list of signatories | Politics". theguardian.com. 7 August 2014. Retrieved 26 August 2014.

External links

Cultural offices
Preceded by
no predecessor
Music Director, Opéra National de Lyon
1983–1988
Succeeded by
Preceded by Chief Conductor, North German Radio Symphony Orchestra
1991–1995
Succeeded by
This page was last edited on 14 February 2024, at 21:29
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