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East Asian Gothic typeface

From Wikipedia, the free encyclopedia

A passage from the Thousand Character Classic in sans-serif typeface. The rightmost line is the original Chinese. The middle and the left lines are transliterations in Japanese kana and Korean Hangul, respectively.

In the East Asian writing system, gothic typefaces (simplified Chinese: 黑体; traditional Chinese: 黑體; pinyin: hēitǐ; Jyutping: haak1 tai2; Japanese: ゴシック体, romanizedgoshikku-tai; Korean: 돋움, romanizeddotum, 고딕체 godik-che) are a type style characterized by strokes of even thickness and lack of decorations akin to sans serif styles in Western typography. It is the second most commonly used style in East Asian typography, after Ming.[citation needed]

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Transcription

History

Gothic typefaces were first developed in Japan. Starting in the 1960s, the People's Republic of China's Shanghai Printing Technology and Research Institute developed new typefaces for Simplified Chinese, including gothic typefaces. The communist government favored gothic typefaces because they were plain and "represented a break with the past."[1][better source needed]

Characteristics

Similar to Ming and Song typefaces, sans-serif typefaces were designed for printing, but they were also designed for legibility. They are commonly used in headlines, signs, and video applications.

Classifications

Round sans style typeface

Sans-serif typefaces in computing

Sans serif typefaces, especially for default system fonts, are common in Japanese computing. Also, many Korean computing environments use Gulim which includes soft curves but is a sans-serif typeface.

In Chinese, versions of Microsoft Windows XP and older, the default interface typefaces have serifs (MingLiU and SimSun), which deviates from the sans serif styling use in most other (including East Asian) regions of the product. Starting in Windows Vista, the default interface typefaces in all regions were changed to sans-serif styles, using Microsoft JhengHei in Traditional Chinese environments and Microsoft YaHei in Simplified Chinese environments.

See also

References

  1. ^ Ng, Brian (September 6, 2021). "Revolutionary type: Meet the designer decolonizing Chinese fonts". Rest of World. Retrieved September 17, 2022.

External links

This page was last edited on 4 April 2024, at 08:15
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