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From Wikipedia, the free encyclopedia

James Ivory
James Ivory (1991.09).jpg
Born
James Francis Ivory

(1928-06-07) June 7, 1928 (age 93)
Alma mater
Occupation
  • Film director
  • producer
  • screenwriter
Years active1953–present
Partner(s)Ismail Merchant (1961–2005; Merchant's death)

James Francis Ivory (born June 7, 1928) is an American film director, producer, and screenwriter. For many years, he worked extensively with Indian-born film producer Ismail Merchant, his domestic as well as professional partner, and with screenwriter Ruth Prawer Jhabvala. All three were principals in Merchant Ivory Productions, whose films have won seven Academy Awards; Ivory himself has been nominated for four Oscars, winning one.

Ivory's directorial work includes A Room with a View (1985), Maurice (1987), Howards End (1992), and The Remains of the Day (1993). For his work on Call Me by Your Name (2017), which he wrote and produced, Ivory won awards for Best Adapted Screenplay from the Academy Awards, British Academy of Film and Television Arts, Writers Guild of America, the Critics' Choice Awards, and the Scripter Awards, among others. Upon winning the Oscar and BAFTA at the age of 89, Ivory became the oldest-ever winner in any category for both awards.[1][2]

Early life and education

Ivory was born in Berkeley, California, the son of Hallie Millicent (née de Loney) and Edward Patrick Ivory, a sawmill operator.[3] He grew up in Klamath Falls, Oregon.[4] He attended the University of Oregon, where he received a degree in fine arts in 1951. Ivory is a recipient of the Lawrence Medal, UO's College of Design's highest honor for its graduates. His papers are held by UO Libraries' Special Collections and University Archives.[5]

He then attended the University of Southern California School of Cinematic Arts, where he directed the short film Four in the Morning (1953). He wrote, photographed, and produced Venice: Theme and Variations, a half-hour documentary submitted as his thesis film for his master's degree in cinema.[6] The film was named by The New York Times in 1957 as one of the ten best non-theatrical films of the year. He graduated from USC in 1957.[7][citation needed]

Career

Merchant Ivory Productions

Ivory met producer Ismail Merchant at a screening of Ivory's documentary The Sword and the Flute in New York City in 1959. In May 1961, Merchant and Ivory formed the film production company Merchant Ivory Productions. Merchant and Ivory were long-term life partners.[8][9] Their professional and romantic partnership lasted 44 years, from 1961 until Merchant's death in 2005.[8] Ivory owned several homes, including the Jacob Rutsen Van Rensselaer House and Mill Complex in Claverack, New York.[10][11][9]

Their partnership has a place in the Guinness Book of World Records for the longest partnership in independent cinema history. Until Merchant's death in 2005, they produced 40 films, including a number of films that received Academy, BAFTA and Golden Globe awards among many others. Ivory directed 17 theatrical films for Merchant Ivory, and novelist Ruth Prawer Jhabvala was the screenwriter for 22 of their productions in addition to another film produced by Merchant Ivory after Merchant's death.

Of this collaboration, Ismail Merchant once commented: "It is a strange marriage we have at Merchant Ivory ... I am an Indian Muslim, Ruth is a German Jew, and Jim is a Protestant American. Someone once described us as a three-headed god. Maybe they should have called us a three-headed monster!"[12]

A Room with a View (1985)

In 1985, Ivory directed a film adaptation of the classic E. M. Forster novel A Room with a View. The film starred Helena Bonham Carter who was 19 years old at the time, in her first major film role. The film also co-starred Julian Sands, Maggie Smith, Judi Dench, Denholm Elliott, Simon Callow, and Daniel Day-Lewis. The film received universal praise with The Chicago Sun-Times film critic Roger Ebert gave the film four out of four stars, writing: "It is an intellectual film, but intellectual about emotions: It encourages us to think about how we feel, instead of simply acting on our feelings."[13] The film received eight Academy Award nominations including Best Director for Ivory. He also received a Best Director nominations from the British Academy Film Awards, the Golden Globes Awards, and the Directors Guild of America.

Maurice (1987)

The following year Ivory directed another Forster adaptation, the romantic drama Maurice (1987). The film follows gay love story in the restrictive and repressed culture of Edwardian England. The story involves its main character, Maurice Hall, through university, a tumultuous relationship, struggling to fit into society, and ultimately being united with his life partner. The film stars Hugh Grant in his first major film appearance as well as Rupert Graves, Simon Callow, Denholm Elliott, and Ben Kingsley. In an 2017 retrospective in The New Yorker, Sarah Larson wrote, "...For many gay men coming of age in the eighties and nineties, 'Maurice' was revelatory: a first glimpse, onscreen or anywhere, of what love between men could look like".[14] Director James Ivory has added to the legacy on the film saying, "So many people have come up to me since 'Maurice' and pulled me aside and said, 'I just want you to know you changed my life.'"[14] Ivory won the Venice Film Festival's Silver Lion for Best Director.

Howards End (1992)

In 1992, Merchant-Ivory tackled their third Forster adaptation, this time it was based on the acclaimed novel, Howards End starring Emma Thompson, Helena Bonham Carter, Anthony Hopkins, and Vanessa Redgrave. The film premiered at the 1992 Cannes Film Festival where it competed for the Palme d'Or and went on to critical acclaim. Ivory received his second Academy Award for Best Director nomination. The film also received three Academy Awards for Best Actress (Emma Thompson), Best Adapted Screenplay, and Best Production Design. The film also received eleven British Academy Film Award nominations, and four Golden Globe Award nominations. In 2016, the film was selected for screening as part of the Cannes Classics section at the 2016 Cannes Film Festival,[15] and was released theatrically after restoration on 26 August 2016.[16]

The Remains of the Day (1993)

The following year, Merchant-Ivory directed the period drama The Remains of the Day (1993) adapted from the acclaimed novel of the same name by Kazuo Ishiguro. American filmmaker Mike Nichols served as one of the films producers, and the film reunited Anthony Hopkins and Emma Thompson. Supporting performances included James Fox, Christopher Reeve, Hugh Grant, and Lena Headey. The film revolved around a dedicated butler who serves an English landlord in the years leading up to the second World War. The film was a commercial and critical success with Vincent Canby of The New York Times said, in another favorable review, "Here's a film for adults. It's also about time to recognize that Mr. Ivory is one of our finest directors, something that critics tend to overlook because most of his films have been literary adaptations."[17] The film received eight Academy Award nominations with Ivory receiving his third nomination for Best Director. He continued to receive nominations from the British Academy Film Awards, Golden Globe Awards, and Directors Guild of America.

In 1999, the British Film Institute ranked The Remains of the Day the 64th-greatest British film of the 20th century.[18]

Resurgence

Call Me by Your Name (2017)

In 2017, Ivory wrote and co-produced the film adaptation of Call Me by Your Name a coming-of-age romantic drama film directed by Luca Guadagnino. Its screenplay is based on the 2007 novel of the same name by André Aciman. The film is the final installment in Guadagnino's thematic "Desire" trilogy, after I Am Love (2009), and A Bigger Splash (2015). Set in 1983 in northern Italy, Call Me by Your Name chronicles the romantic relationship between a 17-year-old, Elio Perlman (Timothée Chalamet), and Oliver (Armie Hammer), a 24-year-old graduate-student assistant to Elio's father (Michael Stuhlbarg), an archaeology professor.

Ivory was originally set to co-direct the film based on Guadagnino's suggestion however there was no contractual agreement was put in place.[19][20] Ivory accepted the offer to co-direct on the condition that he would also write the film;[20] he spent "about nine months" on the screenplay.[21][22] Ivory stepped down from a directorial role in 2016, leaving Guadagnino to direct the film alone.[23][19] According to Ivory, financiers from Memento Films International did not want two directors involved with the project because they "thought it would be awkward ... It might take longer, it would look terrible if we got in fights on the set, and so on."[21][22] Guadagnino said Ivory's version would have likely been "a much more costly [and] different film" that would have been too expensive to make.[24][25] Ivory became the sole-credited screenwriter[26] The film was the only narrative feature he has written but not directed.[26] Despite stepping aside as director, he continued to remain involved with other aspects of the production.[26]

The film was an immense critical success premiering at the Sundance Film Festival, Ivory received many awards and nominations for his screenplay. He was nominated for his fourth Academy Award this time for Best Adapted Screenplay for which he won. He also received the BAFTA Award for Best Adapted Screenplay and Writers Guild of America Award for Best Adapted Screenplay.

Filmography

As director

Year Title Notes
1953 Four in the Morning Short
1957 Venice: Theme and Variations Short
1959 The Sword and the Flute Short
1963 The Householder
1964 The Delhi Way Documentary
1965 Shakespeare Wallah also co-writer
1969 The Guru also co-writer
1970 Bombay Talkie also co-writer
1972 Adventures of a Brown Man in Search of Civilization (BBC-TV Documentary)
1972 Savages
1975 Autobiography of a Princess
1975 The Wild Party
1976 Hullabaloo Over Georgie and Bonnie's Pictures
1977 Roseland
1979 The Europeans
1979 The Five Forty-Eight TV film
1980 Jane Austen in Manhattan
1981 Quartet
1983 Heat and Dust
1984 The Bostonians
1985 A Room with a View
1987 Maurice also co-writer
1989 Slaves of New York
1990 Mr. and Mrs. Bridge
1992 Howards End
1993 The Remains of the Day
1995 Jefferson in Paris
1995 Lumière and Company segment
1996 Surviving Picasso
1998 A Soldier's Daughter Never Cries also co-writer
2000 The Golden Bowl
2003 Le Divorce also co-writer
2005 The White Countess
2009 The City of Your Final Destination

Other credits

Awards and honours

In 1985 A Room with a View, based on the E. M. Forster novel, was nominated for eight Academy Awards, including Best Picture and Best Director, and won three, for Jhabvala's adaptation of Forster's novel as well as for Best Costume and Best Production Design. A Room With a View was also voted Best Film of the year by the Critic's Circle Film Section of Great Britain, the British Academy of Film and Television Arts, the National Board of Review in the United States and in Italy, where the film won the Donatello Prize for Best Foreign Language Picture and Best Director. In 1987, Maurice received a Silver Lion Award for Best Director at the Venice Film Festival as well as Best Film Score for Richard Robbins and Best Actor Awards for co-stars James Wilby and Hugh Grant.

This was followed in 1990 by Mr. and Mrs. Bridge, which was adapted by Jhabvala from the novels by Evan S. Connell. According to Ivory, "the world of Mr. and Mrs. Bridge is the world I grew up in...It's the only film I've ever made that was about my own childhood and adolescence."[27] The film would receive an Oscar nomination for Best Actress (Joanne Woodward), as well as Best Actress and Best Screenplay from the New York Film Critics Circle. Ivory would later call Mr. & Mrs. Bridge a personal favorite, adding that it was the one film he would most like to see reappraised.[28]

In 1992 Ivory directed another film adapted from Forster, Howards End. The film was nominated for nine Academy awards, including Best Picture and Best Director, and won three: Best Actress (Emma Thompson), Best Screenplay – Adaptation (Ruth Prawer Jhabvala), and Best Art Direction/Set Decoration (Luciana Arrighi/Ian Whittaker). The film also won Best Picture at the British Academy of Film and Television Arts (BAFTA) Awards, as well as awards for Best Picture, Best Actress for Emma Thompson and Best Director for Ivory from the National Board of Review. The Directors Guild of America awarded the D.W. Griffith award, its highest honor, to Ivory for his work. At the 1992 Cannes Film Festival the film won the 45th Anniversary Prize.[29] Howards End was immediately followed by The Remains of the Day, which was nominated for eight Academy Awards, including Best Picture and Best Director. In 2018 he took part in the film Dance Again with Me Heywood! directed by Michele Diomà .

For his work in Call Me by Your Name (2017), Ivory received an Academy Award for Best Adapted Screenplay, a Critics' Choice Movie Award for Best Adapted Screenplay,[30] Writers Guild of America Award for Best Adapted Screenplay, BAFTA Award for Best Adapted Screenplay, and USC Scripter Award for Best Screenplay.[31] He was also nominated for the AACTA International Award for Best Screenplay, and the Gotham Independent Film Award for Best Screenplay.[32][33][34] At 89, Ivory is the oldest person to ever win an Academy Award in competition.[35]

See also

References

  1. ^ "James Ivory is oldest Oscar winner ever with screenplay award for Call Me by Your Name". The Guardian. 5 March 2018. Retrieved March 5, 2018.
  2. ^ "2018 BAFTA Awards backstage: James Ivory ('Call Me By Your Name') on his way to making Oscar history". Goldderby. 2018-02-18.
  3. ^ "James Ivory Biography (1928-)". Filmreference.com. Retrieved 2014-04-20.
  4. ^ "Film-maker James Ivory donates a collection of personal documents to the University of Oregon". Merchant Ivory Productions. Retrieved 2007-12-11.
  5. ^ "UO alum James Ivory wins Oscar for 'Call Me by Your Name'". Around the O. 5 March 2018. Retrieved 13 February 2019.
  6. ^ add
  7. ^ Notable Alumni, USC School of Cinematic Arts Archived 2009-08-26 at the Wayback Machine.
  8. ^ a b Horn, John (May 26, 2005). "Obituaries; Ismail Merchant, 68; Producer of Stylish, Popular Period Dramas". Los Angeles Times. Retrieved July 4, 2008.
  9. ^ a b Larson, Sarah (May 19, 2017). "James Ivory and the Making of a Historic Gay Love Story". The New Yorker. Retrieved 15 September 2019.
  10. ^ Giovannini, Joseph (April 3, 1986). "MERCHANT AND IVORY'S COUNTRY RETREAT". The New York Times. Retrieved 15 September 2019.
  11. ^ Hass, Nancy (September 11, 2015). "James Ivory's Home Befits His Extraordinary Life". The New York Times. Retrieved 15 September 2019.
  12. ^ "Ismail Merchant". The Times. London. May 26, 2005. Archived from the original on November 21, 2008.
  13. ^ "A Room with a View Movie Review (1986)". Rogerebert.com. Retrieved 15 June 2021.
  14. ^ a b Sarah Larson (2017-05-19). "James Ivory and the Making of a Historic Gay Love Story". The New Yorker. Retrieved 2017-08-05.
  15. ^ "Cannes Classics 2016". Cannes Film Festival. 20 April 2016. Archived from the original on 10 February 2017. Retrieved 21 April 2016.
  16. ^ McNary, Dave (17 June 2016). "Restored 'Howards End' to Be Released in Theaters". Variety.com. Retrieved 28 October 2017.
  17. ^ Canby, Vincent (5 November 1993). "Movie Review – The Remains of the Day – Review/Film: Remains of the Day; Blind Dignity: A Butler's Story". Movies.nytimes.com. Retrieved 19 September 2013.
  18. ^ British Film Institute - Top 100 British Films (1999). Retrieved August 27, 2016
  19. ^ a b Vivarelli, Nick (February 13, 2017). "Berlinale: Luca Guadagnino on Why 'Call Me by Your Name' Strikes Such Deep Chords". Variety. Archived from the original on August 18, 2017. Retrieved October 6, 2017.
  20. ^ a b Vivarelli, Nick (October 6, 2017). "James Ivory on 'Call Me by Your Name' and Why American Male Actors Won't Do Nude Scenes (Exclusive)". Variety. Archived from the original on October 7, 2017. Retrieved October 6, 2017.
  21. ^ a b McKittrick, Christopher (May 15, 2017). "James Ivory on Screenwriting". Creative Screenwriting. CS Publications. Archived from the original on August 9, 2017. Retrieved May 15, 2017.
  22. ^ a b Roxborough, Scott (January 19, 2018). "James Ivory on His Film Legacy and Adapting 'Call Me by Your Name'". The Hollywood Reporter. Archived from the original on January 19, 2018. Retrieved January 19, 2018.
  23. ^ Brady, Tara (October 19, 2017). "'Why do people want to see other people's penises?'". The Irish Times. Archived from the original on October 22, 2017. Retrieved October 19, 2017.
  24. ^ Blessing, Joe (January 24, 2017). "'Call Me By Your Name': Luca Guadagnino Discusses Avoiding Cliches, Costumes & Narration [NYFF]". The Playlist. Archived from the original on October 31, 2017. Retrieved October 17, 2017.
  25. ^ Sharf, Jack (October 6, 2017). "'Call Me By Your Name' Screenwriter is Disappointed There's No Male Full Frontal Nudity". IndieWire. Archived from the original on October 18, 2017. Retrieved October 17, 2017.
  26. ^ a b c Erbland, Kate (November 23, 2017). "'Call Me by Your Name' Screenwriter James Ivory Loves the Story Too Much to Think About Sequels". IndieWire. Archived from the original on November 23, 2017. Retrieved November 23, 2017.
  27. ^ Harmetz, Aljean (February 18, 1990). "Partnerships Make a Movie". nytimes.com. Retrieved April 15, 2021.
  28. ^ Evans, Everett (November 8, 2014). "Festival salutes the literate cinema of James Ivory". houstonchronicle.com. Retrieved April 15, 2021.
  29. ^ "Festival de Cannes: Howards End". festival-cannes.com. Retrieved 2009-08-14.
  30. ^ "'The Shape Of Water' Named Best Picture, Takes Four Awards At 23rd Annual Critics' Choice Awards" (Press release). Los Angeles, CA: Broadcast Film Critics Association/Broadcast Television Journalists Association. January 11, 2018. Archived from the original on January 12, 2018. Retrieved January 11, 2018.
  31. ^ Robb, David (February 10, 2018). "'Call Me By Your Name' Wins USC Scripter Award For Adapted Screenplay; 'The Handmaid's Tale' Nabs TV Honor". Deadline. Retrieved February 10, 2018.
  32. ^ "Australian Academy announces winners for the 7th AACTA International Awards" (PDF) (Press release). Australian Academy of Cinema and Television Arts. January 6, 2018. Archived from the original (PDF) on 2018-01-10. Retrieved January 6, 2018.
  33. ^ Gettell, Oliver (January 9, 2018). "Call Me By Your Name takes top prize at 2017 Gotham Awards". BAFTA. Retrieved January 14, 2018.
  34. ^ Gettell, Oliver (November 27, 2017). "Call Me By Your Name takes top prize at 2017 Gotham Awards". Entertainment Weekly. Retrieved November 27, 2017.
  35. ^ Nevins, Jake (March 5, 2018). "James Ivory is oldest Oscar winner ever with screenplay award for Call Me by Your Name". The Guardian.

External links

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