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From Wikipedia, the free encyclopedia

Rebecca Pritchard Mills and Her Daughter Eliza Shrewsbury (1794)

James Earl (May 1, 1761 – August 18, 1796) was an American painter and younger brother of fellow portrait painter Ralph Earl. He was born in Leicester, Massachusetts, and died of yellow fever in Charleston, South Carolina. He lived and worked in London for ten years, where he married and had three children and enrolled in the Royal Academy in 1789. His British clientele were mostly Loyalists living in exile, though there is no evidence that he was a committed Loyalist himself. Among his best known works are Rebecca Pritchard Mills and Her Daughter Eliza Shrewsbury (ca. 1795) and a portrait of Charles Cotesworth Pinckney.[1][2]

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  • To Be A Drum read by James Earl Jones
  • James Earl Jones 1968: Black Women
  • Antietam Documentary with James Earl Jones

Transcription

Welcome to Storyline Online, brought to you by Screen Actors Guild Foundation. My name is James Earl Jones. You might wonder why I'm doing the reading and not you. I'll give you a hint, as old as I am, I still need practice, because I learned to read quite early around by the time I was four, but I didn't read out loud until I was fourteen because I didn't talk. See I'm a stutterer and I'm also somewhat dyslexic, but we'll try this anyway. Today I'm reading "To Be A Drum" written by Evelyn Coleman; the artwork is by Aminah Brenda Lynn Robinson. During a morning mist, the fog swirled up around Mat, Martha, and their daddy. And when they sat cross-legged, they couldn't be seen from afar. But they were there. Then Daddy Wes told them a story in his soft voice, the voice that could tap, tap, tap Mat and Martha gently on their hearts. Daddy Wes began. "Long before time, before hours and minutes and seconds, on the continent of Africa, the rhythm of the earth beat for the first people. The earth filled the air with spirit. The spirit rose on the wind and flew into our bodies. And our own hearts beat for the first time. We were alive! The beat moved through our bodies and pushed out from our fingers. That is how our drum was born. With the drum we spoke to the animals and to the people. The earth's heart beat out the rhythm of all there is. We listened-and sounded the rhythms back for her to hear. Then men from another continent came-men who would not listen to the rhythm of the earth. They shackled us, the people of the earth's color, and flung us into the bellies of ships, bringing us enslaved across the oceans and the seas. They tore us apart from one another and did not allow us to speak our own languages. We were a lost people. We were no longer free. We thought we were no more. Then they took the drums away. But cruelty cannot stop the earth's heart from beating. The earth's spirit moved through us still and pushed-not only out our fingers, but out our entire bodies. And we became the drums. Living drums-beating for the whole world to hear and see. We were alive! We would be free. So when we worked in the fields, we made our feet drums. When we sang songs under starlit skies, we made our mouths drums. When we talked to each other, we made our speech drums. When we stitched our quilts, we made our hands drums. When we fought in wars, we made our courage drums. When we invented things, we made our minds drums. When we fought for our freedom and for our civil rights, we made our communities drums. When we created music, paintings, sculpture, dances, and dramas, we made our art drums. When we wrote down our wisdom, we made our stories drums. When we recorded our memories, we made our history drums. When we became farmers, scientists, teachers, leaders, entrepreneurs, and tradespeople, we made our dreams drums. We were the earth's people. We were the living drums. We would always be free." Daddy Wes leaned over and whispered, "listen, do you hear?" He stretched out on the earth, his arms spread like a bird's wings. Mat and Martha lay down close beside and put their ears to the ground, too. They waited for the magic to be theirs. Waited for the hearing of the earth's heartbeat. Waited to become. "I hear it, Daddy Wes," said Martha. "I don't hear anything," said Mat. "You got to let go, son," Daddy Wes said. "Be quiet and still. You'll grow to be strong if you learn to be still." Mat let out a deep sigh. His body relaxed like when he floated on the pond. At last he heard the earth's heartbeat. "I hear it, Daddy Wes, I hear it too!" he shouted. Daddy Wes smiled. "And what does the earth say?" Mat and Martha and Daddy Wes all drummed the earth's heartbeat together, bum-bum, bum-bum, bum-bum. "Now the both of you," Daddy Wes said, "will always know how to beat out your own rhythm on the earth. Then Daddy Wes, Mat, and Martha took each other's hands and strolled from the field with the heartbeat of the earth sounding their way. You, too, can be free. Become a drum.

References

  1. ^ "Early American Paintings". Worcester Art Museum. Retrieved 2022-08-16.
  2. ^ Stewart, Robert G. (1988). "James Earl: American Painter of Loyalists and His Career in England". American Art Journal. 20 (4): 35–58. doi:10.2307/1594526. ISSN 0002-7359. JSTOR 1594526.


This page was last edited on 1 January 2023, at 17:33
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