To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

Immersion journalism

From Wikipedia, the free encyclopedia

Immersion journalism or immersionism is a style of journalism similar to gonzo journalism. In the style, journalists immerse themselves in a situation and with the people involved. The final product tends to focus on the experience, not the writer.

YouTube Encyclopedic

  • 1/5
    Views:
    348
    2 580
    2 608
    1 548
    500
  • David Finkel on Immersion Journalism
  • Cap & Trade - An Immersive Journalism Experience
  • 4221: 1.1 Literary Journalism
  • Mark Bulgutch: The State of Journalism
  • Claire Wardle: The future of journalism | DW Akademie

Transcription

Overview

Like Gonzo, immersionism details an individual's experiences from a deeply personal perspective. An individual will choose a situation and immerse themselves in the events and people involved. Unlike Gonzo, however, it is less focused on the writer's life, and more about the writer's specific experiences. Proponents of immersion journalism claim this research strategy allows authors to describe the internal experience of external events and break away from the limiting pseudo-objectivity of traditional journalism.

Examples

Print

Book-length examples of immersion journalism include H.G. Bissinger's Friday Night Lights; John Howard Griffin's Black Like Me; Ted Conover's Rolling Nowhere, Coyotes and Newjack: Guarding Sing Sing; Barbara Ehrenreich's Nickel and Dimed: On (Not) Getting By in America (2001), Bait and Switch: The (Futile) Pursuit of the American Dream (2005), A.J. Jacobs' The Year of Living Biblically (2007) and Matthew Thompson's Running with the Blood God (2013) and My Colombian Death (2008).

Film

Examples of immersionist film include the documentary Super Size Me and Heavy Metal in Baghdad and Fat, Sick and Nearly Dead.

Television and radio

Examples of immersionist programming include the various offerings of media company Vice and segments of US public broadcasting series like Frontline, Planet Money, and This American Life.

Notable figures

Elizabeth Jane Cochrane

Elizabeth Jane Cochrane, known by her pseudonym Nellie Bly is seen as a "pioneer" of immersion journalism.[1] Cochrane made herself the center of the story when she was admitted to a mental asylum undercover to expose the abuse of female inmates at the Women's Lunatic Asylum on Blackwell's Island. The series, Ten Days in a Mad-House, was published in New York World in 1887. The legitimacy of her tactics as a form of credible journalism has been questioned, as she placed in Time's "Top 10 Literary Stunts"[2] which describes journalists who have "elevated the literary gimmick" of immersing themselves in atypical scenarios.

Jon Franklin

Jon Franklin earned a Pulitzer Prize for an article he wrote for the Evening Sun in 1979.[3] Franklin followed a woman through her brain surgery. Unexpectedly, the woman died, and he instead focused his piece on the surgeon, Dr. Ducker.[4] The article includes the details of the doctor's emotionally draining career and the suspense of Mrs. Kelly's operation.

Criticism

Immersion journalism has been criticized for being too subjective and partial to the journalist's opinion. By immersing oneself in the subject for extended periods of time, the credibility of the writer's neutrality weakens. A Washington Post seven-part article which followed Vice President Quayle went under fire for its lack of neutrality. Washington City Paper editor Jack Shafter said the reporters "got way, way too close. With this kind of immersion journalism, you lose perspective, you lose sight of the goal, and you become this authorized biographer."[5]

Robin Hemley's book A Field Guide for Immersion Writing: Memoir, Journalism, and Travel describes David Shields' book Black Planet which observed white fans' "fascination" with black basketball players.[1] Shield "exaggerated and conflated a few things" but was not untruthful. Hemley says that he received scathing reviews, which was a hidden success, since it proved that Shields "hit a nerve."

Practicality also becomes a central issue opposing immersion journalism. A complete work of immersion journalism has flexible deadlines, which not all news sources can afford. The New York Times writer Jesse McKinley spent a month working alongside actors to "expose the daily torment that is life way-way off Broadway."[6] Anne Hull of the St. Petersburg Times worked six months following the lives of a Tampa police officer and the teen who attacked her.[4] However, many news sources value quick stories at a rapid pace to increase profits, according to the Columbia Journalism Review.[4]

See also

References

  1. ^ a b Hemley, R. (2012). A Field Guide for Immersion Writing: Memoir, Journalism, and Travel. Athens: University of Georgia Press.
  2. ^ Staff, TIME (12 April 2009). "Top 10 Literary Stunts". Time – via content.time.com.
  3. ^ Franklin, Jon (12 December 1978). "Terrifying journey through tunnels of the brain: Tales from the gray frontier". Evening Sun. PDF The article is also known as Mrs. Kelly's Monster.
  4. ^ a b c Weinberg, S. (1998). "Tell It Long Take Your Time Go In Depth". Columbia Journalism Review. Vol. 36, no. 5. pp. 56–61.
  5. ^ Kurtz, H. (Jan 15, 1992). "The beef over quayle". The Washington Post. ProQuest 140642080.
  6. ^ McKinley, J. (Aug 15, 2003). "The actor's life for me, fringewise". New York Times. ProQuest 92624159.
This page was last edited on 1 April 2024, at 21:17
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.