Ignaz Saal | |
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 Silhouette of Ignaz Saal | |
| Born | 26 July 1761 Geiselhöring, Germany |
| Died | 30 October 1836 (aged 75) Vienna |
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Ignaz Saal (26 July 1761 – 30 October 1836) was an operatic bass and comedian. He was for decades a member of the Imperial Court Theatre in Vienna. Saal performed the bass parts in the world premieres of Haydn's oratorios Die Schöpfung and Die Jahreszeiten, and appeared as Don Fernando in the premiere of Beethovens Fidelio on 23 May 1814 at the court theatre.
Life
Born in Geiselhöring, Germany,[1] Saal received musical instructions in voice and instruments early.[2] He ended 1777 as seminarist of the Domus Gregoriana at the Churfürstliches Gymnasium in Munich (today Wilhelmsgymnasium).[3] The same year, he made his debut at the theatre in Munich at the age of 16,[2] and went to Pressburg in 1781. In Salzburg, he had contact to Leopold Mozart and Michael Haydn.[1] From 1 March 1782 to 30 November 1821, Saal was a member of the Viennese imperial court theatre[1][4] and bore the title K. k. Hofschauspieler. He performed leading roles of the German and Italian repertoire, including Almaviva in Mozart's Le nozze di Figaro and Sarastro in Die Zauberflöte.[1] In addition he belonged to the ensemble of the Wiener Hofmusikkapelle from 1 July 1795.[5]
He sang in the world premieres of Haydn's oratorios Die Schöpfung on 29 and 30 April 1798 and Die Jahreszeiten on 24 April 1801.[1][2] He appeared as the minister Don Fernando in the premiere of the final version of Beethoven's opera, then called Fidelio, on 23 May 1814 at the court theatre.[2]
His last residence was located on Brandstätte No. 632 in Vienna, where he died at the age of 75 from a stroke.[6]
Family
Saal's wife was the singer and actress Anna Maria Saal (1762–1808). Their daughter Therese Saal (1782–1855) was also a member of the court theatre from 1801 to 1805 and later married the art collector Franz Gawet (1765–1847). His son Franz Saal (c. 1782–1862) belonged to the court theatres from 1808 to 1811 and last worked in Brno.[2]
References
- ^ a b c d e Dietz 1890.
- ^ a b c d e Kutsch, K.-J.; Riemens, Leo (2004). "Saal, Ignaz". Großes Sängerlexikon (in German) (4th ed.). K. G. Saur. p. 4079. ISBN 978-3-59-844088-5.
- ^ Max Leitschuh: Die Matrikeln der Oberklassen des Wilhelmsgymnasiums in München, 4 volumes, Munich 1970–1976; vol. 3, p. 157}.
- ^ Köchel, Ludwig Ritter von (1869). "Bassisten". Die Kaiserliche Hof-Musikkapelle in Wien von 1543 bis 1867 (in German). Vienna: Beck. p. 96. Retrieved 28 October 2019.
- ^ "Bassisten". Hof- und Staats-Schematismus des österreichischen Kaiserthums (in German). Vienna: K. k. Hof- und Staats-Aerarial-Druckerey. 1827. p. 109. Retrieved 28 October 2019.
- ^ Wiener Zeitung, Nr. 252, 3 November 1836, p. 160,1400 (digitalised).
Cited sources
- Max Dietz (1890), "Saal, Ignaz", Allgemeine Deutsche Biographie (in German), vol. 30, Leipzig: Duncker & Humblot, p. 770
Further reading
- Constantin von Wurzbach: Saal, Ignaz. In Biographisches Lexikon des Kaiserthums Oesterreich. 28. Theil. Kaiserlich-königliche Hof- und Staatsdruckerei, Vienna 1874, p. 1, Saal, Ignaz
- Katalog der Portrait-Sammlung der k. u. k. General-Intendanz der k. k. Hoftheater. Zugleich ein biographisches Hilfsbuch auf dem Gebiet von Theater und Musik. Zweite Abtheilung. Gruppe IV. Wiener Hoftheater, Vienna 1892, p. 343.
- Alexander Wheelock Thayer: Ludwig van Beethovens Leben, edited by Hermann Deiters, volume 3, Leipzig 1917.
- Willy Hess: Das Fidelio-Buch : Beethovens Oper Fidelio, ihre Geschichte und ihre drei Fassungen, Winterthur 1986. OCLC 715750758
External links
Media related to Ignaz Saal at Wikimedia Commons
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This page was last edited on 5 April 2024, at 10:06