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International Society for Contemporary Music

From Wikipedia, the free encyclopedia

International Society for Contemporary Music
International Society for Contemporary Music
AbbreviationISCM
Formation1922
FounderEgon Wellesz
OriginsSalzburg, Germany
FieldsMusic
Parent organization
Internationale Gesellschaft für Neue Musik (IGNM)
Websiteiscm.org

The International Society for Contemporary Music (ISCM) is a music organization that promotes contemporary classical music.

The organization was established in Salzburg in 1922 as Internationale Gesellschaft für Neue Musik (IGNM) following the Internationale Kammermusikaufführungen Salzburg, a festival of modern chamber music held as part of the Salzburg Festival.[1] It was founded by the Austrian (later British) composer Egon Wellesz and the Cambridge academic Edward J Dent, who first met when Wellesz visited England in 1906.[2][3]

In 1936 the rival Permanent Council for the International Co-operation of Composers, set up under Richard Strauss, was accused of furthering Nazi Party cultural ambitions in opposition to the non-political ISCM.[4] British composer Herbert Bedford, acting as co-Secretary, defended its neutrality.[5]

Aside from hiatuses in 1940 and 1943-5 due to World War II and in 2020–21 due to the global COVID-19 pandemic, the ISCM's core activity has been an annual festival of contemporary classical music held every year at a different location, the first of which took place in 1923 in Salzburg, which has come to be known as the ISCM World Music Days (sometimes World New Music Days, abbreviated either WMD or WNMD depending on which name is used). There have been a total of 92 of these thus far, the most recent of which took place in Tallinn, Estonia in May 2019. The 2021 WMD in Shanghai and Nanning has been postponed until March 2022[6] and the 2022 WNMD is scheduled to take place in New Zealand in August 2022.[7]

From left: György Ligeti, his son Lukas, his wife Vera Spitz, Conlon Nancarrow and Michael Daugherty at ISCM World Music Days in Graz, Austria, 1982

Each year, during the World Music Days. ISCM members also convene in a General Assembly. Membership in the ISCM is organized through national sections that promote contemporary music in each country. These sections are usually organizations independent from the ISCM that send delegates to the ISCM General Assembly. Each member of the national section is also a member of ISCM and may send in 6 works that are evaluated for performance at the World Music Days. National organizations that promote contemporary music, but have not been designated as the nation section of ISCM, are sometimes given an associate membership status. This status also applies to the members of these organizations. Some individual music professionals receive the "honorary membership" status. The ISCM is governed by an Executive Committee consisting of seven people; two (Secretary General and Treasurer) are appointed positions and the remaining five (President, Vice President, and three regular members) are chosen from and by the delegates in an election during the General Assembly.[8]

Since 1991, the ISCM has also published an annual World New Music Magazine, a print publication that is distributed to its members for further dissemination. A total of 28 issues have been produced. Recent magazine issues are available as digitally downloadable PDFs from the ISCM's website.[9] ISCM is a member of the International Music Council. The current members of the Executive Committee of the ISCM (as of the September 2021 General Assembly which took place over Zoom) are: Glenda Keam (New Zealand), President;[10] Frank J. Oteri (USA), Vice President; Oľga Smetanova (Slovakia), Secretary General; David Pay (Canada), Treasurer; George Kentros (Sweden), Tomoko Fukui (Japan), and Irina Hasnaș (Romania).[11]

ISCM World Music Days

Source:[12]

  • 1923 in Salzburg
  • 1924 in Prague/Salzburg
  • 1925 in Prague/Venedig
  • 1926 in Zürich
  • 1927 in Frankfurt am Main
  • 1928 in Siena
  • 1929 in Genf
  • 1930 in Liège/Brüssel
  • 1931 in Oxford/London
  • 1932 in Wien
  • 1933 in Amsterdam
  • 1934 in Florenz
  • 1935 in Prague
  • 1936 in Barcelona
  • 1937 in Paris
  • 1938 in London
  • 1939 in Warschau/Krakau
  • 1941 in New York
  • 1942 in San Francisco
  • 1946 in London
  • 1947 in Kopenhagen/Lund
  • 1948 in Amsterdam/Scheveningen
  • 1949 in Palermo/Taormina
  • 1950 in Brüssel
  • 1951 in Frankfurt am Main
  • 1952 in Salzburg
  • 1953 in Oslo
  • 1954 in Haifa
  • 1955 in Baden-Baden
  • 1956 in Stockholm
  • 1957 in Zürich
  • 1958 in Straßburg
  • 1959 in Rom/Neapel
  • 1960 in Köln
  • 1961 in Wien
  • 1962 in London
  • 1963 in Amsterdam
  • 1964 in Kopenhagen
  • 1965 in Madrid
  • 1966 in Stockholm
  • 1967 in Prague
  • 1968 in Warschau
  • 1969 in Hamburg
  • 1970 in Basel
  • 1971 in London
  • 1972 in Graz
  • 1973 in Reykjavík
  • 1974 in Rotterdam/Utrecht/Amsterdam/Den Haag/Hilversum
  • 1975 in Paris
  • 1976 in Boston
  • 1977 in Bonn
  • 1978 in Stockholm/Helsinki
  • 1979 in Athens
  • 1980 in Jerusalem/Tel Aviv/Be’er Scheva/Kibbuz Schefajim
  • 1981 in Bruxelles/Gent
  • 1982 in Graz
  • 1983 in Århus
  • 1984 in Toronto/Montreal
  • 1985 in Nederlands
  • 1986 in Budapest
  • 1987 in Köln/Bonn/Frankfurt am Main
  • 1988 in Hongkong
  • 1989 in Amsterdam
  • 1990 in Oslo
  • 1991 in Zürich
  • 1992 in Warszawa
  • 1993 in Ciudad de Mexico
  • 1994 in Stockholm
  • 1995 in Essen/Bochum/Dortmund/Duisburg (Ruhrgebiet)
  • 1996 in Kopenhagen
  • 1997 in Seoul
  • 1998 in Manchester
  • 1999 in Romania/Moldavia
  • 2000 in Luxembourg
  • 2001 in Yokohama
  • 2002 in Hongkong
  • 2003 in Slovenija
  • 2004 in Switzerland
  • 2005 in Zagreb
  • 2006 in Stuttgart
  • 2007 in Hongkong
  • 2008 in Vilnius
  • 2009 in Sverige
  • 2010 in Sydney
  • 2011 in Zagreb
  • 2012 in Belgie
  • 2013 in Košice/Bratislava/Wien
  • 2014 in Wroclaw
  • 2015 in Slovenia
  • 2016 in Tongyeong
  • 2017 in Vancouver
  • 2018 in Peking
  • 2019 in Tallinn
  • 2020 in Auckland/Christchurch, postponed to 2022
  • 2021 in Shanghai/Nanning, postponed to 2022
  • 2022 in Shanghai/Nanning und Auckland/Christchurch
  • 2023 in Johannesburg/Soweto

ISCM Honorary Members

Source:[13]

ISCM ExCom (Update: June 27th 2020)

  • Glenda Keam, New Zealand (President)
  • Frank J. Oteri, New Music USA (Vice President)
  • George Kentros, Sweden
  • Irina Hasnas, Romania
  • Tomoko Fukui, Japan
  • David Pay, Music on Main/Canada (Treasurer)
  • Olga Smetanova, Slovakia (Secretary General)

ISCM World Music Days jury members

Source:[14]

Significant premieres at ISCM World Music Days

Source:[15]

Significant performances at ISCM World Music Days

Source:[15]

References

  1. ^ "archives.nypl.org – League of Composers/ISCM records". Archives.nypl.org. Retrieved 24 May 2018.
  2. ^ Fauser, AnneGret. 'The Scholar behind the Medal: Edward J. Dent (1876–1957) and the Politics of Music History', in Journal of the Royal Musical Association Vol. 139, No. 2 (2014), pp. 235–260
  3. ^ Haas, Michael. 'Egon Wellesz: The Forgotten Modernist', in Forbidden Music, 4 June 2014
  4. ^ Fanning, David; Levi, Erik (6 December 2019). The Routledge Handbook to Music under German Occupation, 1938–1945: Propaganda, Myth and Reality. Routledge. ISBN 9781351862585. Retrieved 22 December 2021 – via Google Books.
  5. ^ Bedford, Herbert. Letter to The Musical Times, February 1936, p 159
  6. ^ "2021 Shanghai, Nanning". www.iscm.org. Retrieved 5 November 2021.
  7. ^ "2022 New Zealand". www.iscm.org. Retrieved 5 November 2021.
  8. ^ "Executive Committee | ISCM". Archived from the original on 7 January 2016. Retrieved 8 April 2016.
  9. ^ ISCM (24 May 2018). "World New Music Magazine". Iscm.org. Retrieved 30 June 2020.
  10. ^ Newly Elected ISCM ExCom – Glenda Keam is New President, iscm.org, 2019.
  11. ^ Executive Committee, iscm.org, 2021.
  12. ^ "Previous festivals". ISCM – International Society for Contemporary Music. Retrieved 22 December 2021.
  13. ^ "Honorary members". ISCM – International Society for Contemporary Music. Retrieved 22 December 2021.
  14. ^ Haefeli, Anton (1982). Die Internationale Gesellschaft für Neue Musik (IGNM) : ihre Geschichte von 1922 bis zur Gegenwart (in German). Zürich: Atlantis Musikbuch-Verlag. pp. 610–614. ISBN 978-3-7611-0596-2. OCLC 10940867.
  15. ^ a b Haefeli, Anton (1982). Die Internationale Gesellschaft für Neue Musik (IGNM) : ihre Geschichte von 1922 bis zur Gegenwart (in German). Zürich: Atlantis Musikbuch-Verlag. pp. 479–546, 547–609. ISBN 978-3-7611-0596-2. OCLC 10940867.

External links

This page was last edited on 11 November 2023, at 16:59
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