Horses and High Heels | ||||
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Studio album by | ||||
Released | 31 January 2011 (EU) 7 March 2011 (UK) 28 June 2011 (US) | |||
Recorded | September–October 2010 | |||
Genre | ||||
Length | 52:10 | |||
Label | Dramatico, Naïve | |||
Producer | Hal Willner | |||
Marianne Faithfull chronology | ||||
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Horses and High Heels is the 18th studio album release by British singer Marianne Faithfull. The 13-track album was released on 31 January 2011 in continental Europe and on 7 March 2011 in the UK on the Dramatico record label. It was released in the United States on 28 June 2011 via the French Naïve Records label.
"Why Did We Have to Part?" was released as a single from the album.
YouTube Encyclopedic
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1/3Views:986 68185 12924 529
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High Heels Were Made For Men -- Thought Glass #8
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Episode 10 -Two Minutes With Tab - Under Run Heels
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The Heel Buttress Part 2, Understanding The Horses Heels
Transcription
Vsauce! Kevin here. High-heeled shoes were invented by Persian horse riders to help hold their feet in stirrups, which allowed them to stand up to shoot their bows and arrows. Nobility in Western Europe adopted the style as a symbol of machismo, and the higher the heels you wore, the wealthier you appeared because they were so impractical for walking on cobbled streets. In the 1670s, the diminutive King Louis XIV loved how high heels made him taller, and he ordered that only members of his court could don his trademark red heels. Women began to adopt masculine fashion, including the high heel, but by the 1740s men’s fashion became more practical and less ostentatious and high heels were considered foolish. It wasn’t until the mid-19th century that high heels on women symbolized female sexuality, largely due to their use in pornographic postcards. While neckties date back to at least 210 BC China - they were worn by the statues of Qin Shih Huang’s 'Terracotta Army' - there’s no evidence to suggest that neckties were commonly worn by men at that time. The modern necktie evolved from the cravat worn by 17th century Croatian soldiers, with theories on their use being to hide a dirty shirt, to provide psychological protection of the neck during battle, to hold together their jackets, or to distinguish themselves from other soldiers. During the Thirty Years War in the early 1600s, Croatian mercenaries were hired by France's King Louis XIII, and Parisians loved their colorful knotted neckerchiefs - with the word cravat coming from a corrupt French pronunciation of Croate. By the early 19th century, the way a man knotted his neckwear became such an important indication of his style that the cravat became known more simply as a tie. And it served to separate class, as you can’t wear one while operating machinery and it gets in the way of manual labor. The necktie is also a phallic symbol that points directly to a man’s… Codpiece - a triangular cloth covering a man’s groin, primarily worn in 15th and 16th century Europe. Men’s hose at that time were open at the crotch with a doublet, a tight-fitting jacket extending to the hips, as the only thing between the world and their manhood. As doublets became fashionably shorter, the codpiece was needed to cover the area, but it eventually evolved from simple concealment to fanciful embellishment with King Henry VIII of England famously sporting a massive codpiece. Not only did it emphasize his regal bits, but it may have also held medicine to relieve symptoms associated with syphilis. The codpiece craze came to a close when Queen Elizabeth I dictated that men’s fashion become more feminized. By the end of her reign in 1603, it was replaced by a vertical opening concealed in folds of material that evolved into something today you may refer to as a fly. And as always - thanks for watching!
Background and context
Recorded in New Orleans at Piety Street Recording in the Bywater in September and October 2010, the album features cover versions of 1960s classics and seven new songs, four of which were co-written by Faithfull herself. One of the new songs, "The Old House", was specially written for her by Irish playwright Frank McGuiness. There are two cameo appearances on guitar from Lou Reed with further cameos from Dr. John and MC5's Wayne Kramer. The album was produced by long-term collaborator Hal Willner.
Critical reception
Rolling Stone gave the album a three-star rating, stating it is "heavy with lost love and Faithfull's honey-over-gravel voice."[1]
Track listing
- "The Stations" (Greg Dulli, Mark Lanegan) – 4:24
- "Why Did We Have To Part" (Laurent Voulzy, Faithfull) – 3:45
- "That’s How Every Empire Falls" (R.B. Morris) – 5:51
- "No Reason" (Jackie Lomax) – 2:51
- "Prussian Blue" (David Courts, Faithfull) – 5:03
- "Love Song" (Lesley Duncan) – 4:37
- "Gee Baby" (J.J. Johnson, Mary Alma Baker, Sylvia Robinson, Tyler T. Texas) – 2:49
- "Goin' Back" (Carole King, Gerry Goffin) – 3:41
- "Past Present and Future" (Arthur Butler, George "Shadow" Morton, Jerry Leiber) – 2:46
- "Horses and High Heels" (Doug Pettibone, Faithfull) – 3:52
- "Back in Baby’s Arms" (Allen Toussaint) – 4:19
- "Eternity" (Doug Pettibone, Faithfull) – 4:03
- "The Old House" (Frank McGuiness, Leo Abrahams) – 4:04
Bonus tracks on the vinyl edition:
- "Fragile Weapon" (Devon T. Williams)
- "I Don´t Wanna Know" (Rupert Charles Guidy)
Charts
Chart (2011) | Peak position |
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Austrian Albums Chart[2] | 68 |
Dutch Mega Albums Chart[3] | 78 |
French Albums Chart[4] | 37 |
Italian Albums (FIMI)[5] | 91 |
Swedish Albums Chart[6] | 34 |
Swiss Albums Chart[7] | 26 |
UK Indie Chart[8] | 16 |
In 2011 it was awarded a double silver certification from the Independent Music Companies Association which indicated sales of at least 40,000 copies throughout Europe.[9]
CD by==References==
- ^ Ghansan, Rachel Kaadzi (4 August 2011). "Marianne Faithfull: Horses and High Heels". Rolling Stone. No. 1136. p. 77.
- ^ Hung, Steffen. "Marianne Faithfull - Horses And High Heels". Austriancharts.at. Archived from the original on 28 November 2011. Retrieved 18 May 2021.
- ^ Hung, Steffen. "Marianne Faithfull - Horses And High Heels". Hitparade.ch. Retrieved 18 May 2021.
- ^ "lescharts.com - Marianne Faithfull - Horses And High Heels". Lescharts.com. Retrieved 18 May 2021.
- ^ "Italiancharts.com – Marianne Faithfull – Horses and High Heels". Hung Medien. Retrieved 15 April, 2024.
- ^ "swedishcharts.com - Marianne Faithfull - Horses And High Heels". Swedishcharts.com. Retrieved 18 May 2021.
- ^ "Marianne Faithfull - Horses And High Heels". Hitparade.ch. Archived from the original on 2 February 2011. Retrieved 18 May 2021.
- ^ "Official Independent Albums Chart Top 50 | Official Charts Company". Officialcharts.com. Retrieved 18 May 2021.
- ^ "Color". Archived from the original on 11 September 2017. Retrieved 11 September 2017.