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High Sierra (film)

From Wikipedia, the free encyclopedia

High Sierra
Highsierra.JPG
Theatrical release poster
Directed byRaoul Walsh
Screenplay byJohn Huston
W. R. Burnett
Based onHigh Sierra
by W. R. Burnett
Produced byMark Hellinger
Starring
CinematographyTony Gaudio
Edited byJack Killifer
Music byAdolph Deutsch
Distributed byWarner Bros.
Release date
Running time
100 minutes
CountryUnited States
LanguageEnglish
Budget$491,000[2]
Box office$1.5 million[2]

High Sierra is a 1941 American Film Noir directed by Raoul Walsh, written by William R. Burnett and John Huston from the novel by Burnett, and starring Ida Lupino and Humphrey Bogart. Its plot follows a career criminal who becomes involved in a jewel heist in a resort town in California's Sierra Nevada, along with a young former taxi dancer (Lupino).

Parts of the film were shot on location at Whitney Portal, halfway up Mount Whitney.

The screenplay was co-written by John Huston, Bogart's friend and drinking partner, adapted from the novel by William R. Burnett (also known for, among others, Little Caesar and Scarface).[3] The film cemented a strong personal and professional connection between Bogart and Huston,[4] and provided the breakthrough in Bogart's career, transforming him from supporting player to leading man. The film's success also led to a breakthrough for Huston, providing him with the clout he needed to make the transition from screenwriter to director, which he made later that year with his adaptation of The Maltese Falcon (1941), starring Bogart.

The film contains extensive location shooting, especially in the climactic final scenes, as the authorities pursue Bogart's character, gangster "Mad Dog" Roy Earle, from Lone Pine up to the foot of the mountain.

Plot

An aged gangster, Big Mac, is planning a robbery at a fashionable California resort hotel in the resort town of Tropico Springs in the Sierra Nevada. He wants the experienced Roy Earle, whose recent release from an Indiana prison by a governor's pardon he has arranged, to lead the heist and to take charge of the operation. Roy drives cross-country to an abandoned logging camp in the mountains to meet with the three men who will assist him in the heist: Louis Mendoza, who works as a clerk in the hotel, Red, and Babe, who are already living at the camp. Babe has brought along Marie, a dance hall performer from San Francisco.

Deriding Marie's involvement, he insists she return to her home in Los Angeles, but after an argument, he agrees to her staying. At the camp, Algernon, a handyman, introduces Roy to Pard, a small dog to whom he takes a liking. Roy decides to adopt the dog. Meanwhile, Marie falls in love with Roy, but he does not reciprocate. In Tropico Springs, Roy witnesses a minor car accident involving a poor family, among them Velma, a young woman with a clubbed foot who walks with a limp. Swiftly enamored with Velma, Roy pays for corrective surgery to allow her to walk normally, despite her grandfather's warning that Velma is engaged. While she is recovering, Roy asks Velma to marry him, but she refuses, explaining that she is devoted to her fiancé, Lon.

The group execute the heist at the hotel, but it goes awry when they are interrupted by a security guard. Roy makes his getaway with Marie, but Mendoza, Red, and Babe are involved in a car crash, killing Red and Babe. Mendoza is captured, and police question him. Roy and Marie drive to Los Angeles with the jewels, only to find that Big Mac has died of a heart attack and that Jake Kranmer, an ex-policeman, has taken over the operation. Kramner tries to force Roy to give him the jewels, but a defiant Roy shoots him to death.

Back in Tropico Springs, Roy stops to see Velma one last time, having promised her he would come to see her able to walk. He then meets with a fence who is to exchange money for the stolen jewels, but the man tells Roy he cannot pay him the $10,000 immediately. Still in possession of the jewels, Roy and Marie go into hiding, holing up in a hotel, but panic when Roy's name and face make newspaper headlines, along with mentions of Marie and their dog, Pard.

Deciding that he would be safer on his own, Roy sends Marie to Las Vegas by bus, and heads back to Los Angeles to exchange the jewels. However, he is forced to change direction upon finding that police have set up roadblocks. Roy is pursued by police back into the mountains, where he is forced to abandon his car and flee on foot. Marie hears a news broadcast about the chase, and is subsequently interrogated by investigators, who try to persuade her to lure Roy out of hiding. She refuses, however, aware that Roy would rather die than return to prison, though she is forced to accompany them on their search in the mountains. Meanwhile, Roy hides out behind a large rock on the mountainside.

At dawn, police set Pard free, and he soon locates Roy, who is awoken by the dog's barking. Assuming Marie has found him, Roy runs out onto a precipice, calling her name, only to be killed by a sharpshooter from above. Marie watches in horror from below as Roy's body topples down the mountain peak. Followed by officers, Marie rushes to Roy's body, as does Pard, who lies down next to him. As Marie is escorted away with Pard, she takes small comfort in knowing that Roy will not have to again face prison.

Cast

Themes

Luke Goodsell, writing for Senses of Cinema, writes that High Sierra presents its heist narrative as "something of a grasp for the fabled new America. Here, the Old West has been replaced by health spas and diets and a clean-living California; not coincidentally, a land that flourished in tandem with the aspirational illusion of Hollywood."[5]

Production

George Raft was originally intended to play Roy Earle, but Bogart, who took a great interest in playing the role, managed to talk Raft out of accepting it.[6] Walsh tried to persuade Raft otherwise but Raft did not want to die at the end.[7] Filmink said Raft "turned down High Sierra because it was another gangster part, despite the excellent source material and Raoul Walsh directing (admittedly Paul Muni rejected the role first for the same reason… but Muni was a proper actor, well established in a variety of parts and Raft wasn’t)."[8]

Bogart had to persuade director Walsh to hire him for the role, since Walsh envisioned Bogart as a supporting player rather than a leading man.

Bogart's character's dog, "Pard", was erroneously believed by some to be canine actor "Terry" ("Toto" from The Wizard of Oz). In fact, he is Bogart's own dog, Zero. In the final scene, Buster Wiles, a stunt performer, plays Roy's corpse. His hand is filled with biscuits to encourage Pard to lick Roy's hand.[9]

Many key shots of the movie were filmed on location in the Sierra Nevada. In a climactic scene, Bogart's character slid 90 feet (27 m) down a mountainside to his just reward. His stunt double, Wiles, bounced a few times going down the mountain and wanted another take to do better. "Forget it," said Raoul Walsh. "It's good enough for the 25-cent customers."[10] Special effects were handled by Byron Haskin.[11]

Release

Box office

High Sierra opened theatrically in Los Angeles on January 24, 1941.[1] According to Warner Bros. records, the film made $1,063,000 domestically ($18.7 million in 2020 terms) and $426,000 ($7.5 million in 2020 terms) in other territories.[2]

Critical response

Critic Bosley Crowther liked the acting in the picture, and wrote, "As gangster pictures go, this one has everything—speed, excitement, suspense, and that ennobling suggestion of futility, which makes for irony and pity. Mr. Bogart plays the leading role with a perfection of hard-boiled vitality, and Ida Lupino, Arthur Kennedy, Alan Curtis, and a newcomer named Joan Leslie handle lesser roles effectively. Especially, is Miss Lupino impressive as the adoring moll. As gangster pictures go—if they do—it's a perfect epilogue. Count on the old guard and Warners: they die but never surrender."[12]

Time reviewed the film when released as having "less of realistic savagery than of the quaint, nostalgic atmosphere of costume drama." The reviewer noted, "What makes High Sierra something more than a Grade B melodrama is its sensitive delineation of gangster Earle's character. Superbly played by Actor Bogart, Earle is a complex human being, a farmer boy who turned mobster, a gunman with a string of murders on his record who still is shocked when newsmen call him "Mad-Dog" Earle. He is kind to the mongrel dog (Zero) that travels with him, befriends a taxi dancer (Ida Lupino) who becomes his moll, and goes out of his way to help a crippled girl (Joan Leslie). All Roy Earle wants is freedom. He finds it for good on a lonely peak in the mountains."[13]

Rotten Tomatoes gives the film a critic score of 91% based on 22 reviews.[14]

Home media

Warner Home Video released High Sierra on DVD in November 2003.[15] On October 12, 2021, The Criterion Collection released a new edition of the film on Blu-ray and DVD.[16]

Adaptations

It was adapted as a radio play on two broadcasts of The Screen Guild Theater, first on January 4, 1942, with Humphrey Bogart and Claire Trevor, the second on April 17, 1944, with Bogart and Ida Lupino.[17] The film was remade twice:[18]

See also

References

  1. ^ a b "In Gang Drama". Los Angeles Evening Citizen News. January 21, 1941. p. 6 – via Newspapers.com.
  2. ^ a b c Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 1 doi:10.1080/01439689508604551
  3. ^ Sperber & Lax 1997, p. 119.
  4. ^ Meyers 1997, p. 115.
  5. ^ Goodsell, Luke (2017). "California Dreamin': High Sierra (Raoul Walsh, 1941)". Senses of Cinema (84). ISSN 1443-4059. Archived from the original on December 7, 2020.
  6. ^ Curtains for Roy Earle: The Story of 'High Sierra' (2003)
  7. ^ Walsh, Raoul (1974). Each man in his time; the life story of a director. Farrar, Straus and Giroux. p. 353.
  8. ^ Vagg, Stephen (February 9, 2020). "Why Stars Stop Being Stars: George Raft". Filmink.
  9. ^ Hughes 2006, p. 16.
  10. ^ Sperber & Lax 1997, p. 127.
  11. ^ Moss 2011, p. 430.
  12. ^ Crowther, Bosley. The New York Times, film review, "High Sierra, Considers the Tragic and Dramatic Plight of the Last Gangster," January 25, 1941. Accessed: January 29, 2008.
  13. ^ Time. "The New Pictures," February 17, 1941. Accessed: April 17, 2008.
  14. ^ "High Sierra", Rotten Tomatoes, retrieved October 19, 2021
  15. ^ Erickson, Glenn (November 4, 2003). "High Sierra". DVD Talk. Archived from the original on September 23, 2020.
  16. ^ Cole, Jake (October 12, 2021). "Blu-ray Review: Raoul Walsh's High Sierra Joins the Criterion Collection". Slant Magazine. Archived from the original on October 16, 2021.
  17. ^ "Those Were The Days". Nostalgia Digest. 41 (3): 32–39. Summer 2015.
  18. ^ Agostinelli 2004, p. 135.

Sources

  • Agostinelli, Alessandro (2004). Una filosofia del cinema americano. Individualismo e noir [A Philosophy of American cinema: Individualism and Noir] (in Italian). Pisa, Tuscany: Edizioni ETS. ISBN 978-8-846-70811-3.
  • Hughes, Howard (2006). Crime Wave: The Filmgoers' Guide to the Great Crime Movies. London, England: I. B. Tauris. ISBN 978-1-84511-219-6.
  • Meyers, Jeffrey (1997). Bogart: A Life in Hollywood. London, England: Andre Deutsch Ltd. ISBN 978-0-233-99144-3.
  • Moss, Marilyn (2011). Raoul Walsh: The True Adventures of Hollywood's Legendary Director. Lexington, Kentucky: University Press of Kentucky. ISBN 978-0-813-13394-2.
  • Sperber, A. M.; Lax, Eric (1997). Bogart. New York City, New York: William Morrow & Co. ISBN 978-0-688-07539-2.

External links

Streaming audio

This page was last edited on 17 November 2021, at 20:23
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