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From Wikipedia, the free encyclopedia

Herbert Klynn
Born
Herbert David Klynn

(1917-11-11)November 11, 1917
Cleveland, Ohio
United States
DiedFebruary 3, 1999(1999-02-03) (aged 81)
Occupation(s)Animator, Television Producer, Painter
SpouseSelma Klynn

Herbert Klynn (November 11, 1917 – February 3, 1999) was an American animator at UPA from 1944 to 1959 eventually rising to the role of Vice President and Production Chief. He worked on various Mr. Magoo cartoons and Gerald McBoing-Boing cartoons as well as cartoon shorts such as Madeline (1952) and Christopher Crumpet (1953).

In 1959 he founded the television animation studio Format Films, best known for producing The Alvin Show and The Lone Ranger, as well as eleven Road Runner cartoons and three Daffy Duck and Speedy Gonzales cartoons for Warner Bros.'s Looney Tunes and Merrie Melodies series.

Format Productions also created title sequences for several TV series, including I Spy, Honey West, the animated characters on the television variety show Hee Haw, animated various TV commercials, and created film title designs for The Glory Guys and Clambake.

Klynn worked on various projects with author Ted Geisel (Dr. Seuss), and also worked with Academy Award-winning designer Saul Bass. He worked alongside sci-fi writer Ray Bradbury in creating the Oscar-nominated “Icarus Montgolfier Wright,” an animated story of the first human travel to the Moon.

Herb Klynn co-created the short lived sitcom The Duck Factory, which was the first leading role for Jim Carrey in 1984.

A longtime member of the Academy of Motion Picture Arts and Sciences, Klynn donated his considerable film and TV archive to the USC School of Cinema-Television and to the Museum of Television and Radio Broadcasting in Beverly Hills and New York. He also proposed the original idea of the Student Academy Awards which has been held since 1973.[1]

Klynn received the Winsor McCay Award in 1991;[2] one of the highest honors given to an individual in the animation industry in recognition for career contributions to the art of animation.

The Format Films archives are at the University of Wyoming.

YouTube Encyclopedic

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  • Man Alive! (United Productions of America, 1952)

Transcription

[The American Cancer Society presents] [Man Alive! Color by Technicolor. Copyright MCMLII The American Cancer Society] [Produced by UPA, United Productions of America] [Story - Bill Scott, William Roberts. Design - Art Heinemann, Sterling Sturtevant. Music- Benjamin Lees. Voices - Vic Perrin, Dorothy Scott, Bill Scott. Animation - Cecil Surry, Phil Monroe, Rudy Larriva. Color - Robert McIntosh, Doris Gorelick, Michi Kataoka, Jules Engel. Production Manager...Herbert Klynn.] [Executive Producer - Stephen Bosustow, Director - William T. Hurtz] [Narrator:] The great out-of-doors. Restful, calm, majestic, there's nothing like it to give you the feeling that it's great to be alive. Everyone shares in the feeling. Everyone that is except Ed Parmalee. Ed has a problem. No, it isn't Marion, his wife, it's this. Ed doesn't know what's making that noise. What's more, he's afraid to find out. Why? He's scared it might be something serious and his fear has distorted his judgment. He knows something is the matter with the engine, but because he's scared of what it might be, he won't admit anything is wrong. That's what a simple fear can do. Here are some other things it can do. [Marion:] Ed, what's that noise? [Ed:] Noise? What noise? [Narrator:] Ed's not really an idiot; he is simply denying the source of anxiety, pretending there's nothing there. Fear can also make us project the anxiety. Try to laugh it all. [Marion:] It's the kind of knock, knock, knock, knock. [Ed:] Oh, I get it, knock, knock, who's there? Marion. Marion who? Marion Hayes, repent at leisure. [Laughter] [Narrator:] Or if that doesn't work there's the camouflage called icy disdain. [Marion:] Why don't you go back to Glassner's Garage? [Music] Now, Ed, you're just being stubborn. Just the way you are about your stomach trouble. [Ed:] Oh, for crying out loud, lay off will you? [Narrator:] And that was the last refuge in ducking the issue -- anger. Unreasoning anger, but you can't drive away anxiety about your car or your stomach by denial, sarcasm or anger. There are always reminders. [Music] [Billboard promoting cancer screening looms ahead of Bill and Marion.] [Camera zooms in on symptom number 5: Persistent Indigestion.] [Ed:] Forget it. [Narrator:] And there comes a time when it's impossible to ignore the trouble any longer. [Car's engine begins sputtering. ] [Ed stops the car, gets out, and opens the hood.] [Narrator:] So you may want advice. It's easy to get. [Man standing behind Ed as he peers under car hood:] Looks bad. Once they start to go it's curtains. [Second man:] Have luck, try the crank shaft. [Third man:] Nay, rebore the widget fittings. [Fourth man:] My brother-in-law had the same trouble. Blooey! [Narrator:] Ed is now more confused and worried than he was before. But what's this? Hmm, save expensive repair bills, recondition your own motor. Results guaranteed. Well, there are the results and they're guaranteed. [Marion:] Now will you take it to Glassner's, Ed? [Mechanic:] Well, I tell you what I'd do, Mac, a place down the road a ways, a fellow name of Clyde has a special system for taking a motor down. Save you some dough. [Narrator:] This is Clyde. [A figure with an evil smile, clad in green, slides out from under a car and backs Ed's car into the garage.] [Narrator:] Got a special system for taking a motor apart. [Clyde holds a hand grenade which he tosses into the hood of the car. An explosion is heard from inside the garage.] [Clyde:] Little worse shape than I figured Jack. I've got to put a king-sized ring flangers [inaudible] pump suppressors and miller casing mount. [Ed:] Uh-huh. [Narrator:] Ed didn't save a dime by going to Clyde. [Music] [Man:] Too bad, Mr. Parmalee. Wish you'd brought it in when the trouble first started. Now.. Well, here's the tariff. We replaced it. What's the matter, Mr. Parmalee? Something bothering you? [Narrator:] Yes, something is bothering Ed. His stomach. As Marion said, it's been on the blink for a couple of weeks now. Again, Ed's worried and scared. Worried that his indigestion might be something serious, and scared to face the problem. So, when the subject comes up. [Marion:] Why do you take that stuff all the time, Ed? [Narrator:] He uses the same bag of tricks: denial. [Ed:] What do you mean? I don't take it all the time. [Narrator:] Laughing it off. [Marion:] I don't think it does you any good. [Ed:] Well, well, the Florence Nightingale of Blake Street. [Laughter] [Marion:] We were talking about your stomach. [Narrator:] Icy disdain. [Music] [Narrator:] And finally anger. [Marion:] Ed, I wish you'd go and see a doctor. [Ed:] Get out! [Narrator:] Just a minute, Ed . [Ed:] Huh? [Narrator:] You're being pretty difficult you know. [Ed:] I'm being difficult? [Narrator:] Right. The same as you were about your uhh car. [Ed:] Oh. [Narrator:] You know your body is a lot like your car motor except that it's a little harder to buy new parts for it. When your motor is in good shape, it runs like this. [humming sound] When something goes wrong, it usually gives you a warning. [clanking sound] Your body usually gives you a warning too. When it does, it's best to pay attention and do something about it. [Ed:] Do something? My medicine cabinet is loaded with stuff. [Narrator:] Ed, using that in your stomach is like using this in your engine. It's dangerous. Look, Ed, you've had indigestion for more than a couple of weeks. Remember that sign board? It's something that could mean cancer. [Ed:] Yeah. Well, I might as well give up then. Like the fellows were saying just the other day. [Man 1:] Cancer, once it starts in, it's curtains. [Man 2:] Runs in the family. [Man 3:] Contagious too. [Man 4:] My wife's uncle had it. Blooey! [Narrator:] You've heard amateur diagnoses before. You ought to know what it's worth. Nothing. [Ed:] Well what can I do? [Narrator:] Very simple. Get your clothes on and go right now to see a doctor. [Ed:] Yeah, yeah. [Narrator:] It's perfectly right and normal to be afraid of cancer. Cancer is an enemy, but you don't fight it by getting panicky. Instead you take positive action. You go to a man who has the weapons to fight the enemy. Wait a minute. Ed, Ed, that's not the man. Remember Clyde the mechanic with the special system? This is the same type of operator. Yes, the only man to trust is a recognized physician. Ed's still pretty nervous. [Nurse:] All right, Mr. Parmalee. [Narrator:] You're always more scared of something you know nothing about and Ed has a lot to learn about cancer. Here are the facts. Cancer is not contagious. Cancer is not hereditary. Cancer is curable. Thousands of Americans are cured of cancer every year by one or more of three recognized cures; surgery, x-ray and radium. You see, a cancer is a group of cells within your body whose growth is uncontrolled and very rapid. At first the cancer may be localized, but unless its growth is checked quickly it spreads. It may spread this way by direct extension, or which is even more dangerous, it may spread like this with cells leaving the main part of the cancer and entering the bloodstream to lodge and grow in other parts of the body. This is called metastasis. It can happen to a cancer at any time. When it does, the problems of locating and attacking the cancer are greatly increased. Cancer must be found and treated before it extends too far or metastasizes. Early examination is half the battle in successful cancer treatment. That means going to a doctor. With new scientific methods, we can accurately detect cancer much earlier than we could even five years ago. But in order to get to a doctor early, we must constantly be on the lookout for cancer's danger signals. Watch for these. Any sore that does not heal. A lump or thickening in the breast or elsewhere. Unusual bleeding or discharge. Any change in a wart or mole. Persistent indigestion or difficulty in swallowing. Persistent hoarseness or cough. Any change in normal bowel habits. Thousands of people are enjoying life today because they went to their doctor's early, but the fact is that twice as many people could be cured of cancer every year if we would all do these things. Watch for the danger signals. Ignore rumormongers. Keep away from quacks. Put no trust in so-called home remedies for cancer. Go to the doctor regularly for checkups, and go immediately when a symptom shows up that might mean cancer. But here's Ed again a few days later waiting for the results of his examination. [Nurse:] All right, Mr. Parmalee. [Doctor:] Well, Ed, here are the answers you've been waiting for. [Narrator:] Ed realizes now how valuable was the time he wasted in denial, sarcasm, and anger. [Doctor:] Fear and worry. To get to the point you're most concerned about though, Ed, you do not have cancer. [Ed:] Ed: I don't! I don't! Oh, what a knucklehead I've been. Oh, why didn't I get down here weeks ago? Oh, boy! No more worrying. [Narrator:] Hold it, Ed. It is foolish to worry day and night about cancer, but it's just as foolish not to worry about it at all. Be on guard. Don't let fear make a mess of your life again, but use your good common sense. Well, Ed's not making the same mistake twice. Now, he watches for warning signals and goes to a doctor every six months for a checkup no matter how well he may feel. Oh, yes, and so does Marion. What a difference it makes ensuring their health, their peace of mind, their dispositions. Ed and Marion are able to enjoy life to its fullest. [Music] [The End. UPA. United Productions of America.] [This film was made possible by your contributions to the American Cancer Society] [from the film library of the American Medical Association]

References

  1. ^ History of the Student Academy Awards
  2. ^ "Annie Awards :: Winsor McCay Award". annieawards.org. Archived from the original on 2015-07-12. Retrieved 2016-11-19.

External links


This page was last edited on 27 December 2023, at 03:11
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