Herbert Juttke (1897–1952) was a British-born German screenwriter who worked on around fifty film screenplays during his career. He frequently collaborated with Georg C. Klaren, working on a number of Expressonist screenplays during the silent and early sound eras. They worked on the scenario for Alfred Hitchcock's 1931 German film Mary.[1] Following the Nazi rise to power, Juttke emigrated to France.
Filmography
- From Morn to Midnight (1920)
- Department Store Princess (1926)
- Die Kleine und ihr Kavalier (1926)
- I Liked Kissing Women (1926)
- Wie bleibe ich jung und schön - Ehegeheimnisse (1926)
- Assassination (1927)
- The Transformation of Dr. Bessel (1927)
- Agitated Women (1927)
- Small Town Sinners (1927)
- Flirtation (1927)
- A Murderous Girl (1927)
- The Great Unknown (1927)
- Odette (1928)
- Sex in Chains (1928)
- The Lady and the Chauffeur (1928)
- Casanova's Legacy (1928)
- In Werder the Trees are in Bloom (1928)
- Fair Game (1928)
- A Knight in London (1928)
- Kolonne X (1929)
- Devotion (1929)
- Marriage in Trouble (1929)
- The Lord of the Tax Office (1929)
- Perjury (1929)
- The Right of the Unborn (1929)
- Incest (1929)
- Cagliostro (1929)
- Somnambul (1929)
- The Hound of the Baskervilles (1929)
- A Knight in London (1929)
- Busy Girls (1930)
- Tenderness (1930)
- Between Night and Dawn (1931)
- Mary (1931)
- Madame Bluebeard (1931)
- Kitty schwindelt sich ins Glück (1932)
- Love Must Be Understood (1933)
- A Thousand for One Night (1933)
- Spies at Work (1933)
- On Secret Service (1933)
- Jeunes filles à marier (1935)
- White Cargo (1937)
- The Cheat (1937)
- The Alibi (1937)
- Un scandale aux galeries (1937)
- I Was an Adventuress (1938)
- Gunshot (1939)
- The Emigrant (1940)
- I Was an Adventuress (1940)
- Alibi (1942)
References
- ^ McGilligan p.135
Bibliography
McGilligan, Patrick. Alfred Hitchcock: A Life in Darkness and Light. HarperCollins, 2004.
External links
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This page was last edited on 29 January 2023, at 13:34