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Half the Sky Feminist Theatre

From Wikipedia, the free encyclopedia

Half the Sky Feminist Theatre is a community-based women's theatre group in Hamilton, Ontario. The theatre company is one of a number of women-supportive and women's theatre companies in Canada[1] that work to remedy and redress the scarcity of women as playwrights and leading actors in the Canadian theatre industry.[2]

Founded in 1982 after a women.s center conference Sheila Simpson from Ireland had read about feminist theatre in Montreal Pol Pelliter and she suggested doing a play.[3] in the wake of a performance by at a conference hosted by the Hamilton Women's Centre, the group has written or performed a number of plays by, for, and about women. By 1986 The Hamilton Spectator had recognized the theatre troupe as "one of several independent groups bubbling just below the surface of Hamilton's established theatre companies... [and] trying to get off the ground to bring Hamilton's cultural community a dramatic alternative."[4] Some of Half the Sky's performances include: its first production, Hot Flashes (collectively written, performed 1983); Take a Midol Martha (Grace Eaman, performed 1983); Moon Tree (Martha Boesing, performed 1985); Last Summer at Bluefish Cove (Jane Chambers, performed 1987); Albertine in Five Times (Michel Tremblay, performed 1988); Going Up (Julia Willis,[5] performed 1990); Collateral Damage (Jackie Crossland, performed 1993);[6] Eleemosynary (Lee Blessing, performed 1994);[7] Hannah Free (Claudia Allen, a play about LGBT ageing performed for the public[8] as well as for McMaster University's Research Centre for the Promotion of Women's Health in 1997[9]); Good Help is so Hard to Murder (Pat Cook, performed 2008);[10][11] and Random Acts (Diane Flacks, performed 2009).[12]

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References

  1. ^ "Canadian Women's (and Women-Supportive) Theatre Companies and Festivals". Equity in Theatre. Playwrights' Guild of Canada. 2015. Archived from the original on February 4, 2016. Retrieved August 8, 2016.
  2. ^ MacArthur, Michelle (April 2015). "Achieving Equity in Canadian Theatre" (PDF). Playwrights' Guild of Canada. Archived (PDF) from the original on August 9, 2016. Retrieved August 8, 2016.
  3. ^ Brown, Stewart (May 4, 1992). "A Decade Onstage: Feminist Theatre Mounts Retrospective". The Hamilton Spectator. p. D1.
  4. ^ Hemsworth, Wade (August 28, 1986). "Busting Out Onto Centrestage". The Hamilton Spectator.
  5. ^ Julia Willis, "Going Up," in Places Please! The First Anthology of Lesbian Plays, ed. Kate McDermott, Santa Cruz: Aunt Lute Book Company, 1985.
  6. ^ Smith, Gary (May 28, 1993). "Collateral Damage Delivers Message". The Hamilton Spectator. p. D1.
  7. ^ Mahoney, Jeff (June 20, 1994). "This Sparkling Play Is Rich in Insights". The Hamilton Spectator. p. D1.
  8. ^ Brown, Stewart (May 10, 1997). "Tough Themes in Hannah Free: Play Explores Euthanasia, Lesbianism". The Hamilton Spectator. p. A13.
  9. ^ "McMaster Research Centre for the Promotion of Women's Health Report 1998". McMaster University. 1998. § 4. Archived from the original on August 8, 2016. Retrieved August 8, 2016.
  10. ^ Engel, Erika (April 23, 2008). "Half the Sky Goes for Laughs in 25th Anniversary Play". The Hamilton Spectator. p. G13.
  11. ^ Pittis, Robin (April 24, 2008). "Good Help Is So Hard to Murder". Stage. View Magazine.
  12. ^ Smith, Gary (May 15, 2009). "A Welcome Place for Women on the Stage". Arts and Entertainment. The Hamilton Spectator. p. 14.
This page was last edited on 11 January 2024, at 04:51
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