To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
Languages
Recent
Show all languages
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

From Wikipedia, the free encyclopedia

Guy Rosolato (1924–2012) was a French psychoanalyst, who was to become president of the Association Psychoanalytique de France (APF).

YouTube Encyclopedic

  • 1/1
    Views:
    1 777
  • Litza Guttieres-Green : à propos du livre d'André Green, "Penser la psychanalyse"

Transcription

Life, career and contributions

Born in Istanbul, Rosolato served with the Free French in the war, before going into analysis with Jacques Lacan in 1953.[1] He became a training analyst with the newly formed Société Française de Psychanalyse,[2] and followed Lacan into the École Freudienne de Paris in 1964. However, during the controversy over the passe later in the decade, he would leave to join other influential ex-Lacanians in the APF.

A lover of opera, Rosolato's most distinctive theoretical work concerned the role of the voice in the formation of the body-ego – its role as “acoustic mirror” partway between body and language.[3] He saw the maternal voice as providing, from the womb onwards, what he called a “sonorous envelope” for the developing child[4] - something functioning between, and confounding separation and union, entry and departure.[5]

Rosolato also explored and extended Freud's concept of the dead father, of Totem and Taboo, as well as the confusion between the phallic mother and the primitive father in early childhood thought;[6] and was interested in the interaction of psychoanalysis and cinema (as with the practice of projective identification onto the screen).[7]

See also

References

  1. ^ Guy Rosolato
  2. ^ E. Roudinesco, Jacques Lacan (2005) p. 310
  3. ^ J. Hill, Post-Fascist Fantasies (1997) p. 153-4
  4. ^ L. Dunn, Embodie Voices (1996) p. 35
  5. ^ J. Mowitt, Percussion (2013) p. 47
  6. ^ M. Greenberg, Baroque Bodies (2001) pp. 14, 19 and 67
  7. ^ E. Ann Kaplan, Psychoanalysis and Cinema (2013) p. 23
This page was last edited on 10 May 2023, at 23:42
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.