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Golgo 13: The Professional

From Wikipedia, the free encyclopedia

Golgo 13: The Professional
Japanese theatrical poster
Japanese name
Kanjiゴルゴ13
Transcriptions
Revised HepburnGorugo Sātīn
Directed byOsamu Dezaki
Screenplay byShūkei Nagasaka
Based onGolgo 13
by Takao Saito
Produced byNobuo Inada
StarringTetsuro Sagawa
Gorô Naya
Toshiko Fujita
Kōsei Tomita
Kiyoshi Kobayashi
Reiko Mutō
CinematographyHirokata Takahashi
Edited byMasatoshi Tsurubuchi
Music byToshiyuki Kimori
Production
companies
Tokyo Movie Shinsha
Filmlink International
Distributed byToho-Towa
Release date
  • 28 May 1983 (1983-05-28)
Running time
93 minutes
CountryJapan
LanguageJapanese

Golgo 13: The Professional, known as simply Golgo 13 (ゴルゴ13) in Japan, is a 1983 Japanese adult animated action film based on the manga series Golgo 13 by Takao Saito.[1] The film was directed by Osamu Dezaki, produced by Yutaka Fujioka and Mata Yamamoto and was written from a screenplay by Shūkei Nagasaka. It is the first animated film based on the manga, and the third overall Golgo 13 film after two previous live-action films (the second film starring Sonny Chiba as Golgo 13).

Upon its original Japanese theatrical release, Golgo 13: The Professional was the first feature-length animated film to incorporate CGI animation, used in a helicopter action sequence as well as the opening credits. The film was later released in North America by Streamline Pictures in 1992. The Streamline release received mixed reviews from American critics at the time, with praise for the animation design but criticism towards the story, dubbing and adult content.

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Transcription

Plot

Professional contract killer "Golgo 13" - alias Duke Togo, is hired to assassinate Robert Dawson, the son of oil baron Leonard Dawson and the heir of Dawson Enterprises, and succeeds.

Later, Golgo is hired to kill Dr. Z, a shadowy crime boss who rules over the Sicilian mafia. After infiltrating Dr. Z's organization and sleeping with Dr. Z's daughter Cindy, he survives an ambush from the crime boss' henchmen. Surviving the ambush, he calls Cindy to inform her that he had deduced that she is actually Dr Z. Golgo then manages to snipe her on the beach, but is ambushed by Lieutenant Bob Bragan of the US Special Forces. Golgo then survives another ambush by three CIA gents and another ambush by Bragan. Golgo's local contact, a clockmaker, is also murdered by a genetically enhanced supersoldier named Snake. Aided by the Pentagon, the FBI, and the CIA, Dawson has become determined to kill Golgo and avenge his son's death.

Golgo's next job is from a wealthy Holocaust survivor in San Francisco, California to assassinate an ex-Nazi official. With the aid of his contact Rita, a mechanic, he manages to snipe his target but is attacked by Bragan and his forces. The plan fails, and Bragan's entire force is wiped out. However, a dying Bragan manages to wound Golgo. Meanwhile, Rita is murdered by Snake. Golgo then meets up with Pablo, his informant in the Amazon, to find out who set up the hit on him before leaving for Miami to rest and recuperate.

Having been consumed by revenge, Dawson begins to allow the rest of his family to be harmed. To secure Snake's cooperation, he allows him to rape Robert's widow, Laura. Dawson also sends his granddaughter, Emily, and butler, Albert, to an airport to murder Golgo. Later in a meeting with the FBI, the CIA and the Pentagon, demands the release of Gold and Silver, two notorious murderers who were part of a covert government operation to test the survival rate of mercenaries. When the group refuses his request because Gold and Silver are on death row, Dawson threatens to halt all operations that his company controls, which include oil refineries and banks. The group acquiesces to his demands in fear that the economy of the country will collapse. When Laura demands to know why Dawson has refused to seek vengeance on whoever ordered the hit on Robert, he refuses to answer. Despondent, Laura decides to leave Dawson, as well as Emily.

Golgo then makes his way to New York after recuperating in Miami with the aid of Pablo, the last of his contacts. Emily tries to shoot Golgo in the airport. The shot misses, and Albert reaches for his handgun. Golgo shoots Albert in the chest, a crowd gathers, and Golgo walks away. Pablo then informs Golgo that Dawson ordered the hit on him and that the tycoon is currently in his highrise headquarters of Dawson Castle. Pablo also reluctantly informs Golgo that his wife and children are being kept at ransom in the tower. Golgo then kills Pablo in self-defence.

Golgo arrives at Dawson Castle and begins his ascent to the top floor on foot. He first plays a game of cat and mouse with a fleet of helicopter gunships sent to kill him. While on the move, Golgo is attacked by Snake, and a brutal knifefight occurs between the two in an elevator, during which Snake manages to stab Golgo. A Bell AH-1 attack helicopter shoots the elevator, killing Snake while Golgo hides by the edge unseen by the helicopter. Gold and Silver are then sent to ambush Golgo. During the attack, Golgo counters both of them. As Gold reopens one of Golgo's prior stab wounds, Golgo bludgeons Gold on the head repeatedly with the butt of his revolver and shoots him. Silver, blinded by rage at his partner's death, rushes at Golgo, who quickly stuffs a grenade in Silver's mouth, which kills him. Golgo then proceeds towards Dawson.

Admitting failure, Dawson orders all action against Golgo to end. Golgo finally encounters Dawson at the top of his building. Following a brief monologue, Dawson attempts suicide by leaping out of the window. As he falls, Dawson remembers Robert's suicide note, which reveals that, despite receiving much care from his father throughout his lifetime, Robert was overcome with grief over the possibility that he would never fulfill his father's ambitions; unable to commit suicide, he requested that Golgo kill him. Before Dawson hits the ground, Golgo shoots him in the head. Dawson falls headfirst, crushing his skull and any evidence that he was shot. His death is ruled as accidental by the authorities.

Afterwards, Golgo encounters Laura, who has since become a prostitute. Trying to get the attention of men as they pass her by, she recognizes the assasin. She eventually draws a pistol and aims it at Golgo, but when she hesitates to fire, he turns his back to her and walks away. Laura finally proceeds to shoot; the shot rings out and the scene fades. Golgo walks away into the night with a bullet hole in his back as the credits roll.

Cast

Character Japanese English
(Streamline Pictures, 1992)
Duke Togo/Golgo 13 Tetsurō Sagawa Gregory Snegoff
Leonard Dawson Gorō Naya Michael McConnohie
Cindy Toshiko Fujita Joyce Kurtz
Lt. Bob Bragan Kōsei Tomita Mike Reynolds
Gen. T. Jefferson Kiyoshi Kobayashi Edward Mannix
Laura Dawson Reiko Mutō Edie Mirman
Rita Kazue Komiya Diane Michelle
E. Young Ichirō Murakoshi Michael Forest
F. Garvin Shingo Kanemoto David Povall
The Clockmaker Koichi Chiba Jeff Winkless as Informant
Pablo Takeshi Aono Kerrigan Mahan
Robert Dawson Kei Tomiyama Tony Oliver
Bishop Moretti Rokurō Naya John Dantona
Pago Shunsuke Shima Steve Kramer as Paco
Albert Kōichi Kitamura Milton James
Emily Dawson Kumiko Takizawa Karlyn Michelson
Computer 1 Operator Kazuo Hayashi Carl Macek (uncredited)
Cindy's Bodyguard Daisuke Gōri Kerrigan Mahan (uncredited)
Cindy's Minion Issei Futamata Jeff Winkless as Jean (uncredited)
Jailer Yusaku Yara Simon Prescott (uncredited)
Big Snake Mitsuo Senda Gregory Snegoff as Snake
Gold Unknown Eddie Frierson
Silver Rokurō Naya[2] Kerrigan Mahan

Production

The film features the voice acting of Tetsurō Sagawa, Gorō Naya, Toshiko Fujita, Kōsei Tomita, Kiyoshi Kobayashi and Reiko Mutō. The film was released by Toho-Towa on May 28, 1983.

Golgo 13: The Professional is also the first animated film to incorporate CGI animation,[3] created by Koichi Omura and Satomi Mikuriya at Toyo Links Co., Ltd. This is most notable in a scene where army helicopters circle around Dawson Tower and attack Golgo as he climbs toward Dawson's office on the top floor. The CGI scene was created by Koichi Omura (大村皓一 Ōmura Kōichi) and Satomi Mikuriya (御厨 さと美 Mikuriya Satomi) at Toyo Links Co., Ltd. (トーヨーリンクス Tōyō Rinkusu).

Reception

The film received largely mixed reviews from American film critics when it was screened in America by Streamline Pictures in 1992. The film was praised by Boston Globe writer Betsy Sherman who cited the animation, visual style, and English dubbing as draws.[4] However, The New York Times reviewer Janet Maslin was highly critical of the film, noting its excessive violence and a scene of sexual assault. She was also critical of the dialogue, writing, and story of the film.[5] LA Weekly was also critical of both the film, calling Golgo himself "2 dimensional", and the story as "cookie cutter" while saying that the film lacked the humanizing elements that Lone Wolf and Cub did.[6] Newsday critic Gene Seymore gave it 2 1/2 stars.[7] Philadelphia Inquirer reviewer Steven Rea called the film a disappointing adaption of the original comic, citing stiff animation and dialogue, with the excessive violence being the only element that someone might find appealing.[8]

Several reviewers compared the film to live-action film Die Hard (1988) starring Bruce Willis.[9] Bob Strauss gave the film just one star out of four, saying the film was "amateurish", and that it lacked the exotic or fantastical elements seen in other Japanese animated films.[10] Charles Solomon in The Los Angeles Times was also critical of the film, citing Golgo 13 as an "emotional void" on the film because he remained expressionless regardless of the situation whether it's frantic action or love making.[11]

The 1996 movie guide "Seen That, Now What?", it was given the rating of "B", stating it to be "a sprawling crime thriller laced with liberal amounts of sex and graphic violence, marked by stylized design, extreme camera angles, and unpredictable plot twists."[12]

Retrospectively, Dave Halverson praised the film following its release on DVD in 2005, calling the film slickly made and entertaining.[3]

In popular culture

Quentin Tarantino paid homage to the Golgo 13 anime in the animated sequence of Kill Bill: Volume 1 (2003).[13]

References

  1. ^ "劇場編" [Theatrical Releases]. 1998 Animage Pocket Data Notes. Animage Pocket Data Notes (in Japanese). Tokyo, Japan: Tokuma Shoten. March 1998. p. 74.
  2. ^ "Golgo 13: The Professional (1983)". Seiyū Jiten (in Japanese). Archived from the original on August 1, 2020. Retrieved January 27, 2019.
  3. ^ a b Halverson, Dave (December 2005). "Anime Reviews: The Professional Golgo 13". Play. No. 48. United States of America. p. 92.
  4. ^ Sherman, Betsy (October 2, 1992). ""The Professional": Animated Violence". The Boston Globe. Archived from the original on January 19, 2022. Retrieved January 19, 2022.
  5. ^ Massin, Janet (October 23, 1992). "Animated Violence from Comic Books". The New York Times. Archived from the original on May 26, 2015. Retrieved January 19, 2022.
  6. ^ "Film New Releases - Golgo 13 The Professional". LA weekly. February 11, 1993.
  7. ^ Seymore, Gene (October 23, 1992). "A Hit man as Cartoon Hero". Newsday. Archived from the original on January 19, 2022. Retrieved January 19, 2022.
  8. ^ Rea, Steven (January 8, 1993). "Hit Japanese comic book disappointment on screen". The Philadelphia Inquirer. Archived from the original on January 19, 2022. Retrieved January 19, 2022.
  9. ^ The Phantom of the Movies (October 26, 1992). "'The Professional' Draws on Gore". New York Daily News. Archived from the original on January 19, 2022. Retrieved January 19, 2022.
  10. ^ Strauss, Bob (February 6, 1993). "Japanese animated movie professional in name only". News-Pilot. Archived from the original on January 19, 2022. Retrieved January 19, 2022.
  11. ^ Solomon, Charles (February 5, 1993). "Professional Treads Violent Old Ground". Los Angeles Times. Archived from the original on January 19, 2022. Retrieved January 19, 2022.
  12. ^ Shaw, Andrea (1996). Seen That, Now What?: The Ultimate Guide to Finding the Video You Really Want to Watch. Simon and Schuster. p. 48. ISBN 9780684800110.
  13. ^ Clements, Jonathan; McCarthy, Helen (2015). The Anime Encyclopedia, 3rd Revised Edition: A Century of Japanese Animation. Stone Bridge Press. p. 629. ISBN 9781611729092. Archived from the original on 2020-08-01. Retrieved 2018-03-06.

External links

This page was last edited on 29 March 2024, at 22:22
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