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Gielgud Theatre

From Wikipedia, the free encyclopedia

Gielgud Theatre
Gielgud Theatre in 2011
AddressShaftesbury Avenue
London, W1
United Kingdom
Coordinates51°30′42″N 00°07′59″W / 51.51167°N 0.13306°W / 51.51167; -0.13306
Public transitLondon Underground Leicester Square; Piccadilly Circus
OwnerDelfont Mackintosh Theatres
DesignationGrade II[1]
TypeWest End theatre
Capacity994 on three levels
Production2:22 A Ghost Story
Opened27 December 1906; 117 years ago (1906-12-27)
ArchitectW. G. R. Sprague
Website Edit this at Wikidata

The Gielgud Theatre is a West End theatre, located on Shaftesbury Avenue, at the corner of Rupert Street, in the City of Westminster, London. The house currently has 994 seats on three levels.

The theatre was designed by W. G. R. Sprague and opened on 27 December 1906 as the Hicks Theatre, named after Seymour Hicks, for whom it was built. The first play at the theatre was a hit musical called The Beauty of Bath co-written by Hicks. Another big success was A Waltz Dream in 1908. In 1909, the American impresario Charles Frohman became manager of the theatre and renamed the house the Globe Theatre, a name that it retained for 85 years. Call It a Day opened in 1935 and ran for 509 performances, a long run for the slow inter-war years. There's a Girl in My Soup, opening in 1966, ran for almost three years, a record for the theatre that was not surpassed until Daisy Pulls It Off opened in April 1983 to run for 1,180 performances.

Refurbished in 1987, the theatre has since presented several Alan Ayckbourn premieres, including Man of the Moment (1990), as well as a notable revival of An Ideal Husband in 1992. During reconstruction of Shakespeare's Globe theatre on the South Bank, in 1994 the theatre was renamed the Gielgud Theatre in honour of John Gielgud. Another refurbishment was completed in 2008.

The Globe's theatre cat, Beerbohm, became famous enough to receive a front-page obituary in the theatrical publication The Stage in 1995.


Early years

The theatre opened on 27 December 1906 as the Hicks Theatre in honour of actor, manager and playwright Seymour Hicks, for whom it was built. Designed by W.G.R. Sprague in Louis XVI style, the theatre originally had 970 seats, but over the years boxes and other seats have been removed. The theatre is a pair with the Queen's Theatre, which opened in 1907 on the adjacent street corner.

The first play at the theatre was a musical called The Beauty of Bath by Hicks and Cosmo Hamilton. My Darling, another Hicks musical, followed in 1907, followed by the original London production of Brewster's Millions, and the next year, the long-running London premiere production of the Straus operetta, A Waltz Dream . An astonishing event occurred midway through the run of the theatre's next major work, a musical titled The Dashing Little Duke (1909), which was produced by Hicks. Hicks' wife, Ellaline Terriss, played the title role (a woman playing a man). When she missed several performances due to illness, Hicks stepped into the role – possibly the only case in the history of musical theatre where a husband succeeded to his wife's role.[2]

In 1909, the American impresario Charles Frohman became sole manager of the theatre and renamed the house Globe Theatre (the "Globe Theatre" on Newcastle Street had been demolished in 1902, making the name available). The reopening production was His Borrowed Plumes, written by Lady Randolph Churchill, Winston Churchill's mother. During the First World War, the musical Peg O' My Heart was a success at the theatre. Noël Coward debuted his Fallen Angels here in 1925. Call It a Day by Dodie Smith opened in 1935 and ran for 509 performances, an unusually long run for the slow inter-war years. Shakespeare and classic plays, as well as musicals, were seen at the theatre in the decades that followed. In 1939, actor John Gielgud directed and starred in a revival of The Importance of Being Earnest that was "regarded at the time as the definitive production of the 20th century."[3]

After World War II

Gielgud took his production of The Lady's Not for Burning, by Christopher Fry, to the Globe Theatre in 1949 for a successful West End premiere.[4] Likewise, in 1960, A Man For All Seasons had its stage premiere here. Terence Frisby's There's a Girl in My Soup, opening in 1966, ran for 1,064 performances at the theatre, a record that was not surpassed until Andrew Lloyd Webber's production of the Olivier Award-winning comedy Daisy Pulls It Off by Denise Deegan opened in April 1983 to run until February 1986[5] for 1,180 performances, the theatre's longest run. In 1987 Peter Shaffer's play Lettice and Lovage had a hit London premiere, starring Maggie Smith and Margaret Tyzack, and running for two years. One of several Coward revivals in recent decades, Design for Living, starring Rachel Weisz, transferred to the theatre in 1995. When Lloyd Webber rewrote Tell Me on a Sunday, he relaunched it at the theatre to good notices.[6]

The Globe was the home of a resident theatre cat named Beerbohm, after actor Herbert Beerbohm Tree. The tabby's portrait still hangs in the corridor near the stalls. Beerbohm appeared on stage at least once in every production, forcing the actors to improvise. He always chose to occupy certain actors' dressing rooms while they were at the theatre, including Peter Bowles, Michael Gambon and Penelope Keith. Beerbohm was mentioned several times on Desert Island Discs, and he was the only cat to have received a front-page obituary in the theatrical publication, The Stage.[7] He died in March 1995 at the age of 20.[8]

Gielgud in 1973. The theatre was named after him in 1994.

Refurbished in 1987, with extensive work on the gold leaf in the auditorium, the theatre is particularly notable for its beautiful circular Regency staircase, oval gallery and tower. The theatre has presented several Alan Ayckbourn premieres, including Man of the Moment (1990). Oscar Wilde's classic comedy, An Ideal Husband (1992) and One Flew Over the Cuckoo's Nest (2004) saw notable revivals, and the Royal Shakespeare Company and others have brought several Shakespeare and classic play revivals to the theatre in recent decades. The 2007 production of Equus attracted considerable press for the nude appearance of 17-year-old Daniel Radcliffe, who was still filming the Harry Potter films. The production was successful enough to transfer to Broadway and ran to 2009 there.[9] Musicals returned in 2009 with a transfer of Avenue Q, and then a transfer from Broadway of Hair the next year, followed by the West End premiere of the stage version of Yes, Prime Minister before it went on tour.[10]

In 1994, in anticipation of the 1997 opening of the reconstruction of Shakespeare's Globe Theatre on the South Bank, to avoid public confusion, the theatre was renamed the Gielgud Theatre in honour of John Gielgud. The Globe's theatre cat, named Beerbohm, became famous enough to receive a front-page obituary in the theatrical publication The Stage in 1995. In 2003, Cameron Mackintosh announced plans to refurbish the Gielgud, including a joint entrance foyer with the adjacent Queen's Theatre, facing on to Shaftesbury Avenue. Mackintosh's Delfont Mackintosh Theatres took over operational control of the Gielgud from Andrew Lloyd Webber's Really Useful Theatres in 2006.

Work on the facade of the theatre started in March 2007 and the interior restoration, including reinstating the boxes at the back of the dress circle, was completed in January 2008. The theatre is one of the 40 theatres featured in the 2012 DVD documentary series Great West End Theatres, presented by Donald Sinden.[11]

Notable productions

Gertie Millar and Robert Evett in A Waltz Dream, 1908

Recent and present productions

Andrew Lloyd Webber has mounted several notable productions at the theatre, and his company owned it for a time.


  1. ^ Historic England (28 June 1972). "Gielgud Theatre (1236174)". National Heritage List for England. Retrieved 9 October 2014.
  2. ^ Seymour Hicks Archived 18 February 2012 at the Wayback Machine at the British Musical Theatre website, 31 August 2004. Retrieved 19 December 2012
  3. ^ "The Importance of Being Earnest: Notable productions", V & A Museum. Retrieved 19 December 2012
  4. ^ Gielgud, John. "Mr. Gielgud discovers Mr. Fry; Reliance on designer." The New York Times, 5 November 1950, p. 98
  5. ^ "Daisy Pulls It Off". Albemarle Theatre. Archived from the original on 5 February 2012.
  6. ^ "Tell Me on a Sunday (Gielgud Theatre)", BBC review, 16 April 2003. Retrieved 19 December 2012
  7. ^ Alistair Smith, "Exclusive: Cats to return to West End", The Stage, 8 July 2009. Retrieved 18 December 2012.
  8. ^ Parsons, Andrew. "Theatre Cats" Archived 30 April 2017 at the Wayback Machine, Moggies Web Site, reprinted from The Times, 30 December 2000
  9. ^ "Naked stage role for Potter star", BBC News, 28 July 2006. Retrieved 19 December 2012
  10. ^ Yes, Prime Minister Archived 30 November 2012 at the Wayback Machine, The Corner Shop, 2010. Retrieved 19 December 2012
  11. ^ Fisher, Philip. "Great West End Theatres", British Theatre Guide, 19 February 2012


Further reading

  • Guide to British Theatres 1750–1950, John Earl and Michael Sell pp. 112 (Theatres Trust, 2000) ISBN 0-7136-5688-3
  • Who's Who in the Theatre, edited by John Parker, tenth edition, revised, London, 1947, pp. 477–478 and 1183.
  • Bergan, Ronald, The Great Theatres of London. An Illustrated Companion (Prion, 1990) (ISBN 1-85375-057-3).
  • Berry, Patricia Dee, Theatrical London (Britain in Old Photographs series) (Alan Sutton, 1995) (ISBN 0-7509-0942-0).

External links

This page was last edited on 29 May 2024, at 19:23
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