To install click the Add extension button. That's it.

The source code for the WIKI 2 extension is being checked by specialists of the Mozilla Foundation, Google, and Apple. You could also do it yourself at any point in time.

4,5
Kelly Slayton
Congratulations on this excellent venture… what a great idea!
Alexander Grigorievskiy
I use WIKI 2 every day and almost forgot how the original Wikipedia looks like.
Live Statistics
English Articles
Improved in 24 Hours
Added in 24 Hours
What we do. Every page goes through several hundred of perfecting techniques; in live mode. Quite the same Wikipedia. Just better.
.
Leo
Newton
Brights
Milds

From Wikipedia, the free encyclopedia

Gerald Finley
OC, CBE
Birth nameGerald Hunter Finley
Born (1960-01-30) January 30, 1960 (age 61)
Montreal, Canada
GenresOpera
Occupation(s)Baritone singer
InstrumentsSinger (baritone)

Gerald Hunter Finley, OC, CBE (born January 30, 1960) is a Canadian baritone opera singer.

Early life

Finley was born in Montreal and studied music at St. Matthew's Anglican Church, Ottawa, the University of Ottawa, King's College, Cambridge and the Royal College of Music in London, securing a place at the National Opera Studio. His great-uncle and former organist of Westminster Abbey, Sir William McKie, who lived during his last years in Ottawa, encouraged him in his early musical activities.[1]

Career

In 1985 Finley appeared in the Royal College of Music production of Le Testament de la tante Caroline as the notary Maître Corbeau,[2] and in La vera costanza the following year, where his "rounded bass and an aptness for conventionalised comedy made a vivid character of the rich fop, Villotto".[3]

Finley is particularly renowned for his interpretations of Mozart roles such as Guglielmo, Papageno, Figaro, Count Almaviva and Don Giovanni. He made his Salzburger Festspiele debut in 1991 and returned on several occasions since then, including as Count Almaviva in 2007 and 2009, Don Giovanni in 2011 and Don Alfonso in Così fan tutte in 2013. In 2017 he received critical acclaim for his portrayal imof Aribert Reimann’s Lear.

He made his New York City debut at the Metropolitan Opera on January 24, 1998 as Papageno in Die Zauberflöte. He has subsequently performed the title role of Don Giovanni, Marcello in Puccini's La bohème, and the title role of Rossini's Guillaume Tell at the Metropolitan Opera.[4]

In addition to his success with Mozart, Finley has been active in contemporary opera. He has created a number of roles including J. Robert Oppenheimer in the world premiere of John Adams' opera Doctor Atomic at the San Francisco Opera on October 1, 2005. This opera had its Metropolitan Opera premiere with Finley in the Oppenheimer role on October 13, 2008 and was broadcast as part of the Met's Live in HD broadcast series on November 8, 2008. Other roles he has originated include Harry Heegan in The Silver Tassie by Mark-Anthony Turnage at the English National Opera and the title role in Fantastic Mr. Fox by Tobias Picker at the Los Angeles Opera.[5]

Expanding his repertoire, Finley sang the title role of Eugene Onegin at the Royal Opera House, Covent Garden in March 2008. This was the second time he has sung a Tchaikovsky role for the Royal Opera; the first being Prince Yeletsky, from Pique Dame. In 2011 he sang Hans Sachs in the Glyndebourne Opera production of Die Meistersinger von Nürnberg to much critical acclaim.[6]

Finley debuted at Wiener Staatsoper as Count Almaviva in Le nozze di Figaro on 03 June 2012. He returned for lead roles in the premieres of two important new productions: the Forester in Janáček’s Příhody lišky Bystroušky in June 2014, and Amfortas in Wagner’s Parsifal in March 2017.

Finley has been critically praised in both opera and concert. After a recital at Carnegie Hall in March, 2007, he was praised by New York Times critic Bernard Holland as having a "bass-baritone of easy luxury" and that his "sensibilities begin with the pre-eminence of words."[7] His portrayal of Schumann's Dichterliebe at the Wigmore Hall in 2006 was also highly praised.

Finley appears on a number of recordings, including several solo albums on the Hyperion label, including Bach cantatas, songs by Barber, Ives and Ravel, Schubert's Schwanengesang and Winterreise, Brahms's Vier ernste Gesänge, and Schumann's Dichterliebe and Liederkreis.[5]

In June 2014, he was made an Officer of the Order of Canada.[8]

In October 2014 he opened the Canadian Opera Company 2014-2015 season as the title character in Falstaff. It was his return to the company after an absence of 20 years and his first appearance as Verdi's Fat Knight.[9]

On May 14, 2015, he performed the world premiere of True Fire by the Finnish composer Kaija Saariaho, which the composer dedicated to Finley.[10][11]

Finley was appointed Commander of the Order of the British Empire (CBE) in the 2017 Birthday Honours (UK) for services to opera.[12]

Finley portrayed the knight Gurnemanz in an Eastertide production of Wagner's Parsifal at Wiener Staatsoper in April 2017.

On August 20, 2019, Finley performed the baritone solo in the BBC Proms performance of William Walton's "Belshazzar's Feast".

In September 2020, during the COVID-19 pandemic, Finley played the titular role in Bluebeard's Castle in a London Symphony Orchestra performance which was made available online.[13]

Selected discography

Finley's many recordings include:[14]

  • Franz Schubert: Winterreise, accompanied by Julius Drake (Hyperion, 2014)
  • Songs by Samuel Barber, accompanied by Julius Drake (Hyperion, 2007)
  • Maurice Ravel: Songs, accompanied by Julius Drake (Hyperion, 2009)
  • Wigmore (Hall) Live, Songs by Tchaikovsky, Musorgsky and Rorem, accompanied Julius Drake (Wigmore Live, 2008)
  • Ives: Songs (vol.11), Romanzo di Central Park with Gerald Finley, accompanied by Julius Drake (Hyperion, 2008)
  • Vaughan Williams: The Pilgrim's Progress, conducted by Richard Hickox (Chandos, 1998)

References

  1. ^ Gurewitsch, Matthew (5 November 2010). "Gerald Finley, Baritone With Broad Repertory". The New York Times.
  2. ^ Forbes, Elizabeth. School performances: Prima Donna and Le Testament de la tante Caroline. Royal College of Music, July 18. Opera, October 1985, Vol.36 No.10, p1206.
  3. ^ Jacobs, Arthur. La vera costanza. Royal College of Music at Jeannetta Cochrane Theatre, March 5. Opera, May 1986, Vol.37 No.5, p597-598.
  4. ^ MetOpera database.  Retrieved 29 November 2007.
  5. ^ a b Artist's page on Hyperion Records. Retrieved 29 November 2007.
  6. ^ [1] Archived 2011-06-25 at the Wayback Machine. Retrieved 30 June 2011.
  7. ^ Bernard Holland, 'A Vocalist Who Relishes the Poetry', New York Times, March 26, 2007. Retrieved 29 November 2007.
  8. ^ Toronto Star (30 June 2014). "Rick Mercer and Chris Hadfield among Order of Canada recipients ". Retrieved 1 July 2014.
  9. ^ COC 2014-2014 Season. Retrieved 07 October 2014.
  10. ^ Saariaho, Kaija (April 14, 2015). "True Fire (2014)". G. Schirmer Inc. Retrieved January 15, 2016.
  11. ^ Schlinger, Henry (May 17, 2015). "Review: Gustavo Dudamel and Jean-Yves Thibaudet Perform Ravel". Culture Spot LA. Retrieved January 15, 2016.
  12. ^ "No. 61962". The London Gazette (Supplement). 17 June 2017. p. B8.
  13. ^ Coghlan, Alexandra (7 November 2020). "Unobtrusively filmed, powerfully performed but still unsatisfying: LSO's Bluebeard reviewed". The Spectator. Retrieved 11 January 2021.
  14. ^ Full discography listings at geraldfinley.com

Further reading

External links

This page was last edited on 2 June 2021, at 01:35
Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.