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Gentlemen Prefer Blondes (1953 film)

From Wikipedia, the free encyclopedia

Gentlemen Prefer Blondes
Theatrical release poster
Directed byHoward Hawks
Screenplay byCharles Lederer
Based onGentlemen Prefer Blondes
by Anita Loos
Joseph Fields
Produced bySol C. Siegel
StarringJane Russell
Marilyn Monroe
CinematographyHarry J. Wild
Edited byHugh S. Fowler
Music byHoagy Carmichael
Jule Styne
Eliot Daniel
Lionel Newman
Distributed by20th Century Fox
Release dates
  • July 1, 1953 (1953-07-01) (Atlantic City)[1]
  • July 15, 1953 (1953-07-15) (New York)
Running time
91 minutes
CountryUnited States
Budget$2.3 million[2]
Box office$5.3 million[3]

Gentlemen Prefer Blondes is a 1953 American musical comedy film directed by Howard Hawks and written by Charles Lederer. The film is based on the 1949 stage musical of the same name, which in turn is based on the 1925 novel of the same name by Anita Loos. The film stars Jane Russell and Marilyn Monroe, with Charles Coburn, Elliott Reid, Tommy Noonan, George Winslow, Taylor Holmes and Norma Varden in supporting roles.

The film is filled with comedic situations and musical numbers, choreographed by Jack Cole, while the music was written by Hoagy Carmichael, Harold Adamson, Jule Styne and Leo Robin. The songs by Styne and Robin are from the Broadway show, while the songs by Carmichael and Adamson were written especially for the film. Despite the film's title, Monroe was paid her usual contract salary of $500 a week, while Russell, the better-known actress at the time, earned $200,000.

Monroe's rendition of "Diamonds Are a Girl's Best Friend" and her pink dress are part of popular culture and are considered iconic; the performance has inspired and been recreated by various artists as an homage.

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  • Gentlemen Prefer Blondes (Erkekler Sarışınları Sever) 1953 HD



Lorelei Lee and Dorothy Shaw are American showgirls and best friends, although the two are very different. Lorelei thinks more of a man's financial wealth and likes men who can support her passion for diamonds, such as her fiancé Gus, who can provide all of her financial needs. Dorothy prefers men who are attractive and fit, and she does not care about their wealth.

Lorelei plans to wed Gus in France, but they are forbidden to travel together by Gus's strict father Esmond Sr., who despises Lorelei. Lorelei decides to travel to France with or without Gus, and before she leaves, he gives her a letter of credit to cover expenses upon her arrival, and promises to later meet her in France. However, he also warns her to behave, noting that his father will prohibit their marriage if Esmond Sr. hears rumors of misdeeds. Gus and Lorelei are unaware that Esmond Sr. has hired private detective Ernie Malone to spy on Lorelei.

Jane Russell as Dorothy Shaw

During the Atlantic crossing, Malone immediately falls in love with Dorothy, but she has already been drawn to the members of the male Olympic team. Lorelei meets the rich and foolish Sir Francis "Piggy" Beekman, the owner of a diamond mine, and is attracted by his wealth. Although Piggy is married, Lorelei naively returns his geriatric flirtations, which annoys his wife, Lady Beekman.

Lorelei invites Piggy to the cabin that she shares with Dorothy, where he recounts his travels to Africa. Malone spies through the window and takes pictures of them but is caught by Dorothy as he walks away. She tells Lorelei, who fears for her reputation. They devise a scheme to intoxicate Malone and search him to recover the incriminating film while he is unconscious. They find the film in his pants, and Lorelei prints and hides the negatives. Revealing her success to Piggy, she persuades him to give her Lady Beekman's tiara. However, Malone reveals that he had planted a recording device in Lorelei's cabin and has heard her discussion with Piggy about the pictures and the tiara. Malone implies that Lorelei is a gold digger and when Dorothy scolds him for his actions, he admits to being a liar. However, Dorothy reveals to Lorelei that she is falling for Malone, and Lorelei chastises her for choosing a poor man when she could easily have a rich one.

Marilyn Monroe as Lorelei Lee performing "Diamonds Are a Girl's Best Friend"

The ship arrives in France, and Lorelei and Dorothy spend time shopping. However, they discover that Lorelei's letter of credit has been canceled and are then evicted from their hotel because of the information that Malone shared with Esmond Sr. They are forced to find work as showgirls in Paris, headlining a lavish revue. When Gus appears at their show, Lorelei rebuffs him and then performs "Diamonds Are a Girl's Best Friend". Meanwhile, Lady Beekman has filed charges regarding her missing tiara, and Lorelei is arraigned for theft. Dorothy persuades Lorelei to return the tiara, but they discover that it is missing from her jewelry box. Piggy tries to deny his part in the affair when Malone catches him at the airport.

Dorothy stalls for time in court by pretending to be Lorelei, disguised in a blonde wig and mimicking her friend's breathy voice and mannerisms. When Malone appears in court and is about to unmask Dorothy, she reveals to Malone in covert language that she loves him but would never forgive him if he hurts Lorelei. Malone withdraws his comments but then reveals that Piggy has the tiara, exonerating Lorelei.

Back at the nightclub, Lorelei impresses Esmond Sr. with a speech on the subject of paternal money and argues that if Esmond Sr. had a daughter instead of a son, he would want the best for her. He agrees and consents to the marriage. A double wedding is held for Lorelei and Dorothy and their grooms.



Although Hawks is credited as the sole director of the film, Russell and assistant choreographer Gwen Verdon contend that Monroe's iconic musical number "Diamonds Are a Girl's Best Friend" was actually directed by choreographer Cole. Russell said, "Howard Hawks had nothing to do with the musical numbers. He was not even there."[4] Hawks later confirmed this in an interview with author Joseph McBride: "I did a musical called Gentlemen Prefer Blondes, and I didn't do the production numbers. I didn't have any desire to."[5] According to Monroe's last interview before her death, Russell was paid $200,000 for the film, while Monroe was paid her usual $500-per-week salary.[6]


Drive-in advertisement from 1953.

Box office

The film earned $5.3 million at the box office worldwide, and was the seventh-highest-grossing film of 1953,[3] with $5.1 million in North America,[7] while Monroe's next feature, How to Marry a Millionaire, was the fourth-highest.

Critical reception

The film received positive reviews from critics. Monroe and Russell were both praised for their performances even by critics who panned the film.[8]

Bosley Crowther of The New York Times called Howard Hawks' direction "uncomfortably cloddish and slow" and found the gags for Russell "devoid of character or charm," but concluded, "And yet, there is that about Miss Russell and also about Miss Monroe that keeps you looking at them even when they have little or nothing to do."[9]

Variety wrote that Hawks "maintains a racy air that brings the musical off excellently at a pace that helps cloak the fact that it's rather lightweight, but sexy, stuff. However, not much more is needed when patrons can look at Russell-Monroe lines as displayed in slick costumes and Technicolor."[10]

Harrison's Reports wrote: "Both Jane Russell and Marilyn Monroe are nothing short of sensational in the leading roles. They not only act well, but the sexy manner in which they display their song, dance and pulchritude values just about sets the screen on fire and certainly is crowd-pleasing, judging by the thunderous applause at the preview after each of the well-staged musical numbers."[11]

John McCarten of The New Yorker wrote that the two leads "have a good deal of enthusiasm, and occasionally their exuberance offsets the tedium of one long series of variations on the sort of anatomical joke that used to amuse the customers of Minsky so inordinately."[12]

Britain's Monthly Film Bulletin praised Jane Russell for her "enjoyable Dorothy, full of gusto and good nature," but thought that the film had been compromised from the play "by the casting of Marilyn Monroe, by the abandonment of the 20s period and the incongruous up-to-date streamlining, by inflating some bright, witty songs into lavish production numbers, and by tamely ending the whole thing by letting two true loves conventionally come true. There is too, a lack of grasp in Howard Hawks' handling, which is scrappy and uninventive."[13]

On review-aggregation website Rotten Tomatoes, the film has an approval rating of 88% based on 88 reviews, with an average rating of 7.8/10. The site's critical consensus reads, "Anchored by Marilyn Monroe and Jane Russell's sparkling magnetism, Gentlemen Prefer Blondes is a delightfully entertaining 1950s musical."[14]

German film director Rainer Werner Fassbinder declared the film one of the ten best ever.[15]

Recent reviews have noted that the film is groundbreaking for its depiction of female friendships and agency for women. Writing for Bust magazine, Samantha Mann wrote, "Throughout the entire film, the main characters Lorelei (Marilyn Monroe) and Dorothy (Jane Russell) display consistent loyalty to one another. There is no back-stabbing, shit-talking, or degrading one another to come out on top or gain the affection of a man. The women remain steadfast in their loyalty to one another, and tolerate no one speaking ill of the other. Providing support and comfort to one another takes priority over finding ways to secure their desired men."[16] Caroline Siede of The A.V. Club wrote the story may appear to be a “90-minute misogynistic punchline about the desperate schemes of two devious social-climbing showgirls, ditzy Lorelei Lee (Monroe) and witty man-eater Dorothy Shaw (Jane Russell). Thankfully, Gentlemen Prefer Blondes is quite the opposite. It’s a cheeky social satire about gender and class that doubles as a celebration of female ingenuity and solidarity, all glammed up in a ballgown and diamonds.”[17]


Monroe and Russell left their handprints and footprints in cement in the forecourt of Grauman's Chinese Theatre in a spectacle that generated a great deal of publicity for the actresses and the film.[18]

Date of ceremony Award Category Recipients Result
February 25, 1954[19] Writers Guild of America Awards Best Written Musical Charles Lederer Nominated

See also


  1. ^ "Gentlemen Prefer Blondes - Details". AFI Catalog of Feature Films. Archived from the original on June 11, 2021. Retrieved June 22, 2018.
  2. ^ Solomon, Aubrey (2002). Twentieth Century Fox: A Corporate and Financial History. The Scarecrow Filmmakers Series. Vol. 20. Lanham, Maryland: Scarecrow Press. p. 248. ISBN 9780810842441. Archived from the original on October 29, 2023. Retrieved November 6, 2014.
  3. ^ a b Solomon, Aubrey (2002). Twentieth Century Fox: A Corporate and Financial History. The Scarecrow Filmmakers Series. Vol. 20. Lanham, Maryland: Scarecrow Press. p. 89. ISBN 9780810842441. Archived from the original on October 29, 2023. Retrieved November 6, 2014.
  4. ^ McCarthy, Todd (1997). Howard Hawks: The Grey Fox of Hollywood (1st ed.). New York: Grove Press. p. 508. ISBN 0-8021-1598-5. OCLC 35919352. Archived from the original on 2022-05-20. Retrieved 2020-12-12.
  5. ^ McBride, Joseph (2013) [1982]. Hawks on Hawks (illustrated [second] ed.). Lexington: University Press of Kentucky. p. 212. ISBN 978-0-8131-4431-3. OCLC 867742212.
  6. ^ Bramesco, Charles (2023-07-01). "Gentlemen Prefer Blondes at 70: Marilyn Monroe remains a dazzling star". The Guardian. ISSN 0261-3077. Archived from the original on 2023-08-29. Retrieved 2023-08-29.
  7. ^ "All Time Domestic Champs". Variety. January 6, 1960. p. 34.
  8. ^ Prial, Frank J. (March 6, 2007). "Voice of the Many, but Rarely Herself". The New York Times. Archived from the original on June 28, 2022. Retrieved November 6, 2014.
  9. ^ Crowther, Bosley (July 16, 1953). "The Screen In Review; Gentlemen Prefer Blondes' at Roxy, With Marilyn Monroe and Jane Russell". The New York Times: 17. Archived from the original on July 17, 2020. Retrieved July 17, 2020.
  10. ^ Brogdon, William (July 1, 1953). "Gentlemen Prefer Blondes". Variety: 6. Archived from the original on November 21, 2015. Retrieved July 17, 2020.
  11. ^ "'Gentlemen Prefer Blondes' with Marilyn Monroe, Jane Russell and Charles Coburn". Harrison's Reports. XXXV (26): 102. June 27, 1953. Retrieved July 17, 2020.
  12. ^ McCarten, John (July 25, 1953). "The Current Cinema". The New Yorker. p. 46. Archived from the original on 17 July 2020. Retrieved 17 July 2020.
  13. ^ "Gentlemen Prefer Blondes". The Monthly Film Bulletin. 20 (236): 131. September 1953.
  14. ^ "Gentlemen Prefer Blondes". Rotten Tomatoes. Flixster. Archived from the original on 2023-03-31. Retrieved 2023-08-29.
  15. ^ "Gentlemen Prefer Blondes". ArtsEmerson. Archived from the original on 8 March 2021. Retrieved 17 July 2020.
  16. ^ Mann, Samantha (January 24, 2019). ""Gentlemen Prefers Blondes" Is A Feminist Buddy Comedy". Bust. Archived from the original on 27 August 2022. Retrieved 20 July 2022.
  17. ^ Siede, Caroline (July 5, 2019). "Gentlemen Prefer Blondes is bubbly and smart, just like Marilyn Monroe". The A.V. Club. Archived from the original on 20 July 2022. Retrieved 20 July 2022.
  18. ^ "Actresses Marilyn Monroe and Jane Russell putting signatures, hand and foot prints in cement at Grauman's Theater, 1953". Los Angeles Times. June 17, 1953.
  19. ^ "Writers Guild of America, USA: Awards for 1954". IMDb. Archived from the original on March 1, 2017. Retrieved November 11, 2014.

External links

This page was last edited on 11 May 2024, at 21:59
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