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Fritz Arno Wagner

From Wikipedia, the free encyclopedia

Fritz Arno Wagner
Born(1889-12-05)5 December 1889
Died18 August 1958(1958-08-18) (aged 68)
Resting placeWaldfriedhof Dahlem cemetery
Alma materAcadémie des Beaux-Arts
University of Leipzig
OccupationCinematographer
MovementGerman Expressionism

Fritz Arno Wagner (5 December 1889 – 18 August 1958) is considered one of the most acclaimed German cinematographers from the 1920s to the 1950s.[1] He played a key role in the Expressionist film movement[2] during the Weimar period and is perhaps best known for excelling "in the portrayal of horror" according to noted film critic Lotte H. Eisner.[3]

Background

Born in Schmiedefeld am Rennsteig, Germany, Wagner received his training at the Académie des Beaux-Arts in Paris.[3] In 1910, while still attending the University of Leipzig, he managed to secure a job as a clerk at the Pathé film company.[4] In 1912, he became both secretary and chef at the Pathé offices in Vienna and later in Berlin.[5]

Career as cinematographer

An iconic scene of the shadow of the vampire climbing up a staircase from F.W. Murnau's "Nosferatu" (1922)
An iconic scene of the shadow of the vampire climbing up a staircase from F.W. Murnau's "Nosferatu" (1922)

Interested in cinematography he became a newsreel cameraman in 1913 and was stationed in New York for Pathé Weekly where he reported on the Mexican Revolution. At the outbreak of World War I in 1914, he returned to Germany to enlist in his country's elite Hussar cavalry whilst still filming war reports.[6][7] However, after being wounded, he decided to take the job of stills photographer and then 2nd cameraman at Projektions-AG Union PAGU. In 1919, he went to work as a primary cameraman for Decla-Bioscop.

Peter Lorre gazing into a shop window in Fritz Lang's "M" (1931). Lang and Wagner used glass and reflections throughout the film for expressive purposes.
Peter Lorre gazing into a shop window in Fritz Lang's "M" (1931). Lang and Wagner used glass and reflections throughout the film for expressive purposes.

Along with Karl Freund, Wagner became Germany's leading cinematographer of the 1920s and 1930s, a master of the dark, moody lighting that characterized the expressionist movement.[8] He worked with some of Germany most prominent directors, including Ernst Lubitsch on Madame Du Barry (1919), F.W. Murnau on The Haunted Castle (1921), The Burning Soil (1922) and his classic Nosferatu (1922), and G.W. Pabst on four features, The Love of Jeanne Ney (1927), Westfront 1918 (1930), Comradeship (1931) and The Threepenny Opera (1931) based on the Bertolt Brecht and Kurt Weill musical. He also collaborated with Fritz Lang on four films, Destiny (1921), Spies (1928), M (1931) and The Testament of Dr. Mabuse (1932).

After the Nazis took over in 1933, causing many of the country's leading film directors to flee Germany for the U.S. (including his main collaborators: Murnau, Pabst and Lang) Wagner's career began to decline. To make ends meet he abandoned his unique style and turned to making glossy costume epics and musicals for The Ministry of Propaganda at Universum Film AG [Ufa] where he had once worked under Erich Pommer.[9] After WWII, he worked for a couple of years as a director of photography of documentaries and newsreels before returning to feature films for the DEFA production company at Studio Babelsberg.[10]

Death

On 18 August 1958, Wagner died in Göttingen in an automobile accident (as his colleague Murnau had 27 years earlier) whilst shooting the comedy Ohne Mutter geht es nicht (It Doesn't Work Without a Mother) for director Erik Ode.[4][5][11][unreliable source?] He is buried at the Waldfriedhof Dahlem am Hüttenweg cemetery in Berlin.

Portrayals

In Shadow of the Vampire, a fictional film about the making of Nosferatu, Wagner is portrayed by Cary Elwes, who also played Lord Arthur Holmwood in the 1992 adaptation of Bram Stoker's Dracula.

Partial filmography

Notes

  1. ^ The concise Cinegraph: encyclopaedia of German cinema By Hans-Michael Bock and Tim Bergfelder (2009)
  2. ^ "Fritz Arno Wagner". Movies & TV Dept. The New York Times. 2012. Archived from the original on 4 November 2012.
  3. ^ a b "The art of memory: Fritz arno wagner, cinematographer & 13 stills from mabuse". 17 June 2007.
  4. ^ a b Brennan, Sandra. "Overview: Fritz Arno Wager". Allmovie. Retrieved 8 November 2009.
  5. ^ a b "Fritz Arno Wagner".
  6. ^ http://www.oldmagazinearticles.com/pdf/WW1%20de%20cav.pdf
  7. ^ Bock, ans-Michael; Bergfelder, im (September 2009). The Concise Cinegraph: Encyclopaedia of German Cinema. ISBN 9780857455659.
  8. ^ "Fritz Arno Wagner".
  9. ^ "Archived copy". Archived from the original on 5 August 2011. Retrieved 17 April 2011.CS1 maint: archived copy as title (link)
  10. ^ "Fritz Arno Wagner - Writer - Films as Cinematographer:, Publications".
  11. ^ "Fritz Arno Wagner". IMDB.
  12. ^ "Fritz Arno Wagner: Filmography". Allmovie. Retrieved 8 November 2009.
  13. ^ "Warning Shadows".
  14. ^ "The Love of Jeanne Ney (No 89)". 30 December 2009.
  15. ^ "Westfront 1918 – Senses of Cinema".
  16. ^ http://home.comcast.net/~flickhead/LangM.html

External links

This page was last edited on 26 October 2021, at 15:59
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