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From Wikipedia, the free encyclopedia

Flightplan
Theatrical release poster
Directed byRobert Schwentke
Written by
Produced byBrian Grazer
Starring
CinematographyFlorian Ballhaus
Edited byThom Noble
Music byJames Horner
Production
companies
Distributed byBuena Vista Pictures Distribution
Release dates
  • September 23, 2005 (2005-09-23) (United States)
  • October 20, 2005 (2005-10-20) (Germany)
Running time
98 minutes[1]
Countries
  • United States
  • Germany
Languages
  • English
  • German
Budget$55 million[2]
Box office$223.4 million[3]

Flightplan is a 2005 mystery psychological thriller film directed by Robert Schwentke from a screenplay written by Peter A. Dowling and Billy Ray. It stars Jodie Foster as Kyle Pratt, a recently widowed American aircraft engineer living in Berlin, who flies back to the U.S. with her daughter and her husband's body. She loses her daughter during the flight and must struggle to find her while proving her sanity at the same time.[N 1] It also features Peter Sarsgaard, Erika Christensen, Kate Beahan, Greta Scacchi, Sean Bean, and Matt Bomer in his film debut.

Distributed by Touchstone Pictures and released theatrically on September 23, 2005, the film received mixed reviews from critics, who praised the direction, performances of the cast (particularly Foster's), and the thriller elements of the film but criticized the screenplay. It was also a major commercial success, grossing over $223 million worldwide against a $55 million budget, and received two nominations at the 32nd Saturn Awards; Best Action or Adventure Film, and Best Actress (for Foster).

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Transcription

[Jet Engine] [Sonic Boom] [Jet Flying] [Music] >>My name is Matthew Berry. I'm Lead Operations Engineer on DC8. I went to school, got my Double-E degree, a Bachelor in Science, at New Mexico State University. The DC-8 is part of the airborne science program. The importance of airborne science is it gives experimenters a tool to where they can real time make upgrades to their equipment, a place to test it out and see if that's what they really want to do in the satellite in orbit. [Music] It's like a test bed for new equipment, you get a lot of different experiments, each campaign has its own unique item that it's searching for- C02 and O2 emissions within the atmosphere, biofuel emissions testing, [Music] some weather type stuff like lightning strikes, we'll go into hurricanes. We get to go everywhere, Houston, you go to Kansas, you go to Maine, and then you get to go to Chile, maybe Germany, it's not really limited. Wherever the science wants to go. >>The experiments that are on, we have the ATM which is the Airborne Topographic Mapper, ATM Topographic Mapper Sigma. >>As an OE, you're basically a big coordinator, you gotta coordinate with all the science teams, the upper management levels, you have to coordinate between the mechanics, you have to coordinate between the avionics techs, you have to coordinate between all the back shops for fabrication. >>...small parts that we can do in house... [Music] >>...what housekeeping you working on right now? >>You're also the technical representative for your ground crews. You gotta be able to talk to all the different shops and know what they need and what information you gotta get to them so you can help solve all the problems. >>Just need some seats in here and we'll be good. Hey Terrance- did you guys already do the connector for the iridium? >>Yeah, here's the antenna cables are right there, here power beneath it. So, it's already here. >>Yeah, so we'll probably have to take that off. >>I like getting my hands dirty. I like being there with the crew, that's the best part. [Music] We deal with a lot of outside experimenters and everything, so there are physical people going on our aircraft that are brining non-aircraft airworthy instruments on. [Music] We'll make sure that all their components, they have a correct layout on all the racks that are on the aircraft, to make sure that it's structurally sound and can withstand all the loads. On the DC-8 for one example there's lasers. And there's a lot of rules that you gotta follow with lasers. for safe eye distance that somebody could look at it with some binoculars or a camera lens. Each laser has to go through a process, get evaluated, and we get that distance. Along with that you have to coordinate it with the FAA. [Music] >>Morning, Karen >>So a typical non-flight day, you're kinda just making sure you have all your paperwork in order, so making sure the aircraft maintenance items are care of, working with the ground crew, see what issues have come up and how we're gonna work to address them. Our favorite thing as Ops Engineers now is working in NAMIS and keeping that up to date with all the maintenance items and making sure that everything stays on track. And if I'm working something in the backshop, I'm kinda coordinating with them for getting the parts fabricated and making sure they have all the materials. I do a lot of preplanning for upcoming missions. A flight day for me gets really busy. If I'm not flying, I'm kinda there early, right when the crew gets there, and just start prepping it, doing the preflight items, you're finalizing all the weight and balance numbers, just running around making sure everything is good to go there and the paperwork is signed off appropriately. And then usually on a day that I fly, I'm usually just getting myself ready with whatever the flight plan is and what the experimenters are wanting to do that day. >>So science we've got Stuart Wu? Here. Mike Rodriguez? Here. We got Sven? You go >>You go to the pre-flight briefing, you give the briefing to the scientists and everything, as a Mission Director, so their safety brief and everything, you just kinda reiterate, get a feel for what they're trying to do and what their main goals are for that mission. [Music] [Jet Engine] >>You sit on the aircraft and control the mission and interface with all the pilots and the scientists at the same time. >>All right everybody we're getting ready for the taxi, so make sure you got all your seat belts on and belted and ready for taxi and take off. [DC-8 taking off] [Music] [Radio Chatter] >>Tonight's mission has us flying out to go over the Indianapolis area, and they'll be taking the laser measurements for CO2 and O2. Today my role is mission director, and what you do is, for this campaign we're monitoring the TCAS system up there because we have lasers onboard so we have to watch out for planes underneath. Normally your'e communicating with the scientists on what changes they need to do, so if we're, like for this mission, kinda worried about clouds and stuff like that, if we're close to a cloud area, the scientists will kinda redirect us and say "Hey, let's move over a little bit to the East or the West or North/South". A lot of it is just doing the coordination and re-coordination of flight routes and making sure that the scientists are following the rules that we set up and that they're getting all the data that they need. [Music] >>You don't realize how fun it is to be flying 500 feet off the ground until you're doing it. And especially in this big tanker, a DC-8, because you know, you kinda see all the smaller aircraft and you think this big DC-8, that kinda scares everybody in the neighborhood. [Music] >> Ok, mission, O2 is off. >>All right, thank you. Ready to close your shutter, right? >>Yes, go ahead and close the CO2 shutter. >>Thank you. [Radio Chatter- Approach & Landing] >>All right, everybody, the seatbelt sign is now officially on, we'll be landing here shortly. [DC-8 Landing] [Music] >>CO2 sounder, how was your flight? >> I had a good flight, thanks. >>LAS, how was your flight? >>After it lands, you kinda come back just to see if there's any aircrew discrepancies, go through the post flight debrief, and just see what they bring up so you work any issues if there are any issues, and help make the decision whether it's gonna be a go, no-go for the next day. [Music] >>I truly love my job, like it's never a dull moment, it's always gonna be something different every day, I really love what I do. [Music]

Plot

Recently widowed Berlin-based American aviation engineer Kyle Pratt takes her husband David's body back to the United States with her 6-year-old daughter Julia, aboard an aircraft she helped design, a brand new Elgin E-474 (loosely based on the Airbus A380 with the aircraft's classification number being similar to the Boeing 747) operated by Aalto Airlines. Awakening from a nap, Kyle finds Julia is gone, and none of the passengers or crew recall seeing her. Flight attendant Stephanie tells Kyle there is no record of her daughter boarding the flight, and Kyle is unable to find Julia's boarding pass and backpack. At a panicked Kyle's insistence, Captain Marcus Rich conducts a search of the aircraft, while sky marshal Gene Carson monitors her. Kyle accuses two Arab passengers of stalking her daughter the night before, resulting in a fight breaking out and Kyle being handcuffed.

Kyle reveals that her husband died falling from the roof of an avionic manufacturing building, which she doubts was suicide. Captain Rich receives a message from a Berlin hospital that Julia died with her father, and is convinced that Kyle, unhinged by her husband's and daughter's deaths, imagined bringing Julia on board. The increasingly erratic Kyle is confined to her seat, where a therapist, Lisa, consoles her. Kyle doubts her own sanity until she notices the heart Julia drew in the condensation on the window next to her seat.

Kyle asks to use the bathroom, where she climbs into the overhead crawl space and sabotages the aircraft's electronics. In the ensuing chaos, she rides a dumbwaiter to the lower freight deck and unlocks David's casket, suspecting Julia to be inside, but finds only her husband's body. Carson escorts her to her seat in handcuffs, and explains that the flight is making an emergency stopover at Goose Bay Airport, in the Canadian province of Newfoundland and Labrador, where she will be taken into custody.

She pleads with Carson to search the aircraft's hold, and he sneaks down to the freight deck. Removing two explosives and a detonator concealed in David's casket, he plants the explosives in the avionics section. It is revealed that Carson and Stephanie have conspired to hijack the aircraft for a $50 million ransom and frame Kyle; they abducted Julia to cause Kyle to unlock the casket. Carson lies to Rich that Kyle is threatening to bomb the aircraft unless the ransom is wired to a bank account and a G3 aircraft is readied upon landing. He then plans to detonate the explosives, killing Julia, and leave Kyle dead with the detonator in her hand.

Landing in Newfoundland, the airliner is surrounded by FBI agents as the passengers exit the aircraft. Kyle confronts Rich, who angrily declares that the ransom has been paid. Realizing that Carson is the perpetrator, she quickly assumes the role of hijacker, commanding Carson to remain aboard and the crew to leave. After the plane's door closes, she strikes Carson unconscious with a fire extinguisher, handcuffs him to a rail, and takes the detonator from his pocket. Carson quickly regains consciousness, frees himself and pursues Kyle, who locks herself in the cockpit, but she manages to draw Carson away by throwing a binder out a hatch door to the upper level as a ruse so she can escape. After an altercation with Kyle, a guilt-ridden Stephanie flees the airliner in a panic.

Kyle finds the unconscious Julia but Carson arrives, revealing that he murdered David in order to smuggle the explosives inside his casket and gagged and dumped Julia into the food bin, believing that neither the passengers nor the crew would care enough to notice. Kyle escapes with Julia into the aircraft's non-combustible hold as Carson shoots at her. She detonates the explosives, killing Carson and damaging the aircraft's landing gear, but she and Julia emerge unscathed as the crew realize she had been telling the truth all along. The next morning, in the passenger waiting section of the airport, Captain Rich apologizes to a seated Kyle holding Julia in her arms as Stephanie is led away by FBI agents for her crimes, while another agent informs them that the Berlin mortuary director has also been arrested, adding that they are tracking down another accomplice who erased Julia's record from the boarding list. Kyle silently redeems herself by carrying Julia through the crowd of passengers who realize the truth. As one of the Arab passengers assists Kyle in loading her luggage onto a waiting van, Julia awakens and sleepily asks "Are we there yet?" as they drive away.

Cast

Production

Development

Peter A. Dowling had the idea for Flightplan in 1999 on a phone conversation with a friend. His original pitch for producer Brian Grazer involved a man who worked on airport security doing a business trip from the United States to Hong Kong, and during the flight his son went missing. A few years later, Billy Ray took over the script, taking out the terrorists from the story and putting more emphasis on the protagonist, who became a female as Grazer thought it would be a good role for Jodie Foster. The story then focused on the main character regaining her psyche, and added the post-September 11 attacks tension and paranoia. There was also an attempt to hide the identity of the villain by showcasing the different characters on the plane. Both Dowling and Ray were allowed to visit the insides of a Boeing 747 at the Los Angeles International Airport to develop the limited space on which the story takes place.[4] The film also draws on Alfred Hitchcock's The Lady Vanishes, in which an older woman goes missing on board a train and only one passenger remembers her, especially in the scene where Kyle discovers the heart drawn by her daughter on the plane window.[5]

Casting

Schwentke said that to make Flightplan as realistic as possible, he wanted naturalistic, subdued performances. One example was Peter Sarsgaard, whom he described as an actor "who can all of a sudden become a snake uncoiling". First-time actress Marlene Lawston was cast as Foster's character's daughter Julia. Sean Bean was cast to subvert his typecasting as a villain and mislead audiences into thinking he was part of the villainous plot.[4] The director also picked each of the 300 passengers through auditions.[6]

Filming

Schwentke described Flightplan as a "slow boiling" thriller, where the opening is different from the faster ending parts. The director added that sound was used to put audiences "off-kilter".[4]

The art direction team had to build all the interiors and the cockpit of the fictional E-474 from scratch, basing both the interior design and layout on the Airbus A380, with its aircraft's classification number similar to the 747. The amount of dead space within the cabin, cargo and avionic areas of the E-474 did not reflect the actual amount of dead space within any aircraft. BE Aerospace provided various objects to "stage the scene"; "many of the interior sets used real aircraft components such as seats, gallies, etc."[7]

To allow for varied camera angles, the set had many tracks for the camera dolly to move, and both the walls and the ceiling were built on hinges so they could easily be swung open for shooting. The design and colors tried to invoke the mood for each scene. For instance, a white room for "eerie, clinical, cold" moments, lower ceilings for claustrophobia, and wide open spaces to give no clues to the audience.[6] Most exterior scenes of the E-474 involve a model one-tenth of the aircraft's actual size, with the images being subsequently enhanced through computer-generated imagery. The explosion in the nose involved both life sized and scaled pieces of scenery. A one-half scale set of the avionics area was constructed to make the explosion and fireball look bigger.[4]

Music

The score for Flightplan was released September 20, 2005, on Hollywood Records. The music was composed and conducted by James Horner, and the disc contains eight tracks. Horner stated that film's score tried to mix the sound effects with "the emotion and drive of the music", and the instruments were picked to match the "feelings of panic" Kyle goes through. These included Gamelan instruments, prepared piano, and string arrangements. No brass instruments are used in the soundtrack.[4]

Reception

Box office

Flightplan opened at #1 in US and Canada, grossing $24.6 million in its opening weekend. It grossed $89,707,299 at the domestic box office and $133,680,000 overseas for a worldwide total of $223,387,299.[3] It also grossed $79,270,000 on DVD rentals.[citation needed]

Critical response

On Rotten Tomatoes the film has an approval rating of 37% based on 179 reviews, with an average rating of 5.3/10. The site's critics consensus states: "The actors are all on key here, but as the movie progresses, tension deflates as the far-fetched plot kicks in."[8] On Metacritic, it has a weighted average score of 53 out of 100 rating, based on 33 critics, indicating "mixed or average reviews".[9] Audiences surveyed by CinemaScore gave the film an average grade B+ on an A+ to F scale.[10]

Film historian Leonard Maltin in Leonard Maltin's 2012 Movie Guide (2011) described Flightplan as "suspenseful at first, this thriller becomes remote and un-involving; by the climax, it's just plain ridiculous."[11]

Roger Ebert gave it 3 and a half out of 4 stars, praising its "airtight plot" and the acting performances.[12] Other reviewers including the Christian Science Monitor criticised "plotholes the size of an Airbus in the script".[13]

Aviation film historian Simon D. Beck in The Aircraft-Spotter's Film and Television Companion (2016) noted that Flightplan was careful in setting the scene. "The aircraft is a fictional mammoth airliner called the 'E-474', a double-deck jumbo modeled strongly after the Airbus A-380, the large size being suitable for the missing-person plot of the film."[7]

Controversy

The Association of Professional Flight Attendants called for an official boycott of Flightplan, which they said depicts flight attendants as rude, unsympathetic and unhelpful towards Foster's character (with some flight attendants and the pilot thinking she is delusional), in addition to one acting as an accomplice to terrorists as part of a strategy to extort a ransom from the airline. The groups postulated that the film could spread distrust of their members among airline passengers.[14]

Tommie Hutto-Blake, president of the Association of Professional Flight Attendants, stated "Should there be another 9/11, it would be critical for the cabin crew to have the support of their passengers, not the distrust that this movie may engender...Our fellow crew members who perished in the line of duty deserve more respect".[14] Two other organizations — the Association of Flight Attendants and Transport Workers Union, Local 556 also called for a boycott.[14]

See also

  • Red Eye, another 2005 psychological thriller taking place during a flight

Notes

  1. ^ The plot's basic premise (albeit with a very different denouement) is similar to a 1955 episode of Alfred Hitchcock Presents titled, "Into Thin Air", as well as Hitchcock's 1938 film The Lady Vanishes. It is also reminiscent of the 1950 British film So Long at the Fair.

References

  1. ^ "Synposis: 'Flightplan' (12A)." British Board of Film Classification, September 26, 2005. Retrieved: November 14, 2015.
  2. ^ "Flightplan (2005) - Financial Information".
  3. ^ a b "Box office: 'Flightplan' (2005)." Box Office Mojo. Retrieved: September 26. 2011.
  4. ^ a b c d e "In-Flight Movie: 'The Making of Flightplan'." Flightplan DVD, 2019.
  5. ^ "'Flightplan' looks like 'The Lady Vanishes'". Star Beacon. September 19, 2007. Retrieved March 3, 2022.
  6. ^ a b "Cabin Pressure: Designing the Aalto E-474." Flightplan DVD, 2019.
  7. ^ a b Beck 2016, p. 99.
  8. ^ "Flightplan (2005)". Rotten Tomatoes. Fandango Media. Retrieved June 21, 2020.
  9. ^ "Flightplan". Metacritic. Retrieved May 4, 2020.
  10. ^ "FLIGHTPLAN (2005) B+". CinemaScore. Archived from the original on December 20, 2018.
  11. ^ Maltin 2011. p. 472.
  12. ^ Ebert, Roger (September 22, 2005). "Flightplan movie review & film summary (2005)". Chicago Sun-Times. Retrieved June 4, 2020.
  13. ^ "Plot holes the size of an Airbus". Christian Science Monitor. September 23, 2005.
  14. ^ a b c "Flight attendants hope to ground 'Flightplan'." Today, September 29, 2005. Retrieved: January 30, 2015.

Bibliography

  • Beck, Simon D. The Aircraft-Spotter's Film and Television Companion. Jefferson, North Carolina: McFarland and Company, 2016. ISBN 978-1-4766-2293-4.
  • Maltin, Leonard. Leonard Maltin's 2012 Movie Guide. New York: Plume Books, 2011. ISBN 978-0-452-29735-7.

External links

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