Fire!! was an African-American literary magazine published in New York City in 1926 during the Harlem Renaissance. The publication was started by Wallace Thurman, Zora Neale Hurston, Aaron Douglas, John P. Davis, Richard Bruce Nugent, Gwendolyn Bennett, Lewis Grandison Alexander, Countee Cullen, and Langston Hughes. The magazine's title referred to burning up old ideas, and Fire!! challenged the norms of the older Black generation while featuring younger authors. The publishers promoted a realistic style, with vernacular language and controversial topics such as homosexuality and prostitution. Many readers were offended, and some Black leaders denounced the magazine. The endeavor was plagued by debt, and its quarters burned down, ending the magazine after just one issue.
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History
Fire!! was conceived by the self-described Niggerati literary group, to express the African-American experience during the Harlem Renaissance in a modern and realistic fashion, using literature as a vehicle of enlightenment. The magazine's founders wanted to express the changing attitudes of younger African Americans. In Fire!! they explored controversial issues in the Black community, such as homosexuality, bisexuality, interracial relationships, promiscuity, prostitution, and color prejudice.[1]
Langston Hughes wrote that the name was intended to symbolize their goal "to burn up a lot of the old, dead conventional Negro-white ideas of the past ... into a realization of the existence of the younger Negro writers and artists, and provide us with an outlet for publication not available in the limited pages of the small Negro magazines then existing."[2] The magazine's headquarters burned to the ground shortly after it published its first issue,[3] ending its operations.
Reception
Fire!! was plagued by debt and encountered poor sales. It was not well received by the Black public because some felt that the journal did not represent the sophisticated self-image of Blacks in Harlem. Other readers found it offensive for many reasons, and it was denounced by Black leaders such as the Talented Tenth, "who viewed the effort as decadent and vulgar".[4] They disapproved of content relating to prostitution and homosexuality, which they considered degrading to "the race." They also thought many pieces published were a throw-back to old stereotypes, as they were written in the slang and language of the southern vernacular. They felt the "undignified" contents reflected poorly on the Black race. As an example, the critic at the Baltimore Afro-American wrote that he "just tossed the first issue of Fire!! into the fire".[5]
Thurman solicited art, poetry, fiction, drama, and essays from his editorial advisers, as well as from such leading figures of the New Negro movement as Countee Cullen and Arna Bontemps. Responses to the magazine ranged from minimal notice in the white press to heated contention among African American critics. Among the latter, the senior rank of intellectuals, such as W.E.B. Du Bois, tended to dismiss it as self-indulgent, while younger figures reacted enthusiastically.
But, The Bookman applauded the journal's unique qualities and its personality.[6] Although this magazine had only one issue, "this single issue of Fire!! is considered an event of historical importance."[7]
Features
The magazine covered a variety of literary genres: it includes a novella, an essay, stories, plays, drawings and illustrations, and poetry.[8]
|
TABLE OF CONTENTS |
|---|
| Cover Designs.................................................................................................Aaron Douglas |
| Foreword |
| Drawing...........................................................................................................Richard Bruce |
| Cordelia The Crude, A Harlem Sketch................................................................Wallace Thurman |
| Color Struck, A Play in Four Scenes..................................................................Zora Neale Hurston |
| Flame From The Dark Tower.............................................................................A Section of Poetry
Edward Silvera Waring Cuney |
| Drawing..........................................................................................................Richard Bruce |
| Wedding Day, A Story.....................................................................................Gwendolyn Bennett |
| Three Drawings...............................................................................................Aaron Douglas |
| Smoke, Lilies And Jade, A Novel, Part I...........................................................Richard Bruce |
| Sweat, A Story..................................................................................................Zora Neale Hurston |
| Intelligentsia, An Essay....................................................................................Arthur Huff Fauset |
| Fire Burns, Editorial Comment..........................................................................Wallace Thurman |
| Incidental Art Decorations................................................................................Aaron Douglas |
Representation in other media
The story of the rise and fall of Fire!! is showcased in the 2004 movie Brother to Brother. It features a gay African-American college student named Perry Williams. He befriends an elderly gay African American named Bruce Nugent. Williams learns that Nugent was a writer and co-founder of Fire!!, and associated with other notable writers and artists of the Harlem Renaissance.
"Fire!!" is heavily mentioned in the play "Smoke, Lilies, and Jade" by Carl Hancock Rux, first developed at the Joseph Papp Public Theater under the direction of George C. Wolfe and later produced at the California Institute of the Arts Center for New Performance; as well as the play, FIRE! written by Jenifer Nii. The play premiered in 2010 at Salt Lake City, Utah's Plan B Theatre Company. The 45 minute play, with one actor playing Wallace Thurman, covers the man's life, with a focus on the production of "Fire!!" and the writing he did following it. The play is performing for the last time and touring schools in the process; to teach Utahn students about Wallace Thurman, who is rarely taught off in the schooling system of his native state; as of April 2023.
References
- ^ Johnson, A., & Johnson, R. (1979). Propaganda and Aesthetics: The Literary Politics of Afro-American Magazines in the Twentieth Century (pp. 80–81). Amherst: The University of Massachusetts Press.
- ^ Samuels, W. (2000). "From the wild, wild west to Harlem's literary salons", Black Issues Book Review, 2(5), 14. Retrieved July 10, 2008, from Academic Search Elite database.
- ^ Hutchinson, George, dir. (2007) The Cambridge Companion to the Harlem Renaissance. New York: Cambridge University Press
- ^ "Drop me off in Harlem" Archived July 5, 2008, at the Wayback Machine, Arts Edge, Kennedy Center, Retrieved July 10, 2008
- ^ Harris, E. (1999). "Renaissance men", Advocate. Retrieved July 11, 2008, from MasterFILE Premier database.
- ^ The Bookman: A Review of Books and Life (September 1926–February 1927), (November 1926), Vol. LXIV (pp. 258–59). George H. Doran Company Publishers.
- ^ "Reuben, P. "Chapter 9: Wallace Thurman, PAL: Perspectives in American Literature: A research and reference guide. Retrieved July 10, 2008". Archived from the original on March 2, 2009. Retrieved July 13, 2008.
- ^ Negro Periodicals in the United States: Series II 1826–1950 (1970). Fire!!: Devoted to Younger Negro Artists. Westport, CT: Negro Universities Press.
External links
This page was last edited on 13 April 2024, at 01:36