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File:Trouble Comes to the Alchemist FA 2000.001.269.jpg

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Original file(1,042 × 1,500 pixels, file size: 995 KB, MIME type: image/jpeg)

Summary

Trouble Comes to the Alchemist   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Unknown authorUnknown author
Title
Trouble Comes to the Alchemist
Description

Trouble Comes to the Alchemist Dutch School, 17th-century

Although the title suggests this is an image of an alchemist, the scene is one of a physician conducting a uroscopy for a female patient. Similar objects are used in both practices, such as a mortar and pestle, a variety of flasks and containers, a human skull, an hourglass, a celestial globe, and books. The alchemist sits at a table, holding a uroscopy flask with fluid in it; he is looking upward, with one hand upraised. An old woman is deliberately emptying her piss pot on the physician's head. To the right of the man stands a woman in a red dress, his patient. Under the table a dog is curled up. The cello in the painting was traditionally a symbol of love and may be a warning about sexual promiscuity. The poem on the table, attributed to Socrates, implies that the furious woman above is like Xanthippe, the Greek philosopher's famously shrewish wife. It reads:

ick wi[s]t wel vrou ten is geen wonder het reghenen [s]ou naer dit gedonder

I knew well woman, it's no wonder, it would rain, after this thunder.

"gedonder" also means "mess" or "trouble"
Date 17th century
date QS:P571,+1650-00-00T00:00:00Z/7
Medium oil on canvas mounted on board
Dimensions height: 31 in (78.7 cm); width: 22.2 in (56.5 cm)
dimensions QS:P2048,31U218593
dimensions QS:P2049,22.25U218593
institution QS:P195,Q5090408
Accession number
FA 2000.001.269
Exhibition history The Fisher Collection at the Franklin Institute, Philadelphia PA, December 13, 1972 to March 4, 1973 nr. 24.
Credit line Gift of Fisher Scientific International, Science History Institute.
Inscriptions

Formerly attributed to Pieter van Slingelandt. Remnants of two different signatures in the bottom right corner: 1. The darker, most visible of the two reads "P. Sl……" It is aged and abraded. The right half is missing. The placement of the signature is strange as it is too far to the right for the entire name to fit.

2. There is a very abraded, older signature, only visible under the stereomicroscope. It starts with a "P" but the rest of the lettering is illegible.
Notes Image downloaded with permission from the Science History Institute, as part of the Wikipedian in Residence initiative.
Source/Photographer Science History Institute, Will Brown.
Permission
(Reusing this file)

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This digital reproduction has been released under the following licenses:

w:en:Creative Commons
attribution
This file is licensed under the Creative Commons Attribution 3.0 Unported license.
Attribution: Science History Institute
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In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

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Date/TimeThumbnailDimensionsUserComment
current17:00, 8 November 2013Thumbnail for version as of 17:00, 8 November 20131,042 × 1,500 (995 KB)Mary Mark Ockerbloom{{Artwork |artist = {{unknown}} |author = |title = ''Trouble Comes to the Alchemist'' |description = ''Trouble Comes to the Alchemist'' Dutch School, 17th-century Oil on canvas mounted on board Although the title suggests this is an image of an...
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