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File:The Temptations on the Ed Sullivan Show.JPG

From Wikipedia, the free encyclopedia

Original file(952 × 1,231 pixels, file size: 494 KB, MIME type: image/jpeg)

Summary

Description
1969 Press Publicity Photograph

8" X 10"

Original publicity still supplied by Bernie Ilson, Inc. / Publicity for Motown Records & The Ed Sullivan Show

Left to right: Otis Williams, Melvin Franklin, Eddie Kendricks, Paul Williams, and Dennis Edwards
Date On or about September 28, 1969
Source http://www.ebay.com/itm/THE-TEMPTATIONS-Press-Publicity-PHOTO-Motown-Dennis-Edwards-/350585721862?ssPageName=ADME:X:AAQ:US:1123
Author Bernie Ilson, Inc.
Other versions

Licensing

This work is in the public domain in the United States because it was published in the United States between 1929 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.

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Additional source information:

Bernie Ilson, Inc. has usually not included explicit copyright notices in its publicity photos, as shown in this 1983 photo of Susam Hammett and Michael Landon and another 1983 photo of Hammett.

As stated by film production expert Eve Light Honthaner in The Complete Film Production Handbook, (Focal Press, 2001 p. 211.):

"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."

Nancy Wolff, includes a similar explanation:

"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." (The Professional Photographer's Legal Handbook By Nancy E. Wolff, Allworth Communications, 2007, p. 55.)

Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:

"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."

Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements. . . [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."[1]

File history

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Date/TimeThumbnailDimensionsUserComment
current06:49, 20 March 2013Thumbnail for version as of 06:49, 20 March 2013952 × 1,231 (494 KB)LpdrewUser created page with UploadWizard

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Basis of this page is in Wikipedia. Text is available under the CC BY-SA 3.0 Unported License. Non-text media are available under their specified licenses. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. WIKI 2 is an independent company and has no affiliation with Wikimedia Foundation.