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Fashions of 1934

From Wikipedia, the free encyclopedia

Fashions of 1934
FashionsOf1934.jpg
theatrical poster
Directed byWilliam Dieterle
Written byHarry Collins
Warren Duff
Screenplay byF. Hugh Herbert
Carl Erickson
Produced byHenry Blanke (uncredited)
StarringWilliam Powell
Bette Davis
Frank McHugh
Hugh Herbert
CinematographyWilliam Rees
Edited byJack Killifer
Music bySammy Fain (music)
Irving Kahal (lyrics)
Distributed byWarner Bros.
Release date
  • February 14, 1934 (1934-02-14)
Running time
78 minutes
CountryUnited States
LanguageEnglish
Budget$317,000[1]
Box office$965,000[1]

Fashions of 1934 is a 1934 American pre-Code musical comedy film directed by William Dieterle with musical numbers created and directed by Busby Berkeley. The screenplay by F. Hugh Herbert and Carl Erickson was based on the story The Fashion Plate by Harry Collins and Warren Duff. The film stars William Powell, Bette Davis, Hugh Herbert and Frank McHugh, and has songs by Sammy Fain (music) and Irving Kahal (lyrics). Sometime after the initial release, the title Fashions of 1934 was changed to Fashions, replacing the original title with an insert card stating "William Powell in 'Fashions'".

Plot

When the Manhattan investment firm of Sherwood Nash (William Powell) goes broke, he joins forces with his partner Snap (Frank McHugh) and fashion designer Lynn Mason (Bette Davis) to provide discount shops with cheap copies of Paris couture dresses. Lynn discovers that top designer Oscar Baroque (Reginald Owen) gets his inspiration from old costume books, and she begins to create designs the same way, signing each one with the name of an established designer.

Sherwood realizes Baroque's companion, the alleged Grand Duchess Alix (Verree Teasdale), is really Mabel McGuire, his old friend from Hoboken, New Jersey, and threatens to reveal her identity unless she convinces Baroque to design the costumes of a musical revue in which she will star. Baroque buys a supply of ostrich feathers from Sherwood's crony Joe Ward (Hugh Herbert) and starts a fashion rage.

Sherwood then opens Maison Elegance, a new Paris fashion house that's a great success until Baroque discovers Lynn is forging his sketches. He has him arrested, but Sherwood convinces the police to give him time to straighten out the situation. He crashes Baroque and Alix's wedding and promises to humiliate the designer by publicly revealing who his bride really is unless Baroque withdraws the charges. The designer agrees and purchases Maison Elegance from Sherwood, who assures Lynn he'll never get involved in another illegal activity if she returns to America with him.

Cast

Cast notes:

  • Arthur Treacher, appearing in his fourth Hollywood film, played his first part as a butler, a role he was to play many times in his long career.[2]

Production

Lynn and Sherwood; Davis disliked the glamorous look Warner Bros. created for her
Lynn and Sherwood; Davis disliked the glamorous look Warner Bros. created for her

With this film, Warner Bros. chief Jack L. Warner tried to change Bette Davis' screen persona by putting her in a platinum blonde wig and false eyelashes and dressing her in glamorous costumes. The actress, who had been trying to convince the studio head to loan her to RKO so she could portray slatternly waitress Mildred Rogers in Of Human Bondage, was appalled at the transformation, complaining they were trying to turn her into Greta Garbo.[3] In an interview with Photoplay editor Kathryn Dougherty, she complained, "I can't get out of these awful ruts. They just won't take me seriously. Look at me in this picture all done up like a third-rate imitation of the MGM glamour queens. That isn't me. I'll never be a clothes horse or romantic symbol."[4] To Gerald Clarke of Time she lamented, "I looked like somebody dressed up in mother's clothes. But it was a great break because I learned from the experience. I never let them do that to me again. Ever!"[5]

Working titles for the film, which was filmed at Warner Bros. Burbank studios in 1933, were King of Fashion and Fashion Follies of 1934. Warners listed writers Gene Markey and Katherine Scola as having adapted the original story that was the basis of the film, but according to the Screen Writers Guild they had nothing to do with the film.[6]

Songs

The film's musical numbers included "Spin a Little Web of Dreams" and "Broken Melody" by Sammy Fain and Irving Kahal and "Mon Homme (My Man)" by Maurice Yvain, Albert Willemetz, and Jacques Charles. Harry Warren wrote the untitled theme that accompanies the fashion show.

Reception

Main title from the trailer
Main title from the original trailer.

Box office

The film was considered a box office disappointment for Warner Bros.[7] According to Warner Bros records the film earned $570,000 domestically and $395,000 foreign.[1]

Critical reception

The New York Times described it as "a brisk show" and added, "The story is lively, the gowns are interesting and the Busby Berkeley spectacles with Hollywood dancing girls are impressive . . . William Dieterle, that expert director who has been responsible for several imaginative pictures, does well by this particular production."[8]

Variety called it "a bit far-fetched and inconsistent . . . but it has color, flash, dash, class, girls and plenty of clothes . . . Just why and how Bette Davis enters the picture never quite rings true."[9]

References

  1. ^ a b c Warner Bros financial information in The William Shaefer Ledger. See Appendix 1, Historical Journal of Film, Radio and Television, (1995) 15:sup1, 1-31 p 15 DOI: 10.1080/01439689508604551
  2. ^ Arthur Treacher at IMDb
  3. ^ "The Lonely Life" by Bette Davis, G.P. Putnam's Sons, 1962, pg. 173
  4. ^ Lorraine LoBianco "Fashions of 1934" TCM article
  5. ^ "Just a Dame from New England" by Gerald Clarke, Time, April 14, 1980
  6. ^ Fashions of 1934  (notes) at the TCM Movie Database
  7. ^ D. W. (Nov 25, 1934). "TAKING A LOOK AT THE RECORD". New York Times. ProQuest 101193306.
  8. ^ The New York Times review
  9. ^ Variety review

External links

This page was last edited on 24 October 2021, at 21:58
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