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From Wikipedia, the free encyclopedia

F minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature consists of four flats. Its relative major is A-flat major and its parallel major is F major.

The F natural minor scale is:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key f \minor \time 7/4
  f4^\markup "F natural minor scale" g aes bes c des es f es des c bes aes g f2
  \clef bass \key f \minor
} }

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F harmonic minor and melodic minor scales are:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key f \minor \time 7/4
  f4^\markup "F harmonic minor scale" g aes bes c des e f e des c bes aes g f2
} }
 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key f \minor \time 7/4
  f4^\markup "F melodic minor scale (ascending and descending)" g aes bes c d e f es! des! c bes aes g f2
} }

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Transcription

Contents

Music in F minor

Three famous pieces in the key of F minor are Beethoven's Appassionata Sonata, Chopin's Piano Concerto No. 2 and Haydn's Symphony No. 49, La Passione.

Glenn Gould once said if he could be any key, he would be F minor, because "it's rather dour, halfway between complex and stable, between upright and lascivious, between gray and highly tinted... There is a certain obliqueness."[1]

Helmholtz once described F minor as harrowing and melancholy. Schubart described this key as "Deep depression, funereal lament, groans of misery and longing for the grave".[citation needed]

Notable compositions

E-sharp minor

E-sharp minor
G-sharp-major e-sharp-minor.png
Relative key G-sharp major
Parallel key E-sharp major
Dominant key B-sharp minor
Subdominant A-sharp minor
Enharmonic F minor
Component pitches
E, F
double sharp
, G, A, B, C, D

E-sharp minor is a theoretical key based on the musical note E and consisting of the pitches E, F

double sharp, G, A, B, C and D. Its key signature has six sharps and one double sharp (or eight sharps).

The E-sharp natural minor scale is:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key eis \minor \time 7/4
  eis4^\markup "Natural minor scale" fisis gis ais bis cis dis eis dis cis bis ais gis fisis eis2
  \clef bass \key eis \minor
} }

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-sharp harmonic minor and melodic minor scales are:

 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key eis \minor \time 7/4
  eis4^\markup "Harmonic minor scale" fisis gis ais bis cis disis eis disis cis bis ais gis fisis eis2
} }
 {
\override Score.TimeSignature #'stencil = ##f
\relative c' {
  \clef treble \key eis \minor \time 7/4
  eis4^\markup "Melodic minor scale (ascending and descending)" fisis gis ais bis cisis disis eis dis! cis! bis ais gis fisis eis2

} }

Its relative major is G-sharp major, which is usually replaced by A-flat major. Its parallel major, E-sharp major, is usually replaced by F major, due to the presence of 4 double-sharps in the E-sharp major scale causing it to be one of the more impractical key signatures in music to use. Although E-sharp minor is usually notated as F minor, it could be used on a local level, such as bars 17 to 22 in Johann Sebastian Bach's The Well-Tempered Clavier, Book 1, Prelude and Fugue No. 3 in C-sharp major. (E-sharp minor is the mediant minor key of C-sharp major.)

See also

Notes

  1. ^ Cathering Meng, Tonight's the Night (Apostrophe Books, 2007): 21

External links

This page was last edited on 15 October 2018, at 13:23
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