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Everyman (Marvel Comics)

From Wikipedia, the free encyclopedia

Everyman
Larry Ekler as Everyman, as appeared on the cover of Captain America #267 (March 1982). Art by Mike Zeck
Publication information
PublisherMarvel Comics
First appearanceCaptain America #267 (Mar 1982)
Created byJ. M. DeMatteis
Mike Zeck
In-story information
Alter egoLarry Ekler
SpeciesHuman
Team affiliationsSchutz Heiliggruppe
Secret Empire
Notable aliasesZeitgeist
AbilitiesAs Everyman:
Use of sword, shield and the Absorbascann
As Zeitgeist:
Use of camera that took pictures of people's death
Wears belt that grants:
Shapeshifting
Invisibility

Everyman (Larry Ekler) is a fictional character appearing in American comic books published by Marvel Comics.

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The term “comic book movie” typically means superhero, but publishers have featured much more than capes and cowls in their graphic novels. The medium has been used to tell stories in several genres, many of which are then translated to film with great effect. Here are Screen Rant’s 10 best comic book movies of all-time. Superman: The Movie It may have been an easy sell, but the first Superman showed that there was a bright future for comic book films in the decades to follow. Sporting an instantly iconic cast and well-crafted thrills that delighted crowds around the world, the movie was both a critical and commercial success. Director Richard Donner found the right tone to showcase the Man of Steel, encapsulating a sense of joy and awe at being able to watch a man fly. And even after several recastings, Christopher Reeve is still Superman to entire generations, and the standard by which all others are measured. Men in Black Based on a Marvel Comic, this film brilliantly paired the hip Will Smith with the curmudgeonly Tommy Lee Jones to gut-busting results. Featuring a script that was equal parts creative and humorous, the movie was a clever spin on the buddy cop concept, mixing it up with sci-fi elements and the aliens secretly living among human society. Not only that, the film surprisingly had a strong heart, which gave the product, and the leads’ touching farewell, some emotional pull to suck viewers in. That aspect made Men in Black the complete package, and a world worth visiting in multiple sequels. Road to Perdition A somber tale of a father and son on the run, Road to Perdition delivered suspense and drama in spades. The film featured a different kind of turn for star Tom Hanks, playing a stoic, Depression-era hitman to perfection. Dealing with emotional themes of guilt, damnation, and protecting childhood innocence, the narrative was instantly relatable and gave viewers plenty of substance to go along with its style. It may not be the easiest watch with its many heart-wrenching twists, but Road to Perdition represents filmmaking at its best, and is one of the better gangster films thanks to its complex story and characters. Spider-Man 2 Long before the MCU had to save his cinematic reputation, Spider-Man was at the top of the superhero movie totem pole. Building off of the original movie’s humor and heart, Sam Raimi used this sequel to expand on the same ideas and further strengthen character dynamics, Peter and Harry Osborn’s relationship chief among them. The film showed why Spider-Man is a hero for the everyman, dedicating nearly as much time to Peter’s personal arc to make the lead a well-rounded character. Dr. Otto Octavius was the perfect comic villain, equal parts sinister and selfless, with unforgettable action thrown in as well. A History of Violence A title with many meanings, this film served up plenty of food for thought throughout its running time. Director David Cronenberg used the movie to explore the nature of the human condition - and violence in particular – in captivating fashion. Critics applauded his direction, as he displayed he was at the top of his craft with well-constructed scenes and sequences that hammered home the script’s themes. The cast was top-notch too. William Hurt may have been the only one to get an Oscar nomination, but everyone from Viggo Mortensen to Ed Harris were at the top of their games. V for Vendetta Pulling off the tricky task of adapting Alan Moore’s work to film, this Wachowski production blew audiences away with everything from the visual style to the heady concepts and commentary. As you might expect, the set pieces were stunning to witness, showcasing a grand spectacle that demands to be seen on the largest of screens. But what made V for Vendetta stand out was its story, which explored the restlessness of a political rebellion, and just how far activists would go to ensure justice for all. In the end, the impressive work – and its masked star – succeeded on multiple levels and broke new ground for the genre. 300 Zack Snyder is best known for his unique flair and filmmaking style, and much of that reputation is owed to 300. Combining an old school underdog story with revolutionary modern technology, the adaptation of Frank Miller’s comic was an incredible technical achievement, which more than made up for any narrative shortcomings. Breathtaking action sequences that redefined the concept, and popularizing a new form of speed-ramping slo-mo were just two small impacts. And leading the way was Gerard Butler, whose take on King Leonidas made the hero, and the actor, a fan-favorite. Not to mention immortalizing one of his very best one-liners. The Dark Knight Christopher Nolan’s acclaimed crime drama became one of the crowning moments of 21st century blockbuster cinema thanks to its complex portrayal of heroism, mirroring real-world dilemmas to a chilling effect. The director’s brand of “dark” and “gritty” filmmaking has proven extremely influential, inspiring countless imitators looking to recapture Nolan’s magic. The Dark Knight also works as a character study alone, led by the crazed anarchy of Heath Ledger’s Joker and Christian Bale’s focused Batman. Aaron Eckhart’s Two-Face was a welcome addition, adding yet another twist to give the story one final push into greatness. The Avengers One time accused of being overly-ambitious, Marvel Studios showed that the shared universe model of franchise building could work in exciting ways. Bringing together a collection of their most popular heroes, The Avengers set box office records and earned much critical acclaim due to the chemistry between actors and sharp wit. But it wasn’t just the heroes who made this a marvelous adventure. Tom Hiddleston cemented his status as the MCU’s best evildoer with another captivating turn as Loki, serving as the ideal foil for Earth’s Mightiest in their first mission together. Joss Whedon was seen as a risky choice for crafting the MCU, but these days, every studio looks to copy the Avengers’ shared universe success. Snowpiercer A breath of fresh air for those jaded by overproduced summer blockbusters, Snowpiercer delivered thrills and suspense that rival those of a tentpole. Using a single train to explore class separation and equality, the film didn’t pull any punches and gave audiences plenty to think about long after the ride was over. Grounded by captivating performances by actors like Chris Evans and Tilda Swinton, Snowpiercer didn’t short on character development either, creating a rich environment populated by colorful, and often freakish people and concepts. It’d be nice if all summer movies could be this headstrong, but the pleasant surprise is what made Snowpiercer a treat. Those are our picks for the best comic book movies of all-time. Are there any we missed? Which ones are your favorites? Let us know in the comments below and be sure to subscribe to our channel for more videos like this one!

Publication history

The Everyman first appeared in Captain America #267 (Mar 1982) and was created by J. M. DeMatteis and Mike Zeck. He also appears in Marvel Team-Up #131-133 (July–September 1983).

The character subsequently appears as Zeitgeist in Alpha Flight #78 (December 1989), and Captain America #390 (August 1991), #393 (October 1991), and #442 (August 1995), in which he is killed.

Zeitgeist received an entry in the All-New Official Handbook of the Marvel Universe A-Z #12 (2006).

A new, female Everyman named Lauren Fai was introduced in the 2018 limited series Luke Cage - Marvel Digital Original.

Fictional character biography

Larry Ekler was the son of hard-working Milton Ekler, who came from a lower-class background but never gave up on the American dream, although he eventually died penniless. Larry decided that the American dream was a sham. Larry intended to take up the cause of the common man and start a revolution. To really start things going, he and his followers became determined to publicly assassinate Captain America. Styling himself as a "defender of the people", Everyman sought to avenge his father's death on all of society. His primary weapon is a sword which can emit a lethal electrical shock. The Everyman challenged Captain America to a duel to the death at the Statue of Liberty. When he began to lose during the duel, Everyman took one of his own followers hostage, but that did not prevent Captain America from defeating him and taking him into custody.[1]

Reed Richards, also known as Mister Fantastic of the Fantastic Four, had been a longtime friend of Milton Ekler. When Richards learned of Larry's madness, he decided to take responsibility for him. However, the hospital where Larry was incarcerated was actually run by Doctor Faustus, who manipulated Ekler in a plot to destroy Reed Richards. Faustus sent Ekler with a device to drain Richards' psychic energy, intelligence, and self-confidence. Richards met with Ekler, but was unprepared for the brutal assault and was stunned, the ray leaving him with only a normal intelligence level. Spider-Man - who had dropped in to visit the Baxter Building shortly after Larry's attack - was able to help Richards track down Ekler, but Ekler was aided in his struggle thanks to his use of the Absorbascan, a device provided by Faustus that the doctor had claimed would allow him to bond with the masses around him and draw on their raw strength. However, Richards was able to convince Ekler to leave when he revealed that Ekler's use of the Absorbascan was actually draining the life-energies of the people around him rather than forming a benevolent link to him like he had been informed. After his departure, Spider-Man was able to help Richards develop a machine that would restore his intellect to what it had been before.[2]

As Zeitgeist

Faustus used his Secret Empire ties to furnish Ekler with a new secret identity, Zeitgeist. As Zeitgeist, he joined the German superhero group Schutz Heiliggruppe and was able to conceal his past from its members. He even helped the group battle Faustus' allies, the Red Skull and Arnim Zola. They also fought and defeated the Skeleton Crew.[3]

Despite his new heroic persona, Ekler's mission was to assassinate superhumans starting in South America. His victims included Captain Forsa, Defensor, La Bandera, the first Machete, El Condor, Ojo Macabra and Zona Rosa. Eventually, Zeitgeist's own team was called in to investigate the various murders. While fellow member of the Schutz Heiliggruppe Blitzkrieg was investigating, Zeitgeist killed him using the foil he once used as Everyman.[4]

Zeitgeist attempted to convince Vormund, the leader of the Schutz Heiliggruppe, that the Scourge of the Underworld was responsible for the murders. He tried to kill his original foe, Captain America, but Captain America easily defeated him. As Ekler tried to escape, he encountered Vormund. The two fought and Vormund used his ability to redirect kinetic energy to impale Zeitgeist on his own sword.[5]

Powers and abilities

Everyman used a sword that was able to fire energy blasts, as well as a shield, and a device called the Absorbascann. While operating as the Zeitgeist, he used a camera that was able to photograph the moment of death before a person died, as well as a belt that could change his appearance or make him invisible.

References

  1. ^ Captain America #267
  2. ^ Marvel Team-Up #132
  3. ^ Captain America #387, 388, 390, 393
  4. ^ Alpha Flight #78, Captain America #442
  5. ^ Captain America #442

External links

  • Everyman at Marvel Wiki
  • Everyman at The Appendix to the Handbook of the Marvel Universe
This page was last edited on 11 April 2024, at 20:26
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