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Elephant's Memory

From Wikipedia, the free encyclopedia

Elephant's Memory
Also known asPlastic Ono Elephant's Memory Band
OriginNew York City, New York, U.S.
GenresPsychedelic rock, experimental rock, soul
Years active1967–c. 1976
Labels

Elephant's Memory (also billed as Elephants Memory, without the apostrophe) was an American rock band formed in New York City in the late 1960s, known primarily for backing John Lennon and Yoko Ono from late 1971 to 1973. For live performances with Lennon and Ono, the band was known as the Plastic Ono Elephant's Memory Band.

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  • Why elephants never forget - Alex Gendler

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It's a common saying that elephants never forget, but these magnificent animals are more than giant walking hard drives. The more we learn about elephants, the more it appears that their impressive memory is only one aspect of an incredible intelligence that makes them some of the most social, creative and benevolent creatures on Earth. Unlike many proverbs, the one about elephant memory is scientifically accurate. Elephants know every member in their herd, able to recognize as many as 30 companions by sight or smell. This is a great help when migrating or encountering other potentially hostile elephants. They also remember and distinguish particular cues that signal danger and can recall important locations long after their last visit. But it's the memories unrelated to survival that are the most fascinating. Elephants remember not only their herd companions but other creatures who have made a strong impression on them. In one case, two circus elephants that had briefly performed together rejoiced when crossing paths 23 years later. This recognition isn't limited to others of their species. Elephants have also recognized humans they've bonded with after decades apart. All of this shows that elephant memory goes beyond responses to stimuli. Looking inside their heads, we can see why. The elephant boasts the largest brain of any land mammal, as well as an impressive encephalization quotient. This is the size of the brain relative to what we'd expect for an animal's body size, and the elephants EQ is nearly as high as a chimpanzee's. And despite the distant relation, convergent evolution has made it remarkably similar to the human brain, with as many neurons and synapses and a highly developed hippocampus and cerebral cortex. It is the hippocampus strongly associated with emotion that aides recollection by encoding important experiences into long-term memories. The ability to distinguish this importance makes elephant memory a complex and adaptable faculty beyond rote memorization. It's what allows elephants who survived a drought in their youth to recognize its warning signs in adulthood, which is why clans with older matriarchs have higher survival rates. Unfortunately, it's also what makes elephants one of the few non-human animals to suffer from post-traumatic stress disorder. The cerebral cortex, on the other hand, enables problem solving, which elephants display in many creative ways. They also tackle problems cooperatively, sometimes even outwitting the researchers and manipulating their partners. And they've grasped basic arithmetic, keeping track of the relative amounts of fruit in two baskets after multiple changes. The rare combination of memory and problem solving can explain some of elephant's most clever behaviors, but it doesn't explain some of the things we're just beginning to learn about their mental lives. Elephants communicate using everything from body signals and vocalizations, to infrared rumbles that can be heard kilometers away. And their understanding of syntax suggests they have their own language and grammar. This sense of language may even go beyond simple communication. Elephants create art by carefully choosing and combining different colors and elements. They can also recognize twelve distinct tones of music and recreate melodies. And yes, there is an elephant band. But perhaps the most amazing thing about elephants is a capacity even more important than cleverness: their sense of empathy, altruism and justice. Elephants are the only non-human animals to mourn their dead, performing burial rituals and returning to visit graves. They have shown concern for other species, as well. One working elephant refused to set a log down into a hole where a dog was sleeping, while elephants encountering injured humans have sometimes stood guard and gently comforted them with their trunk. On the other hand, elephant attacks on human villages have usually occurred right after massive poachings or callings, suggesting deliberate revenge. When we consider all this evidence, along with the fact that elephants are one of the few species who can recognize themselves in a mirror, it's hard to escape the conclusion that they are conscious, intelligent and emotional beings. Unfortunately, humanity's treatment of elephants does not reflect this, as they continue to suffer from habitat destruction in Asia, ivory poaching in Africa, and mistreatment in captivity worldwide. Given when we now know about elephants and what they continue to teach us about animal intelligence, it is more important than ever to ensure that what the English poet John Donne described as "nature's great masterpiece," does not vanish from the world's canvas.

History

Formation and early career (1967–1972)

Elephant's Memory was formed between 1967 and 1968, by Stan Bronstein (saxophone, clarinet, and vocals) and Rick Frank Jr. (drums). In 1968, they briefly added Carly Simon as a vocalist. By 1969, the line-up had expanded to include John Ward (bass) with Danny Adler (guitar and keyboards) who originally performed in the Blues Doctors (1964-1966), Chester Ayers (guitar), Myron Yules (bass trombone), R. Sussmann (keyboards), Michal Shapiro (vocals), Guy Peritore (guitar and vocals), David Cohen (guitar, keyboards, and vocals), and Michael Rose on guitar.

Two of the band's songs, "Jungle Gym at the Zoo" and "Old Man Willow", appeared on the 1969 soundtrack to the film Midnight Cowboy. Elephant's Memory received a gold disc for their contribution to the soundtrack.[1]

In 1970, the band had a minor hit single with the song "Mongoose" on Metromedia Records, peaking at #50 on the Hot 100 on October 17, 1970 but at #5 on Chicago's WCFL on November 23, 1970[2] and reaching #1 in Pittsburgh on KQV. In Canada, "Mongoose" reached #71 on September 26, 1970.[3] In 1971 the band released the single "Skyscraper Commando", of which Record World said "the lyric is powerful and the instrumental track is right up there with 'Mongoose.'"[4]

Between 1970 and 1973, the line-up remained more or less constant around Bronstein and Frank, together with guitarists Wayne "Tex" Gabriel, keyboardist Adam Ippolito and bassist Gary Van Scyoc.

Work with Lennon and Ono, and later career (1972–1976)

Known around the Greenwich Village area as a politically active street band, Elephant's Memory backed Lennon and Ono on their album Some Time in New York City during recording sessions in March 1972. The album was released in June 1972 in the United States, and in September 1972 in the UK.

Later in 1972, they were billed as the Plastic Ono Elephant's Memory Band and performed with Lennon and Ono on various TV shows, albums and concerts. On August 30, 1972, with the addition of John Ward on bass and Jim Keltner on drums, the band played with Lennon and Ono at the famous One to One Concert organized by Geraldo Rivera, to benefit the Willowbrook State School for children with intellectual disabilities. The concert was filmed and recorded, later released in February 1986 as the album Live In New York City. On September 4, they played live again with Lennon and Ono at the Jerry Lewis MDA Labor Day Telethon, performing "Imagine", "Now or Never" and "Give Peace A Chance".[1]

In April and May 1972, the band recorded their second self-titled album, produced by Lennon and released on the Beatles' Apple Records label, together with an accompanying single "Power Boogie." Billboard called it a "selection of good, strong unpretentious rock."[5] It also contains various contributions by Lennon himself on guitar and vocals. This album has never been re-issued on compact disc. From October to November, the band recorded material for Ono's double album Approximately Infinite Universe, released in January 1973.

On September 5, 1973, the band appeared at the Hells Angels "Pirate Party" held on the SS Bay Belle, together with a band featuring Jerry Garcia.[6][7] This performance was later featured in the 1983 documentary film Hells Angels Forever.[6]

The line-up of Elephant's Memory included at various times, Daria Price on castanets, Robert O'Leary on bass, and John La Bosca on piano. However, the line-up that recorded Angels Forever in 1974, was Stan Bronstein and Richard Frank, plus Gary Van Scyoc on bass, Chris Robison and Jon Sachs.

In 2010, Van Scyoc and Ippolito appeared in LENNONYC, a documentary about John Lennon for the PBS American Masters series.[8]

In May 2010, guitarist Wayne "Tex" Gabriel died at the age of 59.[9]

Discography

References

  1. ^ a b Tobler, John (1992). NME Rock 'N' Roll Years (1st ed.). London: Reed International Books Ltd. p. 234. CN 5585.
  2. ^ "WCFL Big 10 Countdown". Oldiesloon.com. November 23, 1970. Retrieved February 6, 2020.
  3. ^ "RPM Top 100 Singles - September 26, 1970" (PDF).
  4. ^ "Picks of the Week" (PDF). Record World. February 27, 1971. p. 1. Retrieved April 22, 2023.
  5. ^ "Billboard Album Reviews" (PDF). Billboard. September 30, 1972. p. 63. Retrieved August 2, 2020.
  6. ^ a b Jackson, Blair (2000). Garcia: An American Life. Penguin Publishing Group. p. 257. ISBN 9780140291995. Garcia also agreed to appear in the film ... playing with the Saunders-Garcia band during a September '73 Hell's Angels "Pirate Party" aboard the ferryboat SS Bay Belle circling around Manhattan ...
  7. ^ "Jerry Garcia And Merl Saunders: SS Bay Belle (New York City Harbor)". JerryGarcia.com.
  8. ^ "Gary Van Scyoc". The Cavern Club.
  9. ^ "Wayne "Tex" Gabriel Obiturary". Legacy.com. Archived from the original on December 22, 2017.

External links

This page was last edited on 20 February 2024, at 17:11
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