| Ehre sei Gott in der Höhe | |
|---|---|
BWV 197.1 · 197a | |
| Christmas cantata by J. S. Bach | |
 Caspar Ziegler, the author of the chorale | |
| Performed | 25 December 1728/1729: Leipzig |
Ehre sei Gott in der Höhe (Glory be to God in the Highest), BWV 197a (197.1), is a Christmas cantata by Johann Sebastian Bach. He composed it in Leipzig for the First Day of Christmas in 1728 or 1729.[1]
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Bach - Cantate BWV 197a - Ehre sei Gott in der Höhe
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Ehre sei Gott in der Hohe, cantata BWV 197a | Johann Sebastian Bach
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Ehre sei Gott in der Höhe
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Bach: Christmas Oratorio II - 12. Ehre sei Gott in der Höhe - Koopman
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Bach's own score - Ehre sei Gott in der Höhe (chorus)
Transcription
History and text
Bach composed the work in Leipzig for Christmas Day in 1728 or 1729.[1] The prescribed readings for the feast day were from the Epistle of Titus, "God's mercy appeared" (Titus 2:11–14) or from Isaiah, "Unto us a child is born" (Isaiah 9:2–7), and from the Gospel of Luke, the Nativity, Annunciation to the shepherds and the angels' song (Luke 2:1–14). The text of the cantata is by Picander.[2] The chorale is from the 1697 hymn "Ich freue mich in dir" by Caspar Ziegler.[3] Bach later revised the piece into Gott ist unsre Zuversicht, BWV 197.2.[4]
Scoring and structure
The cantata is scored for solo alto and bass voices, a four-part choir, two flutes, oboe d'amore, two violins, viola, bassoon, cello, and continuo.[2]
The piece has seven movements (although there may also have been an opening sinfonia):[2][5]
- Chorus: Ehre sei Gott in der Höhe
- Aria: Erzählet, ihr Himmel, die Ehre Gottes
- Recitative: O! Liebe, der kein Lieben gleich
- Aria: O du angenehmer Schatz
- Recitative: Das Kind ist mein
- Aria: Ich lasse dich nicht
- Chorale: Wohlan! so will ich mich
Music
Only the last four movements of the piece are extant.[5]
The nineteen surviving bars of the fourth movement, an alto aria, demonstrate a rare bassoon obbligati and assume a combined ritornello-ternary form.[5]
The fifth movement is a bass recitative with only continuo accompaniment. It is a "harmonically adventurous", "forceful little movement marked by a robust melodic line".[5]
The following bass aria is accompanied by oboe d'amore and continuo, and is a "jaunty, pastoral dance" in 6/8 time and ritornello-ternary form. The movement is notable for a long rising melisma omitted from the reworked version in BWV 197.2.[5]
Musicologist Julian Mincham suggests that the chorale is "one of the sturdiest in the repertoire".[5]
Recordings
The recordings are taken from the listing on Bach-Cantatas:[6]
- Gächinger Kantorei / Bach-Collegium Stuttgart, Helmuth Rilling. Edition Bachakademie Vol. 140. Hänssler, 1999.
- Bach Collegium Japan, Masaaki Suzuki. J. S. Bach: Cantatas Vol. 54. BIS, 2012.
References
- ^ a b Work 00245 at Bach Digital website.
- ^ a b c "BWV 197a". University of Alberta. Retrieved 21 December 2013.
- ^ Dürr, Alfred (2006). The cantatas of J.S. Bach: with their librettos in German-English parallel text. Jones, Richard (trans.). Oxford University Press. p. 101. ISBN 978-0-19-929776-4.
- ^ Work 00244 at Bach Digital website.
- ^ a b c d e f Mincham, Julian. "Chapter 38 BWV 197a". The Cantatas of Johann Sebastian Bach. Retrieved 9 September 2022.
- ^ Oron, Aryeh. "Cantata BWV 197a / Ehre sei Gott in der Höhe". Bach-Cantatas. Retrieved 26 December 2015.
External links
- Ehre sei Gott in der Höhe, BWV 197a: Scores at the International Music Score Library Project
- Ehre sei Gott in der Höhe BWV 197a; BC A 11 / Sacred cantata (1st Christmas Day): Leipzig University
- BWV 197a Ehre sei Gott in der Höhe: English translation, University of Vermont
- Luke Dahn: BWV 197a.7 bach-chorales.com
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This page was last edited on 9 June 2023, at 16:43