Eduardo De Filippo

Eduardo De Filippo OMRI
De Filippo with a model of the Teatro San Carlino [it] (1955)
Born	(1900-05-24)24 May 1900 Naples, Kingdom of Italy
Died	31 October 1984(1984-10-31) (aged 84) Rome, Italy
Occupations	Actor director playwright screenwriter
Spouses	Isabella Quarantotti ​ ​ (m. 1977)​ Thea Prandi ​ ​ (m. 1956; died 1961)​ Dorothy Pennington ​ ​ (m. 1928; div. 1955)​
Children	Luisa "Luisella" De Filippo Luca De Filippo Angelica Ippolito (stepdaughter)
Parent(s)	Luisa De Filippo Eduardo Scarpetta
Relatives	Peppino De Filippo (brother) Titina De Filippo (sister)
Member of the Senate of the Republic
Life tenure 26 September 1981 – 31 October 1984
Appointed by	Sandro Pertini
Signature

Eduardo De Filippo OMRI (Italian: [eduˈardo de fiˈlippo]; 26 May 1900 – 31 October 1984), also known simply as Eduardo,^[1] was an Italian actor, director, screenwriter and playwright, best known for his Neapolitan works Filumena Marturano and Napoli Milionaria. Considered one of the most important Italian artists of the 20th century, De Filippo was the author of many theatrical dramas staged and directed by himself first and later awarded and played outside Italy. For his artistic merits and contributions to Italian culture, he was named senatore a vita by the President of the Italian Republic Sandro Pertini.

Biography

Family

De Filippo was born in Naples on 26 May 1900. For many years his birth date was mistakenly thought to be May 24th, but recent research in anagraphic books proved 26 to be the right date. Eduardo was the second son of playwright and actor Eduardo Scarpetta, the king of Neapolitan theatre, and theatre seamstress and costumier Luisa De Filippo.^[2] He and his siblings Annunziata "Titina" and Giuseppe "Peppino" were extramarital because Scarpetta was actually married since 1876 to Rosa De Filippo,^[3] Luisa's paternal aunt. Scarpetta had six more illegitimate children from various affairs, including actors Ernesto Murolo and Eduardo Passarelli. Scarpetta never acknowledged Eduardo De Filippo and his siblings, which is why the son took his mother's name.^[4][5]

Theatre

Eduardo De Filippo first appeared on stage at the age of four. Being 14, he became a professional actor in Scarpetta's company^[4] and played there until 1927.^[6] In 1925, the company played in Milan's Teatro Fossati where Eduardo di Filippo was spotted and then praised in a review by Renato Simoni, then the most influential critic of Italy.^[6]

In 1931, Eduardo formed a theatre company with his brother playwright Peppino and sister Titina, called Compagnia del Teatro Umoristico I De Filippo.^[7] They invented a new genre and a unique artistic approach, rooted in commedia dell’arte but not prone to its limitations. In 1931-32 the company toured Italy, then they returned to Naples and staged for Teatro Nuovo such plays as Farmacia di turno (The On-Duty Farmacy), Tutti insieme canteremo (We’ll All Sing Together), Miseria Bella (Splendid Poverty).^[8] On 24 December 1931 they performed a one-act play Natale in casa Cupiello (Christmas at the Cupiello's) and it has such success that the engagement was extended for 6 months instead of one week. Soon they moved to Sannazzaro and staged there Chi è cchiu' felice 'e me (Who's Happier than Me?), Amore e balestre (Slings and Loves). Soon Pirandello give Eduardo the right to adapt Liolà, the play with Peppino in the title role had great success.^[9] It was followed by several other plays, gradually Compagnia del Teatro Umoristico I De Filippo grew into one of the most influential theatre companies in the country and was acknowledged as the one that made a revolution in Italian theatre.^[10] The protagonists of Eduardo's plays were usually misfortuned, traumatized, and scorned by the closest relatives and friends, but remained full of virtue and human dignity. The pain of the heroes was always taken from life itself and that is why Eduardo's plays resonated with the audience.^[11][12]

In the late 1930s and early 1940s raising sympathies for Fascism in society made the company’s work much harder: their performances were often interrupted and the brothers received multiple threats. In 1936, 1938, and 1941 Eduardo's antifascist stance was officially condemned by the Ministry of Internal Affairs. In 1937, he refused to participate in Sabato teatrale (Theatre Saturday). In 1944, Eduardo and Peppino were included in the list of people to be exiled from Rome to the North.^[9]

Peppino left the troupe in 1944 due to artistic differences, so in 1945 Eduardo and Titina created Teatro di Eduardo. They debuted in Naples in Teatro San Carlo on 25 March 1945. However, Titina left the company in the early 1950s. After the war, in 1948 Eduardo bought the S. Ferdinando theatre in Naples, inaugurated in 1954.^[13][14] However, in 1954 Titina was forced to leave the company and the theatre due to health problems.^[15]

In 1962, the company toured in Russia, Poland, Hungary, Austria and Belgium.^[15]

In 1967, he presented Il Contratto at the 26th Theatre Festival in Venezia. Also in 1967, his son Luca started playing in his father's company, first under the pseudonym Luca della Porta.^[15]

In the 1970s, De Filippo came to London: in 1972 he brought Naples Millionaire. In 1973, Franco Zeffirelli's production of De Filippo's 1959 play Sabato, domenica e lunedi (translated as Saturday, Sunday, Monday), starring Joan Plowright, Frank Finlay and Laurence Olivier, was presented at London's National Theatre and won the London drama critics' award.^[16][17][18]

On 18 December 1972, he was honoured with the Antonio Feltrinelli Award for his lifelong contribution to theatrical arts. De Filippo was praised for his poetic approach and unique way of showing drama through comedy; for breaking the limits of a dialect and opening Neapolitan culture to the world.^[15]

In January 1980, after several years of struggle, he finally opened his drama school in Florence.^[19]

In 1981, for ‘highest achievements in the arts of theatre and literature’, he was named senatore a vita by the President of the Italian Republic Sandro Pertini. In the same year, he was appointed to lead the 1981-82 course of Literature at the L’Istituto di Teatro in Rome.^[19]

Cinema

De Filippo first role in cinema was in Mario Bonnard's Tre uomini in frak.^[9]

In 1950, De Filippo filmed Napoli milionaria (Side Street Story), based on his 1945 play. He also starred in De Sica's L'oro di Napoli with Totò and Sophia Loren in 1954. In 1964, Vittorio De Sica made Matrimonio all’Italiana (Marriage Italian Style) based on De Filippo's play Filumena Marturano, where Filumena was portrayed by Sophia Loren.^[20]

In 1979, Laurence Olivier filmed Filumena with Frank Finlay and Joan Plowright in the lead roles.^[18]

De Filippo was the one to discover the talent of Marina Confalone, in his theatre company she thrived into one of the best Italian actresses of her time.^[21][22]

Personal life

He was married three times. His first wife was Dorothy Pennington, they married in 1928 and separated after a few months.^[23] In 1954 he married the actress Thea Prandi, with whom De Filippo already had two children: Luisa "Luisella" and Luca. Luisella played in her father's theatre and showed remarkable talent. The couple separated in 1959. In early 1960, on Christmas holidays Luisella, stayed with her mother and brother at the Savoia-Belvedere hotel near Rome. On 5 January 1960, she suddenly lost consciousness while playing and died suddenly from a cerebral haemorrhage. De Filippo was at the rehearsal when he got the news, he never fully recovered. Luisella was buried at Verano cemetery. Thea Prandi died in 1961 from a tumour.^[24][25] In 1963 he lost Titina, she died from a long illness.^[15]

On 4 February 1977, he married writer and playwright Isabella Quarantotti.^[19] The actress Angelica Ippolito is his step-daughter, born to Isabella Quarantotti and her first husband, the scientist Felice Ippolito.^[26]

In 1979, Peppino died.^[19] Eduardo De Filippo died of kidney failure on 31 October 1984, in Rome, at the age of 84. His artistic legacy was inherited by his son Luca.^[12]

Works

Theatre

Filmography

References

Sources

• Fischer, Donatella (2007). Il Teatro di Eduardo de Filippo: La Crisi della Famiglia Patriarcale. New York: Modern Humanities Research Association and Routledge. ISBN 978-1-905981-34-2.
• Ardito, Carlo (1992). De Filippo Four Plays: The Local Authority; Grand Magic; Filumena; Marturano. Bloomsbury Academic. ISBN 9780413666208.
• Farrell, Joseph (2006). A History of Italian Theatre. Cambridge University Press. ISBN 9780521802659.
• Gilbert, Mark; Lamberti Moneta, Sara (2020). Historical Dictionary of Modern Italy. Rowman & Littlefield.
• Di Franco, Fiorenza (2000). Eduardo De Filippo. Gremese Editore.
• Filosa, Carlo (1978). Eduardo de Filippo: poeta comico del tragico quotidiano : saggio su napoletanità e decadentismo nel teatro di Eduardo de Filippo. La nuova cultura.

External links

• Site dedicated to his life and works (in Italian)
• Eduardo De Filippo at Find a Grave
• Eduardo De Filippo at the Internet Broadway Database
• Eduardo De Filippo at IMDb

This page was last edited on 7 April 2024, at 22:27